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File:A watercolor portrait of Ranjit Singh.jpg|A watercolor portrait of Ranjit Singh who wore the angarkha during his reign.<ref>Gupta, Hari Ram (1991) History of the Sikhs: The Sikh lion of Lahore, Maharaja Ranjit Singh, 1799-1839 </ref> File:A watercolor portrait of Ranjit Singh.jpg|A watercolor portrait of Ranjit Singh who wore the angarkha during his reign.<ref>Gupta, Hari Ram (1991) History of the Sikhs: The Sikh lion of Lahore, Maharaja Ranjit Singh, 1799-1839 </ref>
</gallery> </gallery>

=== Chamba angarkhi ===
The ] angarkhi of ] is sewen tight at the torso, but below the waist it has an open fall like the modern skirt. The angarkhi is tied at the waist with a sash.<ref>Kamal Prashad Sharma, Surinder Mohan Sethi (1997) Costumes and Ornaments of Chamba </ref>


==Turban== ==Turban==

Revision as of 11:39, 28 December 2024

Clothing style associated with people of the Punjab region
Punjabi clothing of Lahore, 1890s
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In the Punjab region, people wore cotton clothing. Both men and women wore knee-length tops. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both male and female wore a dhoti around the waist. Modern Punjabi dress has retained the dhoti, but over its long history has added other forms of dress.

The Punjab region had a flourishing industry in cotton during the 19th and early 20th centuries, when various kinds of coarse cotton clothes. This cotton industry added to the richness of Punjabi clothing which exhibits Punjab's rich and vibrant culture in its dresses. Various types of dresses are worn based on different Punjabi festivals, local events and ceremonies.

Along with different traditional dresses special types of ornaments are also very common.

Suthan

Main article: Salwar

The use of the Suthan in the Punjab region also called Suthana in Punjabi is a survival of the ancient Svasthana. Svasthana referred to a lower garment which can be described as a type of trousers. The Svasthana was in use amongst the rulers in the Mauryan era (322–185 BCE), amongst the ruling classes in North India during the Kushan Empire between the 1st and 3rd centuries C.E, during the Gupta Empire between 4th and 6th centuries C.E. and during Emperor Harsha's rule during the 7th century C.E.

The Punjabi suthan is a direct variation of the svasthana which can either be loose to above the ankles and tight around the ankles, or loose to the knees and tight to the ankles. The suthan is a male and female garment but its use is particularly important in the Punjabi suthan suit whereby it is worn by women with a kurti or kurta. It is also a part of the Punjabi ghagra outfit. Other variations include the choga (robe) and suthan combination.

  • The Nawab Muhammad Bahawal Khan Abbasi V Bahadur (1883–1907) of Bahawalpur State in suthan The Nawab Muhammad Bahawal Khan Abbasi V Bahadur (1883–1907) of Bahawalpur State in suthan
  • Ancient svasthana and varbana outfit worn during Gupta Empire, the basis of the Punjabi suthan suit Ancient svasthana and varbana outfit worn during Gupta Empire, the basis of the Punjabi suthan suit
  • Men in British Punjab army in tight and loose Punjabi suthans 1895 Men in British Punjab army in tight and loose Punjabi suthans 1895
  • Man in tight Punjabi suthan. 1896 Man in tight Punjabi suthan. 1896
  • 1893. Men in Punjabi tight from knees suthan 1893. Men in Punjabi tight from knees suthan
  • Men of the British Punjab army in Punjabi churidar suthans 1895 Punjab Hills Men of the British Punjab army in Punjabi churidar suthans 1895 Punjab Hills
  • Gupta coin depicting svasthana and angrakshaka with long jutas. Gupta coin depicting svasthana and angrakshaka with long jutas.
  • Women in Punjabi suthan 1890 Women in Punjabi suthan 1890
  • 19th Century Punjabi suthan suit worn by the lady on the right 19th Century Punjabi suthan suit worn by the lady on the right
  • Punjabi woman in Punjabi suthan and short kurta 1874 Punjabi woman in Punjabi suthan and short kurta 1874
  • Woman on right in loose Punjabi suthan suit Woman on right in loose Punjabi suthan suit
  • A Punjabi woman in Kurti and suthan visiting the Attar, the pharmacist. 1852 A Punjabi woman in Kurti and suthan visiting the Attar, the pharmacist. 1852
  • Punjab Hills 1895. Kulu woman in Punjabi churidar suthan. Himachal Pradesh. Punjab Hills 1895. Kulu woman in Punjabi churidar suthan. Himachal Pradesh.

