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Broadcaster in the infobox song contest national year

Hi. I don't know if this has ever been discussed before, but I'm wondering why the participating broadcaster is not in the Infobox song contest national year, when it is actually the one entering the contest. Ferclopedio (talk) 08:39, 18 August 2024 (UTC)

Yeah, why is it not? — IмSтevan 08:40, 18 August 2024 (UTC)

That's a really good question, it really should include that. Aris Odi ❯❯❯ talk 11:20, 18 August 2024 (UTC)

I hadn't considered this. I support changing the infobox to include this. Ktkvtsh (talk) 16:08, 21 August 2024 (UTC)

OK. Is four enough quorum? Anyway, I'm going to request the change on the talk page of the template. Let's see if some kind soul will listen to us. Ferclopedio (talk) 19:54, 23 August 2024 (UTC)

I oppose this. The infobox is not a in depth view of the participation's entire background for the year and in most cases, the broadcaster is a stable and the same each year. I'm not sure what adding this "adds" for the reader. Grk1011 (talk) 20:57, 24 August 2024 (UTC)

The contest is a competition between broadcasters, adding the participating broadcaster is not a vision of depth but is one of the fundamental data of the article, which should also appear prominently in the lead section. Of course there are broadcasters that have been stable over the years, but there are cases where they have not been, such as in France, Belgium, Germany, and Russia, to give just a couple of examples of the seventeen that I have counted. Ferclopedio (talk) 21:21, 24 August 2024 (UTC)

The lead section is the prose, where this information is always presented prominently. The regular country in articles have the broadcaster in the infobox because those articles are about that country (and broadcaster's) overall participation efforts. The impact is not the same for the country in year articles where the broadcaster is certainly relevant information, but it is not particularly interesting to the reader and has no bearing on the quick-reference nature of an infobox. Grk1011 (talk) 13:07, 25 August 2024 (UTC)

Does it not? To me it feels like the broadcaster is even more relevant than the country — IмSтevan 13:13, 25 August 2024 (UTC)

It comes down to the audience of the article and the impact. It is through the national broadcaster (a government entity) that the country is represented, otherwise articles, press, viewers, etc. would be saying things like "BBC in the Eurovision Song Contest"; however, these articles are about the countries. The broadcaster is an important part of how the participation occurs, but it does not need to be that prominent for the quick-reference nature of the infobox. Do we have any sense of why the viewer would need to know the specific broadcaster as they scan the page for the results, which is the point of the infobox on these pages? The information is still in the body of the articles. To be blunt, I cannot figure out why someone would care what the broadcaster was at the high level overview. Grk1011 (talk) 13:40, 25 August 2024 (UTC)

Why would the viewer need to know who composed the song since that's also featured in the infobox? Because it's relevant to the entry, and so is the competing broadcaster — IмSтevan 13:48, 25 August 2024 (UTC)

I completely disagree with that comparison. Grk1011 (talk) 13:51, 25 August 2024 (UTC)

@Grk1011, I am sorry, but your reasoning is based on assumptions and general beliefs that are not true, rather than on actual facts.

The EBU is an organisation of broadcasting companies with their own independent legal entity. The fact that they are publicly funded or state-owned does not make them a government entity. In fact, the EBU would not allow a government entity to be a member, as it requires a certain level of impartiality and independence for membership (a level that the Russian and Belarusian broadcasters do not meet, which is why they were expelled).

The participating broadcaster enters the competition representing its country, meaning that it competes under the name of its country, for better identification in the international competition, and to give local viewers the feeling that the participation is theirs and not just that of the broadcaster. This does not mean that the country is the one that competes, and statements like "the broadcaster organizes the country's participation", "the broadcaster participates on behalf of the country", "the broadcaster selects the country's entry", and the like, which are all over Misplaced Pages, are all wrong. The broadcaster participates in the contest in its own right, and has full control over its participation. It is not just an important part of how the participation occurs, it is who really participate and who pay to do so.

