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| '''Baroque art''' is the ] and ] associated with the ] ], a movement often identified with ] and the ]; the existence of important Baroque art and architecture in non-absolutist and Protestant states, however, undercuts this linking. | '''Baroque art''' is the ] and ] associated with the ] ], a movement often identified with ] and the ]; the existence of important Baroque art and architecture in non-absolutist and Protestant states, however, undercuts this linking. | ||
| == Painting == | == Painting == | ||
| The ] (1545-63), in which the ] answered many questions of internal reform raised by both ] and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. This turn toward a populist conception of the function of ecclesiastical art is seen by many ] as driving the innovations of ] and the ] brothers, all of whom were working (and competing for commissions) in Rome around 1600. | The ] (1545-63), in which the ] answered many questions of internal reform raised by both ] and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. This turn toward a populist conception of the function of ecclesiastical art is seen by many ] as driving the innovations of ] and the ] brothers, all of whom were working (and competing for commissions) in Rome around 1600. | ||
| Some of the great Baroque artists were: | Some of the great Baroque artists were: | ||
Revision as of 16:53, 14 September 2005
Baroque art is the painting and sculpture associated with the Baroque cultural movement, a movement often identified with Absolutism and the Counter Reformation; the existence of important Baroque art and architecture in non-absolutist and Protestant states, however, undercuts this linking.
Painting
The Council of Trent (1545-63), in which the Roman Catholic Church answered many questions of internal reform raised by both Protestants and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. This turn toward a populist conception of the function of ecclesiastical art is seen by many art historians as driving the innovations of Caravaggio and the Carracci brothers, all of whom were working (and competing for commissions) in Rome around 1600.
Some of the great Baroque artists were:
Sculpture
The most important sculptor of the Baroque period was undoubtedly Gianlorenzo Bernini (1598-1680), who approached Michelangelo in his omnicompetence. Bernini sculpted, worked as an architect, painted, wrote plays, and staged spectacles. In the late 20th century Bernini was most valued for his sculpture, both for his virtuosity in carving marble and his ability to create figures that combine the physical and the spiritual. He was also a fine portraitist in high demand among the powerful for bust-length likenesses.
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