Kurta

Main article: Kurta

The kurta with its side slits in the Punjabi kurta can be traced to the 11th century C.E.

The straight-cut traditional kurta is known as a panjabi in Bangladesh, West Bengal and Assam. The traditional Punjabi kurta of the Punjab region is wide and falls to the knees and is cut straight. The modern version of the regional kurta is the Mukatsari kurta which originates from Muktsar in Punjab. This modern Punjabi kurta is famous for its slim-fitting cuts and smart fit designs. It is very popular among young politicians.

  • Kurta - Men's Kurta - Men's
  • Man in Dhoti Kurta Man in Dhoti Kurta
  • Man in blue kurta Man in blue kurta
  • kurta kurta

Multani kurta

The Multani kurta is crocheted using Sajarak prints of Multan.

Phulkari kurta

A Phulkari kurta is embroidered using the Phulkari embroidery of the Punjab region.

  • Patiala Phulkari Patiala Phulkari
  • Josephine Powell Collection, voor 1965: Phulkari kurta Josephine Powell Collection, voor 1965: Phulkari kurta

Bandhani kurta

Bandhani tye-dyeing is popular in the Cholistan desert area of Punjab, Pakistan. Bandhani patterns are used on kurtas.

  • Rohi (Cholistan) woman's bandhani dress Punjab, Pakistan Rohi (Cholistan) woman's bandhani dress Punjab, Pakistan

Salwar Kameez

Main article: Salwar (Punjabi)
Punjabi traditional Salwar in India

A Punjabi suit that features two items - a qameez (top), salwar (bottom) is the traditional attire of the Punjabi people. Shalwars are trousers which are atypically wide at the waist but which narrow to a cuffed bottom. They are held up by a drawstring or elastic belt, which causes them to become pleated around the waist. The trousers can be wide and baggy, or they can be cut quite narrow, on the bias. The kameez is a long shirt or tunic. The side seams are left open below the waist-line (the opening known as the chaak), which gives the wearer greater freedom of movement. The kameez is usually cut straight and flat; older kameez use traditional cuts; modern kameez are more likely to have European-inspired set-in sleeves. The combination garment is sometimes called salwar kurta, salwar suit, or Punjabi suit. The shalwar-kameez is a widely-worn, and national dress, of Pakistan. When women wear the shalwar-kameez in some regions, they usually wear a long scarf or shawl called a dupatta around the head or neck. The dupatta is also employed as a form of modesty—although it is made of delicate material, it obscures the upper body's contours by passing over the shoulders. For Muslim women, the dupatta is a less stringent alternative to the chador or burqa (see hijab and purdah); for Sikh and Hindu women, the dupatta is useful when the head must be covered, as in a temple or the presence of elders. Everywhere in South Asia, modern versions of the attire have evolved; the shalwars are worn lower down on the waist, the kameez have shorter length, with higher splits, lower necklines and backlines, and with cropped sleeves or without sleeves.

The Punjabi suit is popular in other regions of the subcontinent, such as Mumbai and Sindh. It is also popular in Afghanistan, where it is called the Punjabi.

Punjabi tamba and kurta

Main article: Punjabi Tamba and Kurta
Bhangra Dance performers in Punjab wearing Kurta and Tehmat.

The Punjabi version of the Dhoti is known as tehmat/tamba or laccha. Whereas the tehmat is of one colour and has no border, the laacha has a border and is variegated so that it has more than one colour.

Kurti

Main article: Kurti top

In modern usage, a short kurta is referred to as the kurti. However, traditionally, the kurti refers to upper garments which sit above the waist without side slits, and are believed to have descended from the tunic of the Shunga period (2nd century B.C.).

In the Punjab region, the kurti is a short cotton coat. Another style of Punjabi kurti is a short version of the anga (robe). The kurti can be worn by men but women wear it along with the Punjabi ghagra or suthan.

Pothohari suit

Another style of the Punjabi suit is the use of the salwar which hails from the Pothohar region of Pakistan and is known as the Pothohari salwar. The Pothohari salwar retains the wideness of the older Punjabi suthan and also has some folds. The kameez is also wide. The head scarf is traditionally large, similar to the chador or Phulkari that was used throughout the plains of the Punjab region.

