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Revision as of 12:25, 26 December 2024 editMtvdanilo (talk \| contribs)Extended confirmed users600 editsNo edit summaryTag: Visual edit: Switched ← Previous edit		Revision as of 12:55, 26 December 2024 edit undoMtvdanilo (talk \| contribs)Extended confirmed users600 edits ←Replaced content with ''''Enzo Faletto''' (July 14, 1935 – June 22, 2003) was a Chilean sociologist and historian.<ref>{{Citation \|last=Contreras-Vejar \|first=Yuri \|title=Faletto, Enzo \|date=2017 \|work=The Wiley-Blackwell Encyclopedia of Social Theory \|pages=1–2 \|url=https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118430873.est0119 \|access-date=2024-12-25 \|archive-url=https://web.archive.org/web/20180604210547/https://onlinelibrary.wiley.com/doi/a...'Tag: ReplacedNext edit →
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			'''Enzo Faletto''' (July 14, 1935 – June 22, 2003) was a ] ] and ].<ref>{{Citation \|last=Contreras-Vejar \|first=Yuri \|title=Faletto, Enzo \|date=2017 \|work=The Wiley-Blackwell Encyclopedia of Social Theory \|pages=1–2 \|url=https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118430873.est0119 \|access-date=2024-12-25 \|archive-url=https://web.archive.org/web/20180604210547/https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118430873.est0119 \|archive-date=June 4, 2018 \|publisher=John Wiley & Sons, Ltd \|language=en \|doi=10.1002/9781118430873.est0119 \|isbn=978-1-118-43087-3}}</ref><ref>{{Cite web \|title=Homenaje a Enzo Faletto \|url=https://facso.uchile.cl/noticias/2006/libro_faletto2.html \|url-status=live \|archive-url=https://web.archive.org/web/20071207045825/https://facso.uchile.cl/noticias/2006/libro_faletto2.html \|archive-date=December 7, 2007 \|access-date=December 7, 2007 \|website=Faculty of Social Sciences, University of Chile}}</ref> Together with former Brazilian president and sociologist ], he wrote the book ''Dependency and Development in Latin America'', an important contribution to the development of ].<ref>{{Cite web \|last=Franco \|first=Célia \|date=July 14, 1998 \|title=Intelectuais revêem obra teórica de FHC \|url=https://www1.folha.uol.com.br/fsp/brasil/fc14069805.htm \|url-status=live \|archive-url=https://web.archive.org/web/20241225222422/https://www1.folha.uol.com.br/fsp/brasil/fc14069805.htm \|archive-date=December 25, 2024 \|access-date=December 25, 2024 \|website=]}}</ref><ref>{{Cite web \|date=June 7, 2010 \|title=2012 Kluge Prize Ceremony: Fernando Henrique Cardoso \|url=https://www.loc.gov/item/2021688919/ \|access-date=December 25, 2024 \|website=], ] 20540 USA}}</ref>
	{{Infobox film
	\| name = Riefenstahl
	\| image =
	\| alt =
	\| caption =
	\| native_name =
	\| director = ]
	\| writer = Andres Veiel
	\| screenplay =
	\| story =