The ESC is a television co-production (legal, financial, and technical) of the participating broadcasters, who elect the members of the committee that governs the event on behalf of all of them. The participating broadcaster is not only "responsible for choosing a song and broadcasting the event" (another wrong statement all around Misplaced Pages). The participating broadcaster is the one invited by the EBU to participate; the one who decides whether to participate or not; the one who pays the participation fee to finance the event; the one who selects a song freely at his discretion, organizing or not a national final that it can take into account or not; the one who secures the rights of the song from the songwriters; the one who hires the performer (and the conductor when there was an orchestra) for the live performance; the one who has to provide the EBU with all the legal and audiovisual documentation of its entry, including contracts, lyrics, the video-clip (in most cases produced by itself), music track (or sheet music for the orchestra), and the camerawork layout for the live broadcasting; the one who decides on the staging of the live performance; the one who appoints a head of delegation as its contact with the EBU, and the one responsible for its delegation at the event; the one who assembles the "national" jury for the competition (even when there was only televoting, since the jury was the backup); the one who hires the notary public to certify its jury's vote; the one who owns the broadcasting rights and the brand exploitation rights in the country (exclusively or shared with the other EBU members in the same country); the one who produces the broadcast for his local viewers with its own commentators and onscreen information; the one who produces and transmits the voting segment of its spokesperson for the international broadcast; the one who bears expenses of all this; the one who has to host the contest the following year in case of winning; and the one who takes all the criticism if the participation was not successful. (And I've probably left out some other things). The participating broadcaster is not only a fundamental data for an entrant but also for the event itself.

The country in year articles are the most in-depth articles of this project with the most detailed information on a participation, and it is the place where it makes the most sense to have the information of the participating broadcaster, as it is an indispensable element of the participation, since it has the power over the song and the performer. @ImStevan's feeling that the participating broadcaster is even more relevant than the country is correct, I would say that it is the most important piece of information of the participation. And you only have to look at country in year articles from old years to see that in many cases, it's not just that it's not in the lead section, it's that it's not even mentioned anywhere in the prose or it's mentioned as something totally secondary. There are even articles that have passed the GA review that talk about a wrong participating broadcaster.

The use in Misplaced Pages of the name of the country when speaking in general and in the country and country in year articles is also for better identification of the participant internationally, matching the way it is presented in the contest, and to group all the entrants that come from the same country in the same place and in the same way. In no way does it mean that it is the country that participates. And indeed, the local press throughout Europe talks extensively about the participation of the broadcaster in the contest ("BBC at the Eurovision Song Contest", for example).

All this is not just me saying it, it is said by the EBU and the participating broadcasters in all their official documentation and communications, starting with the rules of the competition, an extract of which can be read here.

And this has nothing to do with the audience of the article and the impact, this is not a blog, this is an encyclopedia, and it has to do with the presentation of the information and facts correctly, preferably in order of importance. And the participating broadcaster is, indeed, the foremost piece of information of an entry, whether you are interested in knowing it or not. Ferclopedio (talk) 22:18, 25 August 2024 (UTC)

The problem is that the user seems to have forgotten that it's not a country entering, but "EBU member broadcaster from country" — IмSтevan 07:50, 27 August 2024 (UTC)

I'm still not convinced it makes sense. I don't recall seeing examples from reliable sources that place the broadcaster ahead of the country name for identification purposes. Let's remember that the infobox is for quick-reference information; it is not intended to be an exhaustive list nor even a full summary of the article. Grk1011 (talk) 00:48, 2 September 2024 (UTC)

How do you explain the discrepancy between articles that overview a country's entire history at the contest (where the current broadcaster is prominently listed) and by year articles (where it is not) — IмSтevan 02:59, 2 September 2024 (UTC)

The country in articles are focused on the performance of a country overall throughout the years, for which the broadcaster is paramount as the organizing body. For country in year articles, the focus is on the entry itself (i.e. selection, song, artist, and performance), where those aspects are critical details and are therefore in the infobox. It's not a "discrepancy" as these are different types of articles. If we include every detail in every article, then we lose the whole point of detailed sub articles. Grk1011 (talk) 13:09, 2 September 2024 (UTC)

In this case the sub article is missing the detail, what now — IмSтevan 14:21, 2 September 2024 (UTC)

@Grk1011, I honestly don't understand how you see the role of the participating broadcaster paramount in the country but not in the country in year. The participating broadcaster is the actual entrant in the contest, as is the one invited by the EBU to participate that year and the one who has to fulfill all the obligations for it. In order to compete it selects the song, hire the artist/performer, and stage the performance. The participation is its and its alone as it has full control over it.

We are not including every detail in the infobox. We want to include only the essential information: the entrant (the participating broadcaster), the name of the country under which it participates, the entry (song + songwriters), the artist/performer, the selection method, and the result. I don't think we are asking for anything unreasonable.

