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| Godzilla is one of the most recognizable symbols of Japanese ] worldwide<ref>{{cite book|last=Sharp|first=Jasper|title=Historical Dictionary of Japanese Cinema|publisher=Scarecrow Press|page=67|year=2011|isbn=9780810857957}}</ref><ref>{{cite book|last=West|first=Mark|title=The Japanification of Children's Popular Culture: From Godzilla to Miyazaki |publisher=Scarecrow Press|page=vii|year=2008|isbn=9780810851214}}</ref> and remains an important facet of Japanese films, embodying the ] subset of the ] genre. Godzilla’s vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character despite its wrathful nature.<ref>Tadao Sato, Godzilla Criterion Collection Blu-Ray special featurette</ref> Audiences respond positively to the character because it acts out of rage and self-preservation and shows where science and technology can go wrong.<ref>http://www.calstatela.edu/faculty/sfischo/psychological_appeal_of_movie_monsters1.pdf</ref> Godzilla has been considered a filmographic ] for the United States, as well as an allegory of nuclear weapons in general. The earlier ''Godzilla'' films, especially the ], portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on ] and ], and the possibility of recurrence.<ref>'''', By Terrence Rafferty, May 2, 2004, NYTimes</ref> | Godzilla is one of the most recognizable symbols of Japanese ] worldwide<ref>{{cite book|last=Sharp|first=Jasper|title=Historical Dictionary of Japanese Cinema|publisher=Scarecrow Press|page=67|year=2011|isbn=9780810857957}}</ref><ref>{{cite book|last=West|first=Mark|title=The Japanification of Children's Popular Culture: From Godzilla to Miyazaki |publisher=Scarecrow Press|page=vii|year=2008|isbn=9780810851214}}</ref> and remains an important facet of Japanese films, embodying the ] subset of the ] genre. Godzilla’s vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character despite its wrathful nature.<ref>Tadao Sato, Godzilla Criterion Collection Blu-Ray special featurette</ref> Audiences respond positively to the character because it acts out of rage and self-preservation and shows where science and technology can go wrong.<ref>http://www.calstatela.edu/faculty/sfischo/psychological_appeal_of_movie_monsters1.pdf</ref> Godzilla has been considered a filmographic ] for the United States, as well as an allegory of nuclear weapons in general. The earlier ''Godzilla'' films, especially the ], portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on ] and ], and the possibility of recurrence.<ref>'''', By Terrence Rafferty, May 2, 2004, NYTimes</ref> | ||
| As the series progressed, so did Godzilla, changing into a less destructive and more heroic character as the films became geared towards children. Since then, the character has fallen somewhere in the middle, sometimes portrayed as a protector of the world from external threats and other times as a bringer of destruction. Godzilla remains one of the greatest fictional heroes in the history of film, and is also the second of only three fictional characters to have won the ] Lifetime Achievement ], which was awarded in 1996.<ref>{{cite web|url=http://www.fanpop.com/spots/godzilla/videos/7584880/title/godzilla-wins-mtv-lifetime-achievement-award-1996 |title=Godzilla Wins The MTV Lifetime Achievement Award In 1996 – Godzilla video |publisher=Fanpop |date=1954-11-03 |accessdate=2010-04-13}}</ref> Godzilla was given a star on the ] in 2004 to celebrate the premiere of the character's 50th anniversary film, ]. <ref>http://usatoday30.usatoday.com/life/people/2004-11-30-godzilla_x.htm</ref> Godzilla's pop-cultural impact has led to the creation of numerous parodies and tributes, as seen in media such as '']'', which was ranked as one of the "50 greatest cartoons"<ref>Beck, Jerry (ed.) (1994). ''The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals''. Atlanta: Turner Publishing. ISBN 1-878685-49-X.</ref>, and various episodes of ''].'' | As the series progressed, so did Godzilla, changing into a less destructive and more heroic character as the films became geared towards children. Since then, the character has fallen somewhere in the middle, sometimes portrayed as a protector of the world from external threats and other times as a bringer of destruction. Godzilla remains one of the greatest fictional heroes in the history of film, and is also the second of only three fictional characters to have won the ] Lifetime Achievement ], which was awarded in 1996.