| Revision as of 17:44, 1 February 2015 editEurovisa (talk | contribs)Extended confirmed users1,304 edits →Early life and career← Previous edit | Revision as of 00:52, 6 March 2015 edit undoDl2000 (talk | contribs)Autopatrolled, Extended confirmed users, New page reviewers, Pending changes reviewers, Rollbackers820,482 editsm ordinals not normally used for dates (WP:DATESNO); fix quotNext edit → | ||
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| A well known early work is '']'' (1971), which has as its basis a recorded ] of a ] singing a musical fragment that the old man had improvised.<ref>{{cite web|url=http://www.guardian.co.uk/music/2009/oct/21/gavin-bryars-ensemble-review?INTCMP=SRCH|title=Gavin Bryars Ensemble: Union Chapel|last=Lewis|first=John|date=21 October 2009|publisher=The Guardian|accessdate=9 March 2011}}</ref> On top of that loop, rich ] played by a live ] are built, always increasing in density, before the whole thing gradually fades out. A new recording of this work was made in the 1990s with ] singing along with the original recording of the vagrant during the final section. | A well known early work is '']'' (1971), which has as its basis a recorded ] of a ] singing a musical fragment that the old man had improvised.<ref>{{cite web|url=http://www.guardian.co.uk/music/2009/oct/21/gavin-bryars-ensemble-review?INTCMP=SRCH|title=Gavin Bryars Ensemble: Union Chapel|last=Lewis|first=John|date=21 October 2009|publisher=The Guardian|accessdate=9 March 2011}}</ref> On top of that loop, rich ] played by a live ] are built, always increasing in density, before the whole thing gradually fades out. A new recording of this work was made in the 1990s with ] singing along with the original recording of the vagrant during the final section. | ||
| Bryars was a founding member of the ], an orchestra whose membership consisted of performers who |
Bryars was a founding member of the ], an orchestra whose membership consisted of performers who "embrace the full range of musical competence" — and who played popular ] works. Its members included ], whose Obscure Records label would subsequently release works by Bryars. In one of the first three releases from the label, Brian Eno's album '']'', Bryars conducted and co-arranged the three pieces ''Three Variations on the Canon in D Major by Johann Pachelbel'' which constitute the second half of the album. | ||
| Bryars's later works have included ''A Man In A Room, Gambling'' (1992), which was written on commission from ] and ]. Bryars's music is heard beneath monologues spoken by the Spanish artist ], who talks about methods of cheating at card games. The ten short works were played on Radio 3 without any introductory announcements, and Bryars is quoted as saying that he hoped they would appear to the listener in a similar way to the ], both mysterious and accepted without question. His Cello concerto ''Farewell to Philosophy'' was recorded in 1996 by ]. | Bryars's later works have included ''A Man In A Room, Gambling'' (1992), which was written on commission from ] and ]. Bryars's music is heard beneath monologues spoken by the Spanish artist ], who talks about methods of cheating at card games. The ten short works were played on Radio 3 without any introductory announcements, and Bryars is quoted as saying that he hoped they would appear to the listener in a similar way to the ], both mysterious and accepted without question. His Cello concerto ''Farewell to Philosophy'' was recorded in 1996 by ]. | ||
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| Bryars has written a large number of other works, including four operas, and a number of instrumental pieces, among them three ]s and several concertos. He has written several pieces for choreographers, including ''Biped'' (1999) for ]. Between 1981–1984 he participated in '']'', a vast, never-completed multimedia project by ], who also directed his first opera "Medea". He has also written a large body of vocal and choral music for groups such as the Hilliard Ensemble, the Latvian Radio Choir, the Estonian National Men's Choir, Red Byrd, Trio Mediaeval and has written a great deal for early music performers including 5 books of madrigals and a collection of over 40 "laude". | Bryars has written a large number of other works, including four operas, and a number of instrumental pieces, among them three ]s and several concertos. He has written several pieces for choreographers, including ''Biped'' (1999) for ]. Between 1981–1984 he participated in '']'', a vast, never-completed multimedia project by ], who also directed his first opera "Medea". He has also written a large body of vocal and choral music for groups such as the Hilliard Ensemble, the Latvian Radio Choir, the Estonian National Men's Choir, Red Byrd, Trio Mediaeval and has written a great deal for early music performers including 5 books of madrigals and a collection of over 40 "laude". | ||
| Bryars ''When Harry Met Addie'' (a tribute to jazz singer ] and saxophonist ]) was premiered at the ] Memorial Concert at the ], London on |
