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	]'s Crystal Palace enclosed full-grown trees in Hyde Park.]]		]'s Crystal Palace enclosed full-grown trees in Hyde Park.]]

	The '''Great Exhibition of the Works of Industry of all Nations''' or '''The Great Exhibition''', sometimes referred to as the '''Crystal Palace Exhibition''' in reference to the temporary structure in which it was held, was an international exhibition that took place in ], London, from 1 May to 15 October ]. It was the first in a series of ] exhibitions of ] and ] that were to ~~become~~ a popular 19th-century feature. The Great Exhibition was organized by ] and ], the spouse of the reigning monarch, ]. It was attended by numerous notable figures of the time, including ], ], members of the ] ] and the writers ], ], and ].		The '''Great Exhibition of the Works of Industry of all Nations''' or '''The Great Exhibition''', sometimes referred to as the '''Crystal Palace Exhibition''' in reference to the temporary structure in which it was held, was an international exhibition that took place in ], London, from 1 May to 15 October ]. It was the first in a series of ] exhibitions of ] and ] that were to the big poo became a popular 19th-century feature. The Great Exhibition was organized by ] and ], the spouse of the reigning monarch, ]. It was attended by numerous notable figures of the time, including ], ], members of the ] ] and the writers ], ], and ].

	== Background ==		== Background ==

Revision as of 11:32, 5 March 2012

Paxton's Crystal Palace enclosed full-grown trees in Hyde Park.

The Great Exhibition of the Works of Industry of all Nations or The Great Exhibition, sometimes referred to as the Crystal Palace Exhibition in reference to the temporary structure in which it was held, was an international exhibition that took place in Hyde Park, London, from 1 May to 15 October 1851. It was the first in a series of World's Fair exhibitions of culture and industry that were to the big poo became a popular 19th-century feature. The Great Exhibition was organized by Henry Cole and Prince Albert, the spouse of the reigning monarch, Queen Victoria. It was attended by numerous notable figures of the time, including Charles Darwin, Samuel Colt, members of the Orléanist Royal Family and the writers Charlotte Brontë, Lewis Carroll, and George Eliot.

Background

The Great Exhibition of the Works of Industry of all Nations was organized by Prince Albert, Henry Cole, Francis Henry, George Wallis, Charles Dilke and other members of the Royal Society for the Encouragement of Arts, Manufactures and Commerce as a celebration of modern industrial technology and design. It was arguably a response to the highly successful French Industrial Exposition of 1844 : indeed, its prime motive was for "Great Britain clear to the world its role as industrial leader." Prince Albert, Queen Victoria's consort, was an enthusiastic promoter of the self-financing exhibition; the government was persuaded to form the Royal Commission for the Exhibition of 1851 to establish the viability of hosting such an exhibition. Queen Victoria and her family visited three times. Although the Great Exhibition was a platform on which countries from around the world could display their achievements, Great Britain sought to prove its own superiority. The British exhibits at the Great Exhibition "held the lead in almost every field where strength, durability, utility and quality were concerned, whether in iron and steel, machinery or textiles." Great Britain also sought to provide the world with the hope of a better future. Europe had just struggled through "two difficult decades of political and social upheaval," and now Great Britain hoped to show that technology, particularly its own, was the key to a better future.

Forgan says of the Exhibition that "Large, piled-up ‘trophy’ exhibits in the central avenue revealed the organizers’ priorities; they generally put art or colonial raw materials in the most prestigious place. Technology and moving machinery were popular, especially working exhibits." He also notes that visitors "could watch the entire process of cotton production from spinning to finished cloth. Scientific instruments were found in class X, and included electric telegraphs, microscopes, air pumps and barometers, as well as musical, horological and surgical instruments."

A special building, nicknamed The Crystal Palace, or "The Great Shalimar" was built to house the show. It was designed by Joseph Paxton with support from structural engineer Charles Fox, the committee overseeing its construction including Isambard Kingdom Brunel, and went from its organisation to the grand opening in just nine months. The building was architecturally adventurous, drawing on Paxton's experience designing greenhouses for the sixth Duke of Devonshire. It took the form of a massive glass house, 1851 feet (about 564 metres) long by 454 feet (about 138 metres) wide and was constructed from cast iron-frame components and glass made almost exclusively in Birmingham and Smethwick. From the interior, the building's large size was emphasized with trees and statues; this served, not only to add beauty to the spectacle, but also to demonstrate man's triumph over nature. The Crystal Palace was an enormous success, considered an architectural marvel, but also an engineering triumph that showed the importance of the Exhibition itself. The building was later moved and re-erected in an enlarged form at Sydenham in south London, an area that was renamed Crystal Palace. It was destroyed by fire on 30 November 1936.

