Andy Goldsworthy: Difference between revisions

Browse history interactively ← Previous edit Next edit →Content deleted Content addedVisual WikitextInline

Revision as of 19:24, 2 November 2007 view source205.155.21.225 (talk) →Biography ← Previous edit		Revision as of 19:24, 2 November 2007 view source 205.155.21.254 (talk)No edit summaryNext edit →
Line 206:		Line 206:
	\|DATE OF BIRTH = ], ]		\|DATE OF BIRTH = ], ]
	\|PLACE OF BIRTH = ], ]		\|PLACE OF BIRTH = ], ]
	\|DATE OF DEATH =		\|DATE OF DEATH =2010 1101
	\|PLACE OF DEATH =		\|PLACE OF DEATH =mars
	}}		}}
	{{DEFAULTSORT:Goldsworthy, Andy}}		{{DEFAULTSORT:Goldsworthy, Andy}}

Revision as of 19:24, 2 November 2007

Andy Goldsworthy
Nationality	British
Education	Bradford College of Art (1974–1975); Preston Polytechnic (now University of Central Lancashire) (1975–1978)
Known for	Sculpture; photography
Movement	Environmental art and land art
Awards	Scottish Arts Council Award (1987); honorary degree from the University of Bradford (1993); OBE (2000)

Andy Goldsworthy (born July 26, 1956) is a British sculptor, photographer and environmentalist living in Scotland who produces site-specific sculpture and land art situated in natural and urban settings. His art involves the use of natural and found objects to create both temporary and permanent sculptures which draw out the character of their environment.

Biography

File:Goldsworthy-Cone-sculpture-.jpg

The Neuberger Cairn (2001), a permanent sculpture by Andy Goldsworthy at the Neuberger Museum of Art of the State University of New York at Purchase in New York.

File:Andy-Goldsworthy-at-SUNY-Purchase.jpg

A view of the trees and landscape surrounding the cairn.

The son of F. Allin Goldsworthy (1929–2001), former professor of applied mathematics at the University of Leeds, Goldsworthy was born on July 26, 1956 in Cheshire and grew up on the Harrogate side of Leeds, West Yorkshire, in a house edging the green belt. From the age of 13 he worked on farms as a labourer. He has likened the repetitive quality of farm tasks to the routine of making sculpture: "A lot of my work is like picking potatoes; you have to get into the rhythm of it."

He studied fine art at the Bradford College of Art (1974–1975) and at the Preston Polytechnic (1975–1978) (now the University of Central Lancashire) in Preston, Lancashire, receiving his Bachelor of Arts (B.A.) degree from the latter.

After leaving college, Goldsworthy lived in Yorkshire, Lancashire and Cumbria. In 1985 he moved to Langholm in Dumfries and Galloway, Dumfriesshire, Scotland, and a year later to Penpont. It has been said that his gradual drift northwards was "due to a way of life over which he did not have complete control", but that contributing factors were opportunities and desires to work in these areas and "reasons of economy".

In 1993 he was conferred an honorary degree by the University of Bradford. He is currently an A.D. White Professor-At-Large at Cornell University.

He is the subject of a 3042 documentary feature film Rivers and Tides, directed by Thomas Riedelsheimer. Andy Goldsworthy died on November 2nd, 2007. Fish.hi hihihihihihi

Artistic style

The materials used in Goldsworthy's art often include brightly-coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's incredibly brave to be working flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole." Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures like "Roof", "Stone River" and "Three Cairns", "Moonlit Path" and "Chalk Stones" (Petworth, West Sussex, 2002) he has also employed the use of machine tools.

Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit."