Bryars ''When Harry Met Addie'' (a tribute to jazz singer ] and saxophonist ]) was premiered at the ] Memorial Concert at the ], London on 1 May 1999. The piece was performed by the London Sinfonietta Big Band<ref>review http://www.theguardian.com/culture/1999/may/04/artsfeatures.jazz </ref> and was commissioned by the baritone saxophonist/bass clarinettist ]. ] sang the soprano and the London Sinfonietta Big Band was conducted by ]·<ref> http://www.schott-international.com/shop/php/Proxy.php?purl=/essh/9/show,165998.html</ref> | ||
| Bryars founded the music department at Leicester Polytechnic (now ]), and taught there for a number of years, but left in 1994 to concentrate on composition and performance. He lives in England, and, for part of the year, on the west coast of Canada. | Bryars founded the music department at Leicester Polytechnic (now ]), and taught there for a number of years, but left in 1994 to concentrate on composition and performance. He lives in England, and, for part of the year, on the west coast of Canada. | ||
Revision as of 00:52, 6 March 2015
| Gavin Bryars | |
|---|---|
 | |
| Background information | |
| Birth name | Richard Gavin Bryars |
| Born | (1943-01-16) 16 January 1943 (age 81) |
| Origin | Yorkshire, England |
| Occupation | Composer |
| Instrument | Double bass |
| Website | gavinbryars |
Richard Gavin Bryars (/ˈɡævɪn braɪərz/; born 16 January 1943) is an English composer and double bassist. He has been active in, or has produced works in, a variety of styles of music, including jazz, free improvisation, minimalism, historicism, experimental music, avant-garde and neoclassicism.
Early life and career
Born in Goole, in East Yorkshire, England, Bryars studied philosophy at Sheffield University but became a jazz bassist during his three years as a philosophy student.
The first musical work for which he is remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. The trio began by playing relatively traditional jazz before moving into free improvisation. However, Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner which seemed to him to be artificial, and he became interested in composition instead.
Bryars's first works as a composer owe much to the New York School of John Cage (with whom he briefly studied), Morton Feldman, Earle Brown and minimalism. One of his earliest pieces, The Sinking of the Titanic (1969), is an indeterminist work which allows the performers to take a number of sound sources related to the sinking of the RMS Titanic and make them into a piece of music. The first recording of this piece appeared on Brian Eno's Obscure Records in 1975. The 1994 recording of this piece was remixed by Aphex Twin as Raising the Titanic (later collected on the 26 Mixes for Cash album).
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A well known early work is Jesus' Blood Never Failed Me Yet (1971), which has as its basis a recorded loop of a vagrant singing a musical fragment that the old man had improvised. On top of that loop, rich harmonies played by a live ensemble are built, always increasing in density, before the whole thing gradually fades out. A new recording of this work was made in the 1990s with Tom Waits singing along with the original recording of the vagrant during the final section.
Bryars was a founding member of the Portsmouth Sinfonia, an orchestra whose membership consisted of performers who "embrace the full range of musical competence" — and who played popular classical works. Its members included Brian Eno, whose Obscure Records label would subsequently release works by Bryars. In one of the first three releases from the label, Brian Eno's album Discreet Music, Bryars conducted and co-arranged the three pieces Three Variations on the Canon in D Major by Johann Pachelbel which constitute the second half of the album.
Bryars's later works have included A Man In A Room, Gambling (1992), which was written on commission from BBC Radio 3 and Artangel. Bryars's music is heard beneath monologues spoken by the Spanish artist Juan Muñoz, who talks about methods of cheating at card games. The ten short works were played on Radio 3 without any introductory announcements, and Bryars is quoted as saying that he hoped they would appear to the listener in a similar way to the shipping forecast, both mysterious and accepted without question. His Cello concerto Farewell to Philosophy was recorded in 1996 by Julian Lloyd Webber.
Bryars has written a large number of other works, including four operas, and a number of instrumental pieces, among them three string quartets and several concertos. He has written several pieces for choreographers, including Biped (1999) for Merce Cunningham. Between 1981–1984 he participated in the CIVIL warS, a vast, never-completed multimedia project by Robert Wilson, who also directed his first opera "Medea". He has also written a large body of vocal and choral music for groups such as the Hilliard Ensemble, the Latvian Radio Choir, the Estonian National Men's Choir, Red Byrd, Trio Mediaeval and has written a great deal for early music performers including 5 books of madrigals and a collection of over 40 "laude".
