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In 1987, as one half of duo Morgan-McVey, he released the single "]". Originally conceived as a ]-style male vocal duo who would harmonise over ] beats, early demos failed to deliver on the concept.<ref name=":0">{{Cite web|title=A Journey Through Stock Aitken Waterman: Ep 19: Looking Good Diving to I Just Can't Wait on Apple Podcasts|url=https://podcasts.apple.com/au/podcast/ep-19-looking-good-diving-to-i-just-cant-wait/id1565879477?i=1000546134676|access-date=27 December 2021|website=Apple Podcasts|language=en-AU}}</ref> Facing creative inertia, the act's record company convinced them to work with rising pop producers ] (SAW), a proposition that left them with mixed feelings.<ref name=":0" /> Band member ] says McVey was so "embarrassed" by the resulting record and video, the band quickly disintegrated.<ref name=":0" /> However, McVey has since been complimentary of SAW's studio skills, calling the trio "more punk than the punks".<ref>{{Cite web|date=6 December 2021|title='I used every chord on the Casio' – How we made Manchild by Neneh Cherry|url=https://www.theguardian.com/culture/2021/dec/06/i-used-every-chord-on-the-casio-how-we-made-manchild-by-neneh-cherry|access-date=27 December 2021|website=the Guardian|language=en}}</ref> In 1987, as one half of duo Morgan-McVey, he released the single "]". Originally conceived as a ]-style male vocal duo who would harmonise over ] beats, early demos failed to deliver on the concept.<ref name=":0">{{Cite web|title=A Journey Through Stock Aitken Waterman: Ep 19: Looking Good Diving to I Just Can't Wait on Apple Podcasts|url=https://podcasts.apple.com/au/podcast/ep-19-looking-good-diving-to-i-just-cant-wait/id1565879477?i=1000546134676|access-date=27 December 2021|website=Apple Podcasts|language=en-AU}}</ref> Facing creative inertia, the act's record company convinced them to work with rising pop producers ] (SAW), a proposition that left them with mixed feelings.<ref name=":0" /> Band member ] says McVey was so "embarrassed" by the resulting record and video, the band quickly disintegrated.<ref name=":0" /> However, McVey has since been complimentary of SAW's studio skills, calling the trio "more punk than the punks".<ref>{{Cite web|date=6 December 2021|title='I used every chord on the Casio' – How we made Manchild by Neneh Cherry|url=https://www.theguardian.com/culture/2021/dec/06/i-used-every-chord-on-the-casio-how-we-made-manchild-by-neneh-cherry|access-date=27 December 2021|website=the Guardian|language=en}}</ref>


By 1987, McVey had met ] and he become a producer and her manager.<ref name=":1">{{Cite web |last=Hart |first=Ron |date=2020-01-30 |title=Neneh Cherry Looks Back on Boundary-Busting ‘Raw Like Sushi’ Album |url=https://www.billboard.com/music/music-news/neneh-cherry-cameron-mcvey-raw-like-sushi-8549701/ |access-date=2024-09-22 |website=Billboard |language=en-US}}</ref> The B-side to Looking Good Diving, "Looking Good Diving with the Wild Bunch", was reworked into Cherry's 1988 single "]". By 1987, McVey had met ] and he became a producer and her manager.<ref name=":1">{{Cite web |last=Hart |first=Ron |date=2020-01-30 |title=Neneh Cherry Looks Back on Boundary-Busting ‘Raw Like Sushi’ Album |url=https://www.billboard.com/music/music-news/neneh-cherry-cameron-mcvey-raw-like-sushi-8549701/ |access-date=2024-09-22 |website=Billboard |language=en-US}}</ref> The B-side to Looking Good Diving, "Looking Good Diving with the Wild Bunch", was reworked into Cherry's 1988 single "]".


Cherry and McVey provided financial support, via the Cherry Bear organisation, in the early stages of ] and ]'s careers. Around 1990, McVey became Massive Attack's manager and be co-produced their first album ].<ref name=":1" /> The album having also being partly recorded at his house.<ref>{{cite web |date=15 January 2007 |title=Interview with Cameron 'Booga Bear' McVey |url=http://67.222.54.247/33//2007/01/interview-with-cameron-booga-bear-mcvey.html |archive-url=https://web.archive.org/web/20110705234710/http://67.222.54.247/33//2007/01/interview-with-cameron-booga-bear-mcvey.html |archive-date=5 July 2011 |publisher=Reseize}}</ref> Cherry and McVey provided financial support, via the Cherry Bear organisation, in the early stages of ] and ]'s careers. Around 1990, McVey became Massive Attack's manager and he co-produced their first album ].<ref name=":1" /> The album having also being partly recorded at his house.<ref>{{cite web |date=15 January 2007 |title=Interview with Cameron 'Booga Bear' McVey |url=http://67.222.54.247/33//2007/01/interview-with-cameron-booga-bear-mcvey.html |archive-url=https://web.archive.org/web/20110705234710/http://67.222.54.247/33//2007/01/interview-with-cameron-booga-bear-mcvey.html |archive-date=5 July 2011 |publisher=Reseize}}</ref>


===CirKus=== ===CirKus===

Revision as of 13:32, 7 October 2024

British musician and record producer

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Cameron McVey
Birth nameCameron Andrew McVey
Also known asBurt Ford
Born (1957-08-11) 11 August 1957 (age 67)
OriginEngland
Occupation(s)Singer, songwriter, record producer
Musical artist

Cameron Andrew McVey (born 11 August 1957) is an English singer, songwriter and record producer. He worked with the bands Massive Attack, Portishead, All Saints, Sugababes and his wife Neneh Cherry. He is the father of Marlon Roudette, Tyson, and Mabel.

