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| {{Infobox book <!-- See ] or ] --> | |||
| | name = '''Gulliver's Travels'''| title_orig =Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships | |||
| | translator = | |||
| | image = ] | |||
| | caption = First edition of ''Gulliver's Travels'' | |||
| | author = ] | |||
| | illustrator = | |||
| | cover_artist = | |||
| | country = Ireland | |||
| | language = English | |||
| | series = | |||
| | genre = ], ] | |||
| | publisher = ] | |||
| | release_date = 1726 | |||
| | english_release_date = | |||
| | media_type = Print | |||
| | pages = | |||
| | preceded_by = | |||
| | followed_by = | |||
| }} | |||
| '''''Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships''''', better known simply as '''''Gulliver's Travels''''' (1726, amended 1735), is a novel by Anglo-Irish writer and clergyman ], that is both a ] on ] and a ] of the "travellers' tales" literary sub-genre. It is Swift's best known full-length work, and a classic of ]. | |||
| The book became popular as soon as it was published. ] wrote in a 1726 letter to Swift that "It is universally read, from the cabinet council to the nursery."<ref>''Gulliver's Travels: Complete, Authoritative Text with Biographical and Historical Contexts'', Palgrave Macmillan 1995 (p. 21). The quote has been misattributed to Alexander Pope, who wrote to Swift in praise of the book just a day earlier.</ref> Since then, it has never been out of print. | |||
| ==Plot summary== | |||
| ===Part I: A Voyage to Lilliput=== | |||
| ;4 May 1699 – 13 April 1702 | |||
| ] | |||
| The book begins with a short preamble in which ], in the style of books of the time, gives a brief outline of his life and history before his voyages. He enjoys travelling, although it is that love of travel that is his downfall. | |||
| During his first voyage, Gulliver is washed ashore after a shipwreck and finds himself a prisoner of a race of tiny people, less than 6 inches tall, who are inhabitants of the island country of ]. After giving assurances of his good behaviour, he is given a residence in Lilliput and becomes a favorite of the court. From there, the book follows Gulliver's observations on the Court of Lilliput. He is also given the permission to roam around the city on a condition that he must not harm their subjects. Gulliver assists the Lilliputians to subdue their neighbours, the Blefuscudians, by stealing their fleet. However, he refuses to reduce the island nation of Blefuscu to a province of Lilliput, displeasing the King and the court. Gulliver is charged with treason for, among other "crimes", "making water" in the capital (even though he was putting out a fire and saving countless lives.) He is convicted and sentenced to be blinded, but with the assistance of a kind friend, he escapes to Blefuscu. Here he spots and retrieves an abandoned boat and sails out to be rescued by a passing ship, which safely takes him back home. | |||
| This book of the ''Travels'' is a topical political satire.<ref> | |||
| ] | |||
| </ref> | |||
| ===Part II: A Voyage to Brobdingnag=== | |||
| ;20 June 1702 – 3 June 1706 | |||
| ])]] | |||
| When the sailing ship ''Adventure'' is blown off course by storms and forced to put into land for want of fresh water, Gulliver is abandoned by his companions and found by a farmer who is {{convert|72|ft|m}} tall (the scale of ] is about 12:1, compared to Lilliput's 1:12, judging from Gulliver estimating a man's step being {{convert|10|yd|m}}). He brings Gulliver home and his daughter cares for Gulliver. The farmer treats him as a curiosity and exhibits him for money. | |||
| Since Gulliver is too small to use their huge chairs, beds, knives and forks, the queen commissions a small house to be built for him so that he can be carried around in it; this is referred to as his 'travelling box'. Between small adventures such as fighting giant wasps and being carried to the roof by a monkey, he discusses the state of Europe with the King. The King is not happy with Gulliver's accounts of Europe, especially upon learning of the use of guns and cannons. On a trip to the seaside, his travelling box is seized by a giant eagle which drops Gulliver and his box into the sea, where he is picked up by some sailors, who return him to England. | |||
| This book compares the truly moral man to the representative man; the latter is clearly shown to be the lesser of the two. Swift, being in Anglican holy orders, was keen to make such comparisons. | |||
| ===Part III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan=== | |||
| ;5 August 1706 – 16 April 1709 | |||
| ].)]] | |||
| After Gulliver's ship was attacked by pirates, he is ]ed close to a desolate rocky island near India. Fortunately, he is rescued by the flying island of ], a kingdom devoted to the arts of ] and ] but unable to use them for practical ends. Since Swift was in Anglican holy orders, he, like so many of them, viewed reason as what ] had called "that great whore" and regarded ], whose practitioners attacked revealed religions, with pure horror. | |||
| Laputa's custom of throwing rocks down at rebellious cities on the ground seems the first time that the air strike was conceived as a method of warfare. Gulliver tours Laputa as the guest of a low-ranking courtier and sees the ruin brought about by the blind pursuit of science without practical results, in a satire on bureaucracy and on the ] and its experiments. At the Grand Academy of Lagado, great resources and manpower are employed on researching completely preposterous schemes such as extracting sunbeams from cucumbers, softening marble for use in pillows, learning how to mix paint by smell, and uncovering political conspiracies by examining the excrement of suspicious persons (see ]). | |||
| Gulliver is then taken to Balnibarbi to await a trader who can take him on to ]. While waiting for a passage, Gulliver takes a short side-trip to the island of ], where he visits a magician's dwelling and discusses history with the ghosts of historical figures, the most obvious restatement of the "ancients versus moderns" theme in the book. In Luggnagg he encounters the '']s'', unfortunates who are immortal. They do not have the gift of eternal youth, but suffer the infirmities of old age and are considered legally dead at the age of eighty. After reaching Japan, Gulliver asks the Emperor "to excuse my performing the ceremony imposed upon my countrymen of ]," which the Emperor does. Gulliver returns home, determined to stay there for the rest of his days. | |||
| ===Part IV: A Voyage to the Country of the Houyhnhnms=== | |||
| ;7 September 1710 – 2 July 1715 | |||
| ].)]] | |||
| Despite his earlier intention of remaining at home, Gulliver returns to the sea as the captain of a merchantman as he is bored with his employment as a surgeon. On this voyage he is forced to find new additions to his crew, whom he believes to have turned the rest of the crew against him. His crew then mutiny, and after keeping him contained for some time resolve to leave him on the first piece of land they come across and continue as pirates. He is abandoned in a landing boat and comes upon a race of hideous, deformed and savage humanoid creatures to which he conceives a violent antipathy. Shortly afterwards he meets a race of horses who call themselves ]s (which in their language means "the perfection of nature"); they are the rulers, while the deformed creatures called ]s are human beings in their base form. | |||
| Gulliver becomes a member of a horse's household, and comes to both admire and emulate the Houyhnhnms and their lifestyle, rejecting his fellow humans as merely Yahoos endowed with some semblance of reason which they only use to exacerbate and add to the vices Nature gave them. However, an Assembly of the Houyhnhnms rules that Gulliver, a Yahoo with some semblance of reason, is a danger to their civilization, and expels him. | |||
| He is then rescued, against his will, by a Portuguese ship, and is surprised to see that Captain Pedro de Mendez, a Yahoo, is a wise, courteous and generous person. He returns to his home in England, but he is unable to reconcile himself to living among 'Yahoos' and becomes a recluse, remaining in his house, largely avoiding his family and his wife, and spending several hours a day speaking with the horses in his stables; in effect becoming insane. | |||
| This book uses coarse metaphors to describe human depravity, and the Houyhnhms are symbolized as not only perfected nature but also the emotional barrenness which Swift maintained that devotion to reason brought. | |||
