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The '''Grande Masse des Beaux-Arts'''{{efn|Referring to the four fine arts taught at Paris' ] until 1968, namely painting, sculpture, architecture and engraving}} or '''Grande Masse''' is the association of students and alumni of the ] and ]. The '''Grande Masse des Beaux-Arts'''{{efn|Referring to the four fine arts taught at Paris' ] until 1968, namely painting, sculpture, architecture and engraving}} or '''Grande Masse''' is the association of students and alumni of the ] and ].


Founded as an association on 12 January 1926,<ref name=":0">{{Cite web|url=https://gallica.bnf.fr/ark:/12148/bpt6k6514073t/f48.item|title=Gallica entry}}</ref> it deposited its statutes eight days later and had its decree on 20 December the same year. Recognised as a ] in 1932, its aim is to create and support links of solidarity between all students and former students and to improve conditions for its members. Founded as an association on 12 January 1926,<ref name=":0">{{Cite web|url=https://gallica.bnf.fr/ark:/12148/bpt6k6514073t/f48.item|title=Gallica entry|date=27 January 1926 }}</ref> it deposited its statutes eight days later and had its decree on 20 December the same year. Recognised as a ] in 1932, its aim is to create and support links of solidarity between all students and former students and to improve conditions for its members.


It was a central association for student life from 1926 to 1968, organising the École des Beaux-Arts' social life. Since the suppression of the architecture section in the Beaux-Arts by decree number 68-1097 on 6 December 1968, which dealt with the provisional organisation of architecture teaching, the Grande Masse mainly includes architecture students and alumni. It was a central association for student life from 1926 to 1968, organising the École des Beaux-Arts' social life. Since the suppression of the architecture section in the Beaux-Arts by decree number 68-1097 on 6 December 1968, which dealt with the provisional organisation of architecture teaching, the Grande Masse mainly includes architecture students and alumni.
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== Bibliography (in French)== == Bibliography (in French)==
=== Works === === Works ===
* {{Citeweb|title=Jean Margerand, « Les Ateliers extérieurs d'Architecture de l'École Nationale supérieure des Beaux-Arts », ''La Construction Moderne, revue hebdomadaire d'architecture'', 48th year, no. 45, 6 August 1933, pp. 666-672|url=https://portaildocumentaire.citedelarchitecture.fr/pdfjs/web/viewer.html?file=/Infodoc/ged/viewPortalPublished.ashx?eid%3DIFD_FICJOINT_FRAPN02_COM_1933_32_PDF_1}} * {{Cite web|title=Jean Margerand, « Les Ateliers extérieurs d'Architecture de l'École Nationale supérieure des Beaux-Arts », ''La Construction Moderne, revue hebdomadaire d'architecture'', 48th year, no. 45, 6 August 1933, pp. 666-672|url=https://portaildocumentaire.citedelarchitecture.fr/pdfjs/web/viewer.html?file=/Infodoc/ged/viewPortalPublished.ashx?eid%3DIFD_FICJOINT_FRAPN02_COM_1933_32_PDF_1}}
* ENSBA, ''L'École nationale supérieure des Beaux-Arts'', GMBA, Paris, 1937, 32 p. * ENSBA, ''L'École nationale supérieure des Beaux-Arts'', GMBA, Paris, 1937, 32 p.
* Marina Sauer, ''L'entrée des femmes à l'École des beaux-arts: 1880-1923'', ENSBA, coll. « Beaux-arts histoire », Paris, 1990, 89 p. {{ISBN|9782903639723}} * Marina Sauer, ''L'entrée des femmes à l'École des beaux-arts: 1880-1923'', ENSBA, coll. « Beaux-arts histoire », Paris, 1990, 89 p. {{ISBN|9782903639723}}
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* Jean-Michel Leniaud et Béatrice Bouvier, dir. ''Les périodiques d'architecture, XVIII-XX siecles : recherche d'une méthode critique d’analyse'', École nationale des Chartes, Paris, 2001, 321 p. ISBN 2900791421 * Jean-Michel Leniaud et Béatrice Bouvier, dir. ''Les périodiques d'architecture, XVIII-XX siecles : recherche d'une méthode critique d’analyse'', École nationale des Chartes, Paris, 2001, 321 p. ISBN 2900791421
* Emmanuel Schwartz, ''Les sculptures de l'École des Beaux-Arts de Paris. Histoire, doctrines, catalogue'', Paris, ENSBA, 2004, 232 p. {{ISBN|978-2840561354}} * Emmanuel Schwartz, ''Les sculptures de l'École des Beaux-Arts de Paris. Histoire, doctrines, catalogue'', Paris, ENSBA, 2004, 232 p. {{ISBN|978-2840561354}}
