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] work ''Heim'', now located in ], ]]] ] work ''Heim'', now located in ], ]]]


'''Josef Thorak''' (b 7 February 1889 at ], ]; d 26 February 1952 at ], ]) was an ]n-] ]. '''Josef Thorak''' (7 February 1889, ], ] ; 26 February 1952, ], ]) was an ]n-] ].


In 1922 Thorak's reputation increased when he created ''Der sterbende Krieger'', a statue in memory to the dead of ] of Stolpmuende. In 1922 Thorak's reputation increased when he created ''Der sterbende Krieger'', a statue in memory to the dead of ] of ].


In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936. In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936.
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Revision as of 14:21, 11 August 2010

Josef Thorak's 1928 work Heim, now located in Berlin-Charlottenburg, Germany

Josef Thorak (7 February 1889, Salzburg, Austria ; 26 February 1952, Hartmannsberg, Bavaria) was an Austrian-German sculptor.

In 1922 Thorak's reputation increased when he created Der sterbende Krieger, a statue in memory to the dead of World War I of Stolpmünde.

In 1933 and in following years, Thorak joined Arno Breker as one of the two "official sculptors" of the Third Reich. In his government-issued studio outside Munich, Thorak worked on statues intended to represent the folk-life of Germany under Nazi coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the Berlin Olympic Stadium of 1936.

Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some expressionist influences can be noticed in his neoclassical style.

See also

Notes


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External links

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