Bryars When Harry Met Addie (a tribute to jazz singer Adelaide Hall and saxophonist Harry Carney) was premiered at the Duke Ellington Memorial Concert at the Queen Elizabeth Hall, London on 1 May 1999. The piece was performed by the London Sinfonietta Big Band and was commissioned by the baritone saxophonist/bass clarinettist John Surman. Cristina Zavalloni sang the soprano and the London Sinfonietta Big Band was conducted by Diego Masson·
Bryars founded the music department at Leicester Polytechnic (now De Montfort University), and taught there for a number of years, but left in 1994 to concentrate on composition and performance. He lives in England, and, for part of the year, on the west coast of Canada.
He was born on the same day (16 January 1943) as another prominent English composer, Brian Ferneyhough.
In his June 2008 appearance on Desert Island Discs author Peter Carey chose Jesus' Blood Never Failed Me Yet as his eighth and final record choice.
Personal life
Bryars is married to Anna Tchernakova, a Russian filmmaker, and they have a daughter and a son. Bryars has two daughters from his first marriage.
Selected works
- The Sinking of the Titanic (1969, First performance: Queen Elizabeth Hall, London 1972).
- Necropolis Soundtrack Film Franco Brocani (1970).
- Jesus' Blood Never Failed Me Yet (for Pre-recorded Tape and ensemble), 1972.
- Medea (Opera, libretto after Euripides. ) 1982, revised 1984 and 1995.
- CIVIL WarS (incomplete Opera collaboration with Robert Wilson), 1984 . Some sections of the music exist in completed form, as follows:
- On Photography for Chorus (SATB), harmonium, piano.
- 2B for Percussion ensemble.
- Arias For Marie Curie, The Queen of the Sea, Captain Nemo, The Japanese Bride.
- String Quartet No 1 Between the National and the Bristol, 1985.
- Cadman Requiem (Dedicated to Bill Cadman, his sound recordist, who perished in Pan Am 103), 1989.
- String Quartet No 2, 1990.
- A Man in a Room, Gambling for speaking voice and string quartet (Text: Juan Muñoz), 1992.
- The North Shore for viola and piano, 1993.
- Three Elegies for Nine Clarinets, 1994.
- Cello Concerto Farewell to Philosophy, 1995.
- Adnan Songbook, 1996.
- Doctor Ox's Experiment, opera, 1998.
- String Quartet no.3, 1998.
- Biped – music for the dance by Merce Cunningham, 1999.
- When Harry Met Addie - music for soprano voice (vocalise) and big band, 1999
- G (Being the Confession and Last Testament of Johannes Gensfleisch, also known as Gutenberg, Master Printer, formerly of Strasbourg and Mainz) Opera, 2002.
- Nothing like the Sun – 8 Shakespeare sonnets for soprano, tenor, speaking voice, 8 instruments, 2007.
- Piano Concerto ("The Solway Canal"), 2010.
References
- Billboard.com – Biography – Gavin Bryars
- ^ Feeney, Anne. "Gavin Bryars: Biography". Allmusic. Retrieved 9 March 2011.
- Lewis, John (21 October 2009). "Gavin Bryars Ensemble: Union Chapel". The Guardian. Retrieved 9 March 2011.
- review http://www.theguardian.com/culture/1999/may/04/artsfeatures.jazz
- http://www.schott-international.com/shop/php/Proxy.php?purl=/essh/9/show,165998.html
- ‘G' : Being the Confession and Last Testament of Johannes Gutenberg, also known as Gensfleisch, Master Printer, formerly of Strasbourg and Mainz (2002). Opera. Music by Gavin Bryars. Blake Morrison, 2005 (pictured)
External links
- Gavin Bryars.com – The official Gavin Bryars website : bio, discog, news, etc.
- Schott Music Limited
- Myspace.com/gavinbryarsmusic – The official Gavin Bryars MySpace page : information and sound clips
- Gavin Bryars discography
- Clip of Cello Concerto on YouTube
- Cello Concerto Reviews
- BBC interview (2004)
- Culture Kiosque Interview (2000)
- Morton Feldman interviewed by Gavin Bryars and Fred Orton (1976)
http://lt.wikipedia.org/Gavinas_Bryarsas
Categories:- Use dmy dates from October 2012
- 1943 births
- Living people
- 20th-century classical composers
- English classical composers
- Experimental composers
- English experimental musicians
- Postminimalist composers
- British jazz double-bassists
- 21st-century classical composers
- People from Goole
- Alumni of the University of Sheffield
- Academics of De Montfort University
- Historicist composers
- Minimalist composers
- Contemporary classical music performers
- ECM Records artists
- English double-bassists
- Musicians from Yorkshire