Chola

See also: Sikh chola

The Sikh Chola is traditional dress worn by Sikhs. It is a martial attire which gives freedom of movement to a Sikh warrior. There are preserved chola relics and artefacts that were worn by the Sikh Gurus. A particular Khilka-type Chola believed to have belonged to Guru Nanak has garnered considerable attention and study. A preserved chola of Guru Hargobind linked to the tale of his release from Gwalior Fort with fifty-two fellow prisoners is believed to be preserved at Ghudani Kalan village in Amritsar district of Punjab, India.

  • Nightwatchman 1878. man in Punjabi chola and Punjabi ghutanna pajama Nightwatchman 1878. man in Punjabi chola and Punjabi ghutanna pajama
  • Men wearing modern chola Men wearing modern chola
  • Group of nihangs in cholas Group of nihangs in cholas

Punjabi ghagra

Main article: Punjabi ghagra

The Punjabi ghagra was the traditional apparel for women before the advent of the Punjabi suit. In modern times, the ghagra is worn by women in parts of Haryana, rural parts of south West Punjab, parts of Himachal Pradesh and during performances of Giddha in East Punjab.

The ghagra has its origin in the candataka, which had become a popular garment in the Gupta period. The candataka was a men's half trousers which eventually developed into the ghagra. The intermediate formation has been described as a shirt like dress for men and women from the neck to the thighs. Candataka continued as a popular female dress in the seventh century.

Punjabi Juti

Main article: Jutti

The Punjabi Jutti is the Punjabi version of the shoe. Local styles include designs from Patiala, the Pothohari shoe with sharp pointed toes, and the Derawali shoe with silk embroidery and round tipped.

  • Jutti shoes Jutti shoes
  • Fazilka jutti Fazilka jutti
  • Punjabi jutti for men with extended curved tip, or nokh Punjabi jutti for men with extended curved tip, or nokh

Patiala salwar

Main article: Patiala salwar

The Patiala salwar was developed in Patiala and is very popular with women.

  • School girls wearing Patiala Salwar School girls wearing Patiala Salwar

Saraiki shalwar suits

Main article: Saraiki shalwar suits

Saraiki shalwar suits are Punjabi outfits which include the Bahawalpuri shalwar suit and the Multani shalwar suit.

Bahawalpuri shalwar suit

The Bahawalpuri shalwar originates from the Bahawalpur region of Punjab, Pakistan. The Bahawalpuri shalwar is very wide and baggy with many voluminous folds. The material traditionally used for the Bahawalpuri shalwar and suthan is known as Sufi which is a mixture of cotton warp mixed with silk weft and gold threads running down the material. The other name for these types of mixed cloth is shuja khani. The Bahawalpuri shalwar is worn with the Bahawalpur style kameez, the Punjabi kurta or chola.

  • Nawab Muhammad Of Bahawalpur (1868-1900) wearing a loose Bahawalpuri shalwar. Nawab Muhammad Of Bahawalpur (1868-1900) wearing a loose Bahawalpuri shalwar.
  • Prince Suba Sadiq Abbasi, Bahawalpur Prince Suba Sadiq Abbasi, Bahawalpur
  • Bahawalpur kameez Bahawalpur kameez
  • Nawab Sadiq Khan Fifth (died 1966) in the Bahawalpuri shalwar Nawab Sadiq Khan Fifth (died 1966) in the Bahawalpuri shalwar

Multani shalwar suit

The Multani shalwar, also known as the 'ghaire wali' or 'Saraiki ghaire wali' shalwar as it is very wide around the waist, originates from the Multan area of the Punjab region. The style is similar to the Sindhi kancha shalwar as both are derivatives of the pantaloon shalwar worn in Iraq and adopted in these locations during the 7th century A.D. The Multani shalwar is very wide, baggy, full and has folds like the Punjabi suthan. The upper garments include the Punjabi kameez and the chola of the Punjab region.

Fabric prints and embroidery

Block printing on cotton and other materials is popular in Multan which utilises local Sajarak prints. Cholistan, Bahawalpur and Multan are known for its tie-dyeing material which is popular in this region.