* {{Citeweb|title=Jean-Louis Violeau, ''Les Architectes et Mai 68'', Paris, Recherches, 2005, 476 p.|url=https://www.cairn.info/revue-histoire-urbaine-2007-3-page-173.htm}} * {{Cite journal|title=Jean-Louis Violeau, ''Les Architectes et Mai 68'', Paris, Recherches, 2005, 476 p.|journal=Histoire Urbaine |date=2007 |volume=20 |issue=3 |pages=173–174 |doi=10.3917/rhu.020.0173 |url=https://www.cairn.info/revue-histoire-urbaine-2007-3-page-173.htm |last1=Tellier |first1=Thibault }}
* René Beudin, ''Charrette au cul les nouvôs ! Le parler des architectes'', Éditions Horay, coll. « Cabinet de curiosité », Paris, 2006, 104 p. {{ISBN|2705804382}} * René Beudin, ''Charrette au cul les nouvôs ! Le parler des architectes'', Éditions Horay, coll. « Cabinet de curiosité », Paris, 2006, 104 p. {{ISBN|2705804382}}
* Max Querrien, ''Pour une politique de l’architecture. Témoignage d’un acteur (1960-1990)'', Le Moniteur, Paris, 2008, 240 p. {{ISBN|978-2281193985}} * Max Querrien, ''Pour une politique de l’architecture. Témoignage d’un acteur (1960-1990)'', Le Moniteur, Paris, 2008, 240 p. {{ISBN|978-2281193985}}
* {{cite web|title=Juliette Pommier, « La revue Melpomène(1958-1966) : l’architecture chez les étudiants des Beaux-Arts », Société & Représentation, n° 30, février 2010, pp. 157-172|url=https://www.cairn.info/revue-societes-et-representations-2010-2-page-157.htm}} * {{cite journal|title=Juliette Pommier, « La revue Melpomène(1958-1966) : l'architecture chez les étudiants des Beaux-Arts », Société & Représentation, n° 30, février 2010, pp. 157-172|journal=Sociétés & Représentations |date=2010 |volume=30 |issue=2 |pages=157–172 |doi=10.3917/sr.030.0157 |url=https://www.cairn.info/revue-societes-et-representations-2010-2-page-157.htm |last1=Pommier |first1=Juliette }}
* Michel Denès, « Gazettes, fanzines, bulletins, cahiers, journaux. Les publications introuvables des écoles d'architecture en France (1965–2005) », ''EAV, 2010, pp. 99–100'' * Michel Denès, « Gazettes, fanzines, bulletins, cahiers, journaux. Les publications introuvables des écoles d'architecture en France (1965–2005) », ''EAV, 2010, pp. 99–100''
* Guy Fichez, ''Le cru des Beaux-Arts, récoltes 1964 et suivantes'', Edilivre, 2013, 414 p. {{ISBN|9782332561671}} * Guy Fichez, ''Le cru des Beaux-Arts, récoltes 1964 et suivantes'', Edilivre, 2013, 414 p. {{ISBN|9782332561671}}
* Véronique Flanet, ''La belle histoire des fanfares des Beaux-Arts'', L'Harmattan, 2015, 250 p. {{ISBN|978-2-343-06353-9}} * Véronique Flanet, ''La belle histoire des fanfares des Beaux-Arts'', L'Harmattan, 2015, 250 p. {{ISBN|978-2-343-06353-9}}
* {{Cite web|title=Isabelle Conte et Christophe Samoyault-Muller, « La Grande Masse de l’École des Beaux-Arts (1926-1968) : histoire d’une association fédératrice », ''HEnsA20'', Cahier no. 7, November 2019, pp. 11-17|url=https://fr.calameo.com/read/005375114666b959116c4}} * {{Cite web|title=Isabelle Conte et Christophe Samoyault-Muller, « La Grande Masse de l'École des Beaux-Arts (1926-1968) : histoire d'une association fédératrice », ''HEnsA20'', Cahier no. 7, November 2019, pp. 11-17|url=https://fr.calameo.com/read/005375114666b959116c4}}
* {{Citeweb|title=Isabelle Conte, « Les femmes et la culture d’atelier à l’École des Beaux-Arts », ''Livraisons de l'histoire de l’architecture'', no. 35, 2018, pp. 87-98|url=http://journals.openedition.org/lha/956}} * {{Cite journal|title=Isabelle Conte, « Les femmes et la culture d'atelier à l'École des Beaux-Arts », ''Livraisons de l'histoire de l'architecture'', no. 35, 2018, pp. 87-98|journal=Livraisons de l'Histoire de l'Architecture |date=15 June 2018 |issue=35 |pages=87–98 |doi=10.4000/lha.956 |url=http://journals.openedition.org/lha/956 |last1=Conte |first1=Isabelle }}
* {{Citeweb|title=Amandine Diener, « Relire Mai 68 et l’enseignement de l’architecture. La longue gestation d’une crise », Métropolitiques, on metropolitiques.eu, 5 July 2018 |url=https://metropolitiques.eu/Relire-Mai-68-et-l-enseignement-de-l-architecture-La-longue-gestation-d-une.html}} * {{Cite journal|title=Amandine Diener, « Relire Mai 68 et l'enseignement de l'architecture. La longue gestation d'une crise », Métropolitiques, on metropolitiques.eu, 5 July 2018 |journal=Métropolitiques |date=5 July 2018 |url=https://metropolitiques.eu/Relire-Mai-68-et-l-enseignement-de-l-architecture-La-longue-gestation-d-une.html |last1=Diener |first1=Amandine }}


