| Revision as of 18:47, 14 March 2009 editMaarten Sepp (talk | contribs)419 editsm style← Previous edit | Revision as of 15:04, 29 March 2009 edit undoRotational (talk | contribs)9,031 editsNo edit summaryNext edit → | ||
| Line 1: | Line 1: | ||
| ]''</center><center>drawn by ]</center><center>lithographed by Walter Hood Fitch</center>]] | ]''</center><center>drawn by ]</center><center>lithographed by Walter Hood Fitch</center>]] | ||
| '''Walter Hood Fitch''' (] ] – 1892) was a ], born in ], ]. In his lifetime Fitch executed some 10,000 drawings for various publications including nearly 3,000 for the ''Botanical Magazine''.<ref>Royal Botanic Gardens, Kew: website.</ref> | '''Walter Hood Fitch''' (] ] – 1892) was a ], born in ], ]. In his lifetime Fitch executed some 10,000 drawings for various publications including nearly 3,000 for the ''Botanical Magazine''.<ref>Royal Botanic Gardens, Kew: website.</ref> He {{botanist-inline2|Fitch|Fitch}} | ||
| Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by ], the editor of ]. Hooker was ] of Botany at the ], and a competent botanical artist in his own right. Fitch's first lithograph of ''Mimulus roseus'', appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of ] and Fitch moved to ]. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the ] to save time. | Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by ], the editor of ]. Hooker was ] of Botany at the ], and a competent botanical artist in his own right. Fitch's first lithograph of ''Mimulus roseus'', appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of ] and Fitch moved to ]. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the ] to save time. | ||
| Line 11: | Line 11: | ||
| ] (1840–1927), who also drew for Curtis's Botanical Magazine, was the nephew of Walter Hood Fitch. | ] (1840–1927), who also drew for Curtis's Botanical Magazine, was the nephew of Walter Hood Fitch. | ||
| {{botanist|Fitch|Fitch}} | |||
| == References == | == References == | ||
Revision as of 15:04, 29 March 2009
Walter Hood Fitch (28 February 1817 – 1892) was a botanical artist, born in Glasgow, Scotland. In his lifetime Fitch executed some 10,000 drawings for various publications including nearly 3,000 for the Botanical Magazine. He Template:Botanist-inline2
Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by William Jackson Hooker, the editor of Curtis's Botanical Magazine. Hooker was Regius Professor of Botany at the University of Glasgow, and a competent botanical artist in his own right. Fitch's first lithograph of Mimulus roseus, appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of Royal Botanic Gardens, Kew and Fitch moved to London. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the lithographic stone to save time.
Fitch's important works are his illustrations for William Hooker's A century of orchidaceous plants (1851), and for James Bateman's A Monograph of Odontoglossum (1864–74). He also created around 500 plates for Hooker's Icones Plantarum (1836–76). Some of his most notable work was for George Bentham and J.D. Hooker's Handbook of the British Flora (1858 and many editions). When Joseph Dalton Hooker returned from his travels in India, Fitch prepared lithographs from Hooker's sketches for his Rhododendrons of Sikkim Himalaya (1849–51) and, from the drawings of Indian artists, for his Illustrations of Himalayan Plants (1855).
A dispute over pay with Joseph Dalton Hooker ended Fitch's service to both the Botanical Magazine and Kew in 1877. He was much sought after and remained active as a botanical artist until 1888. Works during this period included Henry John Elwes's Monograph of the Genus Lilium (1877-80).
John Nugent Fitch (1840–1927), who also drew for Curtis's Botanical Magazine, was the nephew of Walter Hood Fitch.
References
- Royal Botanic Gardens, Kew: website.