| Revision as of 11:26, 4 November 2005 editViriditas (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers169,146 edits After reviewing your citations and observing that they do not claim what you say they claim, I have removed the citation request as well as the disputed content; rm superfluous content and links← Previous edit | Revision as of 11:29, 4 November 2005 edit undoViriditas (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers169,146 edits rm opinion by "Tariq Shadid". If he's not a film critic, I fail to see the relevance of a MD.Next edit → | ||
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| One lyrical section feature a beautiful sunglasses-clad Palestinian woman (played by ]) whose passing by not only distracts all eyes, but whose gaze causes Israeli military checkpoint towers to crumble. The director features prominently as the film's silent, expressionless protagonist in an iconic and powerfully moving performance has been compared to the work of ], ] and ] . | One lyrical section feature a beautiful sunglasses-clad Palestinian woman (played by ]) whose passing by not only distracts all eyes, but whose gaze causes Israeli military checkpoint towers to crumble. The director features prominently as the film's silent, expressionless protagonist in an iconic and powerfully moving performance has been compared to the work of ], ] and ] . | ||
| Despite being nominated for the "]" award at the ] ], the film's consideration as candidate for Best Foreign Film at the Academy Awards was an occasion for considerable controversy. The film was denied consideration by the California-based ]. |
Despite being nominated for the "]" award at the ] ], the film's consideration as candidate for Best Foreign Film at the Academy Awards was an occasion for considerable controversy. The film was denied consideration by the California-based ]. However, the film was considered for an Oscar the following year. | ||
| ==External links== | ==External links== | ||
Revision as of 11:29, 4 November 2005
Divine Intervention (Arabic: yadun ilahi يد إلهي) is a 2002 film by the Israeli Palestinian director Elie Suleiman, which may be described as a surreal black comedy. The film consists largely of a series of brief interconnected sketches, but for the most part records a day in the life of a Palestinian living in East Jerusalem, whose girlfriend lives several checkpoints away in the West Bank city of Ramallah.
One lyrical section feature a beautiful sunglasses-clad Palestinian woman (played by Manal Khader) whose passing by not only distracts all eyes, but whose gaze causes Israeli military checkpoint towers to crumble. The director features prominently as the film's silent, expressionless protagonist in an iconic and powerfully moving performance has been compared to the work of Buster Keaton, Jim Jarmusch and Jaques Tati .
Despite being nominated for the "Palme d'Or" award at the 2002 Cannes Film Festival, the film's consideration as candidate for Best Foreign Film at the Academy Awards was an occasion for considerable controversy. The film was denied consideration by the California-based Academy of Motion Picture Arts and Sciences. However, the film was considered for an Oscar the following year.
External links
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