Pietroasele Treasure: Difference between revisions

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Revision as of 00:28, 22 July 2023 editJim.henderson (talk \| contribs)Autopatrolled, Event coordinators, Extended confirmed users, IP block exemptions, Pending changes reviewers, Rollbackers72,694 editsm Romania in World War I sharper linkTag: Visual edit ← Previous edit		Revision as of 10:01, 1 September 2023 edit undoAristeus01 (talk \| contribs)Extended confirmed users3,248 edits GalleryTag: 2017 wikitext editor Next edit →
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	{{short description\|Gothic treasure}}		{{short description\|Gothic treasure}}
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	]'s ''Trésor de Petroasa'' (1889), by ].]]		]'s ''Trésor de Petroasa'' (1889), by ].]]
	The '''Pietroasele Treasure''' (or the '''Petrossa Treasure''') found in ], ], in 1837, is a late fourth-century ] treasure that included some twenty-two objects of gold, among the most famous examples of the polychrome style of ]. Of the twenty-two pieces, only twelve have survived, conserved at the ], in ]: a large eagle-headed ] and three smaller ones encrusted with semi-precious stones; a ], or round sacrificial dish, modelled with ] figures<ref>Campbell, Joseph. ''The Masks of God: Creative Mythology''. 1968.</ref> surrounding a seated three-dimensional goddess in the center; a twelve-sided cup, ] with a ], a large tray, two other necklaces and a pitcher. Their multiple styles, in which ] styles have been noted in the belt buckles, ] styles in the golden bowls, ] motifs in the baskets, and ] fashions in the fibulae,<ref>Herbert Kühn, "Asiatic Influences on the Art of the Migrations" ''Parnassus'' '''9'''.1 (January 1937, pp. 13-16, 43) p. 14</ref> are characteristic of the cosmopolitan outlook of the ] in a region without defined ] confines.		The '''Pietroasele Treasure''' (or the '''Petrossa Treasure''') found in ], ], in 1837, is a late fourth-century ] treasure that included some twenty-two objects of gold, among the most famous examples of the polychrome style of ]. Of the twenty-two pieces, only twelve have survived, conserved at the ], in ]: a large eagle-headed ] and three smaller ones encrusted with semi-precious stones; a ], or round sacrificial dish, modelled with ] figures<ref>Campbell, Joseph. ''The Masks of God: Creative Mythology''. 1968.</ref> surrounding a seated three-dimensional goddess in the center; a twelve-sided cup, ] with a ], a large tray, two other necklaces and a pitcher. Their multiple styles, in which ] styles have been noted in the belt buckles, ] styles in the golden bowls, ] motifs in the baskets, and ] fashions in the fibulae,<ref>Herbert Kühn, "Asiatic Influences on the Art of the Migrations" ''Parnassus'' '''9'''.1 (January 1937, pp. 13-16, 43) p. 14</ref> are characteristic of the cosmopolitan outlook of the ] in a region without defined ] confines.
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	Old photos show that the head of the largest bird brooch was originally detached, and the present restoration has the head on the wrong way round. In its original state the head would have faced forwards and the brooch would have sat like a bird on the shoulder fastening a cloak in imitation of the Roman fashion.<ref>David Brown, The brooches in the Pietroasa Treasure, ''Antiquity'' 46, 1972, 111-6</ref>		Old photos show that the head of the largest bird brooch was originally detached, and the present restoration has the head on the wrong way round. In its original state the head would have faced forwards and the brooch would have sat like a bird on the shoulder fastening a cloak in imitation of the Roman fashion.<ref>David Brown, The brooches in the Pietroasa Treasure, ''Antiquity'' 46, 1972, 111-6</ref>

			=== Gallery ===
			<gallery>
		⚫	File:Tezaurul de la Pietroasele Closca MNIR Tezaur.JPG\|thumb\|left\|An eagle-shaped fibula
		⚫	File:Closca cu puii de aur IMG 1664.JPG\|thumb\|left\|Eagle-shaped middle fibulae, worn in pairs by Gothic women
			File:Coupe-Pietroassa.jpg\|thumb\|Cup of gold, silver, garnet and tourmaline
			File:Pátera - Tesoro de Pietroasele (1).jpg\|thumb\|Patera from the Pietroasele hoard, National Museum of Romanian History (Inv. 11427)
			File:Pátera - Tesoro de Pietroasele (4).jpg\|thumb\|Detail on the patera
			File:Tesoro di pietroasele, missorio, IV-V sec.JPG\|thumb\|Plate with concentric ornamentation
			File:Expozitie Aurul Romaniei MNIR0014.JPG\|thumb\|]




			</gallery>

	==See also==		==See also==
	* ]		* ]

Revision as of 10:01, 1 September 2023

Gothic treasure

The Pietroasele Treasure (or the Petrossa Treasure) found in Pietroasele, Buzău, Romania, in 1837, is a late fourth-century Gothic treasure that included some twenty-two objects of gold, among the most famous examples of the polychrome style of Migration Period art. Of the twenty-two pieces, only twelve have survived, conserved at the National Museum of Romanian History, in Bucharest: a large eagle-headed fibula and three smaller ones encrusted with semi-precious stones; a patera, or round sacrificial dish, modelled with Orphic figures surrounding a seated three-dimensional goddess in the center; a twelve-sided cup, a ring with a Gothic runic inscription, a large tray, two other necklaces and a pitcher. Their multiple styles, in which Han Chinese styles have been noted in the belt buckles, Hellenistic styles in the golden bowls, Sasanian motifs in the baskets, and Germanic fashions in the fibulae, are characteristic of the cosmopolitan outlook of the Cernjachov culture in a region without defined topographic confines.

When Alexandru Odobescu published his book on the treasure, he considered that such magnificent work could only have belonged to Athanaric (died 381), leader of the Thervings, a Gothic people. Modern archaeologists cannot connect the hoard with such a glamorous name.

The treasure was shipped to Russia in December 1916, as German armies advanced through Romania in World War I, and was never fully returned; parts were returned in 1956.

An atomic analysis of the Pietroasele gold hoard has concluded that from the point of view of Ir/Au, Cu/Au and Ag/Au concentrations the three styles are clustered. At least from the iridium concentration data, the assumption of a Dacian provenance of the hoard raw material is highly improbable as also the hypothesis that Roman imperial gold coins were used for manufacturing Pietroasa artifacts is not in accordance with the elemental concentrations.

Old photos show that the head of the largest bird brooch was originally detached, and the present restoration has the head on the wrong way round. In its original state the head would have faced forwards and the brooch would have sat like a bird on the shoulder fastening a cloak in imitation of the Roman fashion.

Gallery

An eagle-shaped fibula
Eagle-shaped middle fibulae, worn in pairs by Gothic women
Cup of gold, silver, garnet and tourmaline
Patera from the Pietroasele hoard, National Museum of Romanian History (Inv. 11427)
Detail on the patera
Plate with concentric ornamentation
Oenochoe

Notes

Campbell, Joseph. The Masks of God: Creative Mythology. 1968.
Herbert Kühn, "Asiatic Influences on the Art of the Migrations" Parnassus 9.1 (January 1937, pp. 13-16, 43) p. 14
Odobescu, Alexandru, Le Trésor de Petrossa, Paris, 1889-1900.
Journal of Radioanalytical and Nuclear Chemistry, 240 (1999) 897 Nuclear analyses of the Pietroasa gold hoard, Viorel Cojocaru, Cãlin Besliu and Cristina Anton Manea
David Brown, The brooches in the Pietroasa Treasure, Antiquity 46, 1972, 111-6