And this points out one thing that is wrong in the infobox, as the artist/performer is called the "entrant", something that is completely incorrect as this is a song contest between broadcasters, not a singer contest, so the artist cannot be the entrant in any way. Ferclopedio (talk) 18:38, 2 September 2024 (UTC)

I'm warming to the broadcaster in the infobox (as it's abbreviation/acronym). I'm not sure I understand this new entrant comment now though? Grk1011 (talk) 13:08, 5 September 2024 (UTC)

Well the entry into the contest is the song, not the performer. I imagine just a renaming of the value from "entrant" to "performer", as is the case in the tables — IмSтevan 13:18, 5 September 2024 (UTC)

Yes, that is the point. The entrant is the broadcaster and the entry is the song, so we should rename in the infobox the parameter "entrant" to "performer", or to "artist". (I say "artist", even though I don't like it, because that is what is used in the "Preselection" field when the song and performer are selected separately). I don't think we can change the parameter directly without causing a mess, but at least we can change the label displayed to "Selected performer" (or artist).

And regarding the participating broadcaster in the infobox, I think it's better to show it with its full name followed by its abbreviation in parentheses, to match the way it's shown in the country infobox, and to avoid confusion as for example in the case of RTP, which the same abbreviation is used by "Rádio e Televisão de Portugal" and its predecessor "Radiotelevisão Portuguesa". Ferclopedio (talk) 19:16, 5 September 2024 (UTC)

I support this change. It's important for countries which have changed broadcaster in the past (France, Israel, Netherlands), and especially important for countries that swap broadcaster on a regular basis (Belgium, Germany, Russia) Spleennn (talk) 21:34, 2 September 2024 (UTC)

Your attention, please. I am pleased to announce that the participating broadcaster is now available in the Infobox song contest national year, by filling in the parameter "broadcaster". Thank to your support and the merge made by BrandonXLF.

Please, make sure that the full name of the broadcaster is correct for the year and country when filling it in, with the correct spelling, and that it matches the one that appears in the prose, in the country article, in that year's contest article, and in the list of countries article, so that we have consistency throughout.

I encourage everyone to take the opportunity to review the prose of the article when filling in the parameter, and to complete the lead section in cases where information is missing. I have already done for Spain and 20th-century Portugal in the ESC, and I have unified their introduction with something like this:

Spain was represented at the ] with the song "]", composed by ], with lyrics by ], and performed by ]. The Spanish participating broadcaster {{lang|xx|]|i=no}} (XX) selected its entry through ... Ferclopedio (talk) 17:03, 24 September 2024 (UTC)

Thanks for the update. I think we need a better wording for the intro though that avoids that run-on sentence. Suggest: Spain was represented at the ] with the song "]", performed by ]. The song, composed by ], with lyrics by ], was selected through... The event saw ## contestants compete..." Grk1011 (talk) 18:58, 24 September 2024 (UTC)

Yes, that is another discussion, the wording I used is improvable. I didn't make it up, I copied it from the best written articles of this kind out there (not written by me).

What I made on purpose was to use the straightforward sentence: "The broadcaster selected its entry" avoiding the use of the "was selected", as the participating broadcaster, as the entrant, is who selected the entry, and its role has to be highlighted as soon as possible in the prose. Ferclopedio (talk) 19:27, 24 September 2024 (UTC)

I know I'm probably a bit late to the game on this one. Just back from a Wiki-break and I noticed this change. I'm pretty content with the discussion above, and happy to support the change to add the broadcaster to the infobox. However I do feel it's a bit strange to place the broadcaster above the country in the order of the infobox. In almost every context it is the country that is shown to be participating in the contest, not the broadcaster; i.e. it's the UK entry, not the BBC entry. Graphics, reporting, even the official list of participating broadcasters list the country above the broadcaster. Yes it may be a competition of public service broadcasters, but I still believe that within these infoboxes the country should still take precedence over the broadcaster. Sims2aholic8 (talk) 18:48, 24 October 2024 (UTC)

Hi Sims2aholic8, welcome back.

I'm sorry, but in the "official list of participating broadcasters" page you linked, I don't see that "the country is shown to be participating in the contest" or that it "list the country above the broadcaster". I see a page that is titled "37 broadcasters head to Malmö". I see a prose that begins with "Public broadcasters from 37 countries will take part in the Eurovision...". I see a list titled "Participating broadcasters" that lists them alphabetically by country of origin. And I see also the sentence "A total of 35 broadcasters will return from Liverpool 2023". On that page it is clearly stated that the entrant in the contest is a broadcaster, as it is clearly stated in every formal document and in every formal communication, beginning with the rules of the event.

