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| == Painting == | == Painting == | ||
| The ] (1545-63), in which the ] answered many questions of internal reform raised by both ] and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. This turn toward a populist conception of the function of ecclesiastical art is seen by many ] as driving the innovations of ] and the ] brothers, all of whom were working (and competing for commissions) in Rome around 1600. | The ] (1545-63), in which the ] answered many questions of internal reform raised by both ] and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. Due to this Baroque art tends to focus on Saints, the Virgin Mary, well known bible stories. This turn toward a populist conception of the function of ecclesiastical art is seen by many ] as driving the innovations of ] and the ] brothers, all of whom were working (and competing for commissions) in Rome around 1600. | ||
| Some of the great Baroque artists were: | Some of the great Baroque artists were: | ||
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| Baroque art is characterized by great drama shown through the use of rich deep color. Light and dark shadows are used to heighten the dramtic scene that is being depicted. As opposed to Renaissance Art which usually showed the moment before an event took place, Baroque Artists chose the most dramatic point, the moment when the action was occuring. An example of this is Michelangelo's David which shows the hero in a conifident pose before he defeats Goliaith. Bernini's statue of David shows the him in the midst of the act of hurling the stone at the giant. Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance. | |||
| == Sculpture == | == Sculpture == | ||
Revision as of 18:57, 20 September 2005
Baroque art is the painting and sculpture associated with the Baroque cultural movement, a movement often identified with Absolutism and the Counter Reformation; the existence of important Baroque art and architecture in non-absolutist and Protestant states, however, undercuts this linking.
Painting
The Council of Trent (1545-63), in which the Roman Catholic Church answered many questions of internal reform raised by both Protestants and by those who had remained inside the Catholic Church, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. Due to this Baroque art tends to focus on Saints, the Virgin Mary, well known bible stories. This turn toward a populist conception of the function of ecclesiastical art is seen by many art historians as driving the innovations of Caravaggio and the Carracci brothers, all of whom were working (and competing for commissions) in Rome around 1600.
Some of the great Baroque artists were:
Baroque art is characterized by great drama shown through the use of rich deep color. Light and dark shadows are used to heighten the dramtic scene that is being depicted. As opposed to Renaissance Art which usually showed the moment before an event took place, Baroque Artists chose the most dramatic point, the moment when the action was occuring. An example of this is Michelangelo's David which shows the hero in a conifident pose before he defeats Goliaith. Bernini's statue of David shows the him in the midst of the act of hurling the stone at the giant. Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance.
Sculpture
The most important sculptor of the Baroque period was undoubtedly Gianlorenzo Bernini (1598-1680), who approached Michelangelo in his omnicompetence. Bernini sculpted, worked as an architect, painted, wrote plays, and staged spectacles. In the late 20th century Bernini was most valued for his sculpture, both for his virtuosity in carving marble and his ability to create figures that combine the physical and the spiritual. He was also a fine portraitist in high demand among the powerful for bust-length likenesses.
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