| Revision as of 17:16, 23 September 2009 editTheleftorium (talk | contribs)Extended confirmed users36,855 edits →Reception: missing word← Previous edit | Revision as of 20:27, 18 October 2009 edit undoTJ Spyke (talk | contribs)93,344 editsm WikiCleaner 0.96 - fixesNext edit → | ||
| Line 11: | Line 11: | ||
| | blackboard = "I will not barf unless I'm sick" | | blackboard = "I will not barf unless I'm sick" | ||
| | couch_gag = Bart leaps into everyone's lap | | couch_gag = Bart leaps into everyone's lap | ||
| | guest_star = ] as Bart in a fantasy sequence | | guest_star = ] as Bart in a fantasy sequence | ||
| | commentary |
| commentary=]<BR>Mike Reiss<BR>]<Br>]<br>Al Jean | ||
| | season |
| season=3 | ||
| }} | }} | ||
| ⚫ | "'''Separate Vocations'''" is the eighteenth episode of '']''<nowiki>'</nowiki> ]. It originally aired on |
||
| ⚫ | "'''Separate Vocations'''" is the eighteenth episode of '']''<nowiki>'</nowiki> ]. It originally aired on ] in the United States on February 27, 1992. In the episode, the ] makes the students take career ]s. When ] discovers that she is best suited to become a ], her dreams of becoming a professional musician are shattered and, as a result, she becomes a troublemaker in school. Meanwhile, ] discovers that he is best suited to become a policeman; this significantly improves his grades and behavior and he is chosen to be the school's new ]. | ||
| ⚫ | The episode was written by ] and directed by ]. American actor and television personality ] guest starred in the episode as the voice of Bart in a fantasy sequence. The episode features cultural references to films such as '']'', '']'', and '']'', and the television series '']''. Since airing, the episode has received mostly positive reviews from television critics. It acquired a ] of 14.8 and was the highest-rated show on the Fox network the week it aired. ] received a ] for ] for her performance as Bart in the episode. | ||
| ⚫ | The episode was written by ] and directed by ]. American actor and television personality ] guest starred in the episode as the voice of Bart in a fantasy sequence. The episode features cultural references to films such as '']'', '']'', and '']'', and the television series '']''. Since airing, the episode has received mostly positive reviews from television critics. It acquired a ] of 14.8 and was the highest-rated show on the Fox network the week it aired. ] received a ] for ] for her performance as Bart in the episode. | ||
| ==Plot== | ==Plot== | ||
| After taking career aptitude tests, scored by a malfunctioning computer, ] discovers that the occupation she is best suited for is homemaker, while ]'s test show that he should be a policeman. Lisa is heartbroken over the result and is determined to prove the test wrong. She consults a music teacher for his opinion, but he tells her that, having inherited her father's large fingers, she can never be a professional saxophone player. Lisa is therefore required by the test to spend the day doing chores with her mother ], while Bart goes on a ] with the police. | After taking career aptitude tests, scored by a malfunctioning computer, ] discovers that the occupation she is best suited for is homemaker, while ]'s test show that he should be a policeman. Lisa is heartbroken over the result and is determined to prove the test wrong. She consults a music teacher for his opinion, but he tells her that, having inherited her father's large fingers, she can never be a professional saxophone player. Lisa is therefore required by the test to spend the day doing chores with her mother ], while Bart goes on a ] with the police. | ||
| Lisa hates her role as a homemaker, and realizing that her future dreams have been shattered, she loses interest in being a good student. Bart enjoys spending time with the police, and he even ends up stopping ] during a car chase. When ] discovers Bart's new interest in law enforcement, he enlists him as a hall monitor. Bart starts handing out demerits to his classmates for minor infractions and has order restored to the school. When Lisa secretly steals all of the Teachers' Editions of the schoolbooks and reveals the teachers' lack of education, it is up to Bart to figure out who stole the books. Realizing his sister is the culprit, Bart takes the blame and returns to his life as a bad student and detention regular, while Lisa goes back to being a good student. Thankful to her brother, Lisa plays her saxophone outside his classroom as he serves his time in detention. | Lisa hates her role as a homemaker, and realizing that her future dreams have been shattered, she loses interest in being a good student. Bart enjoys spending time with the police, and he even ends up stopping ] during a car chase. When ] discovers Bart's new interest in law enforcement, he enlists him as a hall monitor. Bart starts handing out demerits to his classmates for minor infractions and has order restored to the school. When Lisa secretly steals all of the Teachers' Editions of the schoolbooks and reveals the teachers' lack of education, it is up to Bart to figure out who stole the books. Realizing his sister is the culprit, Bart takes the blame and returns to his life as a bad student and detention regular, while Lisa goes back to being a good student. Thankful to her brother, Lisa plays her saxophone outside his classroom as he serves his time in detention. | ||