	\| based_on =
	\| producer = ]
	\| starring =
	\| narrator =
	\| cinematography = Toby Cornish
	\| editing = Stephan Krumbiegel<br>Olaf Voigtländer<br>Alfredo Castro
	\| music = Freya Arde
	\| studio =
	\| distributor =
	\| released = August 29, 2024 {{Small\|(])}}<br>October 31, 2024 {{Small\|(Germany)}}
	\| runtime = 115 minutes
	\| country = ]
	\| language = ]
	\| budget =
	\| gross =
	}}
	'''''Riefenstahl''''' is a ] ] by director ] and producer ] about the German filmmaker ].<ref>{{Cite web \|last=Roxborough \|first=Scott \|date=September 4, 2024 \|title=Leni Riefenstahl Documentary Sells Wide After Venice, Telluride Premiere \|url=https://www.hollywoodreporter.com/movies/movie-news/leni-riefenstahl-documentary-sells-venice-telluride-1235991085/ \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://www.hollywoodreporter.com/movies/movie-news/leni-riefenstahl-documentary-sells-venice-telluride-1235991085/ \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=] \|language=en-US}}</ref><ref>{{Cite news \|last=Rogers \|first=Thomas \|date=November 6, 2024 \|title=Filmmaker’s Private Archive Rekindles Debate Over Her Nazi Ties \|url=https://www.nytimes.com/2024/11/06/movies/leni-riefenstahl-documentary-nuba-photographs.html \|url-status=live \|archive-url=http://web.archive.org/web/20241111082626/https://www.nytimes.com/2024/11/06/movies/leni-riefenstahl-documentary-nuba-photographs.html \|archive-date=November 11, 2024 \|access-date=December 25, 2024 \|work=] \|language=en}}</ref> The film premiered on August 29, 2024 at the ] and was released in German theaters on October 31, 2024.<ref>{{Cite news \|last=Beier \|first=Lars-Olav \|last2=Höbel \|first2=Wolfgang \|date=August 30, 2024 \|title=(S+) »Riefenstahl«-Dokumentarfilm von Andres Veiel: Fanatikerin in eigener Sache \|url=https://www.spiegel.de/kultur/kino/riefenstahl-dokumentarfilm-von-andres-veiel-fanatikerin-in-eigener-sache-a-427fc44f-655f-480c-ba48-9de4be3096f3 \|url-status=live \|archive-url=https://web.archive.org/web/20241217233119/https://www.spiegel.de/kultur/kino/riefenstahl-dokumentarfilm-von-andres-veiel-fanatikerin-in-eigener-sache-a-427fc44f-655f-480c-ba48-9de4be3096f3 \|archive-date=December 17, 2024 \|access-date=December 25, 2024 \|work=] \|language=de \|issn=2195-1349}}</ref><ref>{{Cite web \|date=October 24, 2024 \|title=Andres Veiel: Neue Perspektive auf Leni Riefenstahl \|url=https://www.inforadio.de/rubriken/vis-a-vis/2024/10/dokumentarfilm-im-kino-andres-veiel-riefenstahl.html \|url-status=live \|archive-url=https://web.archive.org/web/20241225224253/https://www.inforadio.de/rubriken/vis-a-vis/2024/10/dokumentarfilm-im-kino-andres-veiel-riefenstahl.html \|archive-date=December 25, 2024 \|access-date=December 25, 2024 \|website=Inforadio \|language=de}}</ref>