=== Archives === === Archives ===

Revision as of 23:03, 12 December 2024

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Logo of the GMBA, designed by André Leconte in 1929.

The Grande Masse des Beaux-Arts or Grande Masse is the association of students and alumni of the École Nationale Supérieure des Beaux-Arts and Écoles Nationales Supérieures d'Architecture.

Founded as an association on 12 January 1926, it deposited its statutes eight days later and had its decree on 20 December the same year. Recognised as a utilité publique in 1932, its aim is to create and support links of solidarity between all students and former students and to improve conditions for its members.

It was a central association for student life from 1926 to 1968, organising the École des Beaux-Arts' social life. Since the suppression of the architecture section in the Beaux-Arts by decree number 68-1097 on 6 December 1968, which dealt with the provisional organisation of architecture teaching, the Grande Masse mainly includes architecture students and alumni.

The person elected to preside over the association is called Grande Massière or Grand Massier.

History

Origins

Foundation

'Utilité publique'

Organisation and function

Exhibition organised by the GMBA.

Organisation

Functioning

Logo

In 1929, André Leconte, head of the architecture teaching studio and winner of the prix de Rome in 1927, designed the association's logo. To symbolise the broad scope of its activities, he chose five figures of the major arts, namely (from left to right) architecture, poetry, music, painting and sculpture or according to G. W. F. Hegel's classification architecture, sculpture, painting, music and poetry.

Roles

Gala poster, 1931.

Grande Masse gala (1930-1967)

Callot building (1933)

Callot building.

Publications

Bulletin Melpomène no. 5, 1959.
GMBA coursebook.

Bulletin

Publishing

Notes

  1. Referring to the four fine arts taught at Paris' École des Beaux-Arts until 1968, namely painting, sculpture, architecture and engraving

References

  1. "Gallica entry". 27 January 1926.
  2. (in French) Christophe Samoyault-Muller. "Les Grands Massiers : Présidentes et Présidents de 1925 à aujourd'hui".

Bibliography (in French)

Works

Archives

  • Archives de la Grande Masse des Beaux-Arts, association loi 1901, ses bulletins, correspondances et publications, dont :
    • Georges Huisman, « Nouveaux rapports de l’art et de l’État », Bulletin de la Grande Masse de l’École des Beaux-Arts, 1937, n 110-111, 148 p. ISSN 0995-8843
    • La Grande Masse, « La réforme de l’enseignement », Melpomène, No. 13, mai-juin-juillet 1963 ISSN 2679-2982
  • Archives de Montpellier, Fonds Marcel et Édouard Gallix, cote 37 S 9 : Melpo, revue de la Grande Masse de l'école des Beaux Arts
  • Archives nationales :
    • Archives de l’École nationale supérieure des Beaux-Arts, références AJ/52/1 à AJ/52/1415, site de Pierrefite
    • ENSA-Paris la Villette, unité de description 20120112/1 à 20120112/214, Statuts juridiques des Unités Pédagogiques et des enseignants (1936-1983)
    • Fonds Paul Léon, unité de description 20140260/58, Association des anciens élèves de l’École nationale des Beaux-Arts dite « Grande Masse » (mai 1934)
    • Archives du Conseil d’État, unité de description 20060154/17, Affaire 316800 : modification des statuts de la GMBA (1976)

Articles

The Grande Masse des Beaux-Arts regularly publishes articles on its site under the title Brèves historiques, including :

Categories: