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The Lucy Show
Season 1 opening credits (1962-1963): animations of Lucille Ball and Vivian Vance. Opening credits were changed throughout the show's entire run.
Genre	Sitcom
Created by	Bob Carroll Jr. Madelyn Davis Bob Schiller Bob Weiskopf Lucille Ball
Directed by	Maury Thompson Jack Donohue
Starring	Lucille Ball Vivian Vance Gale Gordon Mary Jane Croft Candy Moore Ralph Hart Jimmy Garrett
Narrated by	Roy Rowan
Theme music composer	Wilbur Hatch
Composers	Wilbur Hatch Julian Davidson
Country of origin	United States
Original language	English
No. of seasons	6
No. of episodes	156 (list of episodes)
Production
Executive producers	Desi Arnaz (1962) Elliott Lewis (1962-'64) Lucille Ball Gary Morton
Producers	Elliott Lewis (1962) Tommy Thompson Jack Donohue
Camera setup	Multi-camera
Running time	30 minutes
Production companies	Desilu Productions (1962-1967) Paramount Television (1967-1968)
Original release
Network	CBS
Release	October 1, 1962 (1962-10-01) – March 11, 1968 (1968-03-11)

The Lucy Show is an American situation comedy that aired on CBS from 1962-68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965-66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star.

The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966-67 and 1967-68.

Premise

In 1962, two years after Lucille Ball and Desi Arnaz divorced and their final show aired (using the I Love Lucy format), Desilu Studios was struggling. Both The Ann Sothern Show and Pete and Gladys starring Harry Morgan and Cara Williams had been canceled. The red-headed Williams, in fact, had been promoted as the next Lucille Ball. So that left Desilu with only one hit series in the spring of 1962—The Untouchables. Arnaz, as President of Desilu Studios, offered Ball an opportunity to return to television in a weekly sitcom. At that time, CBS executives were somewhat dubious as to whether Ball could not only carry a show without Arnaz, but also follow such a landmark series as I Love Lucy. According to Geoffrey Mark Fidelman (author of The Lucy Book {Renaissance Books}), it was "never intended for this program to go beyond a single season." Fidelman also writes in his book that this arrangement was "meant to be a stop-gap measure for the beleaguered studio" and that through the sale of this series, Desilu was able to "force the CBS network to invest in and air other upcoming Desilu products." It would be a strategy that Ball herself would use in the future, where instead of CBS renewing Lucy for another year, Ball would have the final say as to whether she wanted to continue her series. Nevertheless, under Arnaz's encouragement and persuasion, Ball agreed to do the show provided it be shown on Monday nights (the night on which I Love Lucy had aired), and that she would be reunited with Vivian Vance and her writers from I Love Lucy. CBS agreed to a full season of episodes and The Lucy Show premiered on Monday night, October 1, 1962, at 8:30 p.m.

The show began with Lucille Ball as Lucy Carmichael, a widow with two children, Chris (Candy Moore), and Jerry (Jimmy Garrett), living in Danfield, New York, sharing her home with divorced friend Vivian Bagley (Vance) and her son, Sherman (Ralph Hart). In order to get Vance to commit to the series, Arnaz acquiesced to her demands for an increase in salary; co-star billing with Ball; a more attractive wardrobe; and, finally, that her character's name be called Vivian. After doing I Love Lucy, she was still being called Ethel by people on the street, much to her unhappiness. Even though the book which the show was based on (Irene Kampen's Life Without George) centered on a divorcee with children, it was decided early on that the Lucy Carmichael character should instead be a widow, since that was thought to be more acceptable to viewers, especially in those more innocent TV days, where single parents were always widowed. Though a number of TV historians have through the years cited One Day at a Time’s Ann Romano (Bonnie Franklin) as television's first regular running character who was a divorcée, that distinction actually belongs to The Lucy Show’s Vivian Bagley.

