Études-Tableaux, Op. 39: Difference between revisions

Browse history interactively ← Previous edit Next edit →Content deleted Content addedVisual WikitextInline

Revision as of 18:23, 16 April 2023 editIamperfect69 (talk \| contribs)Extended confirmed users1,555 editsm portalbar← Previous edit		Revision as of 17:24, 10 June 2023 edit undoSquandermania (talk \| contribs)Extended confirmed users10,865 edits →Structure: FormattingNext edit →
Line 9:		Line 9:
	== Structure ==		== Structure ==
	The Op. 39 set comprises nine études:		The Op. 39 set comprises nine études:
	* '''''Allegro agitato'' in C minor — No. 1'''
⚫	:This quick-paced étude demands a tireless right hand, a ] left hand and considerable dexterity. Technically, the music is in an almost continual climax.<ref>Harrison, 207.</ref> It bears a resemblance to Chopin's ] in E{{music\|flat}} minor.
⚫	* ~~'''''~~Lento assai'' in A minor ~~— No. 2'''~~
⚫	:Also known as "The Sea and the Seagulls". The work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the ] plainchant, one of the many works by the composer to do so.

	* ~~'''''~~Allegro ~~molto''~~ in ~~F{{music\|sharp}}~~ minor ~~— No. 3'''~~		# Allegro agitato in C minor
		⚫	:: This quick-paced étude demands a tireless right hand, a ] left hand and considerable dexterity. Technically, the music is in an almost continual climax.<ref>Harrison, 207.</ref> It bears a resemblance to Chopin's ] in E{{music\|flat}} minor.
⚫	:An incredibly complex étude, tone-wise. While it starts off with an angry, frenetic feel, there are moments of violent sublimity scattered throughout the piece.

⚫	* ~~'''''~~Allegro assai'' in B minor ~~— No. 4'''~~
		⚫	#<li value=2> Lento assai in A minor
⚫	:A charming ], this étude contains a lot of harmonic color.
		⚫	:: Also known as "The Sea and the Seagulls". The work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the ] plainchant, one of the many works by the composer to do so.

			#<li value=3> Allegro molto in F{{music\|sharp}} minor
		⚫	::An incredibly complex étude, tone-wise. While it starts off with an angry, frenetic feel, there are moments of violent sublimity scattered throughout the piece.
		⚫	#<li value=4> Allegro assai in B minor
		⚫	::A charming ], this étude contains a lot of harmonic color.
	{{listen\|filename=Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor.ogg\|title=''Étude-Tableau'' No. 5 in E{{music\|flat}} minor\|description=Karine Gilanyan performing ''Étude-Tableau'' No. 5 in ], Op. 39, No. 5 (4:31, 8.48 MB) . Courtesy of \|format=]}}		{{listen\|filename=Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor.ogg\|title=''Étude-Tableau'' No. 5 in E{{music\|flat}} minor\|description=Karine Gilanyan performing ''Étude-Tableau'' No. 5 in ], Op. 39, No. 5 (4:31, 8.48 MB) . Courtesy of \|format=]}}
	* ~~'''''~~Appassionato'' in E{{music\|flat}} minor ~~— No. 5'''~~		#<li value=5> Appassionato in E{{music\|flat}} minor
	:Possibly the dramatic peak of both the ] and Op. 39 sets, it turns passionate, tumultuous, despairing, and somber. It ends on a glimmer of hope, in the ] of E{{music\|flat}} major.		::Possibly the dramatic peak of both the ] and Op. 39 sets, it turns passionate, tumultuous, despairing, and somber. It ends on a glimmer of hope, in the ] of E{{music\|flat}} major.
	* ~~'''''~~Allegro'' in A minor ~~— No. 6'''~~		#<li value=6> Allegro in A minor
	:This aggressive and daunting piece opens with threatening chromatic octave runs low on the keyboard, answered by quick, chattering treble figures that eventually transform themselves into a march. The music grows hectic and, having reached ''presto'', sounds nearly out of control. The effect of the piece is seemingly mysterious yet fully unified.<ref name="har208">Harrison, 208.</ref> Referred to as "Little Red Riding Hood and the Wolf",<ref>Harrison pg. 180.</ref> the piece ends with the chromatic runs sounding as though the wolf swallowed Red Riding Hood whole.<ref>Harrison, 208–209.</ref>		::This aggressive and daunting piece opens with threatening chromatic octave runs low on the keyboard, answered by quick, chattering treble figures that eventually transform themselves into a march. The music grows hectic and, having reached ''presto'', sounds nearly out of control. The effect of the piece is seemingly mysterious yet fully unified.<ref name="har208">Harrison, 208.</ref> Referred to as "Little Red Riding Hood and the Wolf",<ref>Harrison pg. 180.</ref> the piece ends with the chromatic runs sounding as though the wolf swallowed Red Riding Hood whole.<ref>Harrison, 208–209.</ref>