The embroidery styles of the Punjab region include the styles of Multani embroidery which features kalabatun patterns using thin wires. This type of embroidery is also common in the rest of the Punjab region. Kalabatan surkh involves using gold wires on orange coloured and red silk. Kalabatan safed involves using silver wires on white material. There are two kinds of gold embroidery, one of a solid and rich kind called kar-chob and the other called tila-kar or kar-chikan utilising gold thread. The former is used for carpets and saddle cloths whereas the latter is used for dresses. The Punjab region also uses mukesh embroidery: mukesh bati-hui, twisted tinsel, gokru, flattened gold wire for embroidery of a heavy kind, and waved mukesh, made by crimping mukesh batihui with iron tongs.

Ludhiana and Amritsar are known for embroidery using white, silver and gold threads on clothes such as chogas and waistcoats (phatuhi). Kangra is known for the patterns embroidered on its handkerchiefs known as Kangra rumal. The designs include representations of religious stories. These rumals are also embroidered in Chamba.

  • Saraiki Ajrak Saraiki Ajrak
  • Cholistan tye-dying Cholistan tye-dying
  • Chamba Rumal with Scenes of Gopis Adoring Krishna Chamba Rumal with Scenes of Gopis Adoring Krishna
  • Head Cloth (Phulkari) Head Cloth (Phulkari)
  • Chamba Rumal with Scenes of Sita and Hanuman Chamba Rumal with Scenes of Sita and Hanuman
  • Chamba Rumal with Krishna and Radha Chamba Rumal with Krishna and Radha

Phulkari

Main article: Phulkari

The Phulkari is the traditional Punjabi embroidery used to embroider shawls and head scarfs in the Punjab region. Although Phulkari means floral work, the designs include not only flowers but also cover motifs and geometrical shapes.

There is reference to Phulkari in ancient texts, folk legends, and literature of Punjab. In Harishcharitra, the biography of the Emperor Harshavardhana (590-647 CE), the last ruler of great ancient Indian Vardhana empire, the seventh-century chronicler Bana wrote, "Some people were embroidering flowers and leaves on the cloth from the reverse side," which is a technical description of Phulkari embroidery. However, the earliest reference to the word Phulkari is in Punjabi literature in the 18th century Waris Shah's version of Heer Ranjha (a legendary Punjabi tragic romance) which describes the wedding trousseau of the female protagonist Heer and lists various clothing items with Phulkari embroidery. The first extensive English publication on Phulkari was by Flora Annie Steel in 1880 where she describes the various styles and exhibited the varieties in picture form. In its present form, Phulkari embroidery has been popular since the 15th century. Pal (1960) believes that no matter its origin, Phulkari work is distinctive and uniquely Punjabi.

  • Phulkari from Patiala Phulkari from Patiala
  • 'Phulkari' (bridal shawl), Punjab, early 20th century, cotton, silk and embroidery, Honolulu Academy of Arts 'Phulkari' (bridal shawl), Punjab, early 20th century, cotton, silk and embroidery, Honolulu Academy of Arts
  • Phulkari from Punjab, India, 20th century, khadi, silk, plain weave, embroidery, Honolulu Museum of Art Phulkari from Punjab, India, 20th century, khadi, silk, plain weave, embroidery, Honolulu Museum of Art
  • Bridal shawl (phulkari) from Punjab, khadi (hand-spun, hand-woven cotton), silk, plain weave, embroidery, Honolulu Museum of Art Bridal shawl (phulkari) from Punjab, khadi (hand-spun, hand-woven cotton), silk, plain weave, embroidery, Honolulu Museum of Art

Punjabi ghuttana

The Punjabi ghuttana was popular with women and men in the Punjab region, a type of pajama which is shorter than the full length pajama, and is tight and ends at the calf. Its variation is still worn in Jammu.

  • Men and boys wearing a knee length variation of the Punjabi ghuttana and Dogri kurta. The full suthan is tight from the knees to the ankles Men and boys wearing a knee length variation of the Punjabi ghuttana and Dogri kurta. The full suthan is tight from the knees to the ankles

Churidar pajama

The use of the Churidar is traditionally associated with the northern regions of the sub-continent. Although there is no consensus as to its origins, the churidar pajama was adopted by the former princely families. In the Punjab region however, its use was amongst the general population.

The Churidar is popular all over the sub-continent and was developed in the Punjab region, and is associated with the Punjab. The churidar pajama can be of any colour but traditionally is of sussi (cotton) material, in blue with vertical stripes.

The churidar pajama is also known as the (full length) ghuttana. When soldiers from Lucknow travelled to the British Punjab province, they saw the long ghuttana pajama and adopted its use in Lucknow during the 19th century.