| ==Production== | ==Production== | ||
| ] guest starred in the episode.]] | ] guest starred in the episode.]] | ||
| The episode was written by ] and directed by ]. ], ] of ''The Simpsons'' with ] at the time, said Meyer wrote most of the episode by himself without help from the show's other writers. Few changes were made to the first draft that he pitched to the producers. It was near identical to the final script.<ref name="Reiss">{{cite video | people=Reiss, Mike|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> The episode was inspired by the ] tests taken by several members of the show's staff when they went to school; Reiss, for example, said he was told he would become a librarian.<ref name="Reiss"/> Jean said "one of the first things that sold us on doing the episode" was the idea of Bart becoming a policeman. He said it was "a funny, realistic depiction of what a kid like Bart might wind up to become, and it wasn't something you would immediately think of."<ref name="Jean">{{cite video | people=Jean, Al|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> Jean said the episode deals with the emotion that many adults feel when they grow older and realize that they are not going to achieve the dreams they once had. " how people in life cope with that problem. Maybe Lisa, at eight years old, is a little bit young to worry about that, but that's what we were trying to explore here."<ref name="Jean"/> | The episode was written by ] and directed by ]. ], ] of ''The Simpsons'' with ] at the time, said Meyer wrote most of the episode by himself without help from the show's other writers. Few changes were made to the first draft that he pitched to the producers. It was near identical to the final script.<ref name="Reiss">{{cite video | people=Reiss, Mike|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> The episode was inspired by the ]al tests taken by several members of the show's staff when they went to school; Reiss, for example, said he was told he would become a librarian.<ref name="Reiss"/> Jean said "one of the first things that sold us on doing the episode" was the idea of Bart becoming a policeman. He said it was "a funny, realistic depiction of what a kid like Bart might wind up to become, and it wasn't something you would immediately think of."<ref name="Jean">{{cite video | people=Jean, Al|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> Jean said the episode deals with the emotion that many adults feel when they grow older and realize that they are not going to achieve the dreams they once had. " how people in life cope with that problem. Maybe Lisa, at eight years old, is a little bit young to worry about that, but that's what we were trying to explore here."<ref name="Jean"/> | ||
| In one sequence where Bart imagines himself testifying in court, his voice has been censored and electronically altered. The altered voice was provided by American actor and television personalty ]. ''The Simpsons'' creator ] said the older writers were "thrilled" to have Allen appear on the show, ] in particular.<ref name="Groening">{{cite video | people=Groening, Matt|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> It took nine takes for Allen to pronounce Bart's catchphrase "]" correctly.<ref name="Reiss"/> There was a discussion amongst the staff of whether the episode should end with a joke or have a "sweet" ending. Reiss said "With the better angels in our nature, we went with the sweet ending ."<ref name="Reiss"/> | In one sequence where Bart imagines himself testifying in court, his voice has been censored and electronically altered. The altered voice was provided by American actor and television personalty ]. ''The Simpsons'' creator ] said the older writers were "thrilled" to have Allen appear on the show, ] in particular.<ref name="Groening">{{cite video | people=Groening, Matt|year=2003|title=The Simpsons season 3 DVD commentary for the episode "Separate Vocations"| medium=DVD||publisher=20th Century Fox}}</ref> It took nine takes for Allen to pronounce Bart's catchphrase "]" correctly.<ref name="Reiss"/> There was a discussion amongst the staff of whether the episode should end with a joke or have a "sweet" ending. Reiss said "With the better angels in our nature, we went with the sweet ending ."<ref name="Reiss"/> | ||