Early life

McVey grew up in Cockfosters, North London. He was educated at Queen Elizabeth's Boys' School, Barnet.

Career

By 1979, McVey had been working as a photographer. He took the photograph featured on Madnesses 1979 album One Step Beyond....

McVey started creating music as a member of the new wave band Bim in the early 1980s, in which he was the lead singer. The band released one album in 1982, Boobams Out! and seven singles from 1980 to 1982.

In 1987, as one half of duo Morgan-McVey, he released the single "Looking Good Diving". Originally conceived as a Simon & Garfunkel-style male vocal duo who would harmonise over reggae beats, early demos failed to deliver on the concept. Facing creative inertia, the act's record company convinced them to work with rising pop producers Stock Aitken Waterman (SAW), a proposition that left them with mixed feelings. Band member Jamie Morgan says McVey was so "embarrassed" by the resulting record and video, the band quickly disintegrated. However, McVey has since been complimentary of SAW's studio skills, calling the trio "more punk than the punks".

By 1987, McVey had met Neneh Cherry and he became a producer and her manager. The B-side to Looking Good Diving, "Looking Good Diving with the Wild Bunch", was reworked into Cherry's 1988 single "Buffalo Stance".

Cherry and McVey provided financial support, via the Cherry Bear organisation, in the early stages of Massive Attack and Portishead's careers. Around 1990, McVey became Massive Attack's manager and he co-produced their first album Blue Lines. The album having also being partly recorded at his house.

CirKus

In 2006, McVey (under the name Burt Ford) along with Neneh Cherry, Matt Kent (aka Karmil) and Lolita Moon released the album Laylow, as a band called CirKus. In 2008, CirKus (with the same line-up) released their second album Medicine.

Personal life

In 1983, McVey fathered a son, Marlon Roudette, with Vincentian artist and designer Vonnie Roudette.

McVey met Neneh Cherry in 1987 at Heathrow Airport while they were en route to Japan as fashion models as part of London Designer Ray Petri's Buffalo Posse. The couple married in 1990; they have two daughters, singers Tyson, born in 1989 (also known as Lolita Moon), and Mabel. The family lived throughout Europe. In 1993, they moved near Málaga, Spain and lived there until 1999. Briefly in 1995, they lived in Brooklyn, New York, where they had purchased a home in the Park Slope neighbourhood. Soon after moving in, the couple were held up at gunpoint and robbed by a teenage bandit. They headed back to London's Primrose Hill. Eventually they migrated to Cherry's native Hässleholm, Sweden, living in the same schoolhouse-turned-home where Cherry was raised (featured in the Homebrew album's artwork).

Albums produced

Neneh Cherry albums

Other works

References

  1. "CAMERON MCVEY". swedishcharts.com. Retrieved 29 January 2012.
  2. Civil registration event: Birth, vol. 5F, p. 576, Name: McVey, Cameron A
    Registration district: Wood Green
    County: Middlesex
    Year of registration: 1957
    Quarter of registration: Jul-Aug-Sep
    Mother's maiden name: Millward
  3. ^ "A Journey Through Stock Aitken Waterman: Ep 19: Looking Good Diving to I Just Can't Wait on Apple Podcasts". Apple Podcasts. Retrieved 27 December 2021.
  4. "'I used every chord on the Casio' – How we made Manchild by Neneh Cherry". the Guardian. 6 December 2021. Retrieved 27 December 2021.
  5. ^ Hart, Ron (30 January 2020). "Neneh Cherry Looks Back on Boundary-Busting 'Raw Like Sushi' Album". Billboard. Retrieved 22 September 2024.
  6. "Interview with Cameron 'Booga Bear' McVey". Reseize. 15 January 2007. Archived from the original on 5 July 2011.
  7. Schiller, Mike (11 May 2008). "Cirkus: Laylower". PopMatters.
  8. Celestial, Miguel Paolo (22 May 2010). "El Bosquejo: Arena Homme Plus: Buffalo Stance, part 1".
  9. "Mattafix: Brit hip hop in Darfur". Cafebabel. Archived from the original on 7 March 2012. Retrieved 5 December 2010.
  10. "Thread: Mattafix: Marlon Roudette". IslandMix. vBulletin Solutions Inc. 2006. Archived from the original on 20 December 2014. Retrieved 5 December 2010.
  11. "Interview with Neneh Cherry". Pacha Magazine. July 2003. Archived from the original on 27 September 2007.
  12. Pike, Naomi (4 August 2015). "Who's That Girl?". Vogue. Condé Nast.
  13. ^ "LIFE & SEX & DEATH: Neneh Cherry". Archived from the original on 27 October 2009. Retrieved 8 October 2010.
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