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| stylistic_origins=] |
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| cultural_origins=Early 1960's, ] |
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| cultural_origins=Early 1960's, ] |
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| instruments= |
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| instruments=], ], ], ], ], ], ], modern ], ] |
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| countries_popularity=Made popular by groups from ], ], and the ] (] & ]). (considerable popularity in the rest of the Caribbean, Africa, France, South America as well as several major U.S cities), enjoyed highest popularity during the '60s, '70s, and 80s |
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| derivatives= ], ], ], ] |
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| fusiongenres=], ], ] |
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| regional_scenes= ], ], ], ], ], ], ], ], ], ], ], ], ], ] |
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{{Music of Haiti}} |
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{{Music of Haiti}} |
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==History== |
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==History== |
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From the 50s-60s, Haitian artists introduced their ] (compas or cadence) to the Caribbean. Boa des iles and la Bananeraie would be favorite night-clubs for these bands. In Martinique, several music groups became popular with Nemours' compas tunes. Ensemble Abricots (Bienvenue, festival-compas), Les Djoubap’s (Isabelle), Combo Jazz (electronique compas, pa gadem sou cote), Georges Plonquitte (vini danse compas direct) etc. have all within a year conquered the public with the many tunes or compositions of Nemours.<ref>Dominique Janvier, introduction in Nemours' Album cover 1980, long vie to Nemours</ref> |
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From the 1950s and 1960s, Haitian artists introduced their ] (compas or cadence) to the Caribbean. Boa des iles and la Bananeraie would be favorite night-clubs for these bands. In Martinique, several music groups became popular with Nemours' compas tunes. Ensemble Abricots (Bienvenue, festival-compas), Les Djoubap’s (Isabelle), Combo Jazz (electronique compas, pa gadem sou cote), Georges Plonquitte (vini danse compas direct) etc. have all within a year conquered the public with the many tunes or compositions of Nemours.<ref>Dominique Janvier, introduction in Nemours' Album cover 1980, long vie to Nemours</ref> |
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===Cadence-lypso (Dominica Kadans)=== |
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===Cadence-lypso (Dominica Kadans)=== |
Cadence-lypso is the Dominican kadans. The leading figure in the promotion of the Cadence-lypso was the Dominican group Exile One (based on the island of Guadeloupe) that combined elements of the Haitian Cadence rampa or compas with the Trinidadian calypso, hence the name cadence-lypso; however, most of the bands repertoire was kadans. This fusion of kadans and calypso accounts only for a small percentage of the band's repertoire: Exile One like all Dominica kadans bands featured reggae, calypso and mostly kadans or compas music.