As I said above, the use of the name of the country and the flag, for better identification of the entrant in the international competition, however widespread it may be, does not really make the country a participant, specifically speaking. ("A lie repeated a thousand times does not become the truth"). It is okay to use the name of the country when speaking in general, but when speaking specifically about the entrant we should always make it clear who is participating in the contest, avoiding unnecessary ambiguity and inaccurate statements. The entrant/participant in the contest is a broadcaster who is a "EBU member", who is "from a country", who "participates representing its country", and who "selects its entry". Statements like "the broadcaster organizes the country's participation", "the broadcaster participates on behalf of the country", "the broadcaster selects the country's entry", "the broadcaster is responsible for choosing a song" (as if the country had delegated responsibility on it), and the like, are wrong for all the reasons I said above, and we should avoid them. Just because some of these claims have passed a GA review doesn't make them correct, as the reviewers may not have been aware of everything said and have only looked at grammar, style, reliability of references, etc.

The country in year articles are the most in-depth articles of this project, and it is the place where it makes the most sense to be accurate with the entrant. In this context, giving precedence to the country over the broadcaster in the infobox only serves to continue giving the false impression that it is the country that is participating rather than the broadcaster, and gives the latter a secondary role. Ferclopedio (talk) 07:48, 25 October 2024 (UTC)

I understand your viewpoint, but I think it really falls down when you actually consider the bigger picture with participants in Eurovision. Yes it may be a contest in which public service broadcasters send entries, but there is only one entry allowed per country, and only one broadcaster from a given country may participate; therefore the country is just as relevant to the participation as the broadcaster, because it's not just the BBC entry for Eurovision, it's the UK's, because the BBC participating prevents ITV or Channel 4, which are also UK EBU members, from participating.

Additionally, while the 2024 participants release listed it as broadcasters, most likely to downplay the significance of an Israeli entry given the ongoing controversy around that, in all other years it was the countries that received the top billing (albeit with the caveat occasionally that public broadcasters were the ones actually entering the contest; see 2023, 2022, 2021, 2019).

I really disagree with your assertion that we would be somehow "lying" by listing the country ahead of the broadcaster in these infoboxes; I think they are just as important as the other. Broadcasters can only join the EBU if the countries they broadcast from are within the European Broadcasting Area, or are member states of the Council of Europe, therefore I believe the geography is just as important to a broadcaster participating as any other aspect. All the infographics at each contest, not to mention the official Eurovision website on contest history, go by country more than broadcaster. If we also look at other events where "countries" compete and see what Misplaced Pages does there, e.g. the Olympics, where an athlete can only compete with the backing of the respective NOC, is listed the country first and then the NOC (see Austria at the 2024 Summer Olympics as an example). With all this in mind I just think it's sorta counter-intuitive to keep the country below the broadcaster; as if you're almost trying to bend-over-backwards to make a point that it's a contest where broadcasters compete (just my opinion).

Two other points: I really don't understand why the country name was taken out of the infobox title; surely this should match the article title? And regardless of where the broadcaster is place, I think it looks super weird to keep the flag against the "second" entry within the infobox, and right now this could potentially be a MOS:DECOR violation. I think the flag should either be more prominent, e.g. included in the infobox header, or it should be gotten rid of completely from these infoboxes. Sims2aholic8 (talk) 10:26, 25 October 2024 (UTC)

Your viewpoint falls down when you realise that the ESC is a television co-production of the participating broadcasters, who themselves co-produce the event in which they participate. Only one entry is allowed per country, and only one broadcaster from a given country may participate, just to ensure fairness in the competition with the broadcasters from other countries. The point is not that two broadcasters are from the same country, is that they both share the broadcasting area and viewers, and allowing both to participate would unbalance the competition and make it difficult to identify them internationally. Your UK example only reinforces the fact that an entry is just a BBC entry, as the other UK EBU members have no say in the matter.

The country is not as important to participation as the broadcaster, for the simple fact that without a broadcaster there is no participation. A country is not an entity that can participate on its own, nor does it have any right to do so. I am not trying to bend-over-anything, the ESC is a own owned competition between the broadcasters, something that the Olyimics are not. Yes, geography is important to join the EBU, but only in terms of broadcasting area, broadcasting license, broadcasting rights, coverage, public service, laws, etc., that fall within each country; geography gives the country nothing to say in the participation. And again, using the country name to identify the participant speaking in general is fine, even to bring together all the entries that have come from the same country on the official page, but this does not make the country a participant, nor does it diminish the primary importance of the broadcaster.

