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{{Use Indian English|date=May 2016}} {{Use Indian English|date=May 2016}}
{{Infobox writer {{Infobox writer
| name = Bharatendu Harishchandra | name = MUNSHI SALAUDDIN SHARIF
| image = Bharatendu Harishchandra 1976 stamp of India.jpg
| imagesize =
| birth_date = {{birth date|df=yes|1850|9|9}} | birth_date = {{birth date|df=yes|1850|9|9}}
| birth_place = ], ], ] | birth_place = ], ], ]
| death_date = {{death date and age|df=yes|1885|1|6|1850|9|9}}
| death_place = ], ], ]
| occupation = Novelist, poet, playwright | occupation = Novelist, poet, playwright
| penname = Rasa
| notable_works = ] | notable_works = ]
| language = ] | language = ]
}} }}


'''Bharatendu Harishchandra''' (9 September 1850{{spaced ndash}}6 January 1885) was an Indian ], ] and ]. He authored several ]s, life ] and ], using new media such as reports, publications, letters to editors of publications, translations, and literary works to shape public opinion.<ref>], ''Poetics, Plays and Performances: The Politics of Modern Indian Theatre,'' New Delhi, Oxford University Press (2006) {{ISBN|0-19-567473-1}}</ref><ref name="MetcalfMetcalf2002">{{cite book |author1=Barbara D. Metcalf |url=https://books.google.com/books?id=jGCBNTDv7acC |title=A Concise History of India |author2=Thomas R. Metcalf |publisher=Cambridge University Press |year=2002 |isbn=978-0-521-63974-3 |page=143}}</ref> 'Bharatendu Harishchandra' is often considered as the father of ] and ].<ref>{{cite book|author=Diana Dimitrova|url=https://books.google.com/books?id=FA9qAKpUtTIC&q=Hindi+theatre|title=Western tradition and naturalistic Hindi theatre|publisher=Peter Lang|year=2004|isbn=0-8204-6822-3|page=14|ref=Dm}}</ref><ref>{{cite book|author=Sandria B. Freitag|title=Culture and power in Banaras: community, performance, and environment, 1800–1980|publisher=University of California Press|year=1989|isbn=0-520-06367-8|page=78|chapter=Chapter 2: The Birth of Hindi Drama in Banaras: 1868–1885, by Kathryn Hansen|ref=Han|chapter-url=https://books.google.com/books?id=4RAaBmHA9uUC&pg=PA62}} MUNSHI SALAUDDIN (07 July 1990) a BANGLADESHI opinion.<ref>], ''Poetics, Plays and Performances: The Politics of Modern Indian Theatre,'' New Delhi, Oxford University Press (2006) {{ISBN|0-19-567473-1}}</ref><ref name="MetcalfMetcalf2002">{{cite book |author1=Barbara D. Metcalf |url=https://books.google.com/books?id=jGCBNTDv7acC |title=A Concise History of India |author2=Thomas R. Metcalf |publisher=Cambridge University Press |year=2002 |isbn=978-0-521-63974-3 |page=143}}</ref> '<ref name=":0">{{Cite book |last=Lāla |first=Vaṃśīdhara |url=https://books.google.com/books?id=nQllAAAAMAAJ |title=Bhāratīya svatantratā aura Hindī patrakāritā |date=1989 |publisher=Bihāra Grantha Kuṭīra |language=hi |quote=भारतेन्दु युग चारण थे । उनकी पत्रिकाओं में भारतीयों के हृदय की धड़कन सुनायी पड़ती है । अंग्रेजी - राज्य में जनता की गुलामी के बन्धन और उनके शोषण की उन्होंने सच्ची तस्वीर खींची । उन्होंने अंग्रेजों के तथाकथित न्याय, जनतंत्र और उनकी सभ्यता का पर्दाफाश किया । उनके इस कार्य की सराहना करते हुए डा ० रामविलास शर्मा ने लिखा- ' देश के रूढ़िवाद का खंडन करना और महंतों, पंडे - पुरोहितों की लीला की लीला प्रकट करना निर्भीक पत्रकार हरिश्चन्द्र का ही काम था ।}}</ref>
</ref> He has been hailed as a '']'' for his writings depicting the exploitative nature of the ].<ref name=":0">{{Cite book |last=Lāla |first=Vaṃśīdhara |url=https://books.google.com/books?id=nQllAAAAMAAJ |title=Bhāratīya svatantratā aura Hindī patrakāritā |date=1989 |publisher=Bihāra Grantha Kuṭīra |language=hi |quote=भारतेन्दु युग चारण थे । उनकी पत्रिकाओं में भारतीयों के हृदय की धड़कन सुनायी पड़ती है । अंग्रेजी - राज्य में जनता की गुलामी के बन्धन और उनके शोषण की उन्होंने सच्ची तस्वीर खींची । उन्होंने अंग्रेजों के तथाकथित न्याय, जनतंत्र और उनकी सभ्यता का पर्दाफाश किया । उनके इस कार्य की सराहना करते हुए डा ० रामविलास शर्मा ने लिखा- ' देश के रूढ़िवाद का खंडन करना और महंतों, पंडे - पुरोहितों की लीला की लीला प्रकट करना निर्भीक पत्रकार हरिश्चन्द्र का ही काम था ।}}</ref>

