Misplaced Pages

Spider-Man: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 00:09, 15 February 2009 view sourceAFigureOfBlue (talk | contribs)Edit filter managers, Administrators53,877 edits Begin reformatting references per request on my talk page← Previous edit Revision as of 00:23, 15 February 2009 view source AFigureOfBlue (talk | contribs)Edit filter managers, Administrators53,877 edits Continue ref reformattingNext edit →
Line 43: Line 43:
==Publication history== ==Publication history==
===Creation=== ===Creation===
In 1962, with the success of the ] and other stars, Marvel Comics editor and head writer ] was casting about for a new superhero idea. He said that the idea for Spider-Man arose from a surge in teenage demand for comic books, and the desire to create a character with whom teens could identify.<ref name="DeFalco" />{{rp|1}} In his autobiography, Lee cites the non-superhuman ] crime fighter ] as an influence,<ref>Lee & Mair, 130.</ref> and in a multitude of print and video interviews Lee stated he was further inspired by seeing a ] climb up a wall—adding in his autobiography that he has told that story so often he has become unsure of whether or not this is true.<ref>Lee & Mair, 126. — "He goes further in his biography, claiming that even while pitching the concept to publisher Martin Goodman, 'I can't remember if that was literally true or not, but I thought it would lend a big color to my pitch'."</ref> Looking back on the creation of Spider-Man, ] stated he did not believe that Spider-Man would have been given a chance in today's comics world, where new characters are vetted with test audiences and marketers.<ref name="DeFalco">{{cite book|author=]; ]|editor=O'Neill, Cynthia|title=Spider-Man: The Ultimate Guide|publisher=]|location=New York|isbn=078947946X|year=2001}}</ref>{{rp|9}} At that time, however, Lee had to get only the consent of Marvel publisher ] for the character's approval.<ref name="DeFalco" />{{rp|9}} In a 1986 interview, Lee described in detail his arguments to overcome Goodman's objections.{{ref_label|Lee|1a|1a}} Goodman eventually agreed to let Lee try out Spider-Man in the upcoming final issue of the canceled science-fiction and supernatural anthology series ''Amazing Adult Fantasy'', which was renamed '']'' for that single issue, #15 (Aug. 1962).<ref>Daniels, 95.</ref> In 1962, with the success of the ] and other stars, Marvel Comics editor and head writer ] was casting about for a new superhero idea. He said that the idea for Spider-Man arose from a surge in teenage demand for comic books, and the desire to create a character with whom teens could identify.<ref name="DeFalco" />{{rp|1}} In his autobiography, Lee cites the non-superhuman ] crime fighter ] as an influence,<ref name="LeeMair">{{cite book|author=]; Mair, George|title=Excelsior!: The Amazing Life of Stan Lee|publisher=Fireside|year=2002|isbn=0-684-87305-2}}</ref>{{rp|130}} and in a multitude of print and video interviews Lee stated he was further inspired by seeing a ] climb up a wall—adding in his autobiography that he has told that story so often he has become unsure of whether or not this is true.<ref group="note">{{cite book|author=]; Mair, George|title=Excelsior!: The Amazing Life of Stan Lee|publisher=Fireside|year=2002|isbn=0-684-87305-2|quote=He goes further in his biography, claiming that even while pitching the concept to publisher Martin Goodman, 'I can't remember if that was literally true or not, but I thought it would lend a big color to my pitch'.}}</ref> Looking back on the creation of Spider-Man, ] stated he did not believe that Spider-Man would have been given a chance in today's comics world, where new characters are vetted with test audiences and marketers.<ref name="DeFalco">{{cite book|author=]; ]|editor=O'Neill, Cynthia|title=Spider-Man: The Ultimate Guide|publisher=]|location=New York|isbn=078947946X|year=2001}}</ref>{{rp|9}} At that time, however, Lee had to get only the consent of Marvel publisher ] for the character's approval.<ref name="DeFalco" />{{rp|9}} In a 1986 interview, Lee described in detail his arguments to overcome Goodman's objections.<ref group="note">'']'' interview with Stan Lee, quoted in ''The Steve Ditko Reader'' by ] (Pure Imagination, Brooklyn, NY; ISBN 1-56685-011-8), p. 12 (unnumbered). "He gave me 1,000 reasons why Spider-Man would never work. Nobody likes spiders; it sounds too much like Superman; and how could a teenager be a superhero? Then I told him I wanted the character to be a very human guy, someone who makes mistakes, who worries, who gets acne, has trouble with his girlfriend, things like that. 'He's a hero! He's not an average man!' I said, "No, we make him an average man who happens to have super powers, that's what will make him good'. He told me I was crazy".</ref> Goodman eventually agreed to let Lee try out Spider-Man in the upcoming final issue of the canceled science-fiction and supernatural anthology series ''Amazing Adult Fantasy'', which was renamed '']'' for that single issue, #15 (Aug. 1962).<ref>Daniels, 95.</ref>
<!--add in info about approving the character --> <!--add in info about approving the character -->


Line 50: Line 50:
In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in ''Comic Fan'' #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal".<ref>{{cite web|author=Ditko, Steve; Martin, Gary|year=1965|url=http://www.ditko.comics.org/ditko/artist/arcomicf.html|title= Steve Ditko - A Portrait of the Master|work=Comic Fan #2, Summer 1965|accessdate=2008-04-03}}</ref> At the time, Ditko shared a Manhattan studio with noted ] artist ], an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".<ref>Theakston, 14.</ref> In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in ''Comic Fan'' #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal".<ref>{{cite web|author=Ditko, Steve; Martin, Gary|year=1965|url=http://www.ditko.comics.org/ditko/artist/arcomicf.html|title= Steve Ditko - A Portrait of the Master|work=Comic Fan #2, Summer 1965|accessdate=2008-04-03}}</ref> At the time, Ditko shared a Manhattan studio with noted ] artist ], an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".<ref>Theakston, 14.</ref>