| Line 33: | Line 34: | ||
| The music school that Lisa visits has a sign out front with a picture of a diapered baby ] on it.<ref name="Jean"/> When Principal Skinner is questioning Lisa about her newfound sense of irresponsibility, he asks "What are you rebelling against?" She responds "Whaddaya got?", like ]'s character Johnny Strabler did in the film '']''.<ref name="irwin">{{cite book | last = Snow | first = Dale | authorlink = | coauthors = | title = ] | publisher = Blackwell Publishing| date = February 28, 2001 | chapter=Aesthetics of Allusion | pages =51 | url = | doi = | isbn = 0812694333}}</ref> She also has a toothpick in her mouth, like Johnny had in the film.<ref name="book">{{cite book|last=Richmond |first=Ray|coauthors=Antonia Coffman|title=] |year=1997 |publisher=Harper Collins Publishers|isbn=0-00063-8898-1|page=83}}</ref> The fifth graders that Lisa talks to in the school washroom are smoking ] cigarettes.<ref name="book"/> | The music school that Lisa visits has a sign out front with a picture of a diapered baby ] on it.<ref name="Jean"/> When Principal Skinner is questioning Lisa about her newfound sense of irresponsibility, he asks "What are you rebelling against?" She responds "Whaddaya got?", like ]'s character Johnny Strabler did in the film '']''.<ref name="irwin">{{cite book | last = Snow | first = Dale | authorlink = | coauthors = | title = ] | publisher = Blackwell Publishing| date = February 28, 2001 | chapter=Aesthetics of Allusion | pages =51 | url = | doi = | isbn = 0812694333}}</ref> She also has a toothpick in her mouth, like Johnny had in the film.<ref name="book">{{cite book|last=Richmond |first=Ray|coauthors=Antonia Coffman|title=] |year=1997 |publisher=Harper Collins Publishers|isbn=0-00063-8898-1|page=83}}</ref> The fifth graders that Lisa talks to in the school washroom are smoking ] cigarettes.<ref name="book"/> | ||
| The car chase scene with Snake is a reference to the car chase scene in the 1968 film '']''.<ref name="BBC"/> Music similar to the soundtrack of the television series '']'' is heard in the scene. ], a composer on ''The Simpsons'' who had previously worked on several police shows, wrote the music for the scene.<ref name="Jean"/> In another reference to ''The Streets of San Francisco'' and other ] productions, a ] and caption proclaims the name of act two of the episode, "Act II - Death Drives a ]", after the episode's first act break in the middle of the Snake car chase.<ref name="BBC"/><ref name="Reiss"/> In the sequence where Bart imagines himself testifying in court, his face is obscured with a blue dot; this is a references to the television coverage of the rape trial of ], in which the woman who accused Smith of raping her was obscured with a blue dot over her face.<ref name="Reiss"/> The way the scene changes from Bart and Skinner talking in Skinner's office to them searching through the lockers is a reference to the same style of scene change used in the 1960s '']'' television series, in which a close-up of ]'s face with dramatic music in the background is shown for a brief moment before the scene changes.<ref name="Jean"/> The song heard when Bart and Skinner searches through the lockers for the Teachers' Editions is "]" from the film '']''.<ref name="Reiss"/> | The car chase scene with Snake is a reference to the car chase scene in the 1968 film '']''.<ref name="BBC"/> Music similar to the soundtrack of the television series '']'' is heard in the scene. ], a composer on ''The Simpsons'' who had previously worked on several police shows, wrote the music for the scene.<ref name="Jean"/> In another reference to ''The Streets of San Francisco'' and other ] productions, a ] and caption proclaims the name of act two of the episode, "Act II - Death Drives a ]", after the episode's first act break in the middle of the Snake car chase.<ref name="BBC"/><ref name="Reiss"/> In the sequence where Bart imagines himself testifying in court, his face is obscured with a blue dot; this is a references to the television coverage of the rape trial of ], in which the woman who accused Smith of raping her was obscured with a blue dot over her face.<ref name="Reiss"/> The way the scene changes from Bart and Skinner talking in Skinner's office to them searching through the lockers is a reference to the same style of scene change used in the 1960s '']'' television series, in which a close-up of ]'s face with dramatic music in the background is shown for a brief moment before the scene changes.<ref name="Jean"/> The song heard when Bart and Skinner searches through the lockers for the Teachers' Editions is "]" from the film '']''.<ref name="Reiss"/> | ||