In the show's original format, Lucy had been left with a substantial trust fund by her late husband, which was managed during the first season by local banker Mr. Barnsdahl (Charles Lane). Comedian Dick Martin, working solo from his longtime partner Dan Rowan, was cast in ten episodes as Lucy's next-door neighbor, Harry Connors, during the show's first season. Character actor Don Briggs was also featured in six episodes as Viv's beau, Eddie Collins. The first season of The Lucy Show fully utilized the talents of Bob Carroll, Jr., Madelyn Martin, Bob Schiller, and Bob Weiskopf (the original writers of I Love Lucy) in creating the first season's classic 30 episodes, and it also featured Desi Arnaz as executive producer for fifteen of the first season's thirty shows. At the end of its first season, The Lucy Show received rave reviews from the critics and ranked #5 in the Nielsen ratings. Ball was nominated for an Emmy Award as Best Actress in a Series, but lost to Shirley Booth for the NBC comedy hit Hazel. Bolstered by great ratings, the series was renewed for a second year, but many changes were made.

At the beginning of the 1963-64 season, Desi Arnaz resigned as head of Desilu and as the executive producer of The Lucy Show. Ball took over as President of the studio and Elliott Lewis replaced Arnaz as executive producer of Ball's series. Dick Martin (as Harry), Don Briggs (as Eddie) and Charles Lane (as Mr. Barnsdahl) left the show. The Barnsdahl character was replaced by Theodore J. Mooney, played by Gale Gordon, who would remain with the series for the remainder of its run, surviving the format change. Gordon was to have joined the series at its premiere in 1962, but he was still contractually obligated to his role as Mr. Wilson on Dennis the Menace, where he had replaced the late Joseph Kearns for the last year of the series. It was later revealed that Ball wasn't happy with Charles Lane because of his difficulty remembering his lines in front of the studio audience, and was very eager to have Gordon join the cast. Lane then became a semi-regular on the CBS-TV sitcom Petticoat Junction as Homer Bedloe. Even though Dick Martin felt his role of Harry was superfluous, he curiously stated that hiring Gale Gordon was a mistake and that there instead should have been a steady boyfriend written for Lucy. The show became limited in terms of creating fresh situations. Mrs. Carmichael spent so much of her time and effort trying to get Mr. Mooney to allow her to invade the principal of the trust fund for various ideas and projects, that it seemed feasible to have her work for Mooney directly as his secretary, which she eventually did a few years later, after the original format of the series changed.

Under Ball's supervision, beginning with the 1963-64 season, episodes were filmed in color, although they would continue to be broadcast in black and white up until September, 1965. Ball realized that when the series ended its prime-time run, color episodes would command more money when sold to syndication. The second season proved to be just as popular in the ratings, ranking at #6. However, with the addition of Gale Gordon and his cantankerous character of Mr. Mooney, as well as the absence of Arnaz, the quality of the scripts suffered. Also, Vance had grown tired of her weekly commute back and forth between California and her home in Connecticut. She was also unhappy with the way her character's on-screen time was reduced. In fact, Lucy Carmichael's home life as well as her interaction with her children began to be downplayed.

At the end of the second season, a disagreement erupted between Ball and head writers Bob Carroll, Jr. and Madelyn Martin regarding a particular script Ball found inferior. As a result, Carroll and Martin left the series with Weiskopf and Schiller right behind them.

At the beginning of the 1964-65 season, The Lucy Show's original staff changed. Elliott Lewis left the series and was replaced by Jack Donohue, who also served as director. With the absence of Carroll, Martin, Weiskopf, and Schiller, Ball hired veteran comedy writer Milt Josefsberg, who had written for Jack Benny, as script consultant. Under Josefsberg's supervision there were no permanent writers for the series and different writers were employed each week (among them, Garry Marshall). Ball persuaded Weiskopf and Schiller to return and write four installments.

In an interview for The Lucy Book, Candy Moore stated that around this time there was a feeling among the cast and crew that the series had lost its identity, as well as its continuity, and had begun to lose ground. An example of this was Lucy constantly changing her job situation. Episodes during the second and third season would find Lucy working as a restaurateur, hospital helper, meter maid, and policewoman. Another example was the frequent use of character or featured actors that were used regularly on the show albeit in different roles. During the first two years, actress Carole Cook started off playing Thelma Green, a friend of Lucy's and Viv's. By the third season, Cook was playing another part - Mrs. Valance, a society lady living in Danfield. From then on, Cook, as well as veteran actress Mary Wickes, was seen regularly on the show playing a variety of roles, depending on the scripts. Also, actress-comedienne Kathleen Freeman was seen in three different parts during the second season - as a nurse in "Lucy Plays Florence Nightingale"; a chef in "Lucy and Viv Open A Restaurant"; and as Kathleen, another friend of Lucy's and Viv's, in "Lucy Takes A Job At The Bank" and "Lucy Enters A Baking Contest." In the third season, Freeman was featured as Miss Putnam, a domestic, in the episode "Lucy Gets Her Maid." During the first two seasons, Lucy and Viv were members of the Women's Volunteer Fire Department. By the beginning of the third year, the concept was dropped altogether, and in the installment, "Lucy Gets her Maid", Lucy and Viv became members of The Danfield Art Society.

