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| She was particularly well regarded by the citizens of ]. After a naval victory over ] in 375 BC, the Athenians established a cult for Eirene, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the ] of that year and set up a votive statue in her honour in the ] (marketplace) of Athens. The statue was executed in bronze by ], the father of the famous sculptor ]. It was acclaimed by the Athenians, who depicted it on vases and coins.<ref name="Wunsche">{{cite book|last=Wünsche|first=Raimund|title=Glyptothek, Munich: masterpieces of Greek and Roman sculpture|page=79|publisher=C.H.Beck|year=2007|isbn=9783406565083}}</ref> | She was particularly well regarded by the citizens of ]. After a naval victory over ] in 375 BC, the Athenians established a cult for Eirene, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the ] of that year and set up a votive statue in her honour in the ] (marketplace) of Athens. The statue was executed in bronze by ], the father of the famous sculptor ]. It was acclaimed by the Athenians, who depicted it on vases and coins.<ref name="Wunsche">{{cite book|last=Wünsche|first=Raimund|title=Glyptothek, Munich: masterpieces of Greek and Roman sculpture|page=79|publisher=C.H.Beck|year=2007|isbn=9783406565083}}</ref> | ||
| Although the statue is now lost, it was copied in marble by the Romans; one of the best surviving copies (''right'') is in the ] ]. It depicts the goddess carrying a child with her left arm – ], the god of plenty and son of ], the goddess of agriculture. Eirene's missing right hand once held a sceptre. She is shown gazing maternally at Ploutos, who is looking back at her trustingly. The statue is an allegory for Plenty (Ploutos) prospering under the protection of Peace (Eirene) |
Although the statue is now lost, it was copied in marble by the Romans; one of the best surviving copies (''right'') is in the ] ]. It depicts the goddess carrying a child with her left arm – ], the god of plenty and son of ], the goddess of agriculture. Eirene's missing right hand once held a sceptre. She is shown gazing maternally at Ploutos, who is looking back at her trustingly. The statue is an allegory for Plenty (Ploutos) prospering under the protection of Peace (Eirene); it constituted a public appeal to good sense.<ref name="Wunsche" /> The copy in the Glyptothek was originally in the collection of the ] in Rome but was looted and taken to France by ]. Following Napoleon's fall, the statue was bought by ].<ref>{{cite book|last=Robinson|first=Edward|title=Catalogue of Casts Part III Greek and Roman Sculpture|page=222|publisher=Houghton, Mifflin & Co.|year=1892}}</ref> | ||
| ==References== | ==References== | ||
Revision as of 23:03, 10 September 2010
Eirene, or Irene (Template:Lang-grc, pronounced IPA: [eiˈrɛːnɛː]; Greek for "peace"; the Roman equivalent was Pax), one of the Horae, was the personification of peace, and was depicted in art as a beautiful young woman carrying a cornucopia, sceptre and a torch or rhyton. She is said sometimes to be the daughter of Zeus and Themis.
She was particularly well regarded by the citizens of Athens. After a naval victory over Sparta in 375 BC, the Athenians established a cult for Eirene, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the Common Peace of that year and set up a votive statue in her honour in the agora (marketplace) of Athens. The statue was executed in bronze by Cephisodotus the Elder, the father of the famous sculptor Praxiteles. It was acclaimed by the Athenians, who depicted it on vases and coins.
Although the statue is now lost, it was copied in marble by the Romans; one of the best surviving copies (right) is in the Munich Glyptothek. It depicts the goddess carrying a child with her left arm – Ploutos, the god of plenty and son of Demeter, the goddess of agriculture. Eirene's missing right hand once held a sceptre. She is shown gazing maternally at Ploutos, who is looking back at her trustingly. The statue is an allegory for Plenty (Ploutos) prospering under the protection of Peace (Eirene); it constituted a public appeal to good sense. The copy in the Glyptothek was originally in the collection of the Villa Albani in Rome but was looted and taken to France by Napoleon I. Following Napoleon's fall, the statue was bought by Ludwig I of Bavaria.
References
- ^ Wünsche, Raimund (2007). Glyptothek, Munich: masterpieces of Greek and Roman sculpture. C.H.Beck. p. 79. ISBN 9783406565083.
- Robinson, Edward (1892). Catalogue of Casts Part III Greek and Roman Sculpture. Houghton, Mifflin & Co. p. 222.