| ==Analysis== | ==Analysis== | ||
| In the last scene of the episode, Bart is seen writing "I will not expose the ignorance of the faculty" on the blackboard as a punishment for exposing the ignorance of the teachers by removing the Teachers' Editions. In his book ''The Small Screen: How Television Equips Us to Live in the Information Age'', Brian L. Ott describes this scene as one of the "key ways ''The Simpsons'' appeals to audience, which tends to be younger, by critiquing authority figures, and in particular educators."<ref>{{cite book|last=L. Ott|first=Brian|title=The Small Screen: How Television Equips Us to Live in the Information Age|publisher=Wiley-Blackwell|date=July 2007|pages=85|chapter=Hyperconsious Television|isbn=9781405161541}}</ref> Toby Daspit and John Weaver write in their book ''Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting'' that the writers of ''The Simpsons'' are "particularly interested" in questions about authority and the abuses of powers in school. Another scene from the episode sees ] telling the students to stare at the blackboard for ten minutes until class is over. Daspit and Weaver writes that it is "the absolute power that teachers have over students' every action that allows for the image to be presented on ''The Simpsons''. It would be comforting to tell ourselves that this is simply parody run amok, that the writers are stretching reality to make a point, but the discussants in the study had memories of a reality very much like the one presented in this program."<ref name="daspit"/> One of the discussants said she believes everyone have experienced similar situations in their school years, and she thinks the thought that "an educator could ever do something so useless and pointless with the children's time" is "frightening".<ref name="daspit">{{cite book|last=Daspit|first=Toby|coauthors=Weaver|others=John|title=Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting|publisher=Routledge|date=November 1, 1998|pages=68–69|chapter=School is Hell|isbn=978-0815328704}}</ref> | In the last scene of the episode, Bart is seen writing "I will not expose the ignorance of the faculty" on the blackboard as a punishment for exposing the ignorance of the teachers by removing the Teachers' Editions. In his book ''The Small Screen: How Television Equips Us to Live in the Information Age'', Brian L. Ott describes this scene as one of the "key ways ''The Simpsons'' appeals to audience, which tends to be younger, by critiquing authority figures, and in particular educators."<ref>{{cite book|last=L. Ott|first=Brian|title=The Small Screen: How Television Equips Us to Live in the Information Age|publisher=Wiley-Blackwell|date=July 2007|pages=85|chapter=Hyperconsious Television|isbn=9781405161541}}</ref> Toby Daspit and John Weaver write in their book ''Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting'' that the writers of ''The Simpsons'' are "particularly interested" in questions about authority and the abuses of powers in school. Another scene from the episode sees ] telling the students to stare at the blackboard for ten minutes until class is over. Daspit and Weaver writes that it is "the absolute power that teachers have over students' every action that allows for the image to be presented on ''The Simpsons''. It would be comforting to tell ourselves that this is simply parody run amok, that the writers are stretching reality to make a point, but the discussants in the study had memories of a reality very much like the one presented in this program."<ref name="daspit"/> One of the discussants said she believes everyone have experienced similar situations in their school years, and she thinks the thought that "an educator could ever do something so useless and pointless with the children's time" is "frightening".<ref name="daspit">{{cite book|last=Daspit|first=Toby|coauthors=Weaver|others=John|title=Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting|publisher=Routledge|date=November 1, 1998|pages=68–69|chapter=School is Hell|isbn=978-0815328704}}</ref> | ||
| ==Reception== | ==Reception== | ||
| ] received a ] for her performance as Bart in the episode.]] | ] received a ] for her performance as Bart in the episode.]] | ||