| <ref>{{cite book|last=travels|first=gulliver's|title=gulliver's travels|publisher=jonathan swift}}</ref> | |||
| ==Composition and history== | |||
| It is uncertain exactly when Swift started writing ''Gulliver's Travels,'' but some sources suggest as early as 1713 when Swift, Gay, Pope, ] and others formed the ], with the aim of satirising popular literary genres. Swift, runs the theory, was charged with writing the memoirs of the club's imaginary author, Martinus Scriblerus, and also with satirising the "travellers' tales" literary sub-genre. It is known from Swift's correspondence that the composition proper began in 1720 with the mirror-themed parts I and II written first, Part IV next in 1723 and Part III written in 1724; but amendments were made even while Swift was writing ''].'' By August 1725 the book was complete; and as ''Gulliver's Travels'' was a transparently anti-] satire, it is likely that Swift had the manuscript copied so that his handwriting could not be used as evidence if a prosecution should arise, as had happened in the case of some of his Irish ]s (the '']''). In March 1726 Swift travelled to London to have his work published; the manuscript was secretly delivered to the publisher ], who used five printing houses to speed production and avoid piracy.<ref>Clive Probyn, ''Swift, Jonathan (1667–1745)'', '']'' (]: ], 2004)</ref> Motte, recognising a best-seller but fearing prosecution, cut or altered the worst offending passages (such as the descriptions of the court contests in Lilliput and the rebellion of ]), added some material in defence of Queen Anne to book II, and published it. The first edition was released in two volumes on 26 October 1726, priced at 8''s. ''6''d.'' The book was an instant sensation and sold out its first run in less than a week. | |||
| Motte published ''Gulliver's Travels'' anonymously, and as was often the way with fashionable works, several follow-ups (''Memoirs of the Court of Lilliput''), parodies (''Two Lilliputian Odes, The first on the Famous Engine With Which Captain Gulliver extinguish'd the Palace Fire...'') and "keys" (''Gulliver Decipher'd'' and ''Lemuel Gulliver's Travels into Several Remote Regions of the World Compendiously Methodiz'd'', the second by ] who had similarly written a "key" to Swift's '']'' in 1705) were swiftly produced. These were mostly printed anonymously (or occasionally pseudonymously) and were quickly forgotten. Swift had nothing to do with them and disavowed them in Faulkner's edition of 1735. Swift's friend ] wrote a set of five ''Verses on Gulliver's Travels'', which Swift liked so much that he added them to the second edition of the book, though they are rarely included. | |||
| ===Faulkner's 1735 edition=== | |||
| In 1735 an Irish publisher, ], printed a set of Swift's works, Volume III of which was ''Gulliver's Travels''. As revealed in Faulkner's "Advertisement to the Reader", Faulkner had access to an annotated copy of Motte's work by "a friend of the author" (generally believed to be Swift's friend Charles Ford) which reproduced most of the manuscript without Motte's amendments, the original manuscript having been destroyed. It is also believed that Swift at least reviewed proofs of Faulkner's edition before printing, but this cannot be proved. Generally, this is regarded as the '']'' of ''Gulliver's Travels'' with one small exception. This edition had an added piece by Swift, ''A letter from Capt. Gulliver to his Cousin Sympson'', which complained of Motte's alterations to the original text, saying he had so much altered it that "I do hardly know mine own work" and repudiating all of Motte's changes as well as all the keys, libels, parodies, second parts and continuations that had appeared in the intervening years. This letter now forms part of many standard texts. | |||
| ===Lindalino=== | |||
| The short (five paragraph) episode in Part III, telling of the rebellion of the surface city of Lindalino against the flying island of Laputa, was an obvious allegory to the affair of '']'' of which Swift was proud. Lindalino represented Dublin and the impositions of Laputa represented the British imposition of ]'s poor-quality copper currency. Faulkner had omitted this passage, either because of political sensitivities raised by an Irish publisher printing an anti-British satire, or possibly because the text he worked from did not include the passage. In 1899 the passage was included in a new edition of the ''Collected Works''. Modern editions derive from the Faulkner edition with the inclusion of this 1899 addendum. | |||