<ref>{{cite web|url=http://www.fanpop.com/spots/godzilla/videos/7584880/title/godzilla-wins-mtv-lifetime-achievement-award-1996 |title=Godzilla Wins The MTV Lifetime Achievement Award In 1996 – Godzilla video |publisher=Fanpop |date=1954-11-03 |accessdate=2010-04-13}}</ref> Godzilla was given a star on the ] in 2004 to celebrate the premiere of the character's 50th anniversary film, ]. <ref>http://usatoday30.usatoday.com/life/people/2004-11-30-godzilla_x.htm</ref> Godzilla's pop-cultural impact has led to the creation of numerous parodies and tributes, as seen in media such as '']'', which was ranked as one of the "50 greatest cartoons"<ref>Beck, Jerry (ed.) (1994). ''The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals''. Atlanta: Turner Publishing. ISBN 1-878685-49-X.</ref>, and various episodes of ''].'' Godzilla's success inspired the creation of numerous other monster characters, such as ], ] and ]. | ||
| Godzilla's fame and saurian appearence has had an impact on the scientific community. '']'' is a ] of ] dinosaur, named by ] and admitted Godzilla fan ]<ref name=carp97>K. Carpenter, 1997, "A giant coelophysoid (Ceratosauria) theropod from the Upper Triassic of New Mexico, USA", ''Neues Jahrbuch für Geologie und Paläontologie, Abhandlungen'' '''205'''(2): 189-208</ref>. '']'' is a extinct ] of the ], which researchers informally ] "Godzilla".<ref name="Gasparini''et al.'', 2006">Gasparini Z, Pol D, Spalletti LA. 2006. An unusual marine crocodyliform from the Jurassic-Cretaceous boundary of Patagonia. ''Science'' '''311''': 70-73.</ref> Paleontologists have written tongue-in-cheek speculative articles about Godzilla's biology, with Ken Carpenter tentatively classifying it as a ] based on its skull shape, four fingered hands and dorsal scutes, and paleontologist ] expressing skepticism while commenting on Godzilla's unusual morphology.<ref>http://scienceblogs.com/tetrapodzoology/2010/11/01/science-of-godzilla-2010/</ref> | Godzilla's fame and saurian appearence has had an impact on the scientific community. '']'' is a ] of ] dinosaur, named by ] and admitted Godzilla fan ]<ref name=carp97>K. Carpenter, 1997, "A giant coelophysoid (Ceratosauria) theropod from the Upper Triassic of New Mexico, USA", ''Neues Jahrbuch für Geologie und Paläontologie, Abhandlungen'' '''205'''(2): 189-208</ref>. '']'' is a extinct ] of the ], which researchers informally ] "Godzilla".<ref name="Gasparini''et al.'', 2006">Gasparini Z, Pol D, Spalletti LA. 2006. An unusual marine crocodyliform from the Jurassic-Cretaceous boundary of Patagonia. ''Science'' '''311''': 70-73.</ref> Paleontologists have written tongue-in-cheek speculative articles about Godzilla's biology, with Ken Carpenter tentatively classifying it as a ] based on its skull shape, four fingered hands and dorsal scutes, and paleontologist ] expressing skepticism while commenting on Godzilla's unusual morphology.<ref>http://scienceblogs.com/tetrapodzoology/2010/11/01/science-of-godzilla-2010/</ref> | ||
Revision as of 20:05, 9 July 2013
This article is about the monster. For other uses, see Godzilla (disambiguation). "ゴジラ" redirects here. For other uses of "Gojira", see Gojira (disambiguation).| Godzilla | |
|---|---|
| File:Godzilla '54 design.jpg Godzilla portrayed in battle against the JSDF in a publicity photo for his debut movie | |
| First appearance: | Godzilla (1954) |
| Latest appearance: | Godzilla: Final Wars (2004) |
| Created by: | Tomoyuki Tanaka, Ishiro Honda, Eiji Tsubaraya, Akira Watanabe |
| Portrayed by: | Shōwa Series: Haruo Nakajima Katsumi Tezuka Yū Sekida Ryosaku Takasugi Seiji Onaka Shinji Takagi Isao Zushi Toru Kawai Heisei Series: Kenpachiro Satsuma Millennium Series: Tsutomu Kitagawa Mizuho Yoshida |
Godzilla (ゴジラ, Gojira) (/ɡɒdˈzɪlə/; [ɡoꜜdʑiɽa] ) is a kaiju (Japanese giant monster), first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.. The monster has appeared in numerous other media incarnations including video games, novels, comic books, and television series. A 1998 American reimagining was produced and a second American version is currently undergoing principal photography. He is commonly referred to as the King of the Monsters.
With the nuclear bombings of Hiroshima and Nagasaki and the Lucky Dragon 5 incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. As the film series expanded, some stories took on less serious undertones portraying Godzilla as a hero while other plots still portrayed Godzilla as a destructive monster; sometimes the lesser of two threats who plays the defender by default but is still a danger to humanity.
Name
Gojira (ゴジラ) is a portmanteau of the Japanese words: gorira (ゴリラ, "gorilla"), and kujira (鯨（クジラ）, "whale"), which is fitting because in one planning stage, Godzilla was described as "a cross between a gorilla and a whale", alluding to his size, power and aquatic origin. One popular story is that "Gojira" was actually the nickname of a corpulent stagehand at Toho Studio. The story has not been verified, however, and, in the nearly sixty years since the film's original release, no one claiming to be the rumored employee has ever stepped forward nor have any photographs ever surfaced. Kimi Honda (the widow of Ishiro Honda) always suspected that the man never existed as she mentioned in a 1998 interview, "The backstage boys at Toho loved to joke around with tall stories".
Godzilla's name was written in man'yōgana as Gojira (呉爾羅), where the kanji are used for phonetic value and not for meaning. Many Japanese books on Godzilla have referenced this curious fact, including B Media Books Special: Gojira Gahô, published by Take-Shobo in three different editions (1993, 1998, and 1999).
The Japanese pronunciation of the name is [ɡodʑiɽa] ; the Anglicized form is /ɡɒdˈzɪlə/, with the first syllable pronounced like the word "god", and the rest rhyming with "gorilla". When Godzilla was created, Japanese-to-English transliteration was less familiar, so it is possible that the kana representing the second syllable was misinterpreted as . In the Hepburn romanization system, Godzilla's name would have been rendered as "Gojira", whereas in the Kunrei romanization system it would have been rendered as "Gozira".
Character overview and development
Although the specific details of Godzilla's appearance have varied slightly over the years, the overall impression has remained consistent. Inspired by the fictional Rhedosaurus created by animator Ray Harryhausen for the film The Beast from 20,000 Fathoms, Godzilla's iconic character design was conceived as that of an amphibious reptilian monster based around the loose concept of a dinosaur with an erect standing posture, scaly skin, an anthropomorphic torso with muscular arms, spikes on its back and tail, and a furrowed brow. Art director Akira Watanabe combined attributes of a Tyrannosaurus, an Iguanodon, a Stegosaurus and an alligator to form a sort of blended chimera, inspired by illustrations from an issue of Life magazine. To emphasise the monster's relationship with the atomic bomb, its skin texture was inspired by the keloid scars seen on Hiroshima's survivors. Godzilla's appearance has traditionally been portrayed in the films by an actor wearing a latex costume, though the character has also been rendered in animatronic, stop-motion and computer-generated form. Godzilla has a distinctive roar, which was created by composer Akira Ifukube, who produced the sound by rubbing a resin coated glove along the string of a contrabass and then slowing down the playback. The original costume was painted brown, though Godzilla has also been depicted as black, grey or green.
The gender of the Godzilla character has been a subject of confusion for English-speaking audiences. In the original Japanese films, Godzilla and all the other monsters are referred to with gender-neutral pronouns such as "it", while in the English dubbed versions, Godzilla is explicitly described as a male, such as in the title of Godzilla, King of the Monsters!. The 1998 Hollywood remake contributed to this confusion, in which the titular character (subsequently known as Zilla) was depicted laying eggs.
