| Revision as of 09:15, 31 July 2006 editVoyevoda (talk | contribs)3,989 editsm revert. there was no citizenship at those times. but he was the court's achtitect which is even more. please stop trolling← Previous edit | Revision as of 10:02, 31 July 2006 edit undoKwame Nkrumah (talk | contribs)1,129 edits yes, and Leonardo became French when went to live in France. if you have no proof he was Russian, leave his nationality by birthNext edit → | ||
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| '''Francesco Bartolomeo Rastrelli''' (Russian: Франческо Бартоломео Растрелли) (]-]) was |
'''Francesco Bartolomeo Rastrelli''' (Russian: Франческо Бартоломео Растрелли) (]-]) was an ] architect who worked in ]. He developed an easily recognizable style of late ], both sumptuous and majestic. His major works, including the ] in ] and the ] in ], are famed for extravagant luxury and opulence of decoration. | ||
| Bartolomeo went to Russia in ] with his father, Italian sculptor ] (]-]). His ambition was to combine the latest Italian architectural fashion with traditions of the ] style. The first important commission came in 1721 when he was asked to build a palace for Prince ], former ruler of ]. | Bartolomeo went to Russia in ] with his father, Italian sculptor ] (]-]). His ambition was to combine the latest Italian architectural fashion with traditions of the ] style. The first important commission came in 1721 when he was asked to build a palace for Prince ], former ruler of ]. | ||
Revision as of 10:02, 31 July 2006
Francesco Bartolomeo Rastrelli (Russian: Франческо Бартоломео Растрелли) (1700-1771) was an Italian architect who worked in Russia. He developed an easily recognizable style of late baroque, both sumptuous and majestic. His major works, including the Winter Palace in St Petersburg and the Catherine Palace in Tsarskoe Selo, are famed for extravagant luxury and opulence of decoration.
Bartolomeo went to Russia in 1715 with his father, Italian sculptor Carlo Bartolomeo Rastrelli (1675-1744). His ambition was to combine the latest Italian architectural fashion with traditions of the Muscovite baroque style. The first important commission came in 1721 when he was asked to build a palace for Prince Demetre Cantemir, former ruler of Moldavia.
Rastrelli was appointed to the post of senior court architect in 1730. His works found favour with female monarchs of his time, so he retained this post throughout the reigns of Empresses Anna (1730-40) and Elizabeth (1741-62). His major works were as follows:
- 1730 - The Annenhof Palace in Lefortovo, Moscow, demolished in the 19th century
- 1733 - The first Winter Palace in St Petersburg, subsequently demolished
- 1736 - The Rundāle Palace for Ernst Biron, Duke of Courland and intimate friend of Empress Anna
- 1738 - The Mitava Palace in Jelgava, Courland, also for Biron
- 1741 - The Summer Palace in St Petersburg, demolished in 1797
- 1747 - Expansion and renovation of the Grand Peterhof Palace
- 1749 - The Church of St Andrew in Kiev
- 1749 - The Vorontsov Palace in St Petersburg
- 1752 - The Catherine Palace in Tsarskoe Selo
- 1752 - The Mariyinsky Palace in Kiev (now the ceremonial residence of the President of Ukraine)
- 1753 - The Stroganov Palace on the Nevsky Prospekt, St Petersburg
- 1753 - The Winter Palace in St Petersburg
Rastrelli's last and most ambitious project was the Smolny convent in St Petersburg where Empress Elizabeth was to spend the rest of her life. The projected bell-tower was to become the tallest building in St Petersburg and all of Russia. Elizabeth's death in 1762 prevented Rastrelli from completing this grand design.
The new empress Catherine dismissed baroque architecture as an old-fashioned "whipped cream", and the aged architect had to retire to Courland where he supervised decoration of the ducal palaces. His last years were spent in obscure commerce with Italian art-dealers. He was elected to the Imperial Academy of Arts several months before his death. A square before the Smolny convent bears Rastrelli's name since 1923.