Six million people—equivalent to a third of the entire population of Britain at the time—visited the exhibition. The Great Exhibition made a surplus of £186,000 (£Error when using {{Inflation}}: |end_year=2,024 (parameter 4) is greater than the latest available year (2,023) in index "UK". as of 2024),, which was used to found the Victoria and Albert Museum, the Science Museum and the Natural History Museum. They were all built in the area to the south of the exhibition, nicknamed Albertopolis, alongside the Imperial Institute. The remaining surplus was used to set up an educational trust to provide grants and scholarships for industrial research; it continues to do so today.

The Exhibition caused controversy as its opening approached. Some conservatives feared that the mass of visitors might become a revolutionary mob, whilst radicals such as Karl Marx saw the exhibition as an emblem of the capitalist fetishism of commodities. King Ernest Augustus I of Hanover, shortly before his death, wrote to Lord Strangford about it:

The folly and absurdity of the Queen in allowing this trumpery must strike every sensible and well-thinking mind, and I am astonished the ministers themselves do not insist on her at least going to Osborne during the Exhibition, as no human being can possibly answer for what may occur on the occasion. The idea ... must shock every honest and well-meaning Englishman. But it seems everything is conspiring to lower us in the eyes of Europe.

In modern times, the Great Exhibition is a symbol of the Victorian Age, and its thick catalogue, illustrated with steel engravings, is a primary source for High Victorian design. A memorial to the exhibition, crowned with a statue of Prince Albert, is located behind the Royal Albert Hall. It is inscribed with statistics from the exhibition, including the number of visitors and exhibitors (British and foreign), and the profit made.

Notable exhibits

Exhibits came, not only from throughout Britain, but also its expanding imperial colonies, such as Australia, India and New Zealand, and foreign countries, such as Denmark, France and Switzerland. Numbering 13,000 in total, they included a Jacquard loom, an envelope machine, kitchen appliances, steel-making displays and a reaping machine that was sent from the United States.

The Koh-i-Noor, the world's biggest known diamond at the time of the Great Exhibition.
The early 8th-century Tara Brooch, discovered only in 1850, the finest Irish penannular brooch, was exhibited by the Dublin jeweller George Waterhouse along with a display of his fashionable Celtic Revival jewellery.
Alfred Charles Hobbs used the exhibition to demonstrate the inadequacy of several respected locks of the day.
Frederick Bakewell demonstrated a precursor to today's fax machine.
Mathew Brady was awarded a medal for his daguerreotypes.
William Chamberlin, Jr. of Sussex exhibited what may have been the world's first voting machine, which counted votes automatically and employed an interlocking system to prevent over-voting.
Firearms manufacturer Samuel Colt demonstrated his prototype for the 1851 Colt Navy and also his older Walker and Dragoon revolvers.
The Tempest Prognosticator, a barometer using leeches, was demonstrated at the Great Exhibition.
The America's Cup yachting event began with a race held in conjunction with the Great Exhibition.
George Jennings designed the first public conveniences in the Retiring Rooms of the Crystal Palace, for which he charged one penny.
Gold ornaments and silver enameled handicrafts fabricated by the Khudabadi Sindhi Swarankar from Sindh.
C.C. Hornung of Copenhagen, Denmark, showed his single-cast ironframe for a piano, the first made in Europe.

Admission fees

Admission prices to the Crystal Palace varied according to the date of visitation, with ticket prices decreasing as the parliamentary season drew to an end and London traditionally emptied of wealthy individuals. Prices varied from three guineas (£Error when using {{Inflation}}: |end_year=2,024 (parameter 4) is greater than the latest available year (2,023) in index "UK". as of 2024),(two for a woman) per day, £1 per day, five shillings per day, down to one shilling (£Error when using {{Inflation}}: |end_year=2,024 (parameter 4) is greater than the latest available year (2,023) in index "UK". as of 2024), per day. The one-shilling ticket proved most successful amongst the industrial classes, with four and a half million shillings (£Error when using {{Inflation}}: |end_year=2,024 (parameter 4) is greater than the latest available year (2,023) in index "UK". as of 2024),being taken from attendees in this manner. 2,500 tickets were printed for the opening day, all of which were bought.

