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{{nihongo|'''Noriaki Tsuchimoto'''|土本典昭|Tsuchimoto Noriaki}} (11 December 1928, ], ] - 24 June 2008) was a Japanese ] ] known for his films on ] and examinations of the effects of modernization on Asia. Tsuchimoto and ] have been called the "two figures tower over the landscape of Japanese documentary."<ref name=Nornes>{{cite book|last=Nornes|first=Abé Mark|title=Noriaki Tsuchimoto and the Reverse View Documentary|year=2011|publisher=Zakka Films|pages=2-4}}</ref> {{nihongo|'''Noriaki Tsuchimoto'''|土本典昭|Tsuchimoto Noriaki}} (11 December 1928, ], ] - 24 June 2008) was a Japanese ] ] known for his films on ] and examinations of the effects of modernization on Asia. Tsuchimoto and ] have been called the "two figures tower over the landscape of Japanese documentary."<ref name=Nornes>{{cite book|last=Nornes|first=Abé Mark|title=The Documentaries of Noriaki Tsuchimoto|chapter=Noriaki Tsuchimoto and the Reverse View Documentary|year=2011|publisher=Zakka Films|pages=2-4}}</ref>


==Early years== ==Early years==

Revision as of 13:55, 3 May 2011

Noriaki Tsuchimoto (土本典昭, Tsuchimoto Noriaki) (11 December 1928, Gifu Prefecture, Japan - 24 June 2008) was a Japanese documentary film director known for his films on Minamata disease and examinations of the effects of modernization on Asia. Tsuchimoto and Shinsuke Ogawa have been called the "two figures tower over the landscape of Japanese documentary."

Early years

Tsuchimoto was born in Gifu Prefecture, but raised in Tokyo. Angered by the emperor system that led Japan into war, he participated in radical student groups like Zengakuren when he entered Waseda University and joined the Japanese Communist Party. For a time he was even involved in the JCP's plan for armed revolt in the mountains and also was arrested for participating in protests. Expelled from Waseda in 1953, he could initially only find work at the Japan-China Friendship Society until he ran into Seiji Yoshino, a film cameraman and executive at Iwanami Productions (Iwanami Eiga), a branch of Iwanami Shoten devoted to making educational and public relations (PR) documentaries. Inspired by Susumu Hani's film Children of the Classroom, he accepted Yoshino's offer to join Iwanami in 1956.

Iwanami

Tsuchimoto was only an employee at Iwanami Productions for a year (after that, he worked there as a hired freelancer), but he made films alongside other important directors such as Hani, Shinsuke Ogawa, Kazuo Kuroki, and Yōichi Higashi, and cameramen like Jun'ichi Segawa, Kōshirō Ōtsu, and Masaki Tamura. The works he made were primarily sponsored by Japanese corporations celebrating their achievements in a period of high economic growth, but the intellectually liberal Iwanami was "a hot bed of experimentation," in the words of film scholar Mark Nornes; a place where, according to Tsuchimoto, people wanted to do "their own individual shots that could only be done in images not in words." Conflicts with sponsors and the company inevitably resulted, and it was in particular one controversy over Tsuchimoto's contribution to a series of documentaries on Japan's prefectures that led the Iwanami filmmakers to form the "Blue Group" (Ao no Kai), an informal organization in which members discussed eachother's films and advocated for a new documentary.

Independent filmmaking

Turning independent, he made documentaries about the student movement while beginning his most famous work, a series of documentaries about the mercury poisoning incident in Minamata, Japan.

Filmography

References

  1. ^ Nornes, Abé Mark (2011). "Noriaki Tsuchimoto and the Reverse View Documentary". The Documentaries of Noriaki Tsuchimoto. Zakka Films. pp. 2–4.
  2. ^ "Noriaki Tsuchimoto: film-maker". The Times. 12 July 2008. Retrieved 3 May 2011.
  3. ^ Yasuo, Yoshio (3). "Documentarists of Japan, No. 7: Tsuchimoto Noriaki". Documentary Box (8). {{cite journal}}: Check date values in: |date= and |year= / |date= mismatch (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)

External links

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