| ] notes in ''The Annotated Gulliver'' that Lindalino is composed of double lins; hence, Dublin. | |||
| ==Major themes== | |||
| ''Gulliver's Travels'' has been the recipient of several designations: from ] to a children's story, from proto-] to a forerunner of the modern ]. | |||
| Published seven years after ]'s wildly successful '']'', ''Gulliver's Travels'' may be read as a systematic rebuttal of Defoe's optimistic account of human capability. In ''The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man'', ] argues that Swift was concerned to refute the notion that the individual precedes society, as Defoe's novel seems to suggest. Swift regarded such thought as a dangerous endorsement of ]' radical political philosophy and for this reason Gulliver repeatedly encounters established societies rather than desolate islands. The captain who invites Gulliver to serve as a surgeon aboard his ship on the disastrous third voyage is named Robinson. | |||
| Scholar Allan Bloom points out that Swift's critique of science (the experiments of Laputa) is the first such questioning by a modern liberal democrat of the effects and cost on a society which embraces and celebrates policies pursuing scientific progress.<ref>{{cite book|author=Allan Bloom|title=Giants and Dwarfs: An Outline of Gulliver's Travels|publisher=Simon and Schuster|year=1990|location=New York|pages=47–51}}</ref> | |||
| A possible reason for the book's classic status is that it can be seen as many things to many different people. Broadly, the book has three themes: | |||
| * A satirical view of the state of European government, and of petty differences between religions | |||
| * An inquiry into whether men are inherently corrupt or whether they become corrupted | |||
| * A restatement of the older "ancients versus moderns" controversy previously addressed by Swift in '']'' | |||
| In terms of storytelling and construction the parts follow a pattern: | |||
| * The causes of Gulliver's misadventures become more malignant as time goes on—he is first shipwrecked, then abandoned, then attacked by strangers, then attacked by his own crew. | |||
| * Gulliver's attitude hardens as the book progresses—he is genuinely surprised by the viciousness and politicking of the Lilliputians but finds the behaviour of the Yahoos in the fourth part reflective of the behaviour of people. | |||
| * Each part is the reverse of the preceding part—Gulliver is big/small/wise/ignorant, the countries are complex/simple/scientific/natural, and the forms of government are worse/better/worse/better than England's. | |||
| * Gulliver's viewpoint between parts is mirrored by that of his ]s in the contrasting part—Gulliver sees the tiny Lilliputians as being vicious and unscrupulous, and then the king of Brobdingnag sees Europe in exactly the same light; Gulliver sees the Laputians as unreasonable, and his Houyhnhnm master sees humanity as equally so. | |||
| * No form of government is ideal—the simplistic Brobdingnagians enjoy public executions and have streets infested with beggars, the honest and upright Houyhnhnms who have no word for lying are happy to suppress the true nature of Gulliver as a Yahoo and are equally unconcerned about his reaction to being expelled. | |||
| * Specific individuals may be good even where the race is bad—Gulliver finds a friend in each of his travels and, despite Gulliver's rejection and horror toward all Yahoos, is treated very well by the Portuguese captain, Dom Pedro, who returns him to England at the novel's end. | |||
| Of equal interest is the character of Gulliver himself—he progresses from a cheery optimist at the start of the first part to the pompous ] of the book's conclusion and we may well have to filter our understanding of the work if we are to believe the final misanthrope wrote the whole work. In this sense ''Gulliver's Travels'' is a very modern and complex novel. There are subtle shifts throughout the book, such as when Gulliver begins to see all humans, not just those in Houyhnhnm-land, as Yahoos. | |||
