Misplaced Pages

Claude Thornhill: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 06:07, 27 January 2008 editDissolve (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers21,392 editsm move to subcategory← Previous edit Revision as of 02:58, 17 February 2008 edit undoDissolve (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers21,392 editsm add catNext edit →
Line 46: Line 46:
] ]
] ]
]
] ]
] ]

Revision as of 02:58, 17 February 2008

This article may require cleanup to meet Misplaced Pages's quality standards. No cleanup reason has been specified. Please help improve this article if you can. (May 2007) (Learn how and when to remove this message)
Claude Thornhill
Musical artist This article is about the musician and bandleader. For the college football coach, see Claude E. Thornhill.

Claude Thornhill (*August 10, 1909 at Terre Haute, IndianaJuly 1, 1965, New York City) was an American pianist, arranger and bandleader.

As a youth, he was recognized as an extraordinary talent and formed a traveling duo with Danny Polo, a musical prodigy on the clarinet and trumpet from nearby Clinton, Indiana. As a student at Garfield High School in Terre Haute, he played with several theater bands.

After playing for Paul Whiteman, Benny Goodman, Ray Noble, and Billie Holiday, and arranging "Loch Lomond" and "Annie Laurie" for Maxine Sullivan, in 1940 he founded his Claude Thornhill Orchestra. Danny Polo was his lead clarinet player. Although the Thornhill band was originally a sophisticated dance band it became known for its many superior jazz musicians and for Thornhill's and Gil Evans' innovative arrangements; its "Portrait of a Guinea Farm" has become a classic jazz recording.

The band played without vibrato so that the timbres of the instruments could be better appreciated, and Thornhill encouraged the musicians to develop cool-sounding tones. The band was popular with both musicians and the public; the Miles Davis Nonet was modelled in part on Thornhill's cool sound. The band's most successful records were "Snowfall," "A Sunday Kind of Love," and "Love for Love."

The band ceased operation in 1942 when Thornhill entered the military, where he performed with Artie Shaw's United States Navy band, then was revived from 1946 to 1948 in New York and until 1953 on the road. In the mid 1950s Thornhill became Tony Bennett's musical director briefly, then toured with small groups. He offered his big band library to Gerry Mulligan when Gerry formed the Concert Jazz Band, but Gerry regretfully declined the gift, since his instrumentation was different. A large portion of his extensive library of music is currently held by Drury University in Springfield, Missouri.

External links

  • Template:Amg
  • Christopher Popa, "The Sound Hung Like a Cloud," bigbandlibrary.com
Categories: