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| ==Early life== | ==Early life== | ||
| Ailes, born 1912 in ], ], and her brother Isamu were born to different fathers. Their mother, ] was an American Journalist living in Japan, working as an English teacher and writer. Léonie met Isamu's father, ] while Yone was living in New York where he was trying to get his poetry published. Yone was writing his poetry in English, but his English language skllls needed improvement. Léonie answered an advertisement Yone placed looking for an English language editor to correct his English. Isamu was born in Los Angeles after Yone had gone back to Japan to teach English at ]. |
Ailes, born 1912 in ], ], and her brother Isamu were born to different fathers. Their mother, ] was an American Journalist living in Japan, working as an English teacher and writer. Léonie met Isamu's father, ] while Yone was living in New York where he was trying to get his poetry published. Yone was writing his poetry in English, but his English language skllls needed improvement. Léonie answered an advertisement Yone placed looking for an English language editor to correct his English. Isamu was born in Los Angeles after Yone had gone back to Japan to teach English at ]. In 1907 Leonie traveled to Japan at Yone's behest, but when she got to ], she learned Yone had married a Japanese woman there upon his return. | ||
| Ailes' son later found a page in an old notebook that might have referred to Ailes' father. However, the corner of the paper where the name might have been written had been torn off. <ref>Duus, Masayo. ''The Life of Isamu Noguchi: A Journey without Borders.'' Princeton University Press, 2004</ref> Ailes said in a biographical statement for ] book about ], that her father was a Japanese poet.<ref>Horosko, Marian. ''Martha Graham: The Evolution of Her Dance Theory and Training.'' University Press of Florida, 2002</ref> Leonie chose the name Ailes for her daughter from a poem ''Beauty's a Flower'' by ], the pseudonym of ]. It is a striking coincidence that the words in that poem seemed to predict Ailes' career as a dancer. Moira wrote, "Ailes was a girl that stepped on two bare feet..." | Ailes' son later found a page in an old notebook that might have referred to Ailes' father. However, the corner of the paper where the name might have been written had been torn off. <ref>Duus, Masayo. ''The Life of Isamu Noguchi: A Journey without Borders.'' Princeton University Press, 2004</ref> Ailes said in a biographical statement for ] book about ], that her father was a Japanese poet.<ref>Horosko, Marian. ''Martha Graham: The Evolution of Her Dance Theory and Training.'' University Press of Florida, 2002</ref> Leonie chose the name Ailes for her daughter from a poem ''Beauty's a Flower'' by ], the pseudonym of ]. It is a striking coincidence that the words in that poem seemed to predict Ailes' career as a dancer. Moira wrote, "Ailes was a girl that stepped on two bare feet..." | ||
Revision as of 01:59, 24 August 2013
Ailes Gilmour (January 27, 1912 - April 16, 1993) was a Japanese American dancer who was one of the young pioneers of the American Modern Dance movement of the 1930s. She was one of the first members of Martha Graham's dance company. Ailes' older brother was sculptor Isamu Noguchi.
Early life
Ailes, born 1912 in Yokohama, Japan, and her brother Isamu were born to different fathers. Their mother, Léonie Gilmour was an American Journalist living in Japan, working as an English teacher and writer. Léonie met Isamu's father, Yone Noguchi while Yone was living in New York where he was trying to get his poetry published. Yone was writing his poetry in English, but his English language skllls needed improvement. Léonie answered an advertisement Yone placed looking for an English language editor to correct his English. Isamu was born in Los Angeles after Yone had gone back to Japan to teach English at Keio University. In 1907 Leonie traveled to Japan at Yone's behest, but when she got to Tokyo, she learned Yone had married a Japanese woman there upon his return.
Ailes' son later found a page in an old notebook that might have referred to Ailes' father. However, the corner of the paper where the name might have been written had been torn off. Ailes said in a biographical statement for Marion Horosko's book about Martha Graham, that her father was a Japanese poet. Leonie chose the name Ailes for her daughter from a poem Beauty's a Flower by Moira O'Neill, the pseudonym of Agnes Shakespeare Higginson. It is a striking coincidence that the words in that poem seemed to predict Ailes' career as a dancer. Moira wrote, "Ailes was a girl that stepped on two bare feet..."
Ailes grew up in a little Japanese style house that Léonie had constructed in Chigasaki, a seaside town near Yokohama. In 1920, Ailes and her mother returned to America, living first in San Francisco and then settling in New York City. Léonie sent Ailes to the Ethical Culture elementary school, founded in 1876 by Felix Adler and known as a progressive school. Leonie herself had attended the predecessor to the Ethical Culture elementary school when it was called the Workingman's School. For high school, Léonie chose the Cherry Lawn School in Connecticut for her daughter. It was a boarding school that was known for its progressive, coeducational program. The director and founder of the school was Fred Goldfrank.
In 1928, Ailes was the literary editor of The Cherry Pit, the Cherry Lawn's student magazine. After she graduated from high school in 1929, she went on to the Neighborhood Playhouse to study dance and performing arts as a scholarship student. There she met the young Martha Graham and joined her new professional dance troupe. Ailes told Marion Horosko that she introduced Martha Graham to her brother, Isamu, in 1929. Martha had a bust made of herself in bronze.
In 1948, Ailes married anthropologist Herbert J. Spinden.
Career
During the Depression Era, dancers like Ailes and artists like Isamu struggled to find work. In 1932, when Radio City Music Hall opened, Ailes performed at the debut with Graham's company. Their work, Choric Patterns, lasted on stage for just one week. Ailes ruefully observed to Marion Horosko that Radio City Music Hall could succeed only when it became a movie theater with Rockettes.
In the 1930s, Ailes Gilmour appeared on dance programs with a dancer-choreographer Bill Matons. Matons was the Director of the "experimental unit" of the New Dance League, which evolved from the Workers Dance League between 1931 and 1935. Among the group's later-to-become-famous members were male dancer-choreographers like José Limón and Charles Weidman. In 1937, Ailes and Matons performed in a Works Progress Administration (WPA) recital at the Brooklyn Museum. In 1939, they were in Adelante, a WPA-sponsored Broadway musical. Also in 1937, Matons did the choreography for the Lenin Peace pageant at Madison Square Garden.
On April 16, 1993, Ailes Gilmour Spinden died in Santa Fe, New Mexico at the age of eighty-one.
References
- ^ Kisselgoff, Anna (May 29, 1988). "DANCE VIEW; Reflections on Martha Graham's Revolution". The New York Times. Retrieved 2012-08-27.
Among those in the first and all-female troupe in the 1930's was Ailes Gilmour, who introduced her brother, the sculptor Isamu Noguchi, to Miss Graham
- Duus, Masayo. The Life of Isamu Noguchi: A Journey without Borders. Princeton University Press, 2004
- Horosko, Marian. Martha Graham: The Evolution of Her Dance Theory and Training. University Press of Florida, 2002
- "The Cherry Pit 1928 Yearbook - Editorial Staff" (PDF). Cherry Lawn School. Retrieved 2008-10-15.
- "Herbert Joseph Spinden". Dictionary of Art Historians. Retrieved 2008-10-15.
Further reading
- Noguchi, Isamu. A Sculptor's World. New York: Harper and Row, 1968.