In the examples of previous years you linked, I still see that the articles start with the sentence in bold: "Public broadcasters from XX countries will take part in the Eurovision.."; and I see sentences like "Fans of the Contest will welcome back ARMTV from Armenia and RTCG from Montenegro" in 2022 or "After the cancellation of the ESC2020 nearly half of the broadcasters already confirmed their participants for 2021.", which makes your Israeli theory collapse. In addition, if you check the official performance videos of recent years, you will see the participating broadcaster billed at the end of the video, and If you go back much further in time you will even see the broadcaster logo in the voting sequence of its spokesperson, just to give a couple of easily visible examples.

My assertion about "lying" had more to do with ignoring or underestimating the role of the broadcaster because the belief that the participant is the country is so widespread.

Regarding the last two points about the infobox, I don't have the slightest idea. Ferclopedio (talk) 16:13, 25 October 2024 (UTC)

If all you say is true, then why are you not pushing for us to rename the articles entirely to remove the country names and list the broadcasters in their place? If you believe that the broadcasters are the most important thing here, then why is it not "BBC in Eurovision" or "SVT in Eurovision"? Also, with this in mind, should we then be splitting the history of each participating country based on the broadcaster? Belgium has two broadcasters that split responsibility for competing in the contest, should we have a "VRT in Eurovision" and a "RTBF in Eurovision" article then? Obviously these suggestions are ridiculous, because by all known criteria of the average viewer and the average reader of Misplaced Pages, it's the country that matters, not the broadcaster. I absolutely believe that we should be informing people with our articles, but not at the sake of doing things illogically just to make a point. I do believe that the broadcaster is an important part of each country's participation, and has a place within the infoboxes, but placing them ahead of the country just doesn't make logical sense to me, given the article titles reference the country and not the broadcaster, and the official website even reference the country more in the list of participants and the results tables of each edition. Sims2aholic8 (talk) 16:29, 25 October 2024 (UTC)

I didn't see anything wrong with the way we used to list and refer to the participants as it aligned very well with the convention seen in reliable sources. While I finally caved to agreeing to giving more prominence to the broadcaster's role (which let me be clear, is set by the media and contest producers, not Misplaced Pages editors), I would agree with Sims2aholic8 in that rewriting articles in Ferclopedio's way is misleading, and I feel it does not reflect reality. To continue down this path with further "broadcaster is first" changes would be original research. There are certainly articles that talk about how the broadcaster is running its process, but it's the country itself that supports that effort as it's the body that created and funds the broadcaster. It is not our role to 'correct' how sources (including the contest itself) refer to things. If we take a step back, it's important to remember that this contest is an exhibition of national pride and artistic abilities; it's not merely a television show to see which channel can produce the best programming. Even if we can't see eye-to-eye on this, I believe Sims2aholic8's request was just to swap the order of country and broadcaster in the infobox, not to omit broadcaster. I find that to be a very reasonable suggestion that better aligns with how the public actually view this event. Grk1011 (talk) 17:00, 25 October 2024 (UTC)

Yes, of course everything I say is true, I wouldn't be here arguing if it weren't. Have you ever read the contest rules?

And for the third or fourth time I say this, I think it's fine to talk about the country when we talk in general terms, or to group all the entries from the same country in the same place (the country articles). At no time have I said that this should change, it would be overkill.

What I'm trying to push is to refer accurately to who the participant is when talking specifically about the entrant (the participating broadcaster), and to avoid statements like "the broadcaster is an important part of each country's participation", that suggests that the country is an entity that participates (I would get into a loop if I started refuting that same sentence again, I have already given sufficient reasons against it above). Ferclopedio (talk) 18:31, 25 October 2024 (UTC)

Nomination of National selections for the Eurovision Song Contest for deletion

The article will be discussed at Misplaced Pages:Articles for deletion/National selections for the Eurovision Song Contest until a consensus is reached, and anyone, including you, is welcome to contribute to the discussion. The nomination will explain the policies and guidelines which are of concern. The discussion focuses on high-quality evidence and our policies and guidelines.