| Throughout, Gulliver is presented as being gullible; he believes what he is told, never perceives deeper meanings, is an honest man, and expects others to be honest. This makes for fun and irony; what Gulliver says can be trusted to be accurate, and he does not always understand the meaning of what he perceives. | |||
| Also, although Gulliver is presented as a commonplace "]", lacking higher education, he possesses a remarkable natural gift for language. He quickly becomes fluent in the native tongue of any strange land in which he finds himself, a literary device that adds much understanding and humour to Swift's work. | |||
| Despite the depth and subtlety of the book, it is often classified as a children's story because of the popularity of the Lilliput section (frequently ]) as a book for children. One can still buy books entitled ''Gulliver's Travels'' which contain only parts of the Lilliput voyage. | |||
| ===Character analysis=== | |||
| '''Pedro de Mendez''' is the name of the Portuguese captain who rescues Gulliver in Book IV. When Gulliver is forced to leave the Island of the ], his plan is "to discover some small Island uninhabited" where he can live in solitude. Instead, he is picked up by Don Pedro’s crew. Despite Gulliver’s appearance—he is dressed in skins and speaks like a horse—Don Pedro treats him compassionately and returns him to Lisbon. | |||
| Though Don Pedro appears only briefly, he has become an important figure in the debate between so-called soft school and hard school readers of ''Gulliver's Travels''. Soft school critics contend that Gulliver is a target of Swift’s satire and that Don Pedro represents an ideal of human kindness and generosity. For hard-school critics, Gulliver sees the bleak fallenness at the center of human nature, and Don Pedro is merely a minor character who, in Gulliver’s words, is "an Animal which had some little Portion of Reason." <ref>James Clifford, "Gulliver’s Fourth Voyage: 'hard' and 'soft' Schools of Interpretation." ''Quick Springs of Sense: Studies in the Eighteenth Century''. Ed. Larry Champion. Athens: U of Georgia Press, 1974. 33-49</ref> | |||
| ==Historical oddity== | |||
| Swift made reference to the ] about 150 years before their actual discovery by ], detailing reasonably accurate descriptions of their orbits, in the 19th chapter of the book (that is, in Part 3, Chapter 3). | |||
| ==Cultural influences== | |||
| From 1738 to 1746, ] published in occasional issues of '']'' semi-fictionalized accounts of contemporary debates in the two Houses of ] under the title of ''Debates in the Senate of Lilliput''. The names of the speakers in the debates, other individuals mentioned, politicians and monarchs present and past, and most other countries and cities of Europe ("Degulia") and America ("Columbia") were thinly disguised under a variety of Swiftian pseudonyms. The disguised names, and the pretence that the accounts were really translations of speeches by Lilliputian politicians, were a reaction to an Act of Parliament forbidding the publication of accounts of its debates. Cave employed several writers on this series: ] (June 1738 – November 1740), ] (November 1740 – February 1743), and ] (February 1743 – December 1746). | |||
| ] was presumably influenced by Swift: his 1750 short story ], about an alien visitor to ], also refers to two ]. | |||
| Swift crater, a crater on ]'s moon ], is named after ]. | |||
| The term ''Lilliputian'' has entered many languages as an adjective meaning "small and delicate". There is even a brand of small ] called Lilliput. There is a series of collectable model houses known as "Lilliput Lane". The smallest light bulb fitting (5mm diameter) in the ] series is called the "Lilliput Edison screw". In Dutch, the word ''Lilliputter'' is used for adults shorter than 1.30 meters. Conversely, ''Brobdingnagian'' appears in the ] as a synonym for ''very large'' or ''gigantic''. | |||
| In like vein, the term ''yahoo'' is often encountered as a ] for ''ruffian'' or ''thug''. | |||
