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| ==Folk beginnings== | ==Folk beginnings== | ||
| The tradition of storytelling in Jamaica is a long one, beginning with ] told by the slaves during the colonial period. Jamaica's folk stories are most closely associated with those of the ] tribe in ], from which many of the slaves originated. Some ]an tales were also brought to the island by immigrants, particularly those from the ]. In folktales, the local speech style is particularly necessary. It infuses humor into the stories, and is an integral part of the retelling. | The tradition of storytelling in Jamaica is a long one, beginning with ] told by the slaves during the colonial period. Jamaica's folk stories are most closely associated with those of the ] tribe in ], from which many of the slaves originated.{{fact|date=May 2009}} Some ]an tales were also brought to the island by immigrants, particularly those from the ]. In folktales, the local speech style is particularly necessary. It infuses humor into the stories, and is an integral part of the retelling. | ||
| Perhaps the most popular character in Jamaican tales, ] (also spelled Anansi, 'Nancy Spida, and Brer Nansi) is an African spider-god who makes an appearance in tales throughout the Caribbean region. He is a trickster god, and often goes against other animal-god characters, like Tiger and Donkey, in his stories. These stories are thought to be ways the slaves told about outsmarting their owners as well. | Perhaps the most popular character in Jamaican tales, ] (also spelled Anansi, 'Nancy Spida, and Brer Nansi) is an African spider-god who makes an appearance in tales throughout the Caribbean region. He is a trickster god, and often goes against other animal-god characters, like Tiger and Donkey, in his stories. These stories are thought to be ways the slaves told about outsmarting their owners as well. | ||
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The Caribbean island of Jamaica is known for its arts, including its literary inspiration. The island has been the home or birthplace of many important authors. One of the most important aspects of Jamaican literature is the local patois, the language spoken in Jamaica.
Folk beginnings
The tradition of storytelling in Jamaica is a long one, beginning with folktales told by the slaves during the colonial period. Jamaica's folk stories are most closely associated with those of the Ashanti tribe in Africa, from which many of the slaves originated. Some European tales were also brought to the island by immigrants, particularly those from the United Kingdom. In folktales, the local speech style is particularly necessary. It infuses humor into the stories, and is an integral part of the retelling.
Perhaps the most popular character in Jamaican tales, Anancy (also spelled Anansi, 'Nancy Spida, and Brer Nansi) is an African spider-god who makes an appearance in tales throughout the Caribbean region. He is a trickster god, and often goes against other animal-god characters, like Tiger and Donkey, in his stories. These stories are thought to be ways the slaves told about outsmarting their owners as well.
Literature
Jamaican Thomas MacDermot is credited for fostering the creation of Jamaican literature, and his Becka's Buckra Baby as the beginning of modern Caribbean literature.
Jamaican Claude McKay is credited with inspiring France's Negritude (“Blackness”) movement, as well as being a founding father of the Harlem Renaissance. Having established himself as a poet in Jamaica, he moved to the U.S. in his 20s and proceeded to travel to France, but never returned to his birthplace.
McKay is not the only Jamaican poet, Una Marson was well known for her poetry and her activism as a feminist, and Louise Bennett-Coverly is another Jamaican poet known for her unique voice. Similarly, St. Lucian Nobel prize winner, Derek Walcott, studied at the University in Jamaica. Other writers who have recently gained acclaim in Jamaica are Hazel Dorothy Campbell and the late Mikey Smith.
The island's local dialect has become an important element to their literature and other arts. The speech style is particularly notable in poetry or in prose's dialogue.
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