Grk1011 (talk) 13:55, 13 November 2024 (UTC)

Good article reassessment for Anggun

Anggun has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the reassessment page. If concerns are not addressed during the review period, the good article status may be removed from the article. Z1720 (talk) 02:20, 19 November 2024 (UTC)

RfC on rescoping WikiProject Eurovision

Should WikiProject Eurovision be rescoped to become a task force for a new WikiProject Song Contests? Sims2aholic8 (talk) 10:59, 25 November 2024 (UTC)

Longer brief: I have been thinking for quite a while now about this WikiProject, and what I believe to be considerable scope creep over the past decade or so. What started as a project devoted mainly to the Eurovision Song Contest, and by extension other EBU contests, has since exploded not just EBU events, but also a large number of other events, and by extension many articles that are very much only tangentially related to any of these articles. We now have almost 9,000 articles under the remit of the WikiProject, many of which I think are of no interest to the majority of editors within this project, and our popular pages list each month is almost invariably filled by various broadcasters, a group of articles which also have only a tangential relationship to the majority of articles which are of actual interest to the editors of this project.

With this in mind, and considering that I believe WikiProjects work best when they focus on the articles that people are actually interested in improving, I'm proposing that the WikiProject be rescoped to become WikiProject Song Contests. Given that there are several contests out there where we are actively contributing, and not all of which are led by the EBU, or are even entitled "Eurovision" or related to ESC, I believe that this rebranding makes better sense going forwards. As part of this rebrand, I envisage that we will create several task forces, focussed specifically on high-profile contests. Right now I see one or two task forces in particular being created, specifically focussing on the Eurovision Song Contest and, depending on interest, the Junior Eurovision Song Contest.

I do not believe that the current sub-categorisation of high-profile contests which serve as national selections for ESC should be maintained, and these should therefore be categorised in the same way as the "main" contests. Depending on editor interest, new task forces could potentially also be created focussing on some of these, e.g. Melodifestivalen, Benidorm Fest, Festivali i Këngës, Sanremo, etc.

Should agreement be reached following this discussion, I believe that Stage 1 of implementing the new WikiProject structure would be to create a new page and related sub-pages for WikiProject Song Contests and to move the current WikiProject Eurovision pages to become sub-pages within the new WikiProject structure (e.g. Misplaced Pages:WikiProject Eurovision would become Misplaced Pages:WikiProject Song Contest/Eurovision task force). Further stages would then be to consider which articles we should include within the scope of our new project and reassessing importance.

Eager to hear thoughts, opinions, suggestions, concerns, musings, etc. on the above! I'm proposing that this discussion continue until 31 January 2025 to try and get the widest input possible from all editors concerned as we move into the 2025 national selection season. Sims2aholic8 (talk) 11:00, 25 November 2024 (UTC)

Polling (RfC on rescoping WikiProject Eurovision)

• Support (Summoned by bot): Sounds very sensible. TarnishedPath 11:43, 25 November 2024 (UTC)
• Support: What the user laid out is true. This project has already expanded past Eurovision events, and the WikiProject ecosystem should officially recognize that — IмSтevan 13:30, 25 November 2024 (UTC)
• Support Seems reasonable per all above. (Bot summons) RadioactiveBoulevardier (talk) 04:40, 26 November 2024 (UTC)
• Support per previous votes. ~ IvanScrooge98 (talk) 13:19, 3 December 2024 (UTC)
• Support as this is something I have been thinking of suggesting. Ktkvtsh (talk) 18:09, 6 December 2024 (UTC)

Discussion (RfC on rescoping WikiProject Eurovision)

 Comment: Just a thought/suggestion: Perhaps national selections should be taken out of the Eurovision task force and made into a separate one (Misplaced Pages:WikiProject Song Contests/National contests) alongside other song contests limited to a single country, such as Bundesvision and the American Song Contest, and let the Eurovision task force deal with Eurovision articles exclusively — IмSтevan 13:36, 25 November 2024 (UTC)

But would it not be (mostly if not entirely) the same editors doing essentially the same sort of work for all of those projects? Seems like an arbitrary division that could serve to make editing harder by separating efforts and discussions which apply to all relevant articles. QuietHere (talk | contributions) 18:15, 25 November 2024 (UTC)

 Comment: While I agree that the project currently has scope creep, your brief raises many questions for me.

First, I don't understand why the WikiProject Eurovision has no relation to WikiProject Television and it has with WikiProject Music. The current description of the project is "improving Misplaced Pages's coverage of topics related to the Eurovision Network, and other topics similar to but not necessarily identical to the Eurovision event concept". The Eurovision network is a television communications network, and every Eurovision event is essentially a television show (and not all of them are related to music). So, according to the current definition of the project, I understand that it is closer to television than to music.