Kirby disputes Lee's version of the story, and claimed Lee had minimal involvement in the character's creation. According to Kirby, the idea for Spider-Man had originated with Kirby and ], who in the 1950s had developed a character called The Silver Spider for the ] comic ''Black Magic'', who was subsequently not used.{{ref_label|Kirby1|1b|1b}} Simon, in his 1990 autobiography, disputes Kirby's account, asserting that ''Black Magic'' was not a factor, and that he (Simon) devised the name "Spider-Man" (later changed to "The Silver Spider"), while Kirby outlined the character's story and powers. Simon later elaborated that his and Kirby's character conception became the basis for Simon's ] superhero ]. Artist ] stated that Lee liked the name ] from ], and that "Spider-Man" was an outgrowth of that interest.<ref name="ditko-history"/> The hyphen was included in the character's name to avoid confusion with DC Comics' ].<ref></ref> Kirby disputes Lee's version of the story, and claimed Lee had minimal involvement in the character's creation. According to Kirby, the idea for Spider-Man had originated with Kirby and ], who in the 1950s had developed a character called The Silver Spider for the ] comic ''Black Magic'', who was subsequently not used.<ref group="note">Jack Kirby in "Shop Talk: Jack Kirby", '']'s ] Magazine'' #39 (Feb. 1982): "Spider-Man was discussed between ] and myself. It was the last thing Joe and I had discussed. We had a strip called the 'The Silver Spider'. The Silver Spider was going into a magazine called ''Black Magic''. ''Black Magic'' folded with ] (Simon & Kirby's 1950s comics company) and we were left with the script. I believe I said this could become a thing called Spider-Man, see, a superhero character. I had a lot of faith in the superhero character that they could be brought back... and I said Spider-Man would be a fine character to start with. But Joe had already moved on. So the idea was already there when I talked to Stan".</ref> Simon, in his 1990 autobiography, disputes Kirby's account, asserting that ''Black Magic'' was not a factor, and that he (Simon) devised the name "Spider-Man" (later changed to "The Silver Spider"), while Kirby outlined the character's story and powers. Simon later elaborated that his and Kirby's character conception became the basis for Simon's ] superhero ]. Artist ] stated that Lee liked the name ] from ], and that "Spider-Man" was an outgrowth of that interest.<ref name="ditko-history"/> The hyphen was included in the character's name to avoid confusion with DC Comics' ].<ref></ref>


Simon concurs that Kirby had shown the original Spider-Man version to Lee, who liked the idea and assigned Kirby to draw sample pages of the new character but disliked the results—in Simon's description, "] with cobwebs".{{ref_label|Simon1|1c|1c}} Writer ] notes that Lee's reasoning that Kirby's character was too heroic seems unlikely—Kirby still drew the covers for the first issues of ''Spider-Man''. Likewise, Kirby's given reason that he was "too busy" to also draw ''Spider-Man'' in addition to his other duties seems false, as Kirby was, in Evanier's words, "always busy".<ref name="evanier127">Evanier, 127.</ref> Neither Lee's nor Kirby's explanation explains why key story elements like the magic ring were dropped; Evanier states that the most plausible explanation for the sudden change was that Goodman or one of his assistants decided that Spider-Man as drawn and envisioned by Kirby was too similar to The Fly.<ref name="evanier127"/> Simon concurs that Kirby had shown the original Spider-Man version to Lee, who liked the idea and assigned Kirby to draw sample pages of the new character but disliked the results—in Simon's description, "] with cobwebs".<ref group="note">Simon, Joe, with Jim Simon. ''The Comic Book Makers'' (Crestwood/II, 1990) ISBN 1-887591-35-4. "There were a few holes in Jack's never-dependable memory. For instance, there was no ''Black Magic'' involved at all. ... Jack brought in the Spider-Man logo that I had loaned to him before we changed the name to The Silver Spider. Kirby laid out the story to Lee about the kid who finds a ring in a spiderweb, gets his powers from the ring, and goes forth to fight crime armed with The Silver Spider's old web-spinning pistol. Stan Lee said, 'Perfect, just what I want.' After obtaining permission from publisher ], Lee told Kirby to pencil-up an origin story. Kirby... using parts of an old rejected superhero named Night Fighter... revamped the old Silver Spider script, including revisions suggested by Lee. But when Kirby showed Lee the sample pages, it was Lee's turn to gripe. He had been expecting a skinny young kid who is transformed into a skinny young kid with spider powers. Kirby had him turn into... Captain America with cobwebs. He turned Spider-Man over to Steve Ditko, who... ignored Kirby's pages, tossed the character's magic ring, web-pistol and goggles... and completely redesigned Spider-Man's costume and equipment. In this life, he became high-school student Peter Parker, who gets his spider powers after being bitten by a radioactive spider. ... Lastly, the Spider-Man logo was redone and a dashing hyphen added".</ref> Writer ] notes that Lee's reasoning that Kirby's character was too heroic seems unlikely—Kirby still drew the covers for the first issues of ''Spider-Man''. Likewise, Kirby's given reason that he was "too busy" to also draw ''Spider-Man'' in addition to his other duties seems false, as Kirby was, in Evanier's words, "always busy".<ref name="evanier127">Evanier, 127.</ref> Neither Lee's nor Kirby's explanation explains why key story elements like the magic ring were dropped; Evanier states that the most plausible explanation for the sudden change was that Goodman or one of his assistants decided that Spider-Man as drawn and envisioned by Kirby was too similar to The Fly.<ref name="evanier127"/>


===Commercial success=== ===Commercial success===
Line 122: Line 122:
*] *]


==Notes== ==Notes==
{{Reflist|2}} {{reflist|2|group=note}}
<div class="references-small">
{{note_label|Lee|1a|1a}}Stan Lee, 1986: "He gave me 1,000 reasons why Spider-Man would never work. Nobody likes spiders; it sounds too much like Superman; and how could a teenager be a superhero? Then I told him I wanted the character to be a very human guy, someone who makes mistakes, who worries, who gets acne, has trouble with his girlfriend, things like that. 'He's a hero! He's not an average man!' I said, "No, we make him an average man who happens to have super powers, that's what will make him good'. He told me I was crazy".
::'']'' interview, quoted in ''The Steve Ditko Reader'' by ] (Pure Imagination, Brooklyn, NY; ISBN 1-56685-011-8), p. 12 (unnumbered)
{{note_label|Kirby1|1b|1b}}Jack Kirby, 1982: "Spider-Man was discussed between ] and myself. It was the last thing Joe and I had discussed. We had a strip called the 'The Silver Spider'. The Silver Spider was going into a magazine called ''Black Magic''. ''Black Magic'' folded with ] (Simon & Kirby's 1950s comics company) and we were left with the script. I believe I said this could become a thing called Spider-Man, see, a superhero character. I had a lot of faith in the superhero character that they could be brought back... and I said Spider-Man would be a fine character to start with. But Joe had already moved on. So the idea was already there when I talked to Stan".
::"Shop Talk: Jack Kirby", '']'s ] Magazine'' #39 (Feb. 1982)