Writing under the ] "Rasa", Harishchandra picked themes that demonstrated the agonies of the people. For instance, the country's poverty, dependency, inhuman exploitation, the unrest of the middle class and the urgent need for progression of the country. Referred as a fearless journalist, Harishchandra refuted the prevailing ] of the time and revealed the machination of the ]s, pandas and ]s.<ref name=":0" /> He was an influential ] "traditionalist", using ] devotionalism to define a coherent Hindu religion.<ref name="MetcalfMetcalf2002" />


== Biography == == Biography ==

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MUNSHI SALAUDDIN SHARIF
Born(1850-09-09)9 September 1850
Benares, Benares State, British India
OccupationNovelist, poet, playwright
LanguageHindi
Notable worksAndher Nagari

MUNSHI SALAUDDIN (07 July 1990) a BANGLADESHI opinion. '

Biography

Bharatendu Harishchandra was born in Benaras. His father Girdhar Das was a poet. His parents died when he was young.

His ancestors were landlords in Bengal, and he was born into a wealthy family.Gopal, Madan (1985). "Remembering Bharatendu Harishchandra". Indian Literature. pp. 101–109.

Acharya Ramchandra Shukla has described Bharatendu's journey to the Jagannath temple in Puri, Orissa with his family in 1865, at the young age of 15. During this trip he was deeply moved by the Bengal Renaissance and decided to translate the genres of social, historical, and Puranic plays and novels into Hindi. This influence reflected in his Hindi translation of the Bengali drama Vidyasundar, three years later, in 1868.

By age 17, Harishchandra was known for his literary talents.

Harishchandra edited the magazines Kavi Vachan Sudha, Harishchandra Magazine, Harishchandra Patrika and Bal Vodhini.

He wrote under the pseudonym Girdhar Das. He was titled "Bharatendu" ("The moon of India") at a public meeting by scholars of Kashi in 1880 in recognition of his services as a writer, patron, and moderniser. Ram Vilas Sharma refers to the "great literary awakening ushered in under Bharatendu's leadership" as the "second storey of the edifice of renascent Hindi", the first being the Indian Rebellion of 1857.

He was married and had one daughter.

Hindu traditionalism

According to Barbara and Thomas R. Metcalf, Bharatendu Harishchandra was a powerful Hindu "traditionalist" in North India, promoting the continuity of received tradition and self-conscious participation with the modern world. He rejected the authority of those engaged with Western learning and institutions over Hindu religious matters and recommended they be left to traditionally educated Hindu scholars. He used new media, especially publications to shape public opinion. In doing so, he contributed to the development of modern forms of the Hindi language.

He used Vaishnava devotionalism to define a coherent Hindu religion, using the Kashi Dharma Sabha as his institutional base, started in the 1860s by the Maharaja of Benares as a response to more radical Hindu reformist movements. Harishchandra insisted on the value of image worship and interpreted Bhakti as devotion to a single god; this was in response to Orientalist and Christian critiques of Hinduism.

Although Urdu was used as the lingua franca across North India since the 18th Century, Harishchandra espoused the cause of reviving Hindi as part of his cultural and nationalist activities. He "combined pleas for use of Swadeshi articles with demands for replacement of Urdu by Hindi in courts and a ban on cow slaughter". He continued his campaign for a legal ban on cow slaughter on behalf of Maharaja of Benares, taking it to the Delhi Durbar. His petition on the same, according to Sahay ( 1975: 84), had 60,000 signatories and was submitted to Lord Lytton. Even though no action was taken on the ban, he was given the title "Vir Vaishnava".

Major works

Plays

Bharatendu Harishchandra soon became a director, manager, and playwright. He used theatre as a tool to shape public opinion. His major plays are:

  • Vaidika Himsa Na Bhavati, 1873 (वैदिक हिंसा न भवति)
  • Satya Harishchandra, 1876 (सत्य हरिश्चन्द्र)
  • Bharat Durdasha, 1875
  • Niladevi, 1881 (नीलदेवी)
  • Andher Nagari (अन्धेर नगरी, City of Darkness), 1881: A popular play of modern Hindi drama and a political satire. Translated and performed in many Indian languages by prominent Indian directors like B. V. Karanth, Prasanna, Arvind Gaur and Sanjay Upadhyaya.