If I understand correctly, what you are asking for is a rescope of the project to make it WikiProject Song Contests, so that it falls completely within WikiProject Music, which would mean that any event that is not a Song Contest would be excluded from the project, even any other Eurovision event apart from ESC and JESC. Is everyone who agrees aware of this?

Even with this rescope, neither the ESC nor the JESC nor any of their national finals nor any song contests similar to them (which will make up the vast majority of the events covered by the new project) will cease to be essentially television shows, meaning that they were intentionally created as television shows by television broadcasters. All these song contests together form a subgenre of television shows, rather than independent events in their own right. Of course there are song contests of the latter, but I think they will be a small minority in the new project.

I do not agree with the phrase "high-profile contests which serve as national selections for ESC". With the exception of Sanremo, which is the only "high-profile contests which serve as national selections for ESC", all other contest that are ESC and JESC national finals were specifically created by the respective broadcaster as a television show to select their entry to the contest, and are simply that (however popular they became), so their subordination to the main event is obvious, even though there have been years in which a broadcaster has not competed in the main and has staged the local contest.

I do agree with QuietHere. I don't think that splitting the project into subprojects or taskforces will help with the problem, when we are the same editors doing essentially the same sort of work on similar articles. And if the intention of the change is to attract new editors, I'm not sure that changing the well-known name Eurovision to a more generic one will help. Ferclopedio (talk) 21:22, 3 December 2024 (UTC)

Regarding your first point: I believe that the vast majority of editors which are attached to WikiProject Eurovision as it currently stands are mainly interested in editing articles related to the song contests only. Potentially I'm wrong here, but that's my understanding, and it's certainly what motivates me to be a part of this project. I have very limited interest in editing articles on the network, or indeed the member broadcasters, or any other EBU-related articles. I understand that everyone has different interests, so if there are any members that are interested in these articles, then please do add to this discussion! However if it's true as I believe that most editors attached to this project are only interested in the song contest element of Eurovision, then why are these other articles "attached" to our project if we have no intention of improving them?

I understand your point around how this project interacts with WikiProject Television. Certainly I believe that any rescoping should include more of a branching out into that project. Eurovision, Junior Eurovision, etc. are more than just television shows though, and the musical element is just as important. So I disagree with your point that they will "cease to be essentially television shows", because I think they have evolved into much more than just a TV show. Yes broadcasters are involved, and without the EBU there would be no ESC, but you just have to look at music charts around the world to see the impact of these contests beyond just television.

Regarding your disagreement with the "promotion" of other contests related to ESC to the same level as ESC or JESC, there are definitely more cases than just Sanremo; Festivali i Këngës existed long before Albania joined ESC. Culturally as well a lot of events match, or even surpass, ESC, even if they were founded when a country joined ESC. I find it hard to believe that Melodifestivalen, the biggest event in Sweden every year, should be "relegated" just because the winner goes to Eurovision. Sims2aholic8 (talk) 21:53, 3 December 2024 (UTC)

Yes, everyone has different interests and motivations. I see (and understand by the description) the current project as an "Eurovision events" project, with not only the ESC and JESC and its national finals, also with EYM, EYD... and even JSF (which I don't know why it hasn't been included yet). I myself am interested in its television, competitive, and international co-production aspects. And I see that a vast majority of the article edits focus on the organization of those events, the competition itself (point tables) and its broadcasting (commentators, stations that broadcast it, spokespersons, etc.) rather than on the music, so I must not be the only one. I do not underestimate the musical value of ESC and JESC and so, and I understand that in that sense the project is related to the WikiProject Music. But even with this great musical value, ESC and JESC are still television shows so they are more related to the WikiProject Television. And we have other Eurovision events that are not song contest and the question is whether we should get rid of them or not, when they share similarities with the others. In my opinion any other EBU-related article not related with the events, including the broadcasters, are covered in the WikiProject Television and WikiProject Media and can fall out this project.

Yes, maybe FiK is like Sanremo, but Melodifestivalen, even though it is the biggest event in Sweden each year, is still a television show created and staged by SVT specifically to choose its entry for Eurovision. My point is that is not a high-profile contests "which serve" as national selections, it is a national selection that had became huge. And maybe locally in some cases, but internationally none of the national events come even remotely close to the cultural impact of the ESC. Ferclopedio (talk) 23:38, 3 December 2024 (UTC)

@Sims2aholic8, normally, we don't use an RFC for a question like this. That's because a Misplaced Pages:WikiProject is a group of people, and in practice, you can't get a "consensus" that other WP:VOLUNTEERS will do what we tell them to do.