{{note_label|Simon1|1c|1c}}Joe Simon, 1990: "There were a few holes in Jack's never-dependable memory. For instance, there was no ''Black Magic'' involved at all. ... Jack brought in the Spider-Man logo that I had loaned to him before we changed the name to The Silver Spider. Kirby laid out the story to Lee about the kid who finds a ring in a spiderweb, gets his powers from the ring, and goes forth to fight crime armed with The Silver Spider's old web-spinning pistol. Stan Lee said, 'Perfect, just what I want.' After obtaining permission from publisher ], Lee told Kirby to pencil-up an origin story. Kirby... using parts of an old rejected superhero named Night Fighter... revamped the old Silver Spider script, including revisions suggested by Lee. But when Kirby showed Lee the sample pages, it was Lee's turn to gripe. He had been expecting a skinny young kid who is transformed into a skinny young kid with spider powers. Kirby had him turn into... Captain America with cobwebs. He turned Spider-Man over to Steve Ditko, who... ignored Kirby's pages, tossed the character's magic ring, web-pistol and goggles... and completely redesigned Spider-Man's costume and equipment. In this life, he became high-school student Peter Parker, who gets his spider powers after being bitten by a radioactive spider. ... Lastly, the Spider-Man logo was redone and a dashing hyphen added".
::Simon, Joe, with Jim Simon. ''The Comic Book Makers'' (Crestwood/II, 1990) ISBN 1-887591-35-4.
</div>


==References== ==References==
{{Reflist|2}}
{{refbegin}} {{refbegin}}
*{{cite book|author=Daniels, Les|authorlink=Les Daniels|title=Marvel: Five Fabulous Decades of the World's Greatest Comics|publisher=Harry N. Abrams|location= New York|year=1991|isbn=0-8109-3821-9}} *{{cite book|author=Daniels, Les|authorlink=Les Daniels|title=Marvel: Five Fabulous Decades of the World's Greatest Comics|publisher=Harry N. Abrams|location= New York|year=1991|isbn=0-8109-3821-9}}
Line 143: Line 134:
*{{cite book|author=Kiefer, Kit; Couper-Smartt, Jonathan|year=2003|title=Marvel Encyclopedia Volume 4: Spider-Man|publisher=]|location=New York|isbn= 0-785-11304-5}} *{{cite book|author=Kiefer, Kit; Couper-Smartt, Jonathan|year=2003|title=Marvel Encyclopedia Volume 4: Spider-Man|publisher=]|location=New York|isbn= 0-785-11304-5}}
*{{cite book|author=] &c|year=1974|title=Origins of Marvel Comics|publisher=]|location=New York|isbn=0671218646}} *{{cite book|author=] &c|year=1974|title=Origins of Marvel Comics|publisher=]|location=New York|isbn=0671218646}}
*{{cite book|author=]; Mair, George|title=Excelsior!: The Amazing Life of Stan Lee|publisher=Fireside|year=2002|isbn=0-684-87305-2}}
*{{cite book|author=Theakston, Greg|title=The Steve Ditko Reader|publisher=Pure Imagination|location=Brooklyn, NY|year=2002|isbn=1-56685-011-8}} *{{cite book|author=Theakston, Greg|title=The Steve Ditko Reader|publisher=Pure Imagination|location=Brooklyn, NY|year=2002|isbn=1-56685-011-8}}
{{refend}} {{refend}}

Revision as of 00:23, 15 February 2009

This article is about the superhero. For other uses, see Spider-Man (disambiguation). Comics character
Spider-Man
File:Spider-Man547.jpgFrom The Amazing Spider-Man #547 (March 2008)
Art by Steve McNiven & Dexter Vines
Publication information
PublisherMarvel Comics
First appearanceAmazing Fantasy #15 (Aug. 1962)
Created byStan Lee and Steve Ditko
In-story information
Full namePeter Benjamin Parker
Team affiliationsAvengers
New Avengers
Secret Avengers
"New Fantastic Four"
Notable aliasesRicochet, Dusk, Prodigy, Hornet, Captain Universe, Ben Reilly, Super Spider, Iron Spider
Abilities
  • Superhuman strength, stamina, speed, agility, reflexes, durability and equilibrium
  • Accelerated healing factor
  • Ability to cling to most surfaces
  • Precognitive spider sense
  • Web slinging (webbing is synthetic and organic)

Expression error: Unexpected < operator

Spider-Man is a fictional character appearing in comic books published by Marvel Comics. The character first appeared in Amazing Fantasy #15 (Aug. 1962), and was created by scripter-editor Stan Lee and artist-plotter Steve Ditko. Lee and Ditko conceived of the character as an orphan being raised by his Aunt May as an ordinary teenager, having to deal with the normal struggles of youth in addition to those of a costumed crime fighter. Spider-Man's creators gave him the ability to cling to walls, shoot spider-webs, and react to danger quickly with his "spider-sense", enabling him to combat his many foes, including Doctor Octopus, the Sandman, the Lizard, and the Green Goblin.

When Spider-Man first appeared in the early 1960s, teenagers in superhero comic books were usually relegated to the role of sidekick to the series' main character. The Spider-Man series broke ground by featuring Peter Parker, a teenage high school student to whose "self-obsessions with rejection, inadequacy, and loneliness" young readers could relate. Unlike previous teen heroes such as Bucky and Robin, Spider-Man did not benefit from adult mentors like Captain America and Batman and had to learn for himself that "with great power comes great responsibility".

Marvel has featured Spider-Man in several comic book series, the first titled The Amazing Spider-Man. Over the years, the Peter Parker character has developed from shy high school student to troubled college student to a married teacher and a member of the superhero team the New Avengers. In the comics, Spider-Man is often referred to as "Spidey", "web-slinger", "wall-crawler", or "web-head".