			== Biography ==
	Leni Riefenstahl was honored several times at the Venice Film Festival. In 1932, she was awarded the silver medal for ]; in 1934, the gold medal for ]; and, in 1938, the gold medal of the ] for best foreign film for ''].''<ref>{{Cite journal \|last=Vallejo \|first=Aida \|date=March 5, 2020 \|title=Rethinking the canon: the role of film festivals in shaping film history \|url=https://www.tandfonline.com/doi/full/10.1080/17411548.2020.1765631 \|journal=Studies in European Cinema \|doi=10.1080/17411548.2020.1765631 \|issn=1741-1548}}</ref><ref>{{Cite news \|last=Brooks \|first=Xan \|date=August 29, 2024 \|title=Riefenstahl review – deep-dive study takes down the Nazis’ favourite director \|url=https://www.theguardian.com/film/article/2024/aug/29/riefenstahl-review-deep-dive-study-takes-down-the-nazis-favourite-director \|url-status=live \|archive-url=https://web.archive.org/web/20241213200226/https://www.theguardian.com/film/article/2024/aug/29/riefenstahl-review-deep-dive-study-takes-down-the-nazis-favourite-director \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|work=] \|language=en-GB \|issn=0261-3077}}</ref>
			=== Early years and education ===

	== Film ==

	=== Background ===
	] interviewed filmmaker ] in 2002 to mark the ] of her birth. The director of the interview was Hans-Jürgen Panitz, who won an ] in ] for his documentary ''].'' Sandra's interview with Leni was broadcast simultaneously in ] and ] on ] on August 15, 2002, under the title ''Sandra Maischberger meets Leni Riefenstahl''.<ref>{{Citation \|last= \|first= \|title=Sandra Maischberger trifft Leni Riefenstahl \|date= \|type= \|url=https://www.imdb.com/title/tt0365716/ \|access-date=December 25, 2024 \|others= \|publisher=ARTE}}</ref><ref>{{Citation \|last=Hidalgo \|first=João Eduardo \|title=German filmmaker Leni Riefenstahl and documentary as a narrative of a historical period: The mystification of nazism? \|date=2024 \|work=Open Science Research XIV \|pages=472–491 \|url=https://doi.org/10.37885/231215224 \|access-date=December 25, 2024 \|archive-url=https://web.archive.org/web/20241225230000/https://downloads.editoracientifica.com.br/articles/231215224.pdf \|archive-date=December 25, 2024 \|url-status=live \|publisher=Editora Científica Digital \|isbn=978-65-5360-559-6}}</ref> Maischberger later commented on the interview: “in the middle, I thought she was lying” and “I hadn't been able to get anything out of her. And I thought that couldn't have been it”. She then delved deeper into Riefenstahl's life and, as she told the newspaper '']'', the idea for a documentary was born.<ref>{{Cite news \|date=August 21, 2024 \|title=Filmfestival: Maischberger hält Riefenstahl für überzeugte Faschistin \|url=https://www.tagesspiegel.de/gesellschaft/filmfestival-maischberger-halt-riefenstahl-fur-uberzeugte-faschistin-12233723.html \|archive-url=https://web.archive.org/web/20240902133552/https://www.tagesspiegel.de/gesellschaft/filmfestival-maischberger-halt-riefenstahl-fur-uberzeugte-faschistin-12233723.html \|archive-date=September 2, 2024 \|access-date=December 25, 2024 \|work=] Online \|language=de-DE \|issn=1865-2263}}</ref>

	In 2016, Riefenstahl's heirs handed over her estate to the ], which included 7,000 boxes of scripts, letters, notes, film excerpts, photographs, private ] recordings, cassette tapes with telephone recordings and various drafts for her memoirs, all disorganized.<ref>{{Cite web \|last= \|first= \|date=February 12, 2018 \|title=SPK erhält den Nachlass von Leni Riefenstahl \|url=https://www.smb.museum/nachrichten/detail/spk-erhaelt-den-nachlass-von-leni-riefenstahl/ \|url-status=live \|archive-url=https://web.archive.org/web/20240902095141/https://www.smb.museum/nachrichten/detail/spk-erhaelt-den-nachlass-von-leni-riefenstahl/ \|archive-date=September 2, 2024 \|access-date=December 25, 2024 \|website=Staatliche Museen zu Berlin \|language=de}}</ref><ref>{{Cite web \|last=Sabbaga \|first=Julia \|date=August 29, 2024 \|title=Cineasta favorita de Hitler ganha documentário exibido no Festival de Veneza; conheça \|url=https://www.estadao.com.br/cultura/cinema/leni-riefenstahl-cineasta-favorita-de-hitler-documentario-festival-de-veneza-nprec/ \|url-status=live \|archive-url=https://web.archive.org/web/20241120233433/https://www.estadao.com.br/cultura/cinema/leni-riefenstahl-cineasta-favorita-de-hitler-documentario-festival-de-veneza-nprec/ \|archive-date=November 20, 2024 \|access-date=December 25, 2024 \|website=] \|language=pt-br}}</ref> Maischberger offered the foundation a careful inventory of the estate, carried out by experts. In return, she received permission to use the material for the production of a documentary. In 2018, documentary filmmaker ] joined the project with his team of editors, who had been involved in visualizing the material from the beginning, and cameraman Toby Cornish.<ref name=":4">{{Cite web \|last=Hinrichsen \|first=Jens \|date=October 28, 2024 \|title=Neuer Film über Leni Riefenstahl: Triumph ihres Willens \|url=https://www.monopol-magazin.de/leni-riefenstahl-triumph-ihres-willens \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://www.monopol-magazin.de/leni-riefenstahl-triumph-ihres-willens \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=Monopol Magazine \|language=de}}</ref>