There were further changes to the series. Vance reduced the number of episodes she appeared in to spend more time on the East Coast with her new husband, literary editor John Dodds. Lucille Ball's friend Ann Sothern made a number of appearances during 1964 and 1965 as the "Countess Framboise" (née Rosie Harrigan) to fill Vance's absence. The Countess, who had been widowed by the death of her husband, "who left her his noble title and all of his noble debts," was always trying to get some money to pay off said debts. So she also did battle with Mr. Mooney, whom she called "Mr. Money." Because it was known that Vance would be leaving the series, Sothern was proposed as the new co-star, but it did not come to be. Apparently Sothern wanted to share top billing with Ball. She did not want to be an under-billed co-star. This was not acceptable to Ball and, though Sothern did make three more guest appearances during the following (1965-66) season, the idea of her becoming a series regular was abandoned.

Even though Candy Moore, Jimmy Garrett, and Ralph Hart were still contracted to the series, they were used minimally during the third year. In the spring of 1965, Vance wanted to quit the show. Ball desperately hoped she would change her mind, but Vance remained adamant and left the sitcom.

As a result, the 1965-66 season saw the format of The Lucy Show change dramatically. In the first episode of the season, Lucy and Jerry Carmichael and Mr. Mooney moved from Danfield to California, where Lucy began working for Mr. Mooney at the bank, first part-time, and then full-time. Lucy's daughter Chris was said to have gone away to college and was subsequently not mentioned again. It was explained that Vance's character (Vivian Bagley) remarried and that she, along with her son Sherman and her new husband, remained in Danfield, although she would return for a few guest appearances towards the end of the series' run. Candy Moore (as Chris) and Ralph Hart (as Sherman) were dropped from the cast. Jimmy Garrett (as Jerry) would make only two appearances that year to help with the transition before he, too, was phased out of the series.

In the fourth season premiere episode, "Lucy at Marineland," Jerry was quickly shipped off to a military academy. He made one final appearance, in a Christmas-themed episode, near the conclusion of the 1965-66 season. Sothern made three more guest appearances as The Countess (a.k.a Rosie) and Joan Blondell guest-starred in two episodes as Lucy's new friend Joan Brenner. However, Ball felt there was no chemistry between her and Blondell. As soon as she finished filming her second appearance on The Lucy Show, Blondell walked off the set when Ball (who had been known to be critical in front of a studio audience) humiliated her by harshly criticizing her performance in front of the studio audience and technicians. Finally, Lucy gained a new best friend in Mary Jane Lewis, played by Mary Jane Croft, who had occasionally worked with Lucy over the years. In 1957, Croft had joined the cast of I Love Lucy during its final season playing Lucy Ricardo's new friend and neighbor Betty Ramsey. Croft then portrayed Lucy Carmichael's friend Audrey Simmons during the 1962-64 first format episodes of The Lucy Show and, in real life, was the wife of former producer Elliott Lewis. Even though Croft's main purpose was to replace Vance, she did not get co-star billing, and like Roy Roberts, who played Mooney's boss (Mr. Cheever) at the bank, she received featured billing despite being a regular character.

By January of 1966, all references to Lucy Carmichael's children, her trust fund from her late husband's estate, and her former life in Danfield were eradicated. As a result, Lucy Carmichael was firmly established as a single woman living in Los Angeles. An interesting concept was developed that season with Lucy working in films disguised as a stunt man using the name "Iron Man" Carmichael for three episodes ("Lucy The Stunt Man", "Lucy and the Return Of Iron Man", and "Lucy and Bob Crane"). However, the idea was quickly dropped and never used again.

