Misplaced Pages

Second Viennese School: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 02:52, 27 October 2002 editCamembert (talk | contribs)Extended confirmed users18,991 edits what the first viennese school is generally taken to be← Previous edit Revision as of 03:53, 27 October 2002 edit undoCamembert (talk | contribs)Extended confirmed users18,991 editsm - generallyNext edit →
Line 1: Line 1:
The '''Second Viennese School''' is a somewhat loose term generally used to cover the ]s who studied under ] in early ] ] as well as Schoenberg himself. Their music is characterised by the use of Schoenberg's ]. The principal members of the school were ], ] and Schoenberg, although there are lesser known composers who ought to be covered by the term, such as the ] ]. The '''Second Viennese School''' is a somewhat loose term used to cover the ]s who studied under ] in early ] ] as well as Schoenberg himself. Their music is characterised by the use of Schoenberg's ]. The principal members of the school were ], ] and Schoenberg, although there are lesser known composers who ought to be covered by the term, such as the ] ].


The ''first Viennese school'', which is rarely referred to as such except in comparison to the Second Viennese School, is generally taken to consist of composers working in the late ] and early ], particularly ], ] and ]. The ''first Viennese school'', which is rarely referred to as such except in comparison to the Second Viennese School, is generally taken to consist of composers working in the late ] and early ], particularly ], ] and ].

Revision as of 03:53, 27 October 2002

The Second Viennese School is a somewhat loose term used to cover the composers who studied under Arnold Schoenberg in early 20th century Vienna as well as Schoenberg himself. Their music is characterised by the use of Schoenberg's twelve tone technique. The principal members of the school were Alban Berg, Anton Webern and Schoenberg, although there are lesser known composers who ought to be covered by the term, such as the Greek Nikolaos Skalkottas.

The first Viennese school, which is rarely referred to as such except in comparison to the Second Viennese School, is generally taken to consist of composers working in the late 18th and early 19th century, particularly Wolfgang Amadeus Mozart, Joseph Haydn and Ludwig van Beethoven.