Along with Superman and Batman, Spider-Man is one of the most popular and commercially successful characters of all time. As Marvel's flagship character and company mascot, he has appeared in many various forms of media, including several animated and live-action television series, syndicated newspaper comic strips and a successful series of films starring actor Tobey Maguire as the character. Spider-Man was named Empire magazine's fifth greatest comic book character.

Publication history

Creation

In 1962, with the success of the Fantastic Four and other stars, Marvel Comics editor and head writer Stan Lee was casting about for a new superhero idea. He said that the idea for Spider-Man arose from a surge in teenage demand for comic books, and the desire to create a character with whom teens could identify. In his autobiography, Lee cites the non-superhuman pulp magazine crime fighter The Spider as an influence, and in a multitude of print and video interviews Lee stated he was further inspired by seeing a fly climb up a wall—adding in his autobiography that he has told that story so often he has become unsure of whether or not this is true. Looking back on the creation of Spider-Man, Tom DeFalco stated he did not believe that Spider-Man would have been given a chance in today's comics world, where new characters are vetted with test audiences and marketers. At that time, however, Lee had to get only the consent of Marvel publisher Martin Goodman for the character's approval. In a 1986 interview, Lee described in detail his arguments to overcome Goodman's objections. Goodman eventually agreed to let Lee try out Spider-Man in the upcoming final issue of the canceled science-fiction and supernatural anthology series Amazing Adult Fantasy, which was renamed Amazing Fantasy for that single issue, #15 (Aug. 1962).

Comics historian Greg Theakston says that Lee, after receiving Goodman's approval for the name Spider-Man and the "ordinary teen" concept, approached artist Jack Kirby. Kirby told Lee about an unpublished character on which he collaborated with Joe Simon in the 1950s, in which an orphaned boy living with an old couple finds a magic ring that gives him superpowers. Lee and Kirby "immediately sat down for a story conference" and Lee afterward directed Kirby to flesh out the character and draw some pages. Steve Ditko would be the inker. When Kirby showed Lee the first six pages, Lee recalled, "I hated the way he was doing it. Not that he did it badly — it just wasn't the character I wanted; it was too heroic." Lee turned to Ditko, who developed a visual style Lee found satisfactory. Ditko recalled,

One of the first things I did was to work up a costume. A vital, visual part of the character. I had to know how he looked ... before I did any breakdowns. For example: A clinging power so he wouldn't have hard shoes or boots, a hidden wrist-shooter versus a web gun and holster, etc. ... I wasn't sure Stan would like the idea of covering the character's face but I did it because it hid an obviously boyish face. It would also add mystery to the character....

File:AmazingFantasy15.jpg
Amazing Fantasy #15 (Aug. 1962). Cover art by Jack Kirby (penciller) & Steve Ditko (inker).

In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal". At the time, Ditko shared a Manhattan studio with noted fetish artist Eric Stanton, an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".

Kirby disputes Lee's version of the story, and claimed Lee had minimal involvement in the character's creation. According to Kirby, the idea for Spider-Man had originated with Kirby and Joe Simon, who in the 1950s had developed a character called The Silver Spider for the Crestwood comic Black Magic, who was subsequently not used. Simon, in his 1990 autobiography, disputes Kirby's account, asserting that Black Magic was not a factor, and that he (Simon) devised the name "Spider-Man" (later changed to "The Silver Spider"), while Kirby outlined the character's story and powers. Simon later elaborated that his and Kirby's character conception became the basis for Simon's Archie Comics superhero The Fly. Artist Steve Ditko stated that Lee liked the name Hawkman from DC Comics, and that "Spider-Man" was an outgrowth of that interest. The hyphen was included in the character's name to avoid confusion with DC Comics' Superman.

Simon concurs that Kirby had shown the original Spider-Man version to Lee, who liked the idea and assigned Kirby to draw sample pages of the new character but disliked the results—in Simon's description, "Captain America with cobwebs". Writer Mark Evanier notes that Lee's reasoning that Kirby's character was too heroic seems unlikely—Kirby still drew the covers for the first issues of Spider-Man. Likewise, Kirby's given reason that he was "too busy" to also draw Spider-Man in addition to his other duties seems false, as Kirby was, in Evanier's words, "always busy". Neither Lee's nor Kirby's explanation explains why key story elements like the magic ring were dropped; Evanier states that the most plausible explanation for the sudden change was that Goodman or one of his assistants decided that Spider-Man as drawn and envisioned by Kirby was too similar to The Fly.

Commercial success

File:AmazingSpiderMan23.jpg
The Amazing Spider-Man #23 (April 1965), featuring the Green Goblin. Cover art by co-creator Steve Ditko.

A few months after Spider-Man's introduction in Amazing Fantasy #15 (Aug. 1962), publisher Martin Goodman reviewed the sales figures for that issue, finding it to have been one of the nascent Marvel's highest-selling comics. A solo series followed, beginning with The Amazing Spider-Man #1 (March 1963). The title eventually became Marvel's top-selling series with the character swiftly becoming a cultural icon; a 1965 Esquire poll of college campuses found that college students ranked Spider-Man and fellow Marvel hero the Hulk alongside Bob Dylan and Che Guevara as their favorite revolutionary icons. One interviewee selected Spider-Man because he was "beset by woes, money problems, and the question of existence. In short, he is one of us". Following Ditko's departure after issue #38 (July 1966), John Romita, Sr. replaced him as artist, and would pencil the character over the next several years.

An early 1970s Spider-Man story led to the revision of the Comics Code. Previously, the Code forbade the depiction of the use of illegal drugs, even negatively. However, in 1970 the Nixon administration's Department of Health, Education, and Welfare asked Stan Lee to publish an anti-drug message in one of Marvel's top-selling titles. Lee chose the top-selling The Amazing Spider-Man; issues #96–98 (May–July 1971) feature a story arc depicting the negative effects of drug use. In the story, Peter Parker's friend Harry Osborn becomes addicted to pills. When Spider-Man fights the Green Goblin (Norman Osborn, Harry's father), Spider-Man defeats the Green Goblin, by revealing Harry's drug addiction. While the story had a clear anti-drug message, the Comics Code Authority refused to issue its seal of approval. Marvel nevertheless published the three issues without the Comics Code Authority's approval or seal. The issues sold so well that the industry's self-censorship was undercut and the Code was subsequently revised.