Overall, the fourth season is regarded as being the weakest with the quality of the scripts vacillating week to week from being good to mediocre at best. Nevertheless, the show continued to receive excellent ratings and in the spring of 1966, Ball received her second Emmy nomination for The Lucy Show, losing this time to Mary Tyler Moore for The Dick Van Dyke Show.

For the next two seasons, the show greatly improved due to the many famous stars making guest appearances, usually playing themselves, in storylines involving their encountering Lucy while conducting bank business. This essentially turned the show into a "skit-com" as opposed to a traditional sitcom. For the 1966-67 season, Gale Gordon was nominated for an Emmy Award as Best Supporting Actor in a Comedy Series, but lost to Don Knotts, who won for the episode "The Return of Barney Fife" on The Andy Griffith Show. After eleven years, Ball was finally awarded an Emmy as Best Actress In A Comedy Series (She had won her first two - as Best Comedienne in 1953 and as Best Actress in a Continuing Performance in 1956 for I Love Lucy).

During the 1967-68 season, Ball's second husband, Gary Morton, became executive producer of The Lucy Show. Lucille Ball sold Desilu Productions (which owned and produced The Lucy Show) to Gulf and Western Industries, which meant that she no longer owned the series. In the spring of 1968, The Lucy Show won Emmy nominations for Best Comedy Series, Best Actress in a Comedy Series, and Best Supporting Actor in a Comedy Series (Gordon). This time, Gordon lost the award to Werner Klemperer of Hogan's Heroes, and the show itself lost the Best Comedy Series Award to the NBC sitcom Get Smart. For the second straight year, Ball was awarded the coveted statuette. At the end of its sixth season, The Lucy Show posted its highest Nielsen rating, ranking at #2.

In the fall of 1968, rather than continue to star in a show she no longer owned, Ball opted to create a new series, Here's Lucy. This series featured herself and her two children, Lucie Arnaz and Desi Arnaz, Jr., as well as Gordon, Croft, and Vance (in occasional guest appearances) playing "new" characters (though the returning actors played characters similar to their characters on the former series). Like I Love Lucy and The Lucy Show, Here's Lucy also ran on CBS for six seasons.

The credits list the show's basis as the novel Life Without George, by Irene Kampen. This book was a collection of humorous pieces about two divorced women and their children living together. A next-door airline pilot neighbor, Harry Connors, became a character in the series played by Dick Martin. The character of Chris, Lucy's daughter in the series, had the same name in the book. In a later volume of essays, Nobody Calls at This Hour Just To Say Hello, Kampen wrote a piece entitled "How Not to Meet Lucille Ball," which detailed her efforts to meet Lucy when she visited Los Angeles. Ms. Kampen and Ms. Ball never met.

Notable guest stars

From the 1965-66 season onward, with the change in format, a number of famous celebrities guest starred on The Lucy Show, usually playing themselves (under the premise that the Lucy Carmichael character, now living in Hollywood, crossed paths with them, either in her day-to-day life, or through her job at the bank). Famous guest stars included Jack Benny, Carol Burnett, George Burns, Joan Crawford, Tennessee Ernie Ford, Dean Martin, Frankie Avalon, Wayne Newton, Robert Stack, Mel Tormé, John Vivyan, Jack Cassidy, Clint Walker and John Wayne. Many lesser-known actors also guest starred, such as Patrick McVey.

The episode featuring Joan Crawford, "Lucy and the Lost Star", caused much celebrity fodder given Ball and Crawford's very public feud during the filming. According to Ball, Crawford was often drunk on the set and could not remember her lines. Ball was said to have requested several times to replace Crawford with Gloria Swanson, who was supposed to have filled the role originally but bowed out due to health reasons. Crawford was so upset that at one point, she wouldn't leave her dressing room. According to Ball's friend, singer-comedienne Kaye Ballard, it was Vanda Barra, a featured actress frequently used on The Lucy Show, who finally persuaded Crawford to continue with the show by giving her a much needed pep talk. As a result, Crawford sailed through the filming with nary a flaw.

The 1966 episode featuring Dean Martin (in which Lucy Carmichael accepted a blind date with Dean Martin's lookalike stunt double, but when he could not make it, the real Dean Martin took his place on the date with Lucy) was described by Ball as her favorite episode of the series.