References

^ Kishlansky, Mark, Patrick Geary and Patricia O'Brien. Civilization in the West. 7th Edition. Vol. C. New York: Pearson Education, Inc., 2008.
^ Ffrench, Yvonne. The Great Exhibition; 1851. London: Harvill Press, 1950.
Forgan, S. A compendium of victorian culture. Nature, 403 (6880), 596.
^ "The Great Exhibition of 1851". Duke Magazine. 2006-11. Retrieved 2007-07-30. {{cite web}}: Check date values in: |date= (help); Italic or bold markup not allowed in: |publisher= (help)
^ UK Retail Price Index inflation figures are based on data from Clark, Gregory (2017). "The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)". MeasuringWorth. Retrieved May 7, 2024.
The Royal Commission for the Exhibition of 1851. "About Us". Retrieved 2008-11-01.{{cite web}}: CS1 maint: numeric names: authors list (link)
^ Newth, A.M. (1967). Britain and the World: 1789-1901. New York: Penguin Books. p. 97. ISBN 0140803041.
Van der Kiste 2004, pp. 206–207. harvnb error: no target: CITEREFVan_der_Kiste2004 (help)
A copy of the Illustrated Catalogue is available on Google books at http://www.google.com/books?id=OfMHAAAAQAAJ&source=gbs_summary_s&cad=0
"Memorial to the exhibition". Royal Institute of British Architects. Retrieved 14 December 2010.
"The Great Exhibition at the Crystal Palace". Victorian Station. Accessed 3 February 2009.
"The Great Exhibition," Manchester Times (24 May 1851).
"Entrance Costs to the Great Exhibition". Fashion Era. Retrieved 3 February 2009.

External links

1851 map Map of London showing the site of the Great Exhibition in Hyde Park. MAPCO
"Memorials of the Great Exhibition" (cartoon) Cartoon series from Punch Magazine
Charlotte Bronte's account of a visit to the Great Exhibition mytimemachine.co.uk
"Great Exhibition of 1851 and its legacy". Architecture and history. Royal Institute of British Architects. Retrieved 14 December 2010.
Great Exhibition Collection in the National Art Library Victoria and Albert Museum
"In Our Time" BBC radio programme discussing the Great Exhibition and its impact. Originally broadcast 27 Apr 2006
Royal Engineers Museum Royal Engineers and the Great Exhibition
"Watercolours of the Great Exhibition". Paintings and Drawings. Victoria and Albert Museum. Retrieved 2007-11-13.

World exhibitions

Bureau International des Expositions (BIE)

Retroactively
recognized
expositions

BIE-recognized
Universal
expositions

BIE-recognized
specialized
expositions

BIE-recognized
horticultural
exhibitions (AIPH)

Not BIE-
recognized

Africa	Freetown 1865 Cape Town 1877 Kimberley 1892–1893 Johannesburg 1936–1937
Asia	Calcutta 1883–1884 Hanoi 1902 Nanking 1910 Semarang 1914 Hangzhou 1929 Taihoku (Taipei) 1935 Nagoya 1937 Clark 1998 Shenyang 2006 Chiang Mai 2011–2012 Udon Thani 2026
Europe	London 1760 Dublin 1853 Manchester 1857 Porto 1865 Stockholm 1866 London 1871–1874 Lyon 1872 Vienna 1873 Amsterdam 1883 Liverpool 1886 London 1886 Copenhagen 1888 Glasgow 1888 Frankfurt 1891 Prague 1891 Lyon 1894 Oporto 1894 Berlin 1896 Stockholm 1897 Glasgow 1901 Cork 1902 London 1905 London 1906 Marseille 1906 Dublin 1907 London 1908 Zaragoza 1908 London 1910 Dresden 1911 London 1911 London 1912 Lyon 1914 Cologne 1914 London 1914 Kristiania 1914 Malmö 1914 London 1921 Marseille 1922 Gothenburg 1923 British Empire Exhibition 1924–1925 Antwerp 1930 Stockholm 1930 Paris 1931 Porto 1934 Glasgow 1938 Stockholm 1943
North America	New York City 1826–1897 Bryant Park, New York City 1853 Atlanta 1881 Louisville 1883–1887 New Orleans 1884 Atlanta 1887 San Francisco 1894 Atlanta 1895 Nashville 1897 Omaha 1898 Buffalo 1901 Charleston 1901–1902 Portland, Oregon 1905 Jamestown 1907 Seattle 1909 Knoxville 1913 San Diego 1915–1917 Bronx 1918 Philadelphia 1926 San Diego 1935–1936 Dallas 1936 Cleveland 1936–1937 Dallas 1937 San Francisco 1939–1940 Chicago 1940 New York City 1964–1965
Oceania	Melbourne 1866 Sydney 1870 Melbourne 1875 Brisbane 1876 Sydney 1879 Adelaide 1887 Melbourne 1888 Dunedin 1889 Christchurch 1906 Auckland 1913–1914 Dunedin 1925 Wellington 1939–1940
South America	Lima 1872 Santiago 1875 Quito 1909 Buenos Aires 1910 Rio de Janeiro 1922

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