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{{Infobox Bach composition
#redirect]
| title = {{lang|la|Missa}}
| noitalic = y
| bwv = 232a
| type = ]
| image = Dresden Sophienkirche Lithographie.jpg
| caption = ], possibly the location of the first performance
| related = {{Plainlist |
* base for ]
* base for ]
}}
| composed = {{Timeline-event|date={{Start date|1733}}|location=]}}
| performed = {{Timeline-event|date={{Start date|1733}}|location=]}}
| text = ] and ]
| movements = 12 in 2 parts (3, 9)
| vocal = ] choir and solo
| instrumental = {{hlist | 3 ]s | ] | ] | 2 ] | 2 ]s | 2 ] | 2 ]s | 2 ]s | ] | ] }}
}}

The '''Missa''' in ], '''BWV 232a''', by ] is a setting of two parts of the Latin ], '']'' and '']''. Bach composed the two sections, each in several movements, in ] in 1733 for the court in ]. It is also known as '''''Missa 1733'''''. Bach later derived cantata ], from three movements of the ''Gloria'' (1745) and included both ''Kyrie'' and ''Gloria'' unchanged into his ], BWV 232.

== History ==

Bach was a ] church musician, devoted to the composition of sacred music in German. He wrote more than 200 ]s for the liturgy, most of them in ]. In 1724 he composed a ] for Christmas, which he later integrated into his ].<ref name="steinitz" /> In 1733 he composed a '']'', a setting of '']'' and '']'', for the court of Dresden, the ''Kyrie'' as a lament for the death of ], King of Poland and Elector of Saxony, who had died on 1 February 1733 (he had been received into the ] in order to ascend the throne of Poland in 1697.) The ''Gloria'' was to celebrate his successor, later ]. Bach presented parts of the works to Augustus with a note dated 27 July 1733, in the hope of obtaining the title, "Electoral Saxon Court Composer", complaining that he had "innocently suffered one injury or another" in ].<ref>An English translation of the letter is given in Hans T. David and Arthur Mendel, ''The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents'', W. W. Norton & Company, 1945, p. 128. (Also in "The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents" revised by Christoph Wolff, W. W. Norton & Co Inc, 1998, ISBN 978-0-393-04558-1 , p. 158.)</ref> The works were performed in 1733, most likely at the Sophienkirche in Dresden, where Bach's son ] had been organist since June,<ref>The details added in this section are from Christoph Wolff "Bach", III, 7 (§8), '']'' ed., L. Macy. http://www.grovemusic.com/ . Last accessed August 9, 2007.</ref> though not in the presence of their dedicatees.

Later, Bach used three movements of this ] to compose his cantata ], possibly for a performance in 1745.<ref name="steinitz" /> Bach integrated the complete Missa unchanged in his Mass in B minor, his only complete mass (or ''missa tota'').<ref name="laurson" /> Scoring and structure are identical with the later work.

Bach described the piece as "an insignificant product of the skill I have attained in music." ] described the work, in 1818, as "the greatest musical art work of all times and nations."<ref name="WDL">{{cite web |url = http://www.wdl.org/en/item/11619/ |title = Missa in B Minor ("Kyrie" and "Gloria" of the B Minor Mass) |website = ] |year = 1733 |accessdate = 2013-08-08 }}</ref>

== References ==
{{reflist
| refs =

<ref name="steinitz">
{{cite web
| last = Steinitz
| first = Margaret
| url = http://www.aucx96.dsl.pipex.com/Lbsdb/LBSDB_LC_INTRO.html
| title = Bach's Latin Church Music
| accessdate = 16 September 2010
| publisher = ]
}}
</ref>

<ref name="laurson">
{{cite web
| last = Laurson
| first = Jens F.
| url = http://www.musicweb-international.com/classrev/2009/Aug09/Bach_Missa_2564690571.htm
| title = Johann Sebastian Bach (1685&ndash;1750) / Missa (1733)
| publisher = musicweb-international.com
| year = 2009
| accessdate = 12 February 2013
}}
</ref>

}}

== Sources ==

* {{IMSLP2|id=Mass in B minor, BWV 232 (Bach, Johann Sebastian)|Mass in B minor, BWV 232}}
* : history, scoring, sources for text and music, translations to various languages, discography, discussion, ''bach-cantatas'' website

== External links ==
* kulturradio.de 10 February 2013

{{Johann Sebastian Bach}}
{{DEFAULTSORT:Missa Bwv 232a}}
]
]
]
]

Revision as of 20:31, 26 October 2014

Missa
BWV 232a
Short mass by J. S. Bach
Sophienkirche, Dresden, possibly the location of the first performance
Related
TextKyrie and Gloria
Composed1733 (1733): Leipzig
Performed1733 (1733): Dresden
Movements12 in 2 parts (3, 9)
VocalSSATB choir and solo
Instrumental

The Missa in B minor, BWV 232a, by Johann Sebastian Bach is a setting of two parts of the Latin mass, Kyrie and Gloria. Bach composed the two sections, each in several movements, in Leipzig in 1733 for the court in Dresden. It is also known as Missa 1733. Bach later derived cantata Gloria in excelsis Deo, BWV 191, from three movements of the Gloria (1745) and included both Kyrie and Gloria unchanged into his Mass in B minor, BWV 232.

History

Bach was a Lutheran church musician, devoted to the composition of sacred music in German. He wrote more than 200 cantatas for the liturgy, most of them in Leipzig. In 1724 he composed a Sanctus for Christmas, which he later integrated into his Mass in B minor. In 1733 he composed a Missa, a setting of Kyrie and Gloria, for the court of Dresden, the Kyrie as a lament for the death of Augustus the Strong, King of Poland and Elector of Saxony, who had died on 1 February 1733 (he had been received into the Catholic Church in order to ascend the throne of Poland in 1697.) The Gloria was to celebrate his successor, later Augustus III of Poland. Bach presented parts of the works to Augustus with a note dated 27 July 1733, in the hope of obtaining the title, "Electoral Saxon Court Composer", complaining that he had "innocently suffered one injury or another" in Leipzig. The works were performed in 1733, most likely at the Sophienkirche in Dresden, where Bach's son Wilhelm Friedemann Bach had been organist since June, though not in the presence of their dedicatees.

Later, Bach used three movements of this Gloria to compose his cantata Gloria in excelsis Deo, BWV 191, possibly for a performance in 1745. Bach integrated the complete Missa unchanged in his Mass in B minor, his only complete mass (or missa tota). Scoring and structure are identical with the later work.

Bach described the piece as "an insignificant product of the skill I have attained in music." Hans Georg Nägeli described the work, in 1818, as "the greatest musical art work of all times and nations."

References

  1. ^ Steinitz, Margaret. "Bach's Latin Church Music". London Bach Society. Retrieved 16 September 2010.
  2. An English translation of the letter is given in Hans T. David and Arthur Mendel, The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents, W. W. Norton & Company, 1945, p. 128. (Also in "The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents" revised by Christoph Wolff, W. W. Norton & Co Inc, 1998, ISBN 978-0-393-04558-1 , p. 158.)
  3. The details added in this section are from Christoph Wolff "Bach", III, 7 (§8), Grove Music Online ed., L. Macy. http://www.grovemusic.com/ . Last accessed August 9, 2007.
  4. Laurson, Jens F. (2009). "Johann Sebastian Bach (1685–1750) / Missa (1733)". musicweb-international.com. Retrieved 12 February 2013.
  5. "Missa in B Minor ("Kyrie" and "Gloria" of the B Minor Mass)". World Digital Library. 1733. Retrieved 2013-08-08.

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