| Revision as of 18:26, 7 August 2007 editImpy4ever (talk | contribs)Extended confirmed users1,506 edits ←Created page with '===Andalusian cadence=== A while ago, I've found this article on Misplaced Pages, stopped for a while and read it. The whole thing was awfully wrong and I decided to ...' | Revision as of 19:09, 7 August 2007 edit undoIanmacm (talk | contribs)Extended confirmed users, Pending changes reviewers, Rollbackers46,148 edits →[]: add comment.Next edit → | ||
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| O.K., that's all the material I had to boast! ;) The reason for featuring this article was, except for the fact that I've worked with it for a number of days, that the subject is not much too generous, so that the article's size at the moment seems optimal to me. And it shouldn't also be shorter, as there is a number a notion which may seem difficult to some. Thank you for your time! (] 18:26, 7 August 2007 (UTC)) | O.K., that's all the material I had to boast! ;) The reason for featuring this article was, except for the fact that I've worked with it for a number of days, that the subject is not much too generous, so that the article's size at the moment seems optimal to me. And it shouldn't also be shorter, as there is a number a notion which may seem difficult to some. Thank you for your time! (] 18:26, 7 August 2007 (UTC)) | ||
| '''Comment''' The article is a bit brief and specialized for a FAC. However, my main concern is the lack of any audio example of the cadence. An .ogg file of the cadence on, say, piano or guitar would be helpful. --] 19:09, 7 August 2007 (UTC) | |||
Revision as of 19:09, 7 August 2007
Andalusian cadence
A while ago, I've found this article on Misplaced Pages, stopped for a while and read it. The whole thing was awfully wrong and I decided to fix it and to show explanations for every step of the analysis procedure.
Having just read a great book about tonality, written by one of the best Romanian music teachers, which happened to have had all the related explanations inside, I've tried to present this subject in a way not much too foggy, but neither too thin. I also thought of the reader with lesser knowledge of music theory and tried to include some functional basics of tonal harmony.
I didn't feel like adding more than one image, which seems to me a very clear depiction of the whole thing. There are plenty of examples, maybe more in classical music should arrive, and I'd be glad to find a helping hand for that. I've too mentioned some examples which alter the cadence somewhat, but one may still think of it or hear the pylon-chords throughout and should like to watch a tonal explanation for a moment. There is also a slight parallel with the lydian cadence, a thing the initial author of the article had puzzled with this (so that some readers who first thought of that variant as more logical would find out why they're wrong).
O.K., that's all the material I had to boast! ;) The reason for featuring this article was, except for the fact that I've worked with it for a number of days, that the subject is not much too generous, so that the article's size at the moment seems optimal to me. And it shouldn't also be shorter, as there is a number a notion which may seem difficult to some. Thank you for your time! (Impy4ever 18:26, 7 August 2007 (UTC))
Comment The article is a bit brief and specialized for a FAC. However, my main concern is the lack of any audio example of the cadence. An .ogg file of the cadence on, say, piano or guitar would be helpful. --Ianmacm 19:09, 7 August 2007 (UTC)