Within the context of the films, Godzilla's exact origins vary, but it is generally depicted as an enormous, violent, prehistoric sea monster awakened and empowered by nuclear radiation. Its size is inconsistant, changing from film to film and even from scene to scene for the sake of artistic license. The miniature sets and costumes are typically built at a 1:50-1:100 scale and filmed at 240 frames per second, to create the illusion of great size. Supplimentary information such as character profiles depict Godzilla as being 50–100 meters (164–328 feet) tall and weighing 20-60,000 tons. Godzilla's signature weapon is its atomic breath, a concentrated stream of blue or red radioactive fire that is unleashed from its jaws while its dorsal fins glow. Toho’s special effects department has used various techniques to render the breath, from physical gas-powered flames to hand-drawn or computer-generated fire. Godzilla is shown to posess immense physical strength and muscularity. Haruo Nakajima, the actor who played Godzilla in the original films, was a black belt in Judo and used his expertise to choreograph the battle sequences. Godzilla is described in the original film by the character Dr. Yamane as being a transitional form between a marine and a terrestrial reptile, capable of breathing underwater. Godzilla is immune to conventional weaponry thanks to its rugged hide and ability to regenerate. Various films, television shows, comics and games have depicted Godzilla with additional powers such as an atomic pulse, magnetism, precognition, fireballs, an electric bite, superhuman speed, eye beams and even flight.
Throughout the various stories it is featured in, Godzilla has fought many opponents, such as the JSDF, recurring enemies like King Ghidorah, Gigan and Mechagodzilla, and one-shot characters like Megalon, Biollante and Megaguirus. Godzilla is also shown to have allies, such as Mothra, Rodan and Anguirus (though these characters were initially portrayed as Godzilla's rivals), and children, such as Minilla. Godzilla has even fought against fictional characters from other franchises in crossover media, such as King Kong and the Fantastic Four.
Film, television and printed media appearances
Main article: Godzilla (franchise) Main article: Godzilla (comics)Cultural impact
Main article: Godzilla in popular culture
Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. Godzilla’s vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character despite its wrathful nature. Audiences respond positively to the character because it acts out of rage and self-preservation and shows where science and technology can go wrong. Godzilla has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki, and the possibility of recurrence.
As the series progressed, so did Godzilla, changing into a less destructive and more heroic character as the films became geared towards children. Since then, the character has fallen somewhere in the middle, sometimes portrayed as a protector of the world from external threats and other times as a bringer of destruction. Godzilla remains one of the greatest fictional heroes in the history of film, and is also the second of only three fictional characters to have won the MTV Lifetime Achievement Award, which was awarded in 1996. Godzilla was given a star on the Hollywood Walk of Fame in 2004 to celebrate the premiere of the character's 50th anniversary film, Godzilla: Final Wars. Godzilla's pop-cultural impact has led to the creation of numerous parodies and tributes, as seen in media such as Bambi Meets Godzilla, which was ranked as one of the "50 greatest cartoons", and various episodes of Mystery Science Theater 3000. Godzilla's success inspired the creation of numerous other monster characters, such as Gamera, Yonggary and Gorgo.
Godzilla's fame and saurian appearence has had an impact on the scientific community. Gojirasaurus is a dubious genus of coelophysid dinosaur, named by paleontologist and admitted Godzilla fan Kenneth Carpenter. Dakosaurus is a extinct marine crocodile of the Jurassic Period, which researchers informally nicknamed "Godzilla". Paleontologists have written tongue-in-cheek speculative articles about Godzilla's biology, with Ken Carpenter tentatively classifying it as a ceratosaur based on its skull shape, four fingered hands and dorsal scutes, and paleontologist Darren Naish expressing skepticism while commenting on Godzilla's unusual morphology.
The Sea Shepherd Conservation Society christened a vessel Gojira. Its purpose is to target and harass Japanese whalers in defense of whales in the Southern Ocean Whale Sanctuary. The Gojira was renamed MV Brigitte Bardot in May 2011 after complaints of copyright infringement by Toho.
Gojira is the name of a French death metal band, formerly known as Godzilla.
References
- ^ Takeo Murata (writer) and Ishirō Honda (writer/director) (2006). Godzilla (DVD). Classic Media.
- ^ Al C. Ward (writer) and Ishirō Honda, Terry Morse (writers/directors) (2006). Godzilla, King of the Monsters! (DVD). Classic Media.
- "Godzilla (2014): New Director Gareth Edwards Set Video". Cosmic Booknews. Retrieved May 21, 2013.