	The director filled in the gaps in Riefenstahl's self-portrait with additional sources. For example, Riefenstahl's statement that she had never read ]'s '']'' was refuted by an interview published in the British newspaper '']'' in April 1934, in which she said that she had bought a copy of the book in a bookshop on the way to filming '']'']<ref name=":0">{{Cite web \|last=Rodek \|first=Hanns-Georg \|date=September 9, 2024 \|title=Riefenstahl war Fake News: Andres Veiel über seine neue Doku - WELT \|url=https://www.welt.de/kultur/article253214224/Riefenstahl-war-Fake-News-Andres-Veiel-ueber-seine-neue-Doku.html \|url-status=live \|archive-url=https://web.archive.org/web/20240918104050/https://www.welt.de/kultur/article253214224/Riefenstahl-war-Fake-News-Andres-Veiel-ueber-seine-neue-Doku.html \|archive-date=September 18, 2024 \|access-date=December 25, 2024 \|website=Die Welt \|language=de}}</ref> She told the British tabloid "take the book with you. At every break in filming. On the train. On the water. In the forest. After the first page, I'm already a convinced ]". This interview is not included in the estate organized by his family, but was still available in the newspaper's archive in ].<ref name=":0" />

	=== Production ===
	The film was produced by Sandra Maischberger and her production company Vincent Productions, in co-production with WDR, SWR, NDR, BR and rbb. The production was financed by {{Interlanguage link\|Film- und Medienstiftung NRW\|de\|Film- und Medienstiftung NRW}}, ], {{Interlanguage link\|Filmförderungsanstalt\|de\|Filmförderungsanstalt}}, {{Interlanguage link\|Federal Government Commissioner for Culture and the Media (Germany)\|lt=Federal Government Commissioner for Culture and the Media\|de\|Beauftragter der Bundesregierung für Kultur und Medien}} and ].<ref name=":1">{{Cite web \|date=July 12, 2024 \|title=Riefenstahl \|url=https://www.labiennale.org/en/cinema/2024/out-competition/riefenstahl \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://www.labiennale.org/en/cinema/2024/out-competition/riefenstahl \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=La Biennale di Venezia \|publisher=] \|language=en}}</ref>

	{{Interlanguage link\|Stephan Krumbiegel\|de\|Stephan Krumbiegel}} and Olaf Voigtländer, with whom Veiel had already worked on his ] ], and Alfredo Castro took part in the editing of the film. The documentary was edited over a period of eighteen months.<ref>{{Cite web \|last= \|first= \|date=August 9, 2024 \|title=RIEFENSTAHL \|url=https://www.kultur-port.de/blog/film/19200-riefenstahl.html \|url-status=live \|archive-url=https://web.archive.org/web/20240902095142/https://www.kultur-port.de/blog/film/19200-riefenstahl.html \|archive-date=September 2, 2024 \|access-date=December 25, 2024 \|website=KulturPort.De — Follow Arts ~ Online-Magazin \|language=de-de}}</ref> Toby Cornish was responsible for the camera work, just as he was for the documentary about Joseph Beuys.<ref name=":1" />

	The music for the film was written by Freya Arde, who managed to record the compositions with the ].<ref name=":1" />

	In an interview, Veiel said that the documentary warns of the rise of the ] in the contemporary world.<ref name=":2">{{Cite web \|last=Gheti \|first=Bruno \|date=September 1, 2024 \|title=Leni Riefenstahl, a cineasta do nazismo, é retratada em documentário em Veneza \|url=https://www1.folha.uol.com.br/ilustrada/2024/09/leni-riefenstahl-a-cineasta-do-nazismo-e-retratada-em-documentario-em-veneza.shtml \|url-status=live \|archive-url=https://web.archive.org/web/20241212093139/https://www1.folha.uol.com.br/ilustrada/2024/09/leni-riefenstahl-a-cineasta-do-nazismo-e-retratada-em-documentario-em-veneza.shtml \|archive-date=December 12, 2024 \|access-date=December 25, 2024 \|website=] \|language=pt-BR}}</ref> Veiel pointed out that “in the last conversation Leni has on the phone in the movie, she says that it will take one or two generations for Germany to rediscover its role in terms of morality, virtue and order. That's not too far removed from ] and what he says about immigrants spoiling American blood. It was a darkly prophetic conversation".<ref name=":2" />