The Amazing Spider-Man #96 (May 1971), the first of three non-Comics Code issues that prompted the Code's first update, allowing comics to show the negative effects of illegal-drug use. Note cover-blurb reference to "The last fatal trip!" Cover art by Gil Kane

In 1972, a second monthly ongoing series starring Spider-Man began: Marvel Team-Up, in which Spider-Man was paired with other superheroes and villains. In 1976, his second solo series, The Spectacular Spider-Man began, running parallel to the main series. A third series featuring Spider-Man, Web of Spider-Man, launched in 1985, replacing Marvel Team-Up. The launch of a fourth monthly title in 1990, written and drawn by popular artist Todd McFarlane, debuted with several different covers, all with the same interior content. The various versions combined sold over 3 million copies, an industry record at the time. There have generally been at least two ongoing Spider-Man series at any time. Several limited series, one-shots and loosely related comics have also been published, and Spider-Man makes frequent cameos and guest appearances in other comic series.

The original Amazing Spider-Man ran through issue #441 (Nov. 1998). Writer-artist John Byrne then revamped the origin of Spider-Man in the 13-issue miniseries Spider-Man: Chapter One (Dec. 1998 - Oct. 1999, with an issue #0 midway through and some months containing two issues), similar to Byrne's adding details and some revisions to Superman's origin in DC Comics' The Man of Steel. Running concurrently, The Amazing Spider-Man was restarted with vol. 2, #1 (Jan, 1999). With what would have been vol. 2, #59, Marvel reintroduced the original numbering, starting with #500 (Dec. 2003).

By the end of 2007, Spider-Man regularly appeared in The Amazing Spider-Man, New Avengers, Spider-Man Family and various limited series in mainstream Marvel Comics continuity, as well as in the alternate-universe series The Amazing Spider-Girl, the Ultimate Universe title Ultimate Spider-Man, the alternate-universe tween series Spider-Man Loves Mary Jane, and the alternate-universe children's series Marvel Adventures Spider-Man and Marvel Adventures: The Avengers.

When primary series The Amazing Spider-Man reached issue #545 (Dec. 2007), Marvel dropped its spin-off ongoing series and instead began publishing The Amazing Spider-Man three times monthly, beginning with #546-549 (each January 2008).

Fictional character biography

Main article: Fictional history of Spider-Man

In his first appearance, Peter Parker is introduced as an orphaned science whiz teenager living with his aunt and uncle in the Forest Hills section of New York City. He is a brilliant student but the subject of mockery by his peers who regard him as a bookworm. One day he gets bitten by a radioactive spider during a science demonstration. As a result, he gains spider-like powers such as super-strength, the ability to climb walls, and a phenomenal jumping skill. Peter's own cleverness enables him to develop gadgets that fire an adhesive webbing.

File:Spider-Man spider-bite.jpg
The fateful spider bite that gave Peter Parker his powers. Amazing Fantasy #15, art by Steve Ditko.

As Spider-Man, he becomes a successful TV star. One day at a studio he refuses to stop a thief, saying that it is the job of the police not that of a number one star. Weeks later his beloved guardian, Uncle Ben, is murdered and an angry Spider-Man sets off to capture the killer. When he does, he is horrified to find that the man is none other than the burglar he refused to subdue. Learning that with great power comes great responsibility, Spider-Man becomes a vigilante.

After his uncle's death, Peter and his Aunt May become desperate for money, so he gets a job as a photographer at the Daily Bugle selling photos to J. Jonah Jameson, who vilifies Spider-Man in the paper. As he battles his enemies for the first time, Parker finds juggling his personal life and costumed adventures difficult. In time, Peter graduates from high school, and enrolls at Empire State University, where he meets roommate and best friend Harry Osborn and first girlfriend Gwen Stacy, and Aunt May introduces him to Mary Jane Watson. As Peter deals with Harry's drug problems, and Harry's father is revealed to be Spider-Man's nemesis the Green Goblin, Peter even attempts to give up his costumed identity. In the course of his adventures Spider-Man has made a wide variety of friends and contacts within the superhero community, who often come to his aid when he faces problems that he cannot solve on his own.

Enemies frequently endanger his loved ones, with the Green Goblin managing to kill Gwen Stacy. Though haunted by the death of Gwen, he begins to date Mary Jane Watson. Peter discovers what he thinks is a black version of his Spider-Man costume, which turns out to be an alien symbiote; Peter is able to reject the symbiote after a difficult struggle, though the symbiote returns several times as Venom for revenge. Peter eventually marries Mary Jane Watson. In a controversial storyline, Peter becomes convinced that Ben Reilly, the Scarlet Spider (a clone of Peter created by his college professor Miles Warren) is the real Peter Parker, and that he, Peter, is the clone. Peter gives up the Spider-Man identity to Reilly for a time, until Reilly is killed by the returning Green Goblin and revealed to be the clone after all. In stories published in 2005 and 2006 (such as "The Other"), he develops additional spider-like abilities including biological web-shooters, toxic stingers that extend from his forearms, the ability to stick individuals to his back, enhanced Spider-sense and night vision, and increased strength and speed. Peter later becomes a member of the New Avengers, and reveals his civilian identity to the world, furthering his already numerous problems. His marriage to Mary Jane and public unmasking are later erased due to a deal made with the demon Mephisto, resulting in several adjustments to the timeline, such as the resurrection of Harry Osborn and the return of Peter's mechanical web-shooters and loss of his additional spider-like abilities.

Powers and equipment

Main article: Spider-Man's powers and equipment

A bite from an irradiated spider causes a variety of changes in the body of Peter Parker, giving him superpowers. In the original Lee-Ditko stories, Spider-Man has the ability to cling to walls, superhuman strength, a sixth sense ("spider-sense") that alerts him to danger, perfect balance and equilibrium, as well as superhuman speed and agility. Brilliant, Parker excels in applied science, chemistry and physics. The character was originally conceived by Stan Lee and Steve Ditko as intellectually gifted, but not a genius. However, later writers have depicted the character as a genius. With his talents, he sews his own costume to conceal his identity, and constructs many devices that complement his powers, most notably mechanical web-shooters. (This mechanism ejects an advanced adhesive, releasing web-fluid in a variety of configurations, including a single rope-like strand to swing from, a net to bind enemies, a single strand for yanking opponents into objects, strands for whipping foreign objects at enemies, and a simple glob to foul machinery or blind an opponent. He can also weave the web material into simple forms like a shield, a spherical protection or hemispherical barrier, a club, or a hang-glider wing.) Other equipment include spider-tracers (spider-shaped adhesive homing beacons keyed to his own spider-sense), a light beacon which can either be used as a flashlight or project a "Spider-Signal" design, and a specially modified camera that can take pictures automatically.