If you want to rename a group, then the usual process is outlined at Misplaced Pages:WikiProject Council/Guide#Renaming a WikiProject. If you want to merge two or more groups, then the usual process is (mostly) outlined at Misplaced Pages:WikiProject Council/Guide/Merging WikiProjects. The key point is that the decisions need to be made by the people who participate in the groups (or else they'll quit participating, and then you won't actually have a WikiProject). WhatamIdoing (talk) 04:23, 15 December 2024 (UTC)

"Eurovision Awards" notability

Although this is run by official ESC social media accounts, this end-of-year "awards" in my opinion has turned into fodder to drive up engagement for official ESC handles, evident in a category name containing the word 'rizz' in 2023. Should this continue to be added to the Wiki going forward, or should it be removed (this also applies for 2021-2023)? Pdhadam (talk) 10:42, 6 December 2024 (UTC)

I agree and I would support its removal under WP:GNG. However I think that there is a bit of a problem with this section in its entirety. Apart from the Marcel Bezençon Awards, which are organised by the EBU and have a specific set of criteria upon which the awards are decided, I don't believe any other awards which are commonly included here should be retained. I fail to see how the OGAE poll or the Barbara Dex Award/You're a Vision Award is notable enough to be mentioned here, when in effect they are just internet polls in the same way that these Eurovision Awards are. I think the whole section should go and the Marcel Bezençon Awards should be reformatted to become a sub-section of the "Contest overview", changed to become prose-only per MOS:PROSE and to sit underneath "Final" (since only finalists are up for these awards). Sims2aholic8 (talk) 12:36, 6 December 2024 (UTC)

Agree. Marcel Bezençon's is an actual award, while the others are simply internet polls. Ferclopedio (talk) 13:35, 6 December 2024 (UTC)

I disagree with this. I feel that they are notable enough to be included — IмSтevan 14:26, 6 December 2024 (UTC)

Agree. Internet polls of this nature do not have much credibility. Support keeping Marcel Bezençon Awards and removing the rest. I think if you'd like to mention the other two, it could be a sentence or two on the individual country or song's article, but it has no impact on the contest itself at a high level. I honestly find the OGAE one somewhat bizarre; it's almost like "who cares how the contest actually went, let's focus on how a self-selecting group of fans think it should have played out." Grk1011 (talk) 16:38, 6 December 2024 (UTC)

I believe the Marcel Bezençon Awards should remain fully fleshed out on Eurovision year articles, as they are officially organized by the EBU and meet notability criteria. For the other awards, such as the OGAE poll and the You're a Vision Award, I propose a compromise: include a single sentence for each, providing a brief description and linking to their respective Misplaced Pages pages where more detailed information can be found. This way, we maintain a balanced and informative overview without overemphasizing awards that may lack the same level of significance or credibility as the Marcel Bezençon Awards. Ktkvtsh (talk) 18:07, 6 December 2024 (UTC)

It's also worth pointing out that we already had a rather long conversation about this, see here from 2022. Grk1011 (talk) 18:30, 6 December 2024 (UTC)

Potential deletion of categories

While I was helping add categories to Shkodra Elektronike, I noticed that all of the categories by country and by year for every Eurovision entry have been nominated for deletion.

Now, while I'm a Eurovision fan and not an official member of WikiProject Eurovision, I found this idea to be concerning - helping categorize each entry by year and by country, I believe, helps with avoiding clutter and keeps things neat and organized.

Apologies for any potential "unprofessional" phrasing here, I just wanted to bring this issue to the WikiProject's attention. ButI'llBeThereNextTime (talk) 21:18, 23 December 2024 (UTC)

@ButI'llBeThereNextTime: As the nominator of these categories for discussion, I would just reiterate that Misplaced Pages has guidelines around overcategorisation. There are many cases where categorisation is not necessary, and in this case I believe that these categories fall down specifically on the "performers by performance" grouping. If you disagree, I suggest you contribute to the discussions at Misplaced Pages:Categories for discussion/Log/2024 December 19#Song contest performer categories and Misplaced Pages:Categories for discussion/Log/2024 December 21#ESC/JESC entrant categories.

For any WikiProject members that were not aware of this, I would strongly suggest that you follow Misplaced Pages:WikiProject Eurovision/Article alerts, as this will keep you abreast of all developments related to WikiProject pages. Sims2aholic8 (talk) 21:56, 23 December 2024 (UTC)

• Project-Class Eurovision pages
• NA-importance Eurovision pages
• All WikiProject Eurovision pages