| In its original American broadcast, "Separate Vocations" finished 29th in the ratings for the week of February 24–March 1, 1992, with a ] of 14.8, equivalent to approximately 13.6 million viewing households. It was the highest-rated show on the Fox network that week.<ref name=Rating>{{cite news|author=]|title=What we watch, what we don't...|accessdate=2009-06-08|work=]|page=15|date=March 8, 1992}}</ref> Bart's voice actor, ], received a ] for ] in 1992 for her performance in the episode.<ref name="PTE">{{cite web|url=http://www.emmys.org/awards/awardsearch.php |title=Primetime Emmy Awards Advanced Search|publisher=Emmys.org|accessdate=2009-02-05}}</ref><ref>{{cite news|title=Briefing–'Simpsons' score big in Prime-Time Emmys|date= |
In its original American broadcast, "Separate Vocations" finished 29th in the ratings for the week of February 24–March 1, 1992, with a ] of 14.8, equivalent to approximately 13.6 million viewing households. It was the highest-rated show on the Fox network that week.<ref name=Rating>{{cite news|author=]|title=What we watch, what we don't...|accessdate=2009-06-08|work=]|page=15|date=March 8, 1992}}</ref> Bart's voice actor, ], received a ] for ] in 1992 for her performance in the episode.<ref name="PTE">{{cite web|url=http://www.emmys.org/awards/awardsearch.php |title=Primetime Emmy Awards Advanced Search|publisher=Emmys.org|accessdate=2009-02-05}}</ref><ref>{{cite news|title=Briefing–'Simpsons' score big in Prime-Time Emmys|date=1991-08-03|accessdate=2009-02-05|page=L20|work=]}}</ref> | ||
| Since airing, the episode has received mostly positive reviews from television critics. The authors of the book ''I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide'', Warren Martyn and Adrian Wood, thought the episode displayed ''The Simpsons'' "at its best – not only hilarious but daringly outspoken on a whole range of issues – the failures of the education system, police abuses of power, the stifling of children's creativity."<ref name="BBC">{{cite web|url=http://www.bbc.co.uk/cult/simpsons/episodeguide/season3/page18.shtml|title=Separate Vocations|accessdate=2009-06-07|author=Martyn, Warren; Wood, Adrian |date=2000|publisher=BBC}}</ref> Bill Gibron of DVD Verdict said "Separate Vocations" represent ''The Simpsons'' "at its apex as a well tuned talent machine grinding out the good stuff with surprising accuracy and skill."<ref name="DVDVerdict">{{cite web|url=http://www.dvdverdict.com/reviews/simpsonsseason3.php|title=The Simpsons: The Complete Third Season|last=Gibron|first=Bill|date=December 15, 2003|publisher=DVD Verdict|accessdate=2009-06-06}}</ref> Gibron added that the episode shows that "even in territory they're not used to (Bart as a safety patrol, Lisa as a cursing class cut up), the Simpsons' kids are funny and inventive."<ref name="DVDVerdict"/> Nate Meyers of Digitally Obsessed gave the episode a four out of five rating and commented that the script's "departure from the traditional roles assigned to Bart and Lisa makes for a fresh experience with many laughs."<ref name="do">{{cite web|url=http://www.digitallyobsessed.com/displaylegacy.php?ID=6129|title=The Simpsons: The Complete Third Season|last=Meyers|first=Nate|date=June 23, 2004|publisher=Digitally Obsessed|accessdate=2009-06-06}}</ref> Meyers thought the highlight of the episode was Bart's ride in the police car.<ref name="do"/> DVD Movie Guide's Colin Jacobson thought the theme of the episode was unoriginal, but commented that Bart's "rapid embrace of fascism" and Lisa's "descent into hooliganism" provide "a number of funny opportunities, and 'Separate Vocations' exploits them well. Though it’s not one of the year’s best shows, it seems like a good one for the most part."<ref>{{cite web|url=http://dvdmg.com/simpsonsseasonthree.shtml|title=The Simpsons: The Complete Third Season (1991) |last=Jacobson|first=Colin|date=August 21, 2003|publisher=DVD Movie Guide|accessdate=2009-06-06}}</ref> | Since airing, the episode has received mostly positive reviews from television critics. The authors of the book ''I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide'', Warren Martyn and Adrian Wood, thought the episode displayed ''The Simpsons'' "at its best – not only hilarious but daringly outspoken on a whole range of issues – the failures of the education system, police abuses of power, the stifling of children's creativity."<ref name="BBC">{{cite web|url=http://www.bbc.co.uk/cult/simpsons/episodeguide/season3/page18.shtml|title=Separate Vocations|accessdate=2009-06-07|author=Martyn, Warren; Wood, Adrian |date=2000|publisher=BBC}}</ref> Bill Gibron of DVD Verdict said "Separate Vocations" represent ''The Simpsons'' "at its apex as a well tuned talent machine grinding out the good stuff with surprising accuracy and skill."