Misplaced Pages

Neurofunk: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 19:15, 27 November 2023 editOmnipaedista (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers242,035 edits WP:NOR← Previous edit Revision as of 21:23, 12 April 2024 edit undoJJMC89 bot III (talk | contribs)Bots, Administrators3,671,437 editsm Moving Category:Drum and bass subgenres to Category:Drum and bass genres per Misplaced Pages:Categories for discussion/Log/2024 March 12#Category:Drum and bass subgenresNext edit →
Line 32: Line 32:
{{Drum and bass-footer}} {{Drum and bass-footer}}


] ]
] ]

Revision as of 21:23, 12 April 2024

Subgenre of drum and bass
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Neurofunk" – news · newspapers · books · scholar · JSTOR (December 2008) (Learn how and when to remove this message)
Neurofunk
Stylistic origins
Cultural originsLate 1990s, United Kingdom
Derivative formsGlitch hop
Fusion genres
Neurohop
Other topics

Neurofunk (also known informally as neuro) is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep.

It was further developed by juxtaposing elements of darker, heavier, and harder forms of funk with multiple influences ranging from techno, house and jazz, distinguished by consecutive stabs over the bassline; razor-sharp backbeats; scarce or nonexistent traditional melodies; a hyper focus on sub sound design; the use of modulated, distorted and filtered synthesizers and audio capture from samplers such as the Akai S1000 and Emu E6400.

History

The first sounds of neurofunk emerged from techstep within the larger musical genre of drum and bass and jungle during the late nineties. Techstep garnered a name for itself during the mid-nineties when rave (especially in the UK) was dying out, and amassed popularity quickly.

Neurofunk's early evolution – when diverging from techstep – can be heard on Ed Rush and Optical's Funktion (1997) single for V Recordings, as well as on their first album Wormhole (1998) for Virus Recordings.

The first known mention of the term was in the book Energy Flash: A Journey Through Rave Music and Dance Culture (1998) by Simon Reynolds. This is where the English music critic coined the name as a result of his personal perception of stylistic shifts in techstep – backbeats replacing breakbeats, funk harmonies replacing industrial timbres, and lack of emphasis on the drop:

"(Neurofunk) is the fun-free culmination of jungle's strategy of cultural resistance: the eroticization of anxiety."

References

  1. "Ed Rush & Optical - Funktion / Naked Lunch". Discogs.com. Retrieved 30 December 2021.
  2. "Virus Recordings". Discogs.com. Retrieved 30 December 2021.
  3. ^ Reynolds, Simon (1998). Energy Flash: A Journey Through Rave Music and Dance Culture. (Picador, ISBN 0-330-35056-0) ("excerpt". Archived from the original on 16 July 2011. Retrieved 22 May 2021.)
Funk music
Genres
Related
Drum and bass
Categories: