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| == See also == | == See also == | ||
| *Chance, Linda H (1997). ''Formless in Form: Kenko, |
*Chance, Linda H (1997). ''Formless in Form: Kenko,'' Tsurezuregusa, ''and the Rhetoric of Japanese Fragmentary Prose.'' Stanford: Stanford UP. ISBN 978-0804730013. | ||
| *Keene, Donald (1967). ''Essays in Idleness: The Tsurezuregusa of Kenko'' |
*Keene, Donald (1967). ''Essays in Idleness: The'' Tsurezuregusa ''of Kenko.'' New York: Columbia UP. | ||
| ==External links== | ==External links== | ||
Revision as of 02:29, 28 January 2013
Template:Japanese name Yoshida Kenkō (吉田 兼好, 1283? – 1350?) was a Japanese author and Buddhist monk. His most famous work is "Tsurezuregusa" ("Essays in Idleness"), one of the most studied works of medieval Japanese literature. Kenko wrote during the Muromachi and Kamakura periods.
Life and work
Kenkō was probably born in 1283, the son of an administration official. His original name was Urabe Kaneyoshi (卜部 兼好). He became an officer of guards at the Imperial palace. Late in life he retired from public life, changed his name to Yoshida Kenkō, and became a Buddhist monk and hermit. The reasons for this are unknown, but it has been conjectured that either his unhappy love for the daughter of the prefect of Iga Province or his mourning over the death of Emperor Go-Daigo caused his transformation.
Although he also wrote poetry and entered some poetry contests at the imperial court (his participation in 1335 and 1344 is documented), Kenkō's enduring fame is based on Tsurezuregusa, his collection of 243 short essays, published posthumously. Although traditional translated as "Essays in Idleness," a more accurate translation would be "Notes from Leisure Hours" or "Leisure Hour Notes." Themes of the essays include the beauty of nature, the transience of life, traditions, friendship, and other abstract concepts. The work was written in the zuihitsu ("follow-the-brush") style, a type of stream-of-consciousness writing that allowed the writer's brush to skip from one topic to the next, led only by the direction of thoughts. Some are brief remarks of only a sentence or two; others recount a story over a few pages, often with discursive personal commentary added.
The Tsurezuregusa was already popular in the 15th century and was considered a classic from the 17th century onward. It is part of the modern Japanese high school curriculum, as well in some International Baccalaureate Diploma Programme schools.
See also
- Chance, Linda H (1997). Formless in Form: Kenko, Tsurezuregusa, and the Rhetoric of Japanese Fragmentary Prose. Stanford: Stanford UP. ISBN 978-0804730013.
- Keene, Donald (1967). Essays in Idleness: The Tsurezuregusa of Kenko. New York: Columbia UP.