	== Exhibition ==
	The film was shown for the first time at the ] on ].<ref name=":1" /><ref>{{Cite web \|date=August 28, 2024 \|title=Documentário sugere que Leni Riefenstahl, cineasta do nazismo, contribuiu para massacre de judeus poloneses \|url=https://oglobo.globo.com/cultura/noticia/2024/08/28/documentario-sugere-que-leni-riefenstahl-cineasta-do-nazismo-contribuiu-para-massacre-de-judeus-poloneses.ghtml \|archive-url=https://web.archive.org/web/20240922125808/https://oglobo.globo.com/cultura/noticia/2024/08/28/documentario-sugere-que-leni-riefenstahl-cineasta-do-nazismo-contribuiu-para-massacre-de-judeus-poloneses.ghtml \|archive-date=September 22, 2024 \|access-date=December 25, 2024 \|website=] \|language=pt-br}}</ref> It premiered in German cinemas on October 31, 2024.<ref name=":3">{{Cite web \|title=Riefenstahl \|url=https://www.programmkino.de/filmkritiken/riefenstahl/ \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://www.programmkino.de/filmkritiken/riefenstahl/ \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=Programmkino.de \|language=de}}</ref>

	In ], the premiere took place at the ], in the ] in the interior of ], where Riefenstahl received the prize of honor at the first festival in 1974.<ref>{{Cite news \|date=September 15, 1974 \|title=Hitler's Favorite Filmmaker Honored At Colorado Festival (Published 1974) \|url=https://www.nytimes.com/1974/09/15/archives/hitlers-favorite-filmmaker-honored-at-colorado-festival-hitlers.html \|url-status=live \|archive-url=https://web.archive.org/web/20230804111230/https://www.nytimes.com/1974/09/15/archives/hitlers-favorite-filmmaker-honored-at-colorado-festival-hitlers.html \|archive-date=August 4, 2023 \|access-date=December 25, 2024 \|work=] \|language=en}}</ref><ref>{{Cite web \|title=Michael's Telluride Film Blog : TELLURIDE FILM FESTIVAL HISTORY PART ONE: 1974-1995 \|url=https://michaelstelluridefilm.blogspot.com/p/expended-telluride-film-festival.html \|url-status=live \|archive-url=https://web.archive.org/web/20240921192205/https://michaelstelluridefilm.blogspot.com/p/expended-telluride-film-festival.html \|archive-date=September 21, 2024 \|access-date=December 25, 2024 \|website=Michael's Telluride Film Blog}}</ref>

	=== Critics ===
	German film journalist {{Interlanguage link\|Dieter Oßwald\|de\|Dieter Oßwald}} wrote on the ''Programmkino.de'' portal: “A meticulously compiled and exciting puzzle of a contradictory biography. “Visionary? Manipulator? Liar?” the poster asks programmatically. As always, Veiel wisely leaves the answers to the audience. A milestone in biographical filmmaking. At the same time, an important educational film about the power of images - always topical in the age of ]".<ref name=":3" />

	The American magazine '']'' wrote: “Andres Veiel's new documentary is a psychological portrait of the infamous director of ''Olympia'' and ''Triumph of the Will'' that shows the ‘terrible seductive power’ of fascism".<ref>{{Cite web \|last=Roxborough \|first=Scott \|date=August 29, 2024 \|title=‘Riefenstahl’ Doc Shatters Myths of Hitler’s Favorite Director \|url=https://www.hollywoodreporter.com/movies/movie-news/riefenstahl-doc-venice-shatters-myths-around-hitler-director-1235980141/ \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://www.hollywoodreporter.com/movies/movie-news/riefenstahl-doc-venice-shatters-myths-around-hitler-director-1235980141/ \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=] \|language=en-US}}</ref>

	Jens Hinrichsen, from ''{{Interlanguage link\|Monopol (magazine)\|de\|Monopol (Zeitschrift) \|lt=Monopol}}'' magazine, writes in his detailed review of the film that it once again dismantles the myth of apoliticism and brings the problem of its aesthetics to the present. The film does not view the main character from a "safe distance" but instead brings her into the present. The selected material often works as a mirror of current events. "At its core, ''Riefenstahl'' deals with a perverted concept of beauty that conceals the other side of what is beautiful, superior, and victorious — the supposedly unworthy, sick, weak, and also the foreign". In summary, Hinrichsen states that parallels can be drawn with ] filters, beauty mania, and ] from her work, which celebrates the cult of the perfect body, especially in her film ''Olympia''". "Leni Riefenstahl may not be innocent of the fact that beauty broke away from the triad of the true, the beautiful, and the good".<ref name=":4" />