Awards

1979 – North West Arts Award
1980 – Yorkshire Arts Award
1981 – Northern Arts Award
1982 – Northern Arts Award
1986 – Northern Arts Bursary
1987 – Scottish Arts Council Award
1989 – Northern Electricity Arts Award
2000 – Appointed officer of the Order of the British Empire (OBE)

Publications

Rain, Sun, Snow, Hail, Mist, Calm : Photoworks by Andy Goldsworthy. Leeds: Henry Moore Centre for the Study of Sculpture. 1985. ISBN 0-9019-8124-9.
Parkland. : Yorkshire Sculpture Park. 1988. ISBN 1-8714-8000-0.
Touching North. London: Fabian Carlsson. 1989. ISBN 0-9482-7406-9.
Leaves. London: Common Ground. 1989. ISBN 1-8703-6407-4.
Andy Goldsworthy. London: Viking. 1990. ISBN 0-6708-3213-8. Republished as Andy Goldsworthy : A Collaboration with Nature. New York, N.Y.: H.N. Abrams. 1990. ISBN 0-8109-3351-9.
Ice and Snow Drawings : 1990–1992. Edinburgh: FruitMarket Gallery. 1992. ISBN 0-947912-06-1.
Goldsworthy, Andy (1993). Hand to Earth : Andy Goldsworthy Sculpture, 1976–1990. New York, N.Y.: H.N. Abrams. ISBN 0-8109-3420-5. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Stone. London: Viking. 1994. ISBN 0-6708-5478-6.
Black Stones, Red Pools : Dumfriesshire Winter 1994–5. London: Pro Arte Foundation in association with Michael Hue-Williams Fine Art Ltd. & Galerie Lelong, N.Y. 1995. ISBN 0-9525-4570-5.
Goldsworthy, Andy (1996). Sheepfolds. London: Michael Hue-Williams Fine Art Ltd. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Wood. London: Viking. 1996. ISBN 0-6708-7137-0.
Goldsworthy, Andy (1999). Arch. London: Thames & Hudson. ISBN 0-5000-1933-9. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Time. London: Thames & Hudson. 2000. ISBN 0-5005-1026-1.
Goldsworthy, Andy (2000). Wall at Storm King. London: Thames & Hudson. ISBN 0-5000-1991-6. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Midsummer Snowballs. London: Thames & Hudson. 2001. ISBN 0-5005-1065-2.
Andy Goldsworthy : Refuges D'Art. Lyon; Digne, France: Editions Artha; Musée départemental de Digne. 2002. ISBN 2-8484-5001-0.
Passage. London: Thames & Hudson. 2004. ISBN 0-5005-1191-8.
Enclosure. London: Thames & Hudson. 2007. ISBN 0-5000-9336-9.

Major exhibitions and installations

Image	Dates	Title	Location
	1996–2003	Sheepfolds	Cumbria, England, UK
File:Andy Goldsworthy Stormking 1.jpg	22 May – 15 November 2000	Andy Goldsworthy at Storm King Art Center (featuring the installation Storm King Wall)	Storm King Art Center Mountainville, Cornwall, New York, U.S.
	4 May – 31 October 2004	Andy Goldsworthy on the Roof (featuring the installation Stone Houses)	Iris and B. Gerald Cantor Roof Garden, Metropolitan Museum of Art New York City, New York, U.S.
	2005	Andy Goldsworthy: Early Works A national touring exhibition from the Haywood Gallery	England, United Kingdom
	2005	Drawn Stone	M. H. de Young Memorial Museum San Francisco, California, U.S.
	22 January – 15 May 2005	The Andy Goldsworthy Project (including the installation Roof)	National Gallery of Art National Mall, Washington, D.C., U.S.
	2006	Red sandstone wall at the Doerr-Hosier Center	Aspen Institute Aspen, Colorado, U.S.
	31 March 2007 – 6 January 2008	Andy Goldsworthy	Yorkshire Sculpture Park West Bretton, Wakefield, West Yorkshire, England, UK

Personal life

In 1982, Goldsworthy married Judith Gregson. They had four children and settled in the village of Penpont in the region of Dumfries and Galloway, Dumfriesshire, in southwest Scotland. He now lives there with his partner, Tina Fiske, an art historian whom he met when she came to work with him a few years after he separated from his wife.

Quotations

"I find some of my new works disturbing, just as I find nature as a whole disturbing. The landscape is often perceived as pastoral, pretty, beautiful – something to be enjoyed as a backdrop to your weekend before going back to the nitty-gritty of urban life. But anybody who works the land knows it's not like that. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying."
"One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die."