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| Despite the success of "La Balsa" and other recordings, rock nacional developed slowly until the military dictatorship ('']'') began in ]. During the first few years of ], a number of rock concerts were held featuring musicians like ] and his band ]. Rock was seen as ], however, by the nation's authority figures, who began to clamp down on the music. In a ] speech, Admiral ] denounced rock musicians and fans as potential subversives, and ] began in ]. Before the end of the ], rock had gone largely underground. | Despite the success of "La Balsa" and other recordings, rock nacional developed slowly until the military dictatorship ('']'') began in ]. During the first few years of ], a number of rock concerts were held featuring musicians like ] and his band ]. Rock was seen as ], however, by the nation's authority figures, who began to clamp down on the music. In a ] speech, Admiral ] denounced rock musicians and fans as potential subversives, and ] began in ]. Before the end of the ], rock had gone largely underground. | ||
| It was not long, however, before rock fans began to re-emerge. A ] Serú Girán concert found an audience of more than 60,000 fans chanting ''no se banca más'' (''we won't put up with it anymore''). In response, authorities set up their own music media and concerts in the hopes of neutralizing the threat. Nevertheless, by ], it became clear that their hope was not realized with the release of critical songs like ''Tiempos Dificiles'' by ], ''Maribel se durmió'' by Spinetta, ''Sólo le pido a Dios'' by ] and ''Los dinosaurios'' by Charly García. The dictatorship ended in ]. | It was not long, however, before rock fans began to re-emerge. A ] Serú Girán concert found an audience of more than 60,000 fans chanting ''no se banca más'' (''we won't put up with it anymore''). In response, authorities set up their own music media and concerts in the hopes of neutralizing the threat. Nevertheless, by ], it became clear that their hope was not realized with the release of critical songs like ''Tiempos Dificiles'' by ], ''Maribel se durmió'' by ], ''Sólo le pido a Dios'' by ] and ''Los dinosaurios'' by ]. The dictatorship ended in ]. | ||
| When the terror became to vanish, rock music began to take a lighter approach, with groups like ],], ] and ] heralds ]. Later in the decade, artists like ], ], ] and the solo Fito Páez came onto the scene with a darkier approach. | When the terror became to vanish, rock music began to take a lighter approach, with groups like ],], ] and ] heralds as ]. Later in the decade, artists like ], ], ] and the solo Fito Páez came onto the scene with a darkier approach. | ||
| == List of bands == | == List of bands == | ||
Revision as of 03:08, 23 July 2005
Rock nacional is a musical genre, loosely applying to any variety of rock and roll from Argentina. Rock music emerged from the United States, gaining international popularity in the 1950s.
In 1963, the field of Argentine rock began with the signing of Los Shakers, a Uruguayan group, to a contract in Buenos Aires. They quickly found success and were followed by The Seasons, Los Walkers, Los In and Los Vip's. The first group to sing in Spanish was Los Gatos Salvajes. In 1966, Los Beatniks recorded the first garage single in Spanish.
The first mainstream Argentine rock bands were 1960s groups like Luis Alberto Spinetta's Almendra and Litto Nebbia's and Pappo's Los Gatos, whose 1967 "La Balsa" was the first major hit for rock nacional. The following year, 1968, saw the first publication of Pinap, a rock magazine, and the founding of the first Argentine rock label, Mandioca. In 1969, four major concerts were held: the June Sunday concerts, Festival Nacional de Música Beat, Festival Pinap and Festival de Música Joven.
Pinap had dissolved by 1970, and was replaced by the still popular magazine Pelo. That same year, Pelo organized a huge concert called Festival BARock, the first in a series of well-known shows. In 1972, the Acusticazo concert inspired a wave of folky acoustic acts like Vivencia, Pacifico and Sui Generis, while heavier bands like Pappo's Blues, Vox Dei and Billy Bond y La Pesada del Rock and Roll also became popular.
Throughout the 70s, a distinctively Argentine progressive rock scene appeared, led by bands like Crucis (Crucis, 1976), El Reloj (II, 1976), Bubu (Anabelas, 1978) and Pablo (El Enterrador, 1980) or Aquellarre.
Despite the success of "La Balsa" and other recordings, rock nacional developed slowly until the military dictatorship (El Proceso) began in 1976. During the first few years of military goverment, a number of rock concerts were held featuring musicians like Charly García and his band Serú Girán. Rock was seen as subversive, however, by the nation's authority figures, who began to clamp down on the music. In a 1976 speech, Admiral Massera denounced rock musicians and fans as potential subversives, and repression began in 1977. Before the end of the 1970s, rock had gone largely underground.
It was not long, however, before rock fans began to re-emerge. A 1980 Serú Girán concert found an audience of more than 60,000 fans chanting no se banca más (we won't put up with it anymore). In response, authorities set up their own music media and concerts in the hopes of neutralizing the threat. Nevertheless, by 1982, it became clear that their hope was not realized with the release of critical songs like Tiempos Dificiles by Fito Páez, Maribel se durmió by Luis Alberto Spinetta, Sólo le pido a Dios by León Gieco and Los dinosaurios by Charly García. The dictatorship ended in 1983.
When the terror became to vanish, rock music began to take a lighter approach, with groups like Los Abuelos de la Nada,Los Twist, Soda Stereo and New Wave heralds as Virus. Later in the decade, artists like Sumo, Patricio Rey y sus Redonditos de Ricota, Los Fabulosos Cadillacs and the solo Fito Páez came onto the scene with a darkier approach.
List of bands
This is a non exhaustive list of Argentine Rock bands.