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| Hosokawa was born in ]. He made the ] there in 1945 during World War II the subject of an oratorio in 1989.<ref name="Schott" /> He first wrote a piece entitled ''Hiroshima Requiem'', which he revised and expanded beginning in 2000.<ref name="Schott" /> | Hosokawa was born in ]. He made the ] there in 1945 during World War II the subject of an oratorio in 1989.<ref name="Schott" /> He first wrote a piece entitled ''Hiroshima Requiem'', which he revised and expanded beginning in 2000.<ref name="Schott" /> | ||
| The text was compiled by Arata Osada, using texts by ] and ], and from the film '']'' (''Genbaku no |
The text was compiled by Arata Osada, using texts by ] and ], and from the film '']'' (''Genbaku no Ko''), in English, German and Japanese.<ref name="Schott work" /><ref name="IRCAM" /> Hosokawa scored it for soloists, narrator, choir, orchestra and (optional) tape.<ref name="Schott work" /><ref name="IRCAM" /> | ||
| The oratorio was premiered on 4 May 2001 at the ] in Munich by contralto ], speakers Theresa Kohlhäufl, Tim Schwazmaier, and ], and choir and orchestra of ] conducted by ]. The choir was prepared by ]. The music was published by Schott.<ref name="Schott work" /> | The oratorio was premiered on 4 May 2001 at the ] in Munich by contralto ], speakers Theresa Kohlhäufl, Tim Schwazmaier, and ], and choir and orchestra of ] conducted by ]. The choir was prepared by ]. The music was published by ].<ref name="Schott work" /> | ||
| == Music and structure == | |||
| The work is structured in five section which can be performed individually:<ref name="Schott work" /><ref name="IRCAM" /> | |||
| # ''Preludio'' "Night" (1989) | |||
| # ''Death and Resurrection'' (1989, 2001) | |||
| # ''Winter Voice'' (2001) | |||
| # ''Signs of Spring'' (2001) | |||
| # ''Temple Bells Voice'' (2001) | |||
| Hosokawa used extreme musical language, a "brutal tonal world" of brass and percussion and a "colourful chordal landscape" in the choir.<ref name="Schott" /> | |||
| == References == | == References == | ||
| {{Reflist | {{Reflist | ||
| | refs = | | refs = | ||
| <ref name="IRCAM">{{cite news | |||
| | url = https://brahms.ircam.fr/en/works/work/24616/ | |||
| | title = Voiceless Voice in Hiroshima | |||
| | work = ] | |||
| ⚫ | | language = fr | ||
| | access-date = 13 December 2024 | |||
| }}</ref> | |||
| <ref name="Schott">{{cite news | <ref name="Schott">{{cite news | ||
| Line 36: | Line 53: | ||
| | title = Voiceless Voice in Hiroshima | | title = Voiceless Voice in Hiroshima | ||
| | work = ] | | work = ] | ||
| ⚫ | | language = |
||
| | access-date = 13 December 2024 | | access-date = 13 December 2024 | ||
| }}</ref> | }}</ref> | ||
Revision as of 19:35, 13 December 2024
Oratorio
| Voiceless Voice in Hiroshima | |
|---|---|
| Oratorio by Toshio Hosokawa | |
| Composed | 1989, expanded in 2000 |
| Performed | 4 May 2001 (2001-05-04) Munich |
| Scoring |
|
Voiceless Voice in Hiroshima is an oratorio by Toshio Hosokawa.
History
Hosokawa was born in Hiroshima. He made the atomic bombing there in 1945 during World War II the subject of an oratorio in 1989. He first wrote a piece entitled Hiroshima Requiem, which he revised and expanded beginning in 2000.
The text was compiled by Arata Osada, using texts by Matsuo Bashō and Paul Celan, and from the film Children of Hiroshima (Genbaku no Ko), in English, German and Japanese. Hosokawa scored it for soloists, narrator, choir, orchestra and (optional) tape.
The oratorio was premiered on 4 May 2001 at the Herkulessaal in Munich by contralto Nathalie Stutzmann, speakers Theresa Kohlhäufl, Tim Schwazmaier, and August Zirner, and choir and orchestra of Bayerischer Rundfunk conducted by Sylvain Cambreling. The choir was prepared by Rupert Huber. The music was published by Schott.
Music and structure
The work is structured in five section which can be performed individually:
- Preludio "Night" (1989)
- Death and Resurrection (1989, 2001)
- Winter Voice (2001)
- Signs of Spring (2001)
- Temple Bells Voice (2001)
Hosokawa used extreme musical language, a "brutal tonal world" of brass and percussion and a "colourful chordal landscape" in the choir.
References
- ^ "Toshio Hosokawa". Schott Music. Retrieved 13 December 2024.
- ^ "Voiceless Voice in Hiroshima". Schott Music. Retrieved 13 December 2024.
- ^ "Voiceless Voice in Hiroshima". IRCAM (in French). Retrieved 13 December 2024.
Further reading
- Reinhart Meyer-Kalkus: Auskomponierte Stimmen. Toshio Hosokawas Vokalkompositionen. (in German) In: Neue Zeitschrift für Musik, 169.2008, Issue 1, pp. 62–65.