<ref name="DVDVerdict">{{cite web|url=http://www.dvdverdict.com/reviews/simpsonsseason3.php|title=The Simpsons: The Complete Third Season|last=Gibron|first=Bill|date=December 15, 2003|publisher=DVD Verdict|accessdate=2009-06-06}}</ref> Gibron added that the episode shows that "even in territory they're not used to (Bart as a safety patrol, Lisa as a cursing class cut up), the Simpsons' kids are funny and inventive."<ref name="DVDVerdict"/> Nate Meyers of Digitally Obsessed gave the episode a four out of five rating and commented that the script's "departure from the traditional roles assigned to Bart and Lisa makes for a fresh experience with many laughs."<ref name="do">{{cite web|url=http://www.digitallyobsessed.com/displaylegacy.php?ID=6129|title=The Simpsons: The Complete Third Season|last=Meyers|first=Nate|date=June 23, 2004|publisher=Digitally Obsessed|accessdate=2009-06-06}}</ref> Meyers thought the highlight of the episode was Bart's ride in the police car.<ref name="do"/> DVD Movie Guide's Colin Jacobson thought the theme of the episode was unoriginal, but commented that Bart's "rapid embrace of fascism" and Lisa's "descent into hooliganism" provide "a number of funny opportunities, and 'Separate Vocations' exploits them well. Though it’s not one of the year’s best shows, it seems like a good one for the most part."<ref>{{cite web|url=http://dvdmg.com/simpsonsseasonthree.shtml|title=The Simpsons: The Complete Third Season (1991) |last=Jacobson|first=Colin|date=August 21, 2003|publisher=DVD Movie Guide|accessdate=2009-06-06}}</ref> | ||
Revision as of 20:27, 18 October 2009
Episode of the 3rd season of The Simpsons| "Separate Vocations" | |
|---|---|
| The Simpsons episode | |
| Episode no. | Season 3 |
| Directed by | Jeffrey Lynch |
| Written by | George Meyer |
| Original air date | February 27, 1992 |
| Episode features | |
| Chalkboard gag | "I will not barf unless I'm sick" |
| Couch gag | Bart leaps into everyone's lap |
| Commentary | Matt Groening Mike Reiss Jon Vitti David Silverman Al Jean |
| Episode chronology | |
| The Simpsons season 3 | |
| List of episodes | |
"Separate Vocations" is the eighteenth episode of The Simpsons' third season. It originally aired on Fox in the United States on February 27, 1992. In the episode, the Springfield Elementary School makes the students take career aptitude tests. When Lisa discovers that she is best suited to become a homemaker, her dreams of becoming a professional musician are shattered and, as a result, she becomes a troublemaker in school. Meanwhile, Bart discovers that he is best suited to become a policeman; this significantly improves his grades and behavior and he is chosen to be the school's new hall monitor.
The episode was written by George Meyer and directed by Jeffrey Lynch. American actor and television personality Steve Allen guest starred in the episode as the voice of Bart in a fantasy sequence. The episode features cultural references to films such as Bullitt, The Wild One, and Beverly Hills Cop, and the television series The Streets of San Francisco. Since airing, the episode has received mostly positive reviews from television critics. It acquired a Nielsen Rating of 14.8 and was the highest-rated show on the Fox network the week it aired. Nancy Cartwright received a Primetime Emmy Award for Outstanding Voice-Over Performance for her performance as Bart in the episode.
Plot
After taking career aptitude tests, scored by a malfunctioning computer, Lisa discovers that the occupation she is best suited for is homemaker, while Bart's test show that he should be a policeman. Lisa is heartbroken over the result and is determined to prove the test wrong. She consults a music teacher for his opinion, but he tells her that, having inherited her father's large fingers, she can never be a professional saxophone player. Lisa is therefore required by the test to spend the day doing chores with her mother Marge, while Bart goes on a ride-along with the police.
Lisa hates her role as a homemaker, and realizing that her future dreams have been shattered, she loses interest in being a good student. Bart enjoys spending time with the police, and he even ends up stopping Snake Jailbird during a car chase. When Principal Skinner discovers Bart's new interest in law enforcement, he enlists him as a hall monitor. Bart starts handing out demerits to his classmates for minor infractions and has order restored to the school. When Lisa secretly steals all of the Teachers' Editions of the schoolbooks and reveals the teachers' lack of education, it is up to Bart to figure out who stole the books. Realizing his sister is the culprit, Bart takes the blame and returns to his life as a bad student and detention regular, while Lisa goes back to being a good student. Thankful to her brother, Lisa plays her saxophone outside his classroom as he serves his time in detention.