| In the discipline of ], the terms ] and ''little-endian'' are used to describe two possible ways of laying out bytes in memory. The terms derive from one of the satirical conflicts in the book, in which two religious sects of Lilliputians are divided between those who crack open their soft-boiled eggs from the little end, and those who use the big end. | |||
| ==In other works== | |||
| ===Sequels and imitations=== | |||
| * Many sequels followed the initial publishing of the ''Travels''. The earliest of these was the anonymously authored ''Memoirs of the Court of Lilliput'',<ref></ref> published 1727, which expands the account of Gulliver's stays in Lilliput and Blefuscu by adding several gossipy anecdotes about scandalous episodes at the Lilliputian court. | |||
| *Abbé ], the first French translator of Swift's story, wrote a sequel, ''Le Nouveau Gulliver ou Voyages de Jean Gulliver, fils du capitaine Lemuel Gulliver'' (The New Gulliver, or the travels of John Gulliver, son of Captain Lemuel Gulliver), published in 1730.<ref></ref> Gulliver's son has various fantastic, satirical adventures. | |||
| *] ] science fiction writer ] published ''Gulliver's Fifth Travel—The Travel of Lemuel Gulliver, First a Surgeon, and Then a Captain of Several Ships to the Land of Tikitaks'' ({{lang-ru|''Пятое путешествие Гулливера - Путешествие Лемюэля Гулливера, сначала хирурга, а потом капитана нескольких кораблей, в страну тикитаков''}}), a sequel to the original series in which Gulliver's role as a surgeon is more apparent. Tikitaks are people who inject the juice of a unique fruit to make their skin transparent, as they consider people with regular opaque skin secretive and ugly. | |||
| *{{nihongo|'']''|ガリバーの宇宙旅行|Garibā no Uchū Ryokō|Gulliver's Space Travels}} is a 1965 ]ese ] film, portraying an elder Gulliver taking part in a space travel, joined by a boy, a crow, a talking toy soldier and a dog. The film, although being a children's production generally fascinated by the idea of space travelling, portrays an alien world where robots have taken power. Thus it continues in Swift's vein of critical approach on themes in current society. | |||
| *] produced two adaptations of ''Gulliver's Travels'', one was a animated TV series called '']'' in 1968 and another was a 1979 animated television special titled '']''. | |||
| *American physician John Paul Brady published in 1987 ''A Voyage to Inishneefa: A First-hand Account of the Fifth Voyage of Lemuel Gulliver'' (Santa Barbara: John Daniel), a parody of Irish history in Swift's manner. | |||
| *In 1998 the Argentine writer ] published ''El último Viaje del capitán Lemuel Gulliver'' (Captain Lemuel Gulliver's Last Travel), a novel in which Swift's character is presented on an imaginary fifth journey, this time into the River Plate. It satirizes ways and customs of present day society, including sports, television, politics, etc. To justify the parody, the narrative is set immediately after the last voyage written by Swift (precisely, 1722), and the literary style of the original work is kept throughout the whole story. | |||
| ===Allusions=== | |||
| * ]'s short story "Prize Ship" (1954) loosely referred to ''Gulliver's Travels''<ref>''Collected Short Stories of Philip K. Dick: Volume One, Beyond Lies The Wub'', Philip K. Dick, 1999, Millennium, an imprint of Orion Publishing Group, London</ref> | |||
| * In the 9th book of '']'', ] ''The Lilliput Legion'', the protagonists meet Lemuel Gulliver and battle the titular army.<ref>''The Lilliput Legion'', Simon Hawke, 1989, Ace Books, New York, NY</ref> | |||
| * The ] comedy series '']'' by ] is a satirical comedy about a ] presenter, Brian Gulliver (played by ]), who talks about his adventures in the undiscovered continent of Clafenia. ''Gulliver's Travels'' was the only book Dare read while he was at the university.<ref>{{cite web|url=http://www.bbc.co.uk/programmes/b00yqhrk#synopsis|title=Brian Gulliver's Travels: Episode 1|publisher=]|accessdate=21 February 2011}}</ref> | |||
| *The animated movie ''],'' released by ], was originally titled ''Laputa: Castle in the Sky.'' | |||
| * A 2012 series of advertisements for the Acura RDX<ref>{{cite web|url=http://www.egmcartech.com/2012/04/08/videos-acura-launches-gullivers-travels-themed-commercials-for-new-2013-rdx/ |title=Videos: Acura launches Gulliver’s Travels themed commercials for new 2013 RDX |date=8 April 2012 |accessdate=15 September 2012}}</ref> | |||
