Revision as of 14:38, 22 March 2008 editDicklyon (talk | contribs)Autopatrolled, Extended confirmed users, Rollbackers476,173 editsm Reverted 1 edit by 88.140.1.102 identified as vandalism to last revision by Dicklyon. (TW)← Previous edit | Revision as of 21:19, 2 April 2008 edit undoChessy999 (talk | contribs)2,227 edits Clean up, added information and citationsNext edit → | ||
Line 6: | Line 6: | ||
Luca Pacioli studied in Venice and Rome and became a ] friar in the 1470s. He was a travelling ] tutor until ], when he accepted an invitation from ] ("''Il Moro''") to work in ]. There he collaborated with, lived with, and taught mathematics to ]. In ], Pacioli and Leonardo were forced to flee Milan when ] seized the city and drove their patron out. After that, Pacioli and Leonardo frequently traveled together. Upon return to his hometown, Pacioli died of old age in 1517. | Luca Pacioli studied in Venice and Rome and became a ] friar in the 1470s. He was a travelling ] tutor until ], when he accepted an invitation from ] ("''Il Moro''") to work in ]. There he collaborated with, lived with, and taught mathematics to ]. In ], Pacioli and Leonardo were forced to flee Milan when ] seized the city and drove their patron out. After that, Pacioli and Leonardo frequently traveled together. Upon return to his hometown, Pacioli died of old age in 1517. | ||
== |
== Mathematics == | ||
], by ], published in ''De divina proportione''.]] ] as applied to the human face.]] | ], by ], published in ''De divina proportione''.]] ] as applied to the human face.]] | ||
Pacioli published several works on ], including: | Pacioli published several works on ], including: | ||
Line 14: | Line 14: | ||
* ''De divina proportione'' (written in Milan in 1496–98, published in Venice in ]). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the ] and its application in ]. ] drew the illustrations of the regular solids in ''De divina proportione'' while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, which allowed an easy distinction between front and back. The work also discusses the use of perspective by painters such as ], ], and ]. As a side note, the "M" logo used by the ] in New York City is taken from ''De divina proportione''.{{Fact|date=March 2008}} | * ''De divina proportione'' (written in Milan in 1496–98, published in Venice in ]). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the ] and its application in ]. ] drew the illustrations of the regular solids in ''De divina proportione'' while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, which allowed an easy distinction between front and back. The work also discusses the use of perspective by painters such as ], ], and ]. As a side note, the "M" logo used by the ] in New York City is taken from ''De divina proportione''.{{Fact|date=March 2008}} | ||
==Chess book== | |||
===Translation of Piero della Francesca's work=== | |||
The book, called ] (Of the Game of Chess), is by, Luca Pacioli. Pacioli wrote the book around ], and research by a Milan scholar suggests he may have received assistance from ].<ref>]: Renaissance chess master and the Da Vinci decode mystery]</ref><ref>]: Experts link Leonardo da Vinci to chess puzzles in long-lost Renaissance treatise]</ref><ref>]: Chess]</ref> | |||
The third volume of Pacioli's ''De divina proportione'' was an Italian translation of ]'s Latin writings ''On Five Regular Solids'', but it did not include an attribution to Piero. He was severely criticized for that by sixteenth-century art historian and biographer ]. On the other hand, R. Emmett Taylor (1889–1956) said that Pacioli may have had nothing to do with that volume of translation, and that it may just have been appended to his work. | |||
==Quote== | |||
{{Quotation|The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square.|from ''De divina proportione''}} | |||
== References == | == References == | ||
{{Reflist}} | |||
==Further reading== | |||
⚫ | *Pacioli, Luca. ''De divina proportione'' (English: ''On the Divine Proportion''), Luca Paganinem de Paganinus de Brescia (Antonio Capella) 1509, Venice | ||
⚫ | *Taylor, Emmet, R. ''No Royal Road: Luca Pacioli and his Times'' (1942) | ||
⚫ | ==External links== | ||
*{{cite web | *{{cite web | ||
| url = http://www.metmuseum.org/special/Leonardo_Master_Draftsman/draftsman_left_essay.asp | | url = http://www.metmuseum.org/special/Leonardo_Master_Draftsman/draftsman_left_essay.asp | ||
Line 31: | Line 35: | ||
| publisher = New York: Metropolitan Museum of Art | | publisher = New York: Metropolitan Museum of Art | ||
}} | }} | ||
⚫ | *Pacioli, Luca. ''De divina proportione'' (English: ''On the Divine Proportion''), Luca Paganinem de Paganinus de Brescia (Antonio Capella) 1509, Venice | ||
⚫ | *Taylor, Emmet, R. ''No Royal Road: Luca Pacioli and his Times'' (1942) | ||
⚫ | ==External links== | ||
* | * | ||
* | * |
Revision as of 21:19, 2 April 2008
Fra Luca Bartolomeo de Pacioli (sometimes Paciolo) (1445–1514 or 1517) was an Italian mathematician and Franciscan friar, collaborator with Leonardo da Vinci, and seminal contributor to the field now known as accounting. He was also called Luca di Borgo after his birthplace, Borgo Santo Sepolcro, Tuscany.