  • Cotton churidar worn with silk side-opening kurta and mojari shoes Cotton churidar worn with silk side-opening kurta and mojari shoes
  • Portrait of Kashmiri children wearing churidar pyjamas circa 1890 Portrait of Kashmiri children wearing churidar pyjamas circa 1890
  • Cotton churidar with cotton kurta and Khadi Nehru jacket Cotton churidar with cotton kurta and Khadi Nehru jacket
  • 19th century Indian women wearing transparent skirts over churidar pants 19th century Indian women wearing transparent skirts over churidar pants

Jama

Main article: Jama costume

The jama was worn by men in the Punjab region during the Mughal period. The phrase "jora jama" refers to the clothes given by the maternal uncle to the groom, which points to the jama being part of Punjabi clothing (although grooms do not wear the jama now). A local style of shawl called the jamawar which was striped was used as a gown.

  • The commander of the Imperial Guard of Delhi The commander of the Imperial Guard of Delhi
  • Ghulam Murtaza Khan The Delhi Darbar of Akbar II Ghulam Murtaza Khan The Delhi Darbar of Akbar II
  • Raja Ravi Varma, Maharaja Fateh Singh Raja Ravi Varma, Maharaja Fateh Singh
  • Akbar and Tansen visit Haridas Akbar and Tansen visit Haridas
  • Mughal Army artillerymen during the reign of Akbar. Mughal Army artillerymen during the reign of Akbar.
  • Officer of the Mughal Army, c.1585 (colour litho) Officer of the Mughal Army, c.1585 (colour litho)

Anga/Angarkha

Main article: Angarkha

The anga (robe) also known as an angarkha and peshwaj) is similar to a loose coat and wadded with cotton. The anga can be worn by men and women. When worn by men, it falls to below the knees, is a loose tunic and is fastened either to the right of the left. An angarkha typically does not have front buttons. Grooms traditionally wore the angarkha which has now been superseded by the achkan. The anga worn by women is a long robe.

  • Ranjit Singh Equestrian in Saffron Robe Ranjit Singh Equestrian in Saffron Robe
  • A watercolor portrait of Ranjit Singh who wore the angarkha during his reign. A watercolor portrait of Ranjit Singh who wore the angarkha during his reign.

Turban

See also: Dastar

Men traditionally wear the turban. In the past, large turbans were worn such as the type in Bahawalpur which could be up to 40 feet long. Now the turbans are shorter of various designs.

Kalgi

  • Kalgi placed on groom's turban Kalgi placed on groom's turban

A sign of royalty that is placed on the turban, in place of a jeweled crown.

Khes

Main article: Khes

Khes is a stout damask cloth used for winter wraps, generally weaved with coarse yarns made of cotton. It is a simple clothing item to wear loosely. Khes is a comfort object used in bedding and also as like a shawl- wrap by men in Punjab, India, and Pakistan to cover upper body parts. Khes was an important cloth of Punjab province.

Loyi

The Loyi is a lightweight fabric draped by men and women to preserve heat in cool/chilly environments. It is often worn with other Punjabi wear.

Paranda

Punjabi girl wearing Paranda in her hairs

Paranda or parandi is hair accessory worn by women in Punjab.

Saluka

The saluka is a tight fitting waistcoat which was worn in Sindh and the Punjab region. It is also worn in Uttar Pradesh.