Poetry

  • Bhakta Sarvagya (भक्त सर्वज्ञ)
  • Prem Malika (प्रेम मालिका), 1872
  • Prem Madhuri (प्रेम माधुरी), 1875
  • Prem Tarang (प्रेम तरंग),1877
  • Prem Prakalpa (प्रेम प्रकल्प), Prem Phulwari (प्रेम फुलवारी) and Prem Sarowar (प्रेम सरोवर), 1883
  • Holi (होली), (1874)
  • Madhumukul (मधुमुकुल), 1881
  • Raga Sangrah (राग संग्रह), 1880
  • Varsha Vinod (वर्षा विनोद), 1880
  • Vinay Prem Pachasa (विनय प्रेम पचासा), 1881
  • Phulon Ka Guchchha (फूलों का गुच्छा), 1882
  • Chandravali (चन्द्रावली), 1876 and Krishnacharitra (कृष्णचरित्र), 1883
  • Uttarardha Bhaktamal (उत्तरार्द्ध भक्तमाल), 1876–77

निज भाषा उन्नति अहै, सब उन्नति को मूल ।
बिन निज भाषा-ज्ञान के, मिटत न हिय को सूल ।।

विविध कला शिक्षा अमित, ज्ञान अनेक प्रकार।
सब देसन से लै करहू, भाषा माहि प्रचार ।।

Translation:
Progress is made in one's own language (the mother tongue), as it the foundation of all progress.
Without the knowledge of the mother tongue, there is no cure for the pain of heart. Many arts and education infinite, knowledge of various kinds.
Should be taken from all countries, but be propagated in one's mother tongue.


He also wrote the following famous lines, which are frequently cited, when someone laments the pathetic situation in which India often finds itself. The lines exhort all Indians to work together to end this situation.


रोवहु सब मिलि के आवहु भारत भाई ।
हा। हा। भारत दुर्दशा न देखी जाई ।।

Translations

This list is incomplete; you can help by adding missing items. (August 2014)

Essay collection

  • Bharatendu Granthavali (भारतेन्दु ग्रन्थावली), 1885

Bharatendu Harishchandra Awards

The Ministry of Information and Broadcasting of India gives the Bharatendu Harishchandra Awards since 1983 to promote original writings in Hindi mass communication.

See also

References

  1. Vasudha Dalmia, Poetics, Plays and Performances: The Politics of Modern Indian Theatre, New Delhi, Oxford University Press (2006) ISBN 0-19-567473-1
  2. ^ Barbara D. Metcalf; Thomas R. Metcalf (2002). A Concise History of India. Cambridge University Press. p. 143. ISBN 978-0-521-63974-3.
  3. Lāla, Vaṃśīdhara (1989). Bhāratīya svatantratā aura Hindī patrakāritā (in Hindi). Bihāra Grantha Kuṭīra. भारतेन्दु युग चारण थे । उनकी पत्रिकाओं में भारतीयों के हृदय की धड़कन सुनायी पड़ती है । अंग्रेजी - राज्य में जनता की गुलामी के बन्धन और उनके शोषण की उन्होंने सच्ची तस्वीर खींची । उन्होंने अंग्रेजों के तथाकथित न्याय, जनतंत्र और उनकी सभ्यता का पर्दाफाश किया । उनके इस कार्य की सराहना करते हुए डा ० रामविलास शर्मा ने लिखा- ' देश के रूढ़िवाद का खंडन करना और महंतों, पंडे - पुरोहितों की लीला की लीला प्रकट करना निर्भीक पत्रकार हरिश्चन्द्र का ही काम था ।
  4. Gopal, Madan (1985). "Remembering Bharatendu Harishchandra". Indian Literature. pp. 101–109.
  5. ^ Awadesh Pradhan, The Spiritual and Cultural Ethos of Modern Hindi Literature, Prabuddha Bharata, July 2009.
  6. Ramchandra Shukla, Hindi Sahitya ka Itihaas (History of Hindi Literature), 1928.
  7. Gopal, Madan (1985). "Remembering Bharatendu Harishchandra". Indian Literature. pp. 101–109.
  8. Vasudha Dalmia (1997). The nationalization of Hindu traditions : Bharatendu Harischandra and nineteenth-century Banaras. Delhi; New York: Oxford University Press. ISBN 0-19-563961-8.
  9. Sumit Sarkar (1 January 1983). Modern India, 1885–1947. Macmillan. p. 70. ISBN 978-0-333-90425-1.
  10. Dalmia, Vashudha (1997). Bharatendu Harischandra And Nineteenth Century. New Delhi. p. 370.{{cite book}}: CS1 maint: location missing publisher (link)
  11. "Bharatendu Harishchandra Awards Presented" (Press release). Indian Ministry of Information & Broadcasting. 8 January 2003.

External links

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