- Mushroom Clouds and Mushroom Men - The Fantastic Cinema of Ishiro Honda by Peter H. Brothers (AuthorHouse 2009)
- Steve Ryfle. Japan's Favorite Mon-Star. ECW Press, 1998. Pg.22
- "Gojira Media". Godzila Gojimm. Toho Co., Ltd. Retrieved November 19, 2010.
- Steve Ryfle. Pg.23
- B Media Books Special: The Godzilla Chronicles Ver. 2: The History of Toho Fantastic Movies, 1935–1998. Japan: Take-Shobo. 1998. ISBN 4-8124-0408-8.
- "The Evolution of Godzilla G-suit variation throughout the Monster King's twenty-five films". Originally published in G-FAN Issue #16 July/August 1995. Retrieved June 2, 2013.
- Meet Godzilla, Robert Greenberger, 2005 - page 15
- Godzilla First, 1954 ~ 1955, Osamu Kishikawa, 1994
- "Think Godzilla's Scary? Meet His Lawyers". Wired. Retrieved May 21, 2013.
- "Godzilla arouses atomic terror". USA Today. Retrieved May 30, 2013.
- William M. Tsutsui (2003). Godzilla on My Mind: Fifty Years of the King of Monsters. New York: Palgrave Macmillan. p. 23.
- "Gojira". Turner Classic Movies. Retrieved June 2, 2013.
- "The Voice of Godzilla: The Movie Music of Akira Ifukube". Mania. Retrieved May 21, 2013.
- Godzilla on my Mind, William Tsutsui, page 12
- http://web.archive.org/web/20050203181104/http://www.pennyblood.com/godzilla2.html
- http://www.guardian.co.uk/culture/2005/oct/14/6
- http://web.archive.org/web/20050203181104/http://www.pennyblood.com/godzilla2.html
- http://www.gvsdestoroyah.dulcemichaelanya.com/Bsmodels.htm
- http://web-japan.org/kidsweb/hitech/godzilla/godzilla03.html
- "Godzilla (1954) stats and bio page". www.tohokingdom.com. Retrieved 2013-03-08.
- "Godzilla (2004) stats and bio page". www.tohokingdom.com. Retrieved 2013-03-08.
- http://www.tohokingdom.com/kaiju/godzilla_heisei.htm
- Haruo Nakajima, Godzilla Criterion Collection Blu-Ray special featurette
- "Haruo Nakajima". Anime News Network. Retrieved May 21, 2013.
- The Art of Suit Acting - Classic Media Godzilla Raids Again DVD featurette
- An Anatomical Guide to Monsters, Shoji Otomo, 1967
- Godzilla 2000
- CR Godzilla Pachinko cutscene
- Sharp, Jasper (2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 67. ISBN 9780810857957.
- West, Mark (2008). The Japanification of Children's Popular Culture: From Godzilla to Miyazaki. Scarecrow Press. p. vii. ISBN 9780810851214.
- Tadao Sato, Godzilla Criterion Collection Blu-Ray special featurette
- http://www.calstatela.edu/faculty/sfischo/psychological_appeal_of_movie_monsters1.pdf
- The Monster That Morphed Into a Metaphor, By Terrence Rafferty, May 2, 2004, NYTimes
- "Godzilla Wins The MTV Lifetime Achievement Award In 1996 – Godzilla video". Fanpop. 1954-11-03. Retrieved 2010-04-13.
- http://usatoday30.usatoday.com/life/people/2004-11-30-godzilla_x.htm
- Beck, Jerry (ed.) (1994). The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals. Atlanta: Turner Publishing. ISBN 1-878685-49-X.
- K. Carpenter, 1997, "A giant coelophysoid (Ceratosauria) theropod from the Upper Triassic of New Mexico, USA", Neues Jahrbuch für Geologie und Paläontologie, Abhandlungen 205(2): 189-208
- Gasparini Z, Pol D, Spalletti LA. 2006. An unusual marine crocodyliform from the Jurassic-Cretaceous boundary of Patagonia. Science 311: 70-73.
- http://scienceblogs.com/tetrapodzoology/2010/11/01/science-of-godzilla-2010/
External links
- Official Website of Toho (Japanese)
- Template:IMDb character