Lucie Arnaz, Ball’s daughter, appeared in several episodes of the show during its run: she was an extra in the first season’s third episode, "Lucy Is a Referee," the teenage best friend of Chris in "Lucy Is a Soda Jerk" and "Lucy Is a Chaperone" (though she was only 11 at the time), and later as one of her mother’s friends in the 1967 "Lucy and Robert Goulet" (although she was only 16). She was also seen briefly as a teen walking past Lucy and Mr. Mooney in the episode "Lucy and the Ring a Ding Ring.

Opening credits

Throughout the series, six openings were used.

• During the first season (1962-63), animated stick figures of Ball and Vance were used (similar to the ones used in the original opening sequences of I Love Lucy and of the subsequent 13 hour-long specials later syndicated in reruns as The Lucy-Desi Comedy Hour).

• During season two (1963-1964), stills from previous episodes were used.

• During season three (1964-1965), footage from previous episodes were featured. For the six episodes that Vivian Vance did not appear in, the "Co-Starring: Vivian Vance" voiceover, and accompanying text and still of Vivian, were omitted.

• During season four (1965-1966), a kaleidoscope opening in which footage was used of Ball in a kaleidoscope-like pattern. In the first nine episodes of season four a slightly different opening was used (the first two clips of Ball were reversed). In the episodes in which Gale Gordon did not appear, the "Co-Starring: Gale Gordon" voiceover was omitted from the audio track.

• During season five (1966-1967), an additional opening was created at the beginning of the season that featured Lucille Ball as an animated "jack-in-the-box". Ball reportedly hated it, and it was only used in a handful of episodes at the start of the season before being replaced by a slightly revamped version of the kaleidoscope opening. However, due to poor editing, the theme music to this opening was left on, while the kaleidoscope opening played, for several of the early 1966 fall episodes.

• During season six (1967-1968), the kaleidoscope opening was used once again, but the theme music was reorchestrated. Also the "Glamor Shot" of Ball at the end of the opening is a different clip than season five. For the episodes that Gale Gordon did not appear in, the "Co-Starring: Gale Gordon" voiceover was omitted from the audio track.

All of these original Opening Credits have been restored and inserted in every episode of the official season releases by CBS Home Entertainment.

The theme music was composed by Wilbur Hatch, who was the show's musical director, a role he also performed on Ball's previous series I Love Lucy.

Unproduced episodes

There were several scripts written that were never filmed. "Lucy & Viv Fight Over Harry" was set to be produced during the first season, but there were too many production problems and the episode was canceled. During season 2, both "Lucy is a Girl Friday" and "Lucy Plays Basketball" were canceled before filming began as well. The details of these "lost" episodes can be found on the official DVD sets for the first two seasons.

Production notes

While filming the 1963 episode "Lucy and Viv Put In A Shower", in which the leading ladies attempted to install a shower stall (but become trapped inside, unable to shut the water off), Ball nearly drowned while performing in the tank of water. She was unable to bring herself back to the surface, and it was Vance who realized there was a problem and pulled her co-star to safety; Vance went on to ad lib until Ball could catch her breath to resume speaking her lines (all the while, cameras continued to film). Neither the film crew nor the live studio audience realized there was a problem.

An episode from the 1966-67 season called "Lucy Flies to London" served as the basis for a standalone one-hour special called Lucy in London, which featured Ball with guest stars Anthony Newley and the Dave Clark Five. Much of the "Lucy Flies to London" episode, which centered around Lucy’s lack of experience in air travel, was based on an unsold pilot written and shot in 1960.