Production
The episode was written by George Meyer and directed by Jeffrey Lynch. Mike Reiss, show runner of The Simpsons with Al Jean at the time, said Meyer wrote most of the episode by himself without help from the show's other writers. Few changes were made to the first draft that he pitched to the producers. It was near identical to the final script. The episode was inspired by the vocational tests taken by several members of the show's staff when they went to school; Reiss, for example, said he was told he would become a librarian. Jean said "one of the first things that sold us on doing the episode" was the idea of Bart becoming a policeman. He said it was "a funny, realistic depiction of what a kid like Bart might wind up to become, and it wasn't something you would immediately think of." Jean said the episode deals with the emotion that many adults feel when they grow older and realize that they are not going to achieve the dreams they once had. " how people in life cope with that problem. Maybe Lisa, at eight years old, is a little bit young to worry about that, but that's what we were trying to explore here."
In one sequence where Bart imagines himself testifying in court, his voice has been censored and electronically altered. The altered voice was provided by American actor and television personalty Steve Allen. The Simpsons creator Matt Groening said the older writers were "thrilled" to have Allen appear on the show, John Swartzwelder in particular. It took nine takes for Allen to pronounce Bart's catchphrase "¡Ay, caramba!" correctly. There was a discussion amongst the staff of whether the episode should end with a joke or have a "sweet" ending. Reiss said "With the better angels in our nature, we went with the sweet ending ."
Cultural references
The music school that Lisa visits has a sign out front with a picture of a diapered baby Ludwig van Beethoven on it. When Principal Skinner is questioning Lisa about her newfound sense of irresponsibility, he asks "What are you rebelling against?" She responds "Whaddaya got?", like Marlon Brando's character Johnny Strabler did in the film The Wild One. She also has a toothpick in her mouth, like Johnny had in the film. The fifth graders that Lisa talks to in the school washroom are smoking Laramie cigarettes.
The car chase scene with Snake is a reference to the car chase scene in the 1968 film Bullitt. Music similar to the soundtrack of the television series The Streets of San Francisco is heard in the scene. Alf Clausen, a composer on The Simpsons who had previously worked on several police shows, wrote the music for the scene. In another reference to The Streets of San Francisco and other Quinn Martin productions, a voice-over and caption proclaims the name of act two of the episode, "Act II - Death Drives a Stick", after the episode's first act break in the middle of the Snake car chase. In the sequence where Bart imagines himself testifying in court, his face is obscured with a blue dot; this is a references to the television coverage of the rape trial of William Kennedy Smith, in which the woman who accused Smith of raping her was obscured with a blue dot over her face. The way the scene changes from Bart and Skinner talking in Skinner's office to them searching through the lockers is a reference to the same style of scene change used in the 1960s Batman television series, in which a close-up of Batman's face with dramatic music in the background is shown for a brief moment before the scene changes. The song heard when Bart and Skinner searches through the lockers for the Teachers' Editions is "Axel F" from the film Beverly Hills Cop.
Analysis
In the last scene of the episode, Bart is seen writing "I will not expose the ignorance of the faculty" on the blackboard as a punishment for exposing the ignorance of the teachers by removing the Teachers' Editions. In his book The Small Screen: How Television Equips Us to Live in the Information Age, Brian L. Ott describes this scene as one of the "key ways The Simpsons appeals to audience, which tends to be younger, by critiquing authority figures, and in particular educators." Toby Daspit and John Weaver write in their book Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting that the writers of The Simpsons are "particularly interested" in questions about authority and the abuses of powers in school. Another scene from the episode sees Ms. Hoover telling the students to stare at the blackboard for ten minutes until class is over. Daspit and Weaver writes that it is "the absolute power that teachers have over students' every action that allows for the image to be presented on The Simpsons. It would be comforting to tell ourselves that this is simply parody run amok, that the writers are stretching reality to make a point, but the discussants in the study had memories of a reality very much like the one presented in this program." One of the discussants said she believes everyone have experienced similar situations in their school years, and she thinks the thought that "an educator could ever do something so useless and pointless with the children's time" is "frightening".
Reception
In its original American broadcast, "Separate Vocations" finished 29th in the ratings for the week of February 24–March 1, 1992, with a Nielsen Rating of 14.8, equivalent to approximately 13.6 million viewing households. It was the highest-rated show on the Fox network that week. Bart's voice actor, Nancy Cartwright, received a Primetime Emmy Award for Outstanding Voice-Over Performance in 1992 for her performance in the episode.
