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'''Pallywood''' is a derogatory term used used by some supporters of the ] to describe allegations of ] in video journalism by ] activists, in which events are staged by Palestinian cameramen and video teams, sometimes using equipment from Western news agencies, and the resulting footage sent on to those agencies. '''Pallywood''' is a term used used by some opponents of the Palestinian cause to describe allegations of ] in video journalism by ] activists, in which events are staged by Palestinian cameramen and video teams, sometimes using equipment from Western news agencies, and the resulting footage sent on to those agencies.


This allegation reflects the importance for both sides in the ] of ] by providing journalists with imagery that presents only their side of the story in the conflict. This allegation reflects the importance for both sides in the ] of ] by providing journalists with imagery that presents only their side of the story in the conflict.

Revision as of 15:03, 6 January 2006

Pallywood is a term used used by some opponents of the Palestinian cause to describe allegations of propaganda in video journalism by Palestinian activists, in which events are staged by Palestinian cameramen and video teams, sometimes using equipment from Western news agencies, and the resulting footage sent on to those agencies.

This allegation reflects the importance for both sides in the Israeli-Palestinian conflict of winning the "media war" by providing journalists with imagery that presents only their side of the story in the conflict.

Examples include:

  • allegations that riots and unrest that did not start until the press arrived
  • alleged falsification of the death of Muhammad al-Durrah in September, 2000
  • allegedly staged photographs following the battle of Jenin in 2002
  • allegedly staged funeral processions and casualties

The American historian Richard Landes, who describes himself as a "pro-Israel leftist", produced a film asserting that this type of propaganda goes back at least to the war in Lebanon in 1982.

The extent of alleged fakes in the raw footage from conflict submitted to news agencies is a hotly disputed subject. The impact of video propaganda on public perception in any conflict, in particular on readiness to unquestioningly accept casualty figures from either side, has significant political implications for the ways in which people not directly involved in the conflict perceive it.

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