| Revision as of 14:16, 30 March 2009 editCygnis insignis (talk | contribs)Autopatrolled, Extended confirmed users31,332 edits Not "in use" for two days, image is given as notable in RS, left align is non-MOS and places image before text, use commons.← Previous edit | Revision as of 07:34, 31 March 2009 edit undoRotational (talk | contribs)9,031 edits Previous edit summary makes no sense - please discussNext edit → | ||
| Line 1: | Line 1: | ||
| ⚫ | '''Walter Hood Fitch''' (] ] – 1892) was a ], born in ], ]. In his lifetime Fitch executed some 10,000 drawings for various publications including 2700 for the ''Botanical Magazine''.<ref>Royal Botanic Gardens, Kew: website.</ref><ref name="ANH">{{cite web|url=http://www.anbg.gov.au/biography/fitch.walter.html|title=Fitch, Walter Hood (1817 - 1892)|work=Collectors & Illustrators|publisher=Australian National Herbarium|accessdate=2009-03-29}}</ref> He{{botanist-inline2|Fitch}} | ||
| ] | ] | ||
| ⚫ | '''Walter Hood Fitch''' (] ] – 1892) was a ], born in ], ]. In his lifetime Fitch executed some 10,000 drawings for various publications including 2700 for the ''Botanical Magazine''.<ref>Royal Botanic Gardens, Kew: website.</ref><ref name="ANH">{{cite web|url=http://www.anbg.gov.au/biography/fitch.walter.html|title=Fitch, Walter Hood (1817 - 1892)|work=Collectors & Illustrators|publisher=Australian National Herbarium|accessdate=2009-03-29}}</ref> | ||
| =='''Biography'''== | |||
| Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by ], the editor of ]. Hooker was ] of Botany at the ], and a competent botanical artist in his own right. Fitch's first lithograph of ''Mimulus roseus'', appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of ] and Fitch moved to ]. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the ] to save time. He produced his ]s, a then new technique, after the illustrations provided by Hooker and others.<ref>{{cite web|url=http://sciweb.nybg.org/Science2/Onlinexhibits/exhbtcata.html|title=Plants and Gardens portrayed|work=LuEsther T. Mertz Library|publisher=The New York Botanical Garden|accessdate=2009-03-29}}</ref> | Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by ], the editor of ]. Hooker was ] of Botany at the ], and a competent botanical artist in his own right. Fitch's first lithograph of ''Mimulus roseus'', appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of ] and Fitch moved to ]. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the ] to save time. He produced his ]s, a then new technique, after the illustrations provided by Hooker and others.<ref>{{cite web|url=http://sciweb.nybg.org/Science2/Onlinexhibits/exhbtcata.html|title=Plants and Gardens portrayed|work=LuEsther T. Mertz Library|publisher=The New York Botanical Garden|accessdate=2009-03-29}}</ref> | ||
| Line 7: | Line 7: | ||
| A dispute over pay with Joseph Dalton Hooker ended Fitch's service to both the ''Botanical Magazine'' and Kew in 1877. He was much sought after and remained active as a botanical artist until 1888. Works during this period included ]'s ''Monograph of the Genus Lilium'' (1877-80). | A dispute over pay with Joseph Dalton Hooker ended Fitch's service to both the ''Botanical Magazine'' and Kew in 1877. He was much sought after and remained active as a botanical artist until 1888. Works during this period included ]'s ''Monograph of the Genus Lilium'' (1877-80). | ||
| ] | |||
| ] | |||
| His renown as a botanical illustrator was such that his obituary in '']'' stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.".<ref> ''Nature'' '''45''', 302-302 (28 January 1892)</ref> | His renown as a botanical illustrator was such that his obituary in '']'' stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.".<ref> ''Nature'' '''45''', 302-302 (28 January 1892)</ref> | ||
| ] (1840–1927), who also drew for Curtis's Botanical Magazine, was the nephew of Walter Hood Fitch. | |||
| == |
===References=== | ||
| {{reflist}} | {{reflist}} | ||
| == |
===Further reading=== | ||
| *''Walter Hood Fitch - A Celebration'' Royal Botanic Gardens, Kew, HMSO, London. | *''Walter Hood Fitch - A Celebration'' Royal Botanic Gardens, Kew, HMSO, London. | ||
| ==External links== | ===External links=== | ||
| {{Commons|Walter Hood Fitch}} | {{Commons|Walter Hood Fitch}} | ||
| * | * | ||
Revision as of 07:34, 31 March 2009
Walter Hood Fitch (28 February 1817 – 1892) was a botanical artist, born in Glasgow, Scotland. In his lifetime Fitch executed some 10,000 drawings for various publications including 2700 for the Botanical Magazine. HeTemplate:Botanist-inline2
Biography
Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by William Jackson Hooker, the editor of Curtis's Botanical Magazine. Hooker was Regius Professor of Botany at the University of Glasgow, and a competent botanical artist in his own right. Fitch's first lithograph of Mimulus roseus, appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of Royal Botanic Gardens, Kew and Fitch moved to London. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the lithographic stone to save time. He produced his Chromolithographs, a then new technique, after the illustrations provided by Hooker and others.
Fitch's important works are his illustrations for William Hooker's A century of orchidaceous plants (1851), and for James Bateman's A Monograph of Odontoglossum (1864–74). He also created around 500 plates for Hooker's Icones Plantarum (1836–76). Some of his most notable work was for George Bentham and J.D. Hooker's Handbook of the British Flora (1858 and many editions). When Joseph Dalton Hooker returned from his travels in India, Fitch prepared lithographs from Hooker's sketches for his Rhododendrons of Sikkim Himalaya (1849–51) and, from the drawings of Indian artists, for his Illustrations of Himalayan Plants (1855). He also produced the illustrations presented in the younger Hooker's The Botany of the Antartic Voyage and Flora Tasmaniae 1855-9.
A dispute over pay with Joseph Dalton Hooker ended Fitch's service to both the Botanical Magazine and Kew in 1877. He was much sought after and remained active as a botanical artist until 1888. Works during this period included Henry John Elwes's Monograph of the Genus Lilium (1877-80).
His renown as a botanical illustrator was such that his obituary in Nature stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.". John Nugent Fitch (1840–1927), who also drew for Curtis's Botanical Magazine, was the nephew of Walter Hood Fitch.
References
- Royal Botanic Gardens, Kew: website.
- ^ "Fitch, Walter Hood (1817 - 1892)". Collectors & Illustrators. Australian National Herbarium. Retrieved 2009-03-29.
- "Plants and Gardens portrayed". LuEsther T. Mertz Library. The New York Botanical Garden. Retrieved 2009-03-29.
- News. Nature 45, 302-302 (28 January 1892)
Further reading
- Walter Hood Fitch - A Celebration Royal Botanic Gardens, Kew, HMSO, London.