	Owen Gleiberman of the US magazine '']'' wrote that the documentary “presents more evidence than we have seen so far that Riefenstahl was part of the regime. However, the evidence remains circumstantial".<ref>{{Cite web \|last=Gleiberman \|first=Owen \|date=August 29, 2024 \|title=‘Riefenstahl’ Review: A New Portrait of Leni Riefenstahl Looks Closer at the Question: Was the Filmmaker Complicit in Nazi Crimes? \|url=https://variety.com/2024/film/reviews/riefenstahl-review-venice-film-festival-1236118748/ \|url-status=live \|archive-url=https://web.archive.org/web/20241213203723/https://variety.com/2024/film/reviews/riefenstahl-review-venice-film-festival-1236118748/ \|archive-date=December 13, 2024 \|access-date=December 25, 2024 \|website=] \|language=en-US}}</ref>

	Xan Brooks, film critic for the British newspaper '']'', writes that Leni Riefenstahl returns to the festival as the star of Andres Veiel's 'extraordinarily profound documentary'. “It was here in Venice that her career peaked before falling into hell. The film shows this story and how Riefenstahl tried and failed to save her reputation". The film acknowledges her role as a pioneer: “an ambitious artist in a male-dominated industry whose poetic eye and technical talent turned the medium upside down But the film also shows the ways in which her work is inextricably linked to Nazism - full of it, determined by it - which can never be seen in isolation as innocent and immaculate".<ref>{{Cite news \|last=Brooks \|first=Xan \|date=August 29, 2024 \|title=Riefenstahl review – deep-dive study takes down the Nazis’ favourite director \|url=https://www.theguardian.com/film/article/2024/aug/29/riefenstahl-review-deep-dive-study-takes-down-the-nazis-favourite-director \|url-status=live \|archive-url=https://web.archive.org/web/20241213200226/https://www.theguardian.com/film/article/2024/aug/29/riefenstahl-review-deep-dive-study-takes-down-the-nazis-favourite-director \|archive-date=December 13, 2024 \|access-date=December 26, 2024 \|work=] \|language=en-GB \|issn=0261-3077}}</ref>

	Thomas Schultze, from the movie portal ''Spot'', comes to the conclusion that “Leni Riefenstahl's blindness, as Andres Veiel's film makes clear, is the blindness of an entire country that doesn't want to take responsibility, that doesn't want to learn from what happened, that prefers to look away and deny, thus opening the door to a new look at an abyss that was thought to have been overcome".<ref>{{Cite web \|last=Schultze \|first=Thomas \|date=August 29, 2024 \|title=REVIEW VENEDIG: „Riefenstahl“ \|url=https://the-spot-mediafilm.com/hintergrund/specials/mostra-in-venedig-2024/review-venedig-riefenstahl/ \|url-status=live \|archive-url=https://web.archive.org/web/20240902095141/https://spot-mediafilm.com/hintergrund/specials/mostra-in-venedig-2024/review-venedig-riefenstahl/ \|archive-date=September 2, 2024 \|access-date=December 25, 2024 \|website=Spot \|language=de}}</ref>

	== References ==		== References ==

Revision as of 12:55, 26 December 2024

Enzo Faletto (July 14, 1935 – June 22, 2003) was a Chilean sociologist and historian. Together with former Brazilian president and sociologist Fernando Henrique Cardoso, he wrote the book Dependency and Development in Latin America, an important contribution to the development of Dependency Theory.

Biography

Early years and education

References

Contreras-Vejar, Yuri (2017), "Faletto, Enzo", The Wiley-Blackwell Encyclopedia of Social Theory, John Wiley & Sons, Ltd, pp. 1–2, doi:10.1002/9781118430873.est0119, ISBN 978-1-118-43087-3, archived from the original on June 4, 2018, retrieved 2024-12-25
"Homenaje a Enzo Faletto". Faculty of Social Sciences, University of Chile. Archived from the original on December 7, 2007. Retrieved December 7, 2007.
Franco, Célia (July 14, 1998). "Intelectuais revêem obra teórica de FHC". Folha de S.Paulo. Archived from the original on December 25, 2024. Retrieved December 25, 2024.
"2012 Kluge Prize Ceremony: Fernando Henrique Cardoso". Library of Congress, Washington, D.C. 20540 USA. June 7, 2010. Retrieved December 25, 2024.