| * In '']'', elements of Lilliput were used to make up this film's version of '']''. | |||
| * In the film '']'', a loose B-52 bomber targets a science research laboratory in the fictional Soviet city of Laputa. | |||
| ==Adaptations== | |||
| ] | |||
| ===Music=== | |||
| *The band ''Soufferance'' based and themed their 2010 album on the book, as ''"Travels Into Several Remote Nations of the Mind"''.<ref></ref> | |||
| *In 1728 the Baroque composer ] composed a 5-movement suite for two violins based on Swift's book. Telemann's piece is commonly known as ''Gulliver's Travels,'' and depicts the Lilliputians and the Brobdingnagians particularly vividly through rhythms and tempos. The piece is part of Telemann's ''Der getreue Musik-meister'' (The Steadfast Music Teacher). | |||
| ===Film, television and radio=== | |||
| ''Gulliver's Travels'' has been adapted several times for film, television and radio. Most film versions avoid the satire completely. | |||
| * '']'' (1939): ]'s animated feature-length classic of Gulliver's adventures in Lilliput. This was the first full-length animated cartoon after Disney's '']'', and was intended mostly for children. | |||
| * '']'' (1960): a loose adaptation starring ] and featuring stop motion effects by ]. | |||
| * '']'' (1970): A satirical movie by the Czech ], based upon the third book, depicting indirectly the Communist ], shelved soon after its release.<ref>{{Cite news | |||
| | last = Pajukallio | |||
| | first = Arto | |||
| | coauthors = | |||
| | title = Nuoren pyövelin tapaus | |||
| | newspaper = Helsingin Sanomat | |||
| | location = | |||
| | pages = D 5 | |||
| | language = Finnish | |||
| | publisher = | |||
| | date = 2011-08-10 | |||
| | url = | |||
| | accessdate = 2011-08-11 }}</ref> | |||
| * '']'' (1977): Part live-action and part-animated. Stars ]. | |||
| * '']'' (1996): Live-action, 2 part, TV miniseries with special effects starring ] and ], also featuring a variety of film stars in cameo roles.<ref>{{cite web | |||
| |url = http://www.imdb.com/title/tt0115195/ | |||
| |title = Gulliver's Travels (TV 1996) | |||
| |accessdate = 2011-11-26 | |||
| }}</ref><ref>{{cite web | |||
| |url = http://rhitv.com/movies/gullivers-travels | |||
| |title = Gulliver's Travels » RHI Entertainment | |||
| |publisher = RHI Entertainment Distribution, LLC | |||
| |accessdate = 2011-11-26 | |||
| }}</ref>{{Dead link|date=October 2012}} <!--- redirects to http://sonarent.com/movies/gullivers-travels 404 Broken Link --> Of all film versions, this one is the most faithful to the novel, although it still makes significant changes. | |||
| *''Crayola Kids Adventures: Tales of Gulliver's Travels'' (1997): Live-action Direct-to-video film starring children with ] as Gulliver. | |||
| *'']'' (2003): Live-action Indian children's film, starring ].<ref>{{cite news|title=Now, an Indian Gulliver's Travels|url=http://www.tribuneindia.com/2003/20030608/spectrum/main6.htm|accessdate=November 13, 2012|newspaper=Sunday Tribune|date=June 8, 2003}}</ref> | |||
| * ] (2010): Modernized, Live-action version of Gulliver's adventures in Lilliput, starring ], also featuring ], ], ], ], ], ], ] and Olly Alexander.<ref>{{cite web | |||
| |url = http://suicidegirls.com/interviews/Chris+O%27Dowd%3A+The+IT+Man+From+The+IT+Crowd/ | |||
| |title = Chris O'Dowd: The IT Man From The IT Crowd | |||
| |publisher = ] | |||
| |date = 9 May 2009 | |||
| |accessdate = 2009-05-11 | |||
| }} | |||
| </ref> | |||
| ==See also== | |||
| {{portal|Novels}} | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| ==References== | |||
| {{reflist}} | |||
| http://www.gradesaver.com/gullivers-travels | |||
| ==External links== | |||
| {{Commons category|Gulliver's Travels}} | |||
| {{wikisource}} | |||
| ===Online Text=== | |||
| * {{gutenberg|no=829|name=Gulliver's Travels}} | |||
| * {{gutenberg|no=17157|name=Gulliver's Travels (Parts I and II) with illustrations}} | |||
| * , full text and audio. | |||
| * of the text | |||
| * Searchable version in ( , XML, opendocument , pdf (, ), , ) ] | |||
| {{Gulliver's Travels}} | |||
| {{Jonathan Swift}} | |||
| {{Fantasy fiction}} | |||
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| {{Link GA|ja}} | |||
Revision as of 01:09, 9 June 2013
he was an noob but was a wonderfull man§