Enemies

Main article: List of Spider-Man enemies

Writers and artists over many years have managed to establish an exciting and notable rogues gallery of villains to face Spider-Man. The three most infamous and dangerous enemies are generally considered to be the Green Goblin and Doctor Octopus, both 1960s Lee-Ditko creations, and Venom, a later addition introduced in 1984. Other characters include the Lizard, the Chameleon, the Hobgoblin, Kraven the Hunter, Carnage, the Scorpion, the Sandman, the Rhino, Mysterio, the Vulture, Electro, the Kingpin, Hydro-Man, the Shocker, and Morlun. As with Spider-Man, the majority of these villains' powers originate with scientific accidents or the misuse of scientific technology, and they tend to have animal-themed costumes or powers. At times these villains have formed groups such as the Sinister Six to oppose Spider-Man.

Supporting characters

Main article: Spider-Man supporting characters

Spider-Man was conceived as an ordinary person given great power, and the comics detail his civilian life, friends, family and romances as much as his super-heroic adventures. Peter was raised by his loving aunt, May Parker, and his uncle and father figure, Ben Parker (usually referred to simply as Aunt May and Uncle Ben), after his parents died. Uncle Ben is tragically murdered by a burglar that Peter had allowed to escape before. Peter believes that his uncle's death was morally his fault, and he decides to use his powers responsibly and become a super-hero. After the murder of her husband, Aunt May is virtually Peter's only family, and she and Peter are very close.

Peter's first love interest is his college girlfriend Gwen Stacy, who is later tragically killed by the Green Goblin. It is later revealed in the comics that she refused to give custody of her children to their biological father Norman Osborn, (the Goblin's true identity), who she had an intimate relationship with behind Peter's back. Originally merely Gwen Stacy's competition, Mary Jane Watson (or, 'MJ') eventually became Peter's best friend and then became his wife. Her marriage to Peter was later erased due to a deal made with Mephisto to save Aunt May's life. Felicia Hardy, the Black Cat, is a reformed cat burglar who was Spider-Man's girlfriend and partner at one point, but rejected him when he revealed his identity to her, as she was only interested in his costumed persona. She eventually learned to love Peter on his own merit, but never on the level at which she loved Spider-Man.

Flash Thompson was originally Peter Parker's high school tormentor, and later one of his closest friends. Due to brain damage, he suffered amnesia and regressed to his bullying personality, though he eventually recovered from this. Harry Osborn, son of Norman Osborn, was Peter's best friend in college, who eventually follows his father's footsteps and becomes the second Green Goblin, ultimately resulting in Harry's death. He was resurrected due to the erasure of Peter's marriage to Mary Jane, and all related events, from history.

J. Jonah Jameson, the irascible publisher of the Daily Bugle newspaper, is Peter's first employer. While he employs Peter Parker as a photographer, he is also Spider-Man's greatest critic and largely responsible for public distrust of the hero. Joseph "Robbie" Robertson was the Editor-in-chief at the Daily Bugle, a moderating influence on Jameson, and a father figure to Peter after Uncle Ben's death. Betty Brant was the secretary at the Daily Bugle, and was once in love with Peter.

Cultural impact

According to Paul Kupperberg, author of The Creation of Spider-Man, Spider-Man's superpowers were "nothing too original"; what was original was that outside his secret identity, he was a "nerdy high school student". Going against typical superhero fare, Spider-Man included "heavy doses of soap-opera and elements of melodrama." Kupperberg feels that Lee and Ditko had created something new in the world of comics: "the flawed superhero with everyday problems." This idea spawned a "comics revolution". The insecurity and anxieties in Marvel's early 1960s comic books such as The Amazing Spider-Man, The Incredible Hulk, and X-Men ushered in a new type of superhero, very different from the certain and all-powerful superheroes before them, and changed the public's perception of them. Spider-Man has become on of the most recognizable fictional characters in the world, and has been used to sell toys, games, cereal, candy, soap, and many other products.

Spider-Man has become Marvel's flagship character, and has often been used as the company mascot. When Marvel became the first comic book company to be listed on the New York Stock Exchange in 1991, the Wall Street Journal announced "Spider-Man is coming to Wall Street"; the event was in turn promoted with an actor in a Spider-Man costume accompanying Stan Lee to the Stock Exchange. Since 1962, hundreds of millions of comics featuring the character have been sold around the world. When Marvel wanted to issue a story dealing with the immediate aftermath of the September 11th, 2001 attacks, the company settled on the December 2001 issue of The Amazing Spider-Man. In 2006, Spider-Man garnered major media coverage with the revelation of the character's secret identity, an event detailed in a full page story in the New York Post before the issue containing the story was even released.

In 2008, Marvel announced plans to release a series of educational comics the following year in partnership with the United Nations, depicting Spider-Man alongside UN Peacekeeping Forces to highlight UN peacekeeping missions. A BusinessWeek article listed Spider-Man as one of the top ten most intelligent fictional characters in American comics.

In other media

Main article: Spider-Man in other media

Spider-Man has appeared in comics, cartoons, movies, coloring books, novels, records, and children's books. He appeared as the main character in the animated series Spider-Man which aired from 1967–1970 on ABC, the live-action television series The Amazing Spider-Man from 1978-1979 and three TV movies starting Nicholas Hammond, the 1981 syndicated cartoon series Spider-Man, the Spider-Man and His Amazing Friends cartoon from 1981-1983, the Spider-Man cartoon series 1994-1998 (continued as Spider-Man Unlimited the following year), and The Spectacular Spider-Man which premiered on March 8, 2008.

