Talk:Renaissance in Poland: Difference between revisions

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	So-called "Muscovy", which according to the author of this article wallowed in barbarism,actually availed itself of the finest Italian masters in the 15th century, which resulted in the proliferation of Cinquecento monuments at the court of ] (e.g., the ]). Neither ] nor any other major Italian master who worked in 16th-century Russia came here from Poland, either. However, I'm afraid that its pointless to argue with the author of this article, who not only previously attempted to propagate "civilisatory mission" of Poland in Eastern Europe (a paraphrase for his country's imperial ambitions and attempts at colonization of East Slavs), but even gives credence to the fables about ] making use of Polish maps in the 2nd cent. AD. --] <sup>]</sup> 23:44, 13 March 2006 (UTC)		So-called "Muscovy", which according to the author of this article wallowed in barbarism,actually availed itself of the finest Italian masters in the 15th century, which resulted in the proliferation of Cinquecento monuments at the court of ] (e.g., the ]). Neither ] nor any other major Italian master who worked in 16th-century Russia came here from Poland, either. However, I'm afraid that its pointless to argue with the author of this article, who not only previously attempted to propagate "civilisatory mission" of Poland in Eastern Europe (a paraphrase for his country's imperial ambitions and attempts at colonization of East Slavs), but even gives credence to the fables about ] making use of Polish maps in the 2nd cent. AD. --] <sup>]</sup> 23:44, 13 March 2006 (UTC)
			:Totally agree. The rulers of Vladimir and High Kings of Rus'ia turned Emperors were quite capable of forging direct links with Renaissance Italy, writing to the rulers of Venice, Milan and elsewhere, and bringing architects like ] over. Moreover, Rus'ia itself had fine native architects, and was the inheritor of the traditions of the Kievan period, a period in which Rus'ia had some of the largest cities in Europe, while contemporary Poland, before it brought in German settlers to urbanize it, could boast little more than a series of fortified cragie lumps with some mud-huts around them. - '''] ('']'')''' 20:31, 14 March 2006 (UTC)

Revision as of 20:31, 14 March 2006

An entry from Renaissance in Poland appeared on Misplaced Pages's Main Page in the Did you know? column on 20 February, 2006.

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So-called "Muscovy", which according to the author of this article wallowed in barbarism,actually availed itself of the finest Italian masters in the 15th century, which resulted in the proliferation of Cinquecento monuments at the court of Ivan III (e.g., the Palace of Facets). Neither Aloisio the New nor any other major Italian master who worked in 16th-century Russia came here from Poland, either. However, I'm afraid that its pointless to argue with the author of this article, who not only previously attempted to propagate "civilisatory mission" of Poland in Eastern Europe (a paraphrase for his country's imperial ambitions and attempts at colonization of East Slavs), but even gives credence to the fables about Ptolemy making use of Polish maps in the 2nd cent. AD. --Ghirla 23:44, 13 March 2006 (UTC)

Totally agree. The rulers of Vladimir and High Kings of Rus'ia turned Emperors were quite capable of forging direct links with Renaissance Italy, writing to the rulers of Venice, Milan and elsewhere, and bringing architects like Aristotile Fioravanti over. Moreover, Rus'ia itself had fine native architects, and was the inheritor of the traditions of the Kievan period, a period in which Rus'ia had some of the largest cities in Europe, while contemporary Poland, before it brought in German settlers to urbanize it, could boast little more than a series of fortified cragie lumps with some mud-huts around them. - Calgacus (ΚΑΛΓΑΚΟΣ) 20:31, 14 March 2006 (UTC)