The two special episodes to feature Ethel Merman ("Lucy Teaches Ethel Merman to Sing" and "Ethel Merman and the Boy Scout Show") were originally just one episode, "Lucy Teaches Ethel Merman to Sing". According to Geoffrey Mark Fidelman, author of The Lucy Book, this installment was a consolation prize to Merman after her Desilu-produced pilot, Maggie Brown, was rejected as a regular series by CBS. The plot was much as it remains today with Lucy and Viv trying to pass off Agnes Schmidlap as Ethel Merman, not knowing that it really is Ethel Merman, and Lucy attempts to teach her how to sing. In the original version, Lucy's voice lesson scene with Merman (which was lifted from the previous season's episode "Lucy's Barbershop Quartet" in which Hans Conreid was the instructor and Lucy the pupil) was much shorter than it is today and that episode ended with the Boy Scout show, with Jerry Carmichael hosting, Sherman Bagley dancing, and Lucy joining Viv for a brand new version of Merman's great hit "Anything You Can Do, I Can Do Better". But then, Desilu Productions thought that maybe too much had been crammed into one half hour and since Ball and Vance (who both were great friends of Merman) were having such a marvelous time working with the legendary Broadway belter, they decided to expand it into two episodes, thereby taking advantage of Merman's formidable talents. So, a second filming was scheduled. In Part 1, Ethel was to be the houseguest of Lucy and Viv for a few weeks, and then in Part 2, a full blown episode was created that included scenes of Lucy once again, trying to get into the act. An all new Boy Scout Show was filmed also, with Jerry once again hosting, Sherman dancing, and Lucy, Viv, and Ethel, this time joined by Mr. Mooney, singing and dancing through a history of show business.

Broadcast history

NOTE: The most frequent time slot for the series is in bold text.

• Monday at 8:30-9:00 PM on CBS: October 1, 1962—April 27, 1964; September 13, 1965—March 11, 1968
• Monday at 9:00-9:30 PM on CBS: September 21, 1964—April 12, 1965

• Currently being shown in the UK on SUMO TV (sky channel 212) early mornings each day anywhen between 12.30am and 4.30am varies each day, see listings.

Nielsen ratings

DVD releases

Before July 2009, there were only 30 public domain episodes available on DVD and/or VHS (2 episodes from the first season, 21 from the fifth season, and 7 from the sixth season). These episodes have been released by different companies like Vintage Home Entertainment, Alpha Video, Digiview and Echo Bridge Home Entertainment.

CBS DVD (distributed by Paramount) has released the first five seasons on DVD in Region 1, as of December 6, 2011. CBS announced that all the episodes have been remastered using the original 35mm negatives.

The first three official DVD releases allow you to view the original openings, closings, and cast commercials directly in the episode, while the fourth and fifth season DVD releases do not allow you to view vintage elements directly in the episodes.

References

1. Phil Hall (April 7, 2006). "The Bootleg Files: The Lucy Show". Film Threat. Retrieved 2009-06-21.
2. Kathleen Brady (2001). Lucille. Billboard Books. p. 306. ISBN 0823089134.
3. The Lucy Book by Geoffrey Mark Fidelman -Renaissance Books, published in 1999 - writer Bob Schiller talks about Charles Lane on p. 156
4. The Lucy Book - actor/comedian Dick Martin talks about Gale Gordon on p. 168
5. The Lucy Book by Geoffrey Mark Fidelman -Renaissance Books, published in 1999 - director Maury Thompson talks about Ann Sothern on p. 200
6. Alexander Doty (1993). Making Things Perfectly Queer: Interpreting Mass Culture. University of Minnesota Press. p. 45. ISBN 0816622450.
7. Ballard, Kaye; Hesselman, Jim (2006). How I Lost 10 Pounds in 53 Years: A Memoir. Back Stage Books. p. 139. ISBN 0823084787.
8. http://www.imdb.com/title/tt0055686/trivia?tr0665760
9. Barry Monush (October 9, 2008). "Lucie Arnaz: The Lucy Years". The Paley Center for Media. Retrieved 2009-06-19.
10. Frank Castelluccio & Alvin Walker (1998). The Other Side of Ethel Mertz. Knowledge, Ideas & Trends. p. 270. ISBN 1879198266.
11. Fidelman, Geoffrey Mark. “The Lucy Book: A Complete Guide to Her Five Decades on Television,” 1999. Renaissance Books. ISBN 1-58063-051-0
12. http://tvshowsondvd.com/news/Lucy-Season-5/15922

External links

• The Lucy Show at IMDb
• A film clip of the episode "Lucy Gets Trapped" is available for viewing at the Internet Archive
• Template:Tv.com
• Classic free to download shows in Windows format

• 1962 television series debuts
• 1968 television series endings
• 1960s American television series
• American television sitcoms
• Black-and-white television programs
• CBS network shows
• English-language television series
• Television series by CBS Paramount Television
• Television shows set in California
• Television shows set in New York