Spider-Man also appeared in other print forms besides the comics, including novels, children's books, and his own daily newspaper The Amazing Spiderman comic strip which debuted in January 1977, with the earliest installments written by Stan Lee and drawn by John Romita, Sr. Spider-Man has been adapted to other media including games, toys, collectibles, and miscellaneous memorabilia, and has appeared as the main character in numerous computer and video games on over 15 gaming platforms. Spider-Man was also the subject of a series of films directed by Sam Raimi and starring actor Tobey Maguire as the character. The first Spider-Man film was released on May 3, 2002, its first sequel, Spider-Man 2 premiered on June 30, 2004, and the next sequel, Spider-Man 3, premiered May 4, 2007.

See also

Notes

  1. Lee, Stan; Mair, George (2002). Excelsior!: The Amazing Life of Stan Lee. Fireside. ISBN 0-684-87305-2. He goes further in his biography, claiming that even while pitching the concept to publisher Martin Goodman, 'I can't remember if that was literally true or not, but I thought it would lend a big color to my pitch'.{{cite book}}: CS1 maint: multiple names: authors list (link)
  2. Detroit Free Press interview with Stan Lee, quoted in The Steve Ditko Reader by Greg Theakston (Pure Imagination, Brooklyn, NY; ISBN 1-56685-011-8), p. 12 (unnumbered). "He gave me 1,000 reasons why Spider-Man would never work. Nobody likes spiders; it sounds too much like Superman; and how could a teenager be a superhero? Then I told him I wanted the character to be a very human guy, someone who makes mistakes, who worries, who gets acne, has trouble with his girlfriend, things like that. 'He's a hero! He's not an average man!' I said, "No, we make him an average man who happens to have super powers, that's what will make him good'. He told me I was crazy".
  3. Jack Kirby in "Shop Talk: Jack Kirby", Will Eisner's Spirit Magazine #39 (Feb. 1982): "Spider-Man was discussed between Joe Simon and myself. It was the last thing Joe and I had discussed. We had a strip called the 'The Silver Spider'. The Silver Spider was going into a magazine called Black Magic. Black Magic folded with Crestwood (Simon & Kirby's 1950s comics company) and we were left with the script. I believe I said this could become a thing called Spider-Man, see, a superhero character. I had a lot of faith in the superhero character that they could be brought back... and I said Spider-Man would be a fine character to start with. But Joe had already moved on. So the idea was already there when I talked to Stan".
  4. Simon, Joe, with Jim Simon. The Comic Book Makers (Crestwood/II, 1990) ISBN 1-887591-35-4. "There were a few holes in Jack's never-dependable memory. For instance, there was no Black Magic involved at all. ... Jack brought in the Spider-Man logo that I had loaned to him before we changed the name to The Silver Spider. Kirby laid out the story to Lee about the kid who finds a ring in a spiderweb, gets his powers from the ring, and goes forth to fight crime armed with The Silver Spider's old web-spinning pistol. Stan Lee said, 'Perfect, just what I want.' After obtaining permission from publisher Martin Goodman, Lee told Kirby to pencil-up an origin story. Kirby... using parts of an old rejected superhero named Night Fighter... revamped the old Silver Spider script, including revisions suggested by Lee. But when Kirby showed Lee the sample pages, it was Lee's turn to gripe. He had been expecting a skinny young kid who is transformed into a skinny young kid with spider powers. Kirby had him turn into... Captain America with cobwebs. He turned Spider-Man over to Steve Ditko, who... ignored Kirby's pages, tossed the character's magic ring, web-pistol and goggles... and completely redesigned Spider-Man's costume and equipment. In this life, he became high-school student Peter Parker, who gets his spider powers after being bitten by a radioactive spider. ... Lastly, the Spider-Man logo was redone and a dashing hyphen added".

