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| '''Josef Thorak''' (b ] ] at ], ]; d ] ] at ], ]) was an ]n-] ]. | '''Josef Thorak''' (b ] ] at ], ]; d ] ] at ], ]) was an ]n-] ]. | ||
| In 1922 Thorak's |
In 1922 Thorak's reputation increased when he created ''Der sterbende Krieger'', a statue in memory to the dead of ] of Stolpmuende. | ||
| In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936. | In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936. | ||
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Josef Thorak (b 7 February 1889 at Salzburg, Austria; d 26 February 1952 at Hartmannsberg, Germany) was an Austrian-German sculptor.
In 1922 Thorak's reputation increased when he created Der sterbende Krieger, a statue in memory to the dead of World War I of Stolpmuende.
In 1933 and in following years, Thorak joined Arno Breker as one of the two "official sculptors" of the Third Reich. In his government-issued studio outside Munich, Thorak worked on statues intended to represent the folk-life of Germany under Nazi coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the Berlin Olympic Stadium of 1936.
Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some expressionist influences can be noticed in his neoclassical style.
See also
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