	:This piece was originally the fourth étude of the Op. 33 set. Since it exhibits all the pianistic, rhythmic and harmonic features that characterize the Op. 39 set, it can be assumed Rachmaninoff revised this piece extensively before including it here.<ref name="har208"/>		::This piece was originally the fourth étude of the Op. 33 set. Since it exhibits all the pianistic, rhythmic and harmonic features that characterize the Op. 39 set, it can be assumed Rachmaninoff revised this piece extensively before including it here.<ref name="har208"/>
	* ~~'''''~~Lento lugubre'' in C minor ~~— No. 7'''~~		#<li value=7> Lento lugubre in C minor
	:This étude is a lugubrious march that transforms into a cacophonous blaze of the composer's much-loved bell motif at the end.		::This étude is a lugubrious march that transforms into a cacophonous blaze of the composer's much-loved bell motif at the end.
	* ~~'''''~~Allegro moderato'' in D minor ~~— No. 8'''~~		#<li value=8> Allegro moderato in D minor
⚫	:This piece is a lyrical and musical study of double notes. It requires precise pedaling, flexible and independent fingers, and agility. The piece has very long, defined legato melodic lines that are contrasted by a staccato middle section.<ref name="fsu-pdf"></ref>

⚫	* ~~'''''~~Allegro moderato. Tempo di marcia'' in D major ~~— No. 9'''~~
		⚫	::This piece is a lyrical and musical study of double notes. It requires precise pedaling, flexible and independent fingers, and agility. The piece has very long, defined legato melodic lines that are contrasted by a staccato middle section.<ref name="fsu-pdf"></ref>
⚫	:A dramatic, bombastic march to conclude this set, this étude contains ingenious ], lush harmonies, and a wide range of musical colors.
		⚫	#<li value=9> Allegro moderato. Tempo di marcia in D major
		⚫	::A dramatic, bombastic march to conclude this set, this étude contains ingenious ], lush harmonies, and a wide range of musical colors.

	== Recordings ==		== Recordings ==

Revision as of 17:24, 10 June 2023

This article is about the second set of études-tableaux by Rachmaninoff, Op. 39. For the first set, see Études-Tableaux, Op. 33.

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Études-Tableaux, Op. 39" – news · newspapers · books · scholar · JSTOR (September 2014) (Learn how and when to remove this message)

This article contains wording that promotes the subject in a subjective manner without imparting real information. Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance. (March 2022) (Learn how and when to remove this message)

(Learn how and when to remove this message)

The Études-Tableaux ("study pictures"), Op. 39 is the second set of piano études composed by Sergei Rachmaninoff.

Structure

The Op. 39 set comprises nine études:

Allegro agitato in C minor

This quick-paced étude demands a tireless right hand, a syncopated left hand and considerable dexterity. Technically, the music is in an almost continual climax. It bears a resemblance to Chopin's Prelude in E♭ minor.

Lento assai in A minor

Also known as "The Sea and the Seagulls". The work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the Dies Irae plainchant, one of the many works by the composer to do so.

Allegro molto in F♯ minor

An incredibly complex étude, tone-wise. While it starts off with an angry, frenetic feel, there are moments of violent sublimity scattered throughout the piece.

Allegro assai in B minor

A charming gavotte, this étude contains a lot of harmonic color.

Étude-Tableau No. 5 in E♭ minor

Karine Gilanyan performing Étude-Tableau No. 5 in E♭ minor, Op. 39, No. 5 (4:31, 8.48 MB) . Courtesy of Musopen

Problems playing this file? See media help.

Appassionato in E♭ minor

Possibly the dramatic peak of both the Op. 33 and Op. 39 sets, it turns passionate, tumultuous, despairing, and somber. It ends on a glimmer of hope, in the parallel major of E♭ major.

Allegro in A minor

This aggressive and daunting piece opens with threatening chromatic octave runs low on the keyboard, answered by quick, chattering treble figures that eventually transform themselves into a march. The music grows hectic and, having reached presto, sounds nearly out of control. The effect of the piece is seemingly mysterious yet fully unified. Referred to as "Little Red Riding Hood and the Wolf", the piece ends with the chromatic runs sounding as though the wolf swallowed Red Riding Hood whole.

This piece was originally the fourth étude of the Op. 33 set. Since it exhibits all the pianistic, rhythmic and harmonic features that characterize the Op. 39 set, it can be assumed Rachmaninoff revised this piece extensively before including it here.

Lento lugubre in C minor

This étude is a lugubrious march that transforms into a cacophonous blaze of the composer's much-loved bell motif at the end.

Allegro moderato in D minor

This piece is a lyrical and musical study of double notes. It requires precise pedaling, flexible and independent fingers, and agility. The piece has very long, defined legato melodic lines that are contrasted by a staccato middle section.

Allegro moderato. Tempo di marcia in D major

A dramatic, bombastic march to conclude this set, this étude contains ingenious counterpoint, lush harmonies, and a wide range of musical colors.

Recordings

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2014) (Learn how and when to remove this message)

Rachmaninoff recorded Op. 39, No. 4 (piano roll only), and Op. 39, No. 6 (electrical recording and piano roll).
Evgeny Kissin recorded Nos. 1,2,4,5,6,9 on the RCA Victor Red Seal label, May 16 and 17, 1988, in Watford Town Hall. 7982-2-RC. The recording also includes the Piano Concerto No. 2, Opus 18, with the London Symphony Orchestra and Valery Gergiev being the conductor.
Another recording of the Op. 39 Études-Tableaux is by Alexander Melnikov on the Harmonia Mundi label. Other works are the Op. 38 songs and the Variations on a Theme of Corelli.