See also

References

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  2. Parshad, Gopal (2007) Industrial development in Northern India: a study of Delhi, Punjab and Haryana, 1858-1918
  3. "Punjabi Dressing". Coloursofpunjab.com. Archived from the original on 2015-05-03. Retrieved 2015-05-17.
  4. "Baisakhi Dress,Bhangra Dress,Gidda Dress,Dress for Baisakhi Festival". Baisakhifestival.com. Retrieved 2015-05-17.
  5. "Traditional Dresses of Punjab | Traditional Punjabi Attire". Discoveredindia.com. Retrieved 2015-05-17.
  6. Catherine Ella Blanshard Asher, Thomas R. Metcalf (1994) Perceptions of South Asia's visual past
  7. A. V. Narasimha Murthy, K. V. Ramesh (1987) Giridharaśrī: essays on Indology : Dr. G.S. Dikshit felicitation volume
  8. Aniruddha Ray, Kuzhippalli Skaria Mathew (2002) Studies in history of the Deccan: medieval and modern : Professor A.R. Kulkarni felicitation volume
  9. J. J. Bhabha (1969) Mārg̲, Volume 23 Marg Publications (1969)
  10. Viishnu Asha (1993) Material Life of Northern India: Based on an Archaeological Study, 3rd Century B.C. to 1st Century B.
  11. Archaeological Congress and Seminar Papers: Papers Presented at the 4th Annual Congress of the Indian Archaeological Society and the Seminars Held at Nagpur on the 10th, 11th, and 12th Nov. 1970, Volume 4, Part 1970
  12. Mohapatra, Ramesh Prasad (1992) Fashion Styles of Ancient India: A Study of Kalinga from Earliest Times to Sixteenth Century Ad
  13. A. V. Narasimha Murthy, K. V. Ramesh (1987) Giridharaśrī: essays on Indology : Dr. G.S. Dikshit felicitation volume
  14. ^ Gupta, Sankar Sen (1969). Women in Indian Folklore: A Short Survey of Their Social Status and Position: Linguistic and Religious Study. Indian Publications. p. 283.
  15. ^ Gupta, Hari Ram (1939). History of the Sikhs, Volume 1. S.N. Sarkar. p. 291.
  16. Ghurye, Govind Sadashiv (1966) Indian Costume
  17. Fraser, Bashabi (2008). Bengal Partition Stories: An Unclosed Chapter. Anthem Press. p. 619. ISBN 978-1-84331-225-3.
  18. Redclift, Victoria (2013). Statelessness and Citizenship: Camps and the Creation of Political Space. Routledge. p. 178. ISBN 978-0-203-09687-1.
  19. Punjab District Gazetteers: Attock district, 1930. Printed 1932
  20. Asoke Kumar Bhattacharyya, Pradip Kumar Sengupta (1991), Foundations of Indian Musicology: Perspectives in the Philosophy of Art and Culture
  21. Yadava,Ganga Prasad (1982) Dhanapāla and His Times: A Socio-cultural Study Based Upon His Works
  22. Sharma, Brij Narain (1966) Social life in Northern India, A.D. 600-1000
  23. Puneet Pal Singh Gill (04.01.2012) The Chandigarh Tribune. "Muktsari-style kurta pyjama a fad"
  24. Official Journal of the European Communities: Legislation, Volume 30, Issues 248-256 (1987)
  25. Naik, Shailaja D. (1996( Traditional Embroideries of India
  26. Nasreen Askari, Liz Arthur, Paisley Museum and Art Galleries Merrell Holberton, (1999) Uncut cloth
  27. Dominique, Grele; Raimbault, Lydie (1 March 2007). Discover Singapore on Foot (2 ed.). Singapore: Select Publishing. p. 35. ISBN 978-981-4022-33-0.
  28. Fraile, Sandra Santos (11 July 2013), "Sikhs in Barcelona", in Blanes, Ruy; Mapril, José (eds.), Sites and Politics of Religious Diversity in Southern Europe: The Best of All Gods, BRILL, p. 263, ISBN 978-90-04-25524-1, The shalwar kamiz was worn traditionally by Muslim women and gradually adopted by many Hindu women following the Muslim conquest of northern India. Eventually, it became the regional style for parts of northern India, as in Punjab where it has been worn for centuries.
  29. Khandelwal, Madhulika Shankar (2002), Becoming American, Being Indian: An Immigrant Community in New York City, Cornell University Press, p. 43, ISBN 0-8014-8807-9, Even highly educated women pursuing careers continue to wear traditional dress in urban India, although men of similar status long ago adopted Western attire. The forms of dress most popular with urban Indian women are the sari, the long wrapped and draped dress-like garment, worn throughout India, and the salwar-kameez or kurta-pyjama, a two-piece suit garment, sometimes also called Punjabi because of its region of origin. Whereas the sari can be considered the national dress of Indian women, the salwar-kameez, though originally from the north, has been adopted all over India as more comfortable attire than the sari.
  30. Stevenson, Angus; Waite, Maurice (2011), Concise Oxford English Dictionary: Book & CD-ROM Set, Oxford University Press, p. 1272, ISBN 978-0-19-960110-3, Salwar/Shalwar: A pair of light, loose, pleated trousers, usually tapering to a tight fit around the ankles, worn by women from South Asia typically with a kameez (the two together being a salwar kameez). Origin From Persian and Urdu šalwār.