References

  1. ^ Wright, Bradford W (2001). Comic Book Nation. Johns Hopkins Press. ISBN 0801874505.
  2. "Empire". www.empireonline.com. Retrieved 2009-02-08. {{cite web}}: Text "The 50 Greatest Comic Book Characters" ignored (help)
  3. ^ DeFalco, Tom; Lee, Stan (2001). O'Neill, Cynthia (ed.). Spider-Man: The Ultimate Guide. New York: Dorling Kindersley. ISBN 078947946X.{{cite book}}: CS1 maint: multiple names: authors list (link)
  4. Lee, Stan; Mair, George (2002). Excelsior!: The Amazing Life of Stan Lee. Fireside. ISBN 0-684-87305-2.{{cite book}}: CS1 maint: multiple names: authors list (link)
  5. Daniels, 95.
  6. Ditko, "Alter Ego." — "'Stan said a new Marvel hero would be introduced in #15 . He would be called Spider-Man. Jack would do the penciling and I was to ink the character.' At this point still, 'Stan said Spider-Man would be a teenager with a magic ring which could transform him into an adult hero — Spider-Man. I said it sounded like The Fly, which Joe Simon had done for Archie Comics. Stan called Jack about it but I don't know what was discussed. I never talked to Jack about Spider-Man... Later, at some point, I was given the job of drawing Spider-Man.'"
  7. Theakston, 12.
  8. ^ Ditko, "Alter Ego."
  9. Ditko, Steve; Martin, Gary (1965). "Steve Ditko - A Portrait of the Master". Comic Fan #2, Summer 1965. Retrieved 2008-04-03.{{cite web}}: CS1 maint: multiple names: authors list (link)
  10. Theakston, 14.
  11. thehotspotonline.com: Spider-Man: The Birth of an Icon
  12. ^ Evanier, 127.
  13. Daniels, p. 97
  14. ^ Lee, Stan (w), Ditko, Steve (a). Amazing Fantasy, vol. 1, no. 15 (August 1962). New York, NY: Marvel Comics.
  15. Lee, Stan (w), Ditko, Steve (a). "Spider-Man; Spider-Man vs. The Chameleon"; "Duel to the Death with the Vulture; "The Uncanny Threat of the Terrible Tinkerer!" The Amazing Spider-Man, vol. 1, no. 1-2 (March, May 1963). New York, NY: Marvel Comics.
  16. Lee, Stan (w), Ditko, Steve (a). "The Menace of the Molten Man!" The Amazing Spider-Man, vol. 1, no. 28 (September 1965). New York, NY: Marvel Comics.
  17. Sanderson, Peter (2007). The Marvel Comics Guide to New York City. New York City: Pocket Books. pp. 30–33. ISBN 1-14653-141-6. {{cite book}}: Check |isbn= value: checksum (help); Cite has empty unknown parameter: |coauthors= (help)
  18. Lee, Stan (w), Romita, John (a). "The Birth of a Super-Hero!" The Amazing Spider-Man, vol. 1, no. 42 (November 1966). New York, NY: Marvel Comics.
  19. Lee, Stan (w), Romita, John (p), Mickey Demeo (i). "Spider-Man No More!" The Amazing Spider-Man, vol. 1, no. 50 (July 1967). New York, NY: Marvel Comics.
  20. Lee, Stan (w), Kane, Gil (p), Giacoia, Frank (i). "The Spider or the Man?" The Amazing Spider-Man, vol. 1, no. 100 (September 1971). New York, NY: Marvel Comics.
  21. As, for example, in The Amazing Spider-Man Annual #1 (1963)
  22. ^ Conway, Gerry (w), Kane, Gil (p), Romita, John (i). "The Night Gwen Stacy Died" The Amazing Spider-Man, vol. 1, no. 121 (June 1973). New York, NY: Marvel Comics.
  23. Shooter, Jim (w), Zeck, Michael (p), Beatty, John, Abel, Jack, and Esposito, Mike (i). "Invasion" Marvel Super-Heroes Secret Wars, vol. 1, no. 8 (December 1984). New York, NY: Marvel Comics.
  24. Simonson, Louise (w), LaRocque, Greg (p), Mooney, Jim and Colletta, Vince (i). "'Til Death Do Us Part!" Web of Spider-Man, vol. 1, no. 1 (April 1985). New York, NY: Marvel Comics.
  25. ^ Shooter, Jim and Michelinie, David (w), Ryan, Paul (p), Colletta, Vince (i). "The Wedding" The Amazing Spider-Man Annual, vol. 1, no. 21 (1987). New York, NY: Marvel Comics.
  26. Millar, Mark (w), McNiven, Steve (p), Vines, Dexter (i). "Civil War" Civil War, vol. 1, no. 2 (August 2006). New York, NY: Marvel Comics.
  27. ^ Straczynski, J. Michael (w), Quesada, Joe (p), Miki, Danny (i). "One More Day Part 4" The Amazing Spider-Man, vol. 3, no. 545 (December 2007). New York, NY: Marvel Comics.
  28. ^ Gresh, Lois H., and Robert Weinberg. "The Science of Superheroes" (John Wiley & Sons, Inc., 2002) ISBN=0471024600 (preview)
  29. Kiefer & Couper.
  30. Mondello, Salvatore (2004). "Spider-Man: Superhero in the Liberal Tradition". The Journal of Popular Culture. X (1): 232–238. doi:10.1111/j.0022-3840.1976.1001_232.x. a teenage superhero and middle-aged supervillains--an impressive rogues' gallery which includes such memorable knaves and grotesques as the Vulture, {{cite journal}}: |access-date= requires |url= (help); Unknown parameter |month= ignored (help)
  31. Goldstein, Hilary (2006-02-01). "Spider-Man villain poll". IGN. Retrieved 2006-10-01.
  32. Straczynski, J. Michael (w), Deodato, Mike (p), Pimentel, Joe (i). "Sins Past, Part One, Sins Past, Part Two", "Sins Past, Part Three", "Sins Past, Part Four", "Sins Past, Part Five", "Sins Past, Part Six" The Amazing Spider-Man, vol. 3, no. 509-514 (August 2004-January 2005). New York, NY: Marvel Comics.
  33. Mantlo, Bill (w), Hall, Bob (p), Mooney, Jim (i). "Fantasia" The Spectacular Spider-Man, vol. 1, no. 74 (January 1983). New York, NY: Marvel Comics.
  34. Straczynski, J. Michael (w), Garney, Ron (p), Reinhold, Bill (i). "The War At Home" The Amazing Spider-Man, vol. 3, no. 533 (August 2006). New York, NY: Marvel Comics.
  35. Conway, Gerry (w), Andru, Ross (p), Giacoia, Frank and Hunt, Dave (i). "The Green Goblin Lives Again!" The Amazing Spider-Man, vol. 1, no. 136 (September 1974). New York, NY: Marvel Comics.
  36. ^ Kupperberg, Paul (2007). The Creation of Spider-Man. The Rosen Publishing Group. ISBN 1404207635.
  37. Fleming, James R. (2006). "Review of Superman on the Couch: What Superheroes Really Tell Us about Ourselves and Our Society. By Danny Fingeroth". ImageText. University of Florida. ISSN 1549-6732. Retrieved Fleming. {{cite journal}}: Check date values in: |accessdate= (help)
  38. ^ Knowles, Christopher (2007). Our Gods Wear Spandex. Weiser. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  39. "Spider-Man Weaving a spell". Screen India. 2002. Retrieved 2009-02-13.
  40. Yarbrough, Beau (2001-09-24). "Marvel to Take on World Trade Center Attack in 'Amazing Spider-Man'". Comic Book Resources. Retrieved 2008-04-28.{{cite web}}: CS1 maint: year (link)
  41. Staff (2006-06-15). "Spider-Man Removes Mask at Last". BBC. Retrieved 2006-09-29.
  42. Brady, Matt (2006-06-14). "New York Post Spoils Civil War #2". Newsarama. Retrieved 2008-04-02.
  43. Lane, Thomas (2008-01-04). "Can Spiderman help UN beat evil?". BBC. Retrieved 2008-04-29.
  44. Pisani, Joseph (June 1, 2006). "The Smartest Superheroes". Business Week Online. Retrieved 2007-11-25. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  45. "Spider-Man (1967)". UGO Networks. Retrieved 2009-02-13.
  46. "John Romita Interview". www.keefestudios.com. Retrieved 2009-02-08.

External links

Spider-Man
Characters
Features and locations
Comic books
Other media
Toys
See also
Spider-Man publications
Current series
Former series
Limited series
Outside
mainstream
continuity
Manga series
Crossovers
Storylines
Reprintings
Collected Editions
Other
See also
Spider-Man in other media
Television
Film
Live performances
Video games
Marvel's Spider-Man
Literature
Novels
Comic strips
Music
Theme park attractions
Related articles
New Avengers
Founding members
Later members
Enemies
Headquarters
Storylines
Related series
Related articles
Categories: