Misplaced Pages

Sadko (opera): Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 12:55, 9 December 2004 editGhirlandajo (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers89,629 edits +pic← Previous edit Revision as of 18:35, 24 May 2005 edit undoDrG (talk | contribs)Extended confirmed users1,823 editsm +catNext edit →
Line 7: Line 7:
Rimsky-Korsakov first worked on ''Sadko'' in ], but it was not then an opera, but rather a ]. Only in ], after he had revised this piece, did he decide to turn it into a dramatic work. Instead of traditional acts, ''Sadko'' is divided in seven tableaux, and, as that type of structure would suggest, is more loosely constructed than a traditional opera. The music is highly evocative, and Rimsky-Korsakov's famed gift of ] is abundantly in evidence throughout the score. Rimsky-Korsakov first worked on ''Sadko'' in ], but it was not then an opera, but rather a ]. Only in ], after he had revised this piece, did he decide to turn it into a dramatic work. Instead of traditional acts, ''Sadko'' is divided in seven tableaux, and, as that type of structure would suggest, is more loosely constructed than a traditional opera. The music is highly evocative, and Rimsky-Korsakov's famed gift of ] is abundantly in evidence throughout the score.


] ]
]

Revision as of 18:35, 24 May 2005

Sadko in the Underwater Kingdom, a painting by Ilya Repin (1876)

Sadko (Садко in Russian) is an opera by Nikolai Rimsky-Korsakov. The libretto is by both the composer and Vladimir Byelsky. Sadko was premiered on 7 January 1898 in Moscow.

The opera tells the story of Sadko, a troubador, who leaves his wife, Lubava, and home in Novgorod and eventually returns a wealthy man. During his years of travel he amasses a fortune, weds the daughter of the King and Queen of the Ocean and has other adventures. Upon his return, the city and Lubava rejoice.

Rimsky-Korsakov first worked on Sadko in 1867, but it was not then an opera, but rather a tone poem. Only in 1892, after he had revised this piece, did he decide to turn it into a dramatic work. Instead of traditional acts, Sadko is divided in seven tableaux, and, as that type of structure would suggest, is more loosely constructed than a traditional opera. The music is highly evocative, and Rimsky-Korsakov's famed gift of orchestration is abundantly in evidence throughout the score.

Categories: