| Revision as of 08:58, 13 February 2006 editClockworkLunch (talk | contribs)7,863 edits some additions← Previous edit | Revision as of 16:24, 15 March 2006 edit undo130.209.6.40 (talk)No edit summaryNext edit → | ||
| Line 9: | Line 9: | ||
| Górecki's most popular piece is his ], subtitled ''Symphony of Sorrowful Songs'' (''Symfonia pieśni żałosnych''). Slow and contemplative, the three movements are composed for ] and ] solo. The words of the first movement are from a ] lament; the words of the second were written by a teenage girl, Helena Błażusiak, on the wall of a ] prison cell in ] and invoke the protections of the ]; the third movement is a ]. The first movement, an extended ] for ], takes up around half the playing time; it uses a battery of double basses to build slowly to an exquisite outcry from the soprano, before retreating to its foundation. Of the three movements, the second - lasting about eight minutes - is probably the most frequently listened to. A typical performance of the work lasts about fifty five minutes. The work was written in ], and premiered the following year; after the fall of the Berlin Wall, it was performed in Poland at an emotional commemorative event. An acclaimed recording of the symphony - the ] ] by ] and the solo part sung by ] - was released in ] and has sold 2 million copies. | Górecki's most popular piece is his ], subtitled ''Symphony of Sorrowful Songs'' (''Symfonia pieśni żałosnych''). Slow and contemplative, the three movements are composed for ] and ] solo. The words of the first movement are from a ] lament; the words of the second were written by a teenage girl, Helena Błażusiak, on the wall of a ] prison cell in ] and invoke the protections of the ]; the third movement is a ]. The first movement, an extended ] for ], takes up around half the playing time; it uses a battery of double basses to build slowly to an exquisite outcry from the soprano, before retreating to its foundation. Of the three movements, the second - lasting about eight minutes - is probably the most frequently listened to. A typical performance of the work lasts about fifty five minutes. The work was written in ], and premiered the following year; after the fall of the Berlin Wall, it was performed in Poland at an emotional commemorative event. An acclaimed recording of the symphony - the ] ] by ] and the solo part sung by ] - was released in ] and has sold 2 million copies. | ||
| More recently, the first and third movements of Górecki's ''Pieces in the Old Style'' (''Trzy utwory w dawnym stylu'') were reinterpreted by the pop/dance music producer ] in the album ''Pieces in a Modern Style'' (1999), an examination of orchestral pieces through electronic |
More recently, the first and third movements of Górecki's ''Pieces in the Old Style'' (''Trzy utwory w dawnym stylu'') were reinterpreted by the pop/dance music producer ] in the album ''Pieces in a Modern Style'' (1999), an examination of orchestral pieces through electronic media. | ||
| == External links == | == External links == | ||
Revision as of 16:24, 15 March 2006
Henryk Mikołaj Górecki (born December 6, 1933) is a Polish composer of classical music.
Górecki was born in Czernica, in southwest Poland. He did not study music seriously until he was in his twenties, when he began to study at the Katowice Conservatory under Bolesłav Szabelski. He would go on to become one of the most prominent avant-garde composers of Poland in the late 1950s and early 1960s.
Later, while continuing his studies in Paris, Górecki was able to hear works by Anton Webern, Olivier Messiaen and Karlheinz Stockhausen, which were suppressed by the Polish government. Górecki eventually became a professor of music in Katowice, but he resigned his post in the late 1970s in protest against the government's refusal to allow Pope John Paul II to visit the city.
Górecki's music covers a variety of styles, but tends to be harmonically and rhythmically relatively simple. His first works were in the same avant-garde style as that of Pierre Boulez or other serialists, but his later music is more often compared to minimalism, often being labelled “holy minimalism”. Like Arvo Pärt, with whom he is also compared, his works often reflect his religious beliefs (Górecki is a Catholic).
Górecki's most popular piece is his third symphony, subtitled Symphony of Sorrowful Songs (Symfonia pieśni żałosnych). Slow and contemplative, the three movements are composed for orchestra and soprano solo. The words of the first movement are from a 15th century lament; the words of the second were written by a teenage girl, Helena Błażusiak, on the wall of a Gestapo prison cell in Zakopane and invoke the protections of the Virgin Mary; the third movement is a folk song. The first movement, an extended canon for strings, takes up around half the playing time; it uses a battery of double basses to build slowly to an exquisite outcry from the soprano, before retreating to its foundation. Of the three movements, the second - lasting about eight minutes - is probably the most frequently listened to. A typical performance of the work lasts about fifty five minutes. The work was written in 1976, and premiered the following year; after the fall of the Berlin Wall, it was performed in Poland at an emotional commemorative event. An acclaimed recording of the symphony - the London Sinfonietta conducted by David Zinman and the solo part sung by Dawn Upshaw - was released in 1993 and has sold 2 million copies.
More recently, the first and third movements of Górecki's Pieces in the Old Style (Trzy utwory w dawnym stylu) were reinterpreted by the pop/dance music producer William Orbit in the album Pieces in a Modern Style (1999), an examination of orchestral pieces through electronic media.