Since airing, the episode has received mostly positive reviews from television critics. The authors of the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide, Warren Martyn and Adrian Wood, thought the episode displayed The Simpsons "at its best – not only hilarious but daringly outspoken on a whole range of issues – the failures of the education system, police abuses of power, the stifling of children's creativity." Bill Gibron of DVD Verdict said "Separate Vocations" represent The Simpsons "at its apex as a well tuned talent machine grinding out the good stuff with surprising accuracy and skill." Gibron added that the episode shows that "even in territory they're not used to (Bart as a safety patrol, Lisa as a cursing class cut up), the Simpsons' kids are funny and inventive." Nate Meyers of Digitally Obsessed gave the episode a four out of five rating and commented that the script's "departure from the traditional roles assigned to Bart and Lisa makes for a fresh experience with many laughs." Meyers thought the highlight of the episode was Bart's ride in the police car. DVD Movie Guide's Colin Jacobson thought the theme of the episode was unoriginal, but commented that Bart's "rapid embrace of fascism" and Lisa's "descent into hooliganism" provide "a number of funny opportunities, and 'Separate Vocations' exploits them well. Though it’s not one of the year’s best shows, it seems like a good one for the most part."
References
- ^ Reiss, Mike (2003). The Simpsons season 3 DVD commentary for the episode "Separate Vocations" (DVD). 20th Century Fox.
{{cite AV media}}: Cite has empty unknown parameter:|1=(help) - ^ Jean, Al (2003). The Simpsons season 3 DVD commentary for the episode "Separate Vocations" (DVD). 20th Century Fox.
{{cite AV media}}: Cite has empty unknown parameter:|1=(help) - Groening, Matt (2003). The Simpsons season 3 DVD commentary for the episode "Separate Vocations" (DVD). 20th Century Fox.
{{cite AV media}}: Cite has empty unknown parameter:|1=(help) - Snow, Dale (February 28, 2001). "Aesthetics of Allusion". The Simpsons and Philosophy: The D'oh! of Homer. Blackwell Publishing. p. 51. ISBN 0812694333.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Richmond, Ray (1997). The Simpsons: A Complete Guide to Our Favorite Family. Harper Collins Publishers. p. 83. ISBN 0-00063-8898-1.
{{cite book}}: Check|isbn=value: length (help); Unknown parameter|coauthors=ignored (|author=suggested) (help) - ^ Martyn, Warren; Wood, Adrian (2000). "Separate Vocations". BBC. Retrieved 2009-06-07.
{{cite web}}: CS1 maint: multiple names: authors list (link) - L. Ott, Brian (July 2007). "Hyperconsious Television". The Small Screen: How Television Equips Us to Live in the Information Age. Wiley-Blackwell. p. 85. ISBN 9781405161541.
- ^ Daspit, Toby (November 1, 1998). "School is Hell". Popular Culture and Critical Pedagogy: Reading, Constructing, Connecting. John. Routledge. pp. 68–69. ISBN 978-0815328704.
{{cite book}}: Unknown parameter|coauthors=ignored (|author=suggested) (help) - Associated Press (March 8, 1992). "What we watch, what we don't...". Austin American-Statesman. p. 15.
{{cite news}}:|access-date=requires|url=(help) - "Primetime Emmy Awards Advanced Search". Emmys.org. Retrieved 2009-02-05.
- "Briefing–'Simpsons' score big in Prime-Time Emmys". Los Angeles Daily News. 1991-08-03. p. L20.
{{cite news}}:|access-date=requires|url=(help) - ^ Gibron, Bill (December 15, 2003). "The Simpsons: The Complete Third Season". DVD Verdict. Retrieved 2009-06-06.
- ^ Meyers, Nate (June 23, 2004). "The Simpsons: The Complete Third Season". Digitally Obsessed. Retrieved 2009-06-06.
- Jacobson, Colin (August 21, 2003). "The Simpsons: The Complete Third Season (1991)". DVD Movie Guide. Retrieved 2009-06-06.
External links
- "Separate Vocations" at The Simpsons.com
- "Separate Vocations episode capsule". The Simpsons Archive.
- "Separate Vocations" at IMDb
- "Separate Vocations" at TV.com