  31. Stevenson, Angus; Waite, Maurice (2011), Concise Oxford English Dictionary: Book & CD-ROM Set, Oxford University Press, p. 774, ISBN 978-0-19-960110-3, Kameez: A long tunic worn by many people from South Asia, typically with a salwar or churidars. Origin: From Arabic qamīṣ, perhaps from late Latin camisia (see chemise).
  32. Platts, John Thompson (February 2015) , A dictionary of Urdu, classical Hindi, and English (online ed.), London: W. H. Allen & Co., p. 418, archived from the original on 2021-02-24, retrieved 2023-05-08
  33. Shukla, Pravina (2015). The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India. Indiana University Press. p. 75. ISBN 978-0-253-02121-2. You can buy an entire three-piece salwar suit, or a two-piece suit that consists of either a readymade kurta or a kurta cloth piece, each with a matching dupatta. For these, you must have the salwar pants stitched from cloth you buy separately. A third option would be to buy a two-piece ensemble, consisting of the top and pants, leaving you the task of buying an appropriate dupatta, or using one you already own, or buying a strip of cloth and having it dyed to your desire. The end result will always be a three-piece ensemble, but a customer may start with one piece (only the kurta) or two pieces (kurta and pants, or kurta and dupatta), and exercise her creativity and fashion sense to end up with the complete salwar kurta outfit.
  34. Mooney, Nicola (2011), Rural Nostalgias and Transnational Dreams: Identity and Modernity Among Jat Sikhs, University of Toronto Press, p. 260, ISBN 978-0-8020-9257-1, The salwar-kameez is a form of dress that has been adopted widely in Punjab and is now known in English as the Punjabi suit; J. P. S. Uberoi suggests that the salwar-kameez is an Afghani import to Punjab (1998 personal communication). Punjabi forms of dress are therefore constructs or inventions of tradition rather than having historical veracity.
  35. Marsden, Magnus (2005). Living Islam: Muslim Religious Experience in Pakistan's North-West Frontier. Cambridge University Press. p. 37. ISBN 978-1-139-44837-6. The village's men and boys largely dress in sombre colours in the loose trousers and long shirt (shalwar kameez) worn across Pakistan. Older men often wear woollen Chitrali caps (pakol), waistcoats and long coats (chugha), made by Chitrali tailors (darzi) who skills are renowned across Pakistan.
  36. Haines, Chad (2013), Nation, Territory, and Globalization in Pakistan: Traversing the Margins, Routledge, p. 162, ISBN 978-1-136-44997-0, the shalwar kameez happens to be worn by just about everyone in Pakistan, including in all of Gilgit-Baltistan.
  37. Ozyegin, Gul (2016). Gender and Sexuality in Muslim Cultures. Routledge. p. 222. ISBN 978-1-317-13051-2. What is common in all the cases is the wearing of shalwar, kameez, and dupatta, the national dress of Pakistan.
  38. Rait, Satwant Kaur (14 April 2005). Sikh Women In England: Religious, Social and Cultural Beliefs. Trent and Sterling: Trentham Book. p. 68. ISBN 978-1-85856-353-4.
  39. Shukla, Pravina (2015), The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India, Indiana University Press, p. 72, ISBN 978-0-253-02121-2, Muslim and Punjabi women—whether Muslim, Sikh, or Hindu—often wear the dupatta over the head to create a modest look while framing the face with color. When entering a temple, Hindu women might comparably use their dupattas to cover their heads. Though the dupatta is often made of flimsy cloth and does not actually cover the body, its presence implies modesty, like many of the outer garments worn by Muslim women that do not cover much but do provide a symbolic extra layer, ...
  40. Koerner, Stephanie (2016), Unquiet Pasts: Risk Society, Lived Cultural Heritage, Re-designing Reflexivity, Taylor & Francis, p. 405, ISBN 978-1-351-87667-4, The Pakistani National dress worn by women is Shalwar Kameez. This consists of a long tunic (Kameez) teamed with a wide legged trouser (Shalwar) that skims in at the bottom accompanied by a duppata, which is a less stringent alternative to the burqa. Modern versions of this National dress have evolved into less modest versions. Shalwar have become more low cut so that the hips are visible and are worn with a shorter length of Kameez which has high splits and may have a lowcut neckline and backline as well as being sleeveless or having cropped sleeves.
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Punjab, Pakistan Province of Punjab, Pakistan topics
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