Life
Luca Pacioli studied in Venice and Rome and became a Franciscan friar in the 1470s. He was a travelling mathematics tutor until 1497, when he accepted an invitation from Lodovico Sforza ("Il Moro") to work in Milan. There he collaborated with, lived with, and taught mathematics to Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove their patron out. After that, Pacioli and Leonardo frequently traveled together. Upon return to his hometown, Pacioli died of old age in 1517.
Mathematics
Pacioli published several works on mathematics, including:
- Summa de arithmetica, geometria, proportioni et proportionalita (Venice 1494), a synthesis of the mathematical knowledge of his time, is also notable for including the first published description of the method of keeping accounts that Venetian merchants used during the Italian Renaissance, known as the double-entry accounting system. Although Pacioli codified rather than invented this system, he is widely regarded as the "Father of Accounting". The system he published included most of the accounting cycle as we know it today. He described the use of journals and ledgers, and warned that a person should not go to sleep at night until the debits equalled the credits. His ledger had accounts for assets (including receivables and inventories), liabilities, capital, income, and expenses—the account categories that are reported on an organization's balance sheet and income statement, respectively. He demonstrated year-end closing entries and proposed that a trial balance be used to prove a balanced ledger. Also, his treatise touches on a wide range of related topics from accounting ethics to cost accounting.
- De viribus quantitatis (Ms. Università degli Studi di Bologna, 1496–1508), a treatise on mathematics and magic. Written between 1496 and 1508 it contains the first reference to card tricks as well as guidance on how to juggle, eat fire and make coins dance. It is the first work to note that Da Vinci was left-handed. De viribus quantitatis is divided into three sections: mathematical problems, puzzles and tricks, and a collection of proverbs and verses. The book has been described as the "foundation of modern magic and numerical puzzles", but it was never published and sat in the archives of the University of Bologna, seen only by a small number of scholars since the Middle Ages. The book was rediscovered after David Singmaster, a mathematician, came across a reference to it in a 19th-century manuscript. An English translation was published for the first time in 2007.
- Geometry (1509), a Latin translation of Euclid.
- De divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in De divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, which allowed an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano. As a side note, the "M" logo used by the Metropolitan Museum of Art in New York City is taken from De divina proportione.
Chess book
The book, called De Ludo Schaccorum (Of the Game of Chess), is by, Luca Pacioli. Pacioli wrote the book around 1500, and research by a Milan scholar suggests he may have received assistance from Leonardo da Vinci.
References
- Timesonline: Renaissance chess master and the Da Vinci decode mystery
- Herald Tribune: Experts link Leonardo da Vinci to chess puzzles in long-lost Renaissance treatise
- Winnipeg Free Press: Chess
Further reading
- Pacioli, Luca. De divina proportione (English: On the Divine Proportion), Luca Paganinem de Paganinus de Brescia (Antonio Capella) 1509, Venice
- Taylor, Emmet, R. No Royal Road: Luca Pacioli and his Times (1942)
External links
- Bambach, Carmen (2003). "Leonardo, Left-Handed Draftsman and Writer". New York: Metropolitan Museum of Art. Retrieved 2006-09-02.
- Luca Pacioli: The Father of Accounting
- Full Biography of Pacioli (St.Andrews)
- The Enigma of Luca Pacioli's Portrait
- Outline of Pacioli's Treatise - PARTICULARIS DE COMPUTIS ET SCRIPTURIS1
- Lucas Pacioli - Catholic Encyclopedia article
Leonardo da Vinci | |||||||
---|---|---|---|---|---|---|---|
Paintings |
| ||||||
Sculptures |
| ||||||
Works on paper |
| ||||||
Manuscripts | |||||||
Other projects | |||||||
Leonardeschi | |||||||
Museums | |||||||
Related | |||||||
|