Misplaced Pages

Giosuè Carducci: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 13:33, 27 September 2015 edit151.20.113.40 (talk)No edit summary← Previous edit Revision as of 15:43, 29 September 2015 edit undo87.6.191.219 (talk) Undid revision 683001714 by 151.20.113.40 (talk)Next edit →
Line 1: Line 1:
{{distinguish|Guido Sarducci}} {{distinguish|Guido Sarducci}}
{{Infobox writer <!-- for more information see ] --> {{Infobox writer <!-- for more information see ] -->
| name = Giosuè Carducci | name = Giosuè Carducci
| birth_name = Giosuè Alessandro Giuseppe Carducci | birth_name = Giosuè Alessandro Giuseppe Carducci
| image = Giosuè Carducci2.jpg | image = Giosuè Carducci2.jpg
| birth_date = {{birth date|1835|7|27|df=y}} | birth_date = {{birth date|1835|7|27|df=y}}
| birth_place = ], ], Italy | birth_place = ], ], Italy
| death_date = {{death date and age|1907|2|16|1835|6|27|df=y}} | death_date = {{death date and age|1907|2|16|1835|6|27|df=y}}
| death_place = ], Italy | death_place = ], Italy
| occupation = ] | occupation = ]
| nationality = ] | nationality = ]
| awards = {{awd|]|1906}} | awards = {{awd|]|1906}}
}} }}

'''Giosuè Alessandro Giuseppe Carducci''' ({{IPA-it|dʒozuˈɛ karˈduttʃi|lang}}; 27 July 1835 – 16 February 1907) was an ] poet and teacher. He was very influential <ref>Baldi, Giusso, Razetti, Zaccaria, ''Dal testo alla storia. Dalla storia al testo'', Torino, 2001, vol. 3/1B, p. 778: "Partecipò intensamente alla vita culturale del tempo e ... sostenne infinite polemiche letterarie e politiche".</ref> and was regarded as the official ] of modern ].<ref>Giulio Ferroni, ''Profilo storico della letteratura italiana'', Torino, 1992, p. 780: "Si trasforma in poeta ufficiale dell'Italia umbertina".</ref> In 1906 he became the first Italian to receive the ] "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces". '''Giosuè Alessandro Giuseppe Carducci''' ({{IPA-it|dʒozuˈɛ karˈduttʃi|lang}}; 27 July 1835 – 16 February 1907) was an ] poet and teacher. He was very influential <ref>Baldi, Giusso, Razetti, Zaccaria, ''Dal testo alla storia. Dalla storia al testo'', Torino, 2001, vol. 3/1B, p. 778: "Partecipò intensamente alla vita culturale del tempo e ... sostenne infinite polemiche letterarie e politiche".</ref> and was regarded as the official ] of modern ].<ref>Giulio Ferroni, ''Profilo storico della letteratura italiana'', Torino, 1992, p. 780: "Si trasforma in poeta ufficiale dell'Italia umbertina".</ref> In 1906 he became the first Italian to receive the ] "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces".


Line 25: Line 26:


<blockquote>I know neither truth of God nor peace with the Vatican or any priests. They are the real and unaltering enemies of Italy.</blockquote> he said in his later years.<ref>Carelle, A., ''Naturalismo Italiano'', Draghi, Padova 1911, cited at http://www.infidels.org/library/historical/joseph_mccabe/dictionary.html</ref> <blockquote>I know neither truth of God nor peace with the Vatican or any priests. They are the real and unaltering enemies of Italy.</blockquote> he said in his later years.<ref>Carelle, A., ''Naturalismo Italiano'', Draghi, Padova 1911, cited at http://www.infidels.org/library/historical/joseph_mccabe/dictionary.html</ref>

This anti-clerical revolutionary zeal is prominently showcased in one famous poem, the deliberately blasphemous and provocative "Inno a Satana" (or "Hymn to Satan".) The poem was composed in 1863 as a dinner party toast, published in 1865, then republished in 1869 by Bologna's radical newspaper, ''Il Popolo'', as a provocation timed to coincide with the 20th Vatican Ecumenical Council, a time when revolutionary fervor directed against the papacy was running high as republicans pressed both politically and militarily for an end of the Vatican’s domination over the papal states.<ref>''Carducci, Giosuè, Selected Verse/ Giosuè Carducci: edited with a translation, introduction and commentary by David H. Higgins'', (Aris & Phillips; Warminster, England), 1994. See also: Bailey, John Cann, ''Carducci'' The ] (Clarendon Press, Oxford) 1926.</ref> This anti-clerical revolutionary zeal is prominently showcased in one famous poem, the deliberately blasphemous and provocative "Inno a Satana" (or "Hymn to Satan".) The poem was composed in 1863 as a dinner party toast, published in 1865, then republished in 1869 by Bologna's radical newspaper, ''Il Popolo'', as a provocation timed to coincide with the 20th Vatican Ecumenical Council, a time when revolutionary fervor directed against the papacy was running high as republicans pressed both politically and militarily for an end of the Vatican’s domination over the papal states.<ref>''Carducci, Giosuè, Selected Verse/ Giosuè Carducci: edited with a translation, introduction and commentary by David H. Higgins'', (Aris & Phillips; Warminster, England), 1994. See also: Bailey, John Cann, ''Carducci'' The ] (Clarendon Press, Oxford) 1926.</ref>


In 1890 he met future writer and poet ], with whom he started a love affair. ] reported that In 1890 he met future writer and poet ], with whom he started a love affair. ] reported that
{{quote|Carducci used to travel with a suitcase in which he kept a huge pair of Annie Vivanti's panties... every once in a while, he opened the suitcase, took out the panties, sniffed them and got intoxicated from them.<ref name="Corriere2005">, Corriere.it, 2005 quotation: {{quotation|...immagine ribadita e documentata l' anno scorso con l' uscita da Feltrinelli di Addio caro Orco : il carteggio integrale tra i due, senza tagli e censure moralistiche dell' edizione di Pietro Pancrazi ( 1951) che aveva acquistato lettere e diari dalla vedova del poeta.}}</ref><ref>Cattaneo, Giulio (1991) p.40 quotation: {{quotation|Carducci viaggiava con una valigia dove era un paio di enormi mutande di Annie Vivanti, con giri di merletti e svoli a insalata. Ogni tanto apriva la valigia, tirava fuori le mutande, le annusava e se ne inebriava. Questo è feticismo}}</ref> In 2004, the uncensored letters between her and Carducci were published.<ref name="Corriere2005"/><ref> (2004), published by Feltrinelli</ref>}} {{quote|Carducci used to travel with a suitcase in which he kept a huge pair of Annie Vivanti's panties... every once in a while, he opened the suitcase, took out the panties, sniffed them and got intoxicated from them.<ref name="Corriere2005">, Corriere.it, 2005 quotation: {{quotation|...immagine ribadita e documentata l' anno scorso con l' uscita da Feltrinelli di Addio caro Orco : il carteggio integrale tra i due, senza tagli e censure moralistiche dell' edizione di Pietro Pancrazi ( 1951) che aveva acquistato lettere e diari dalla vedova del poeta.}}</ref><ref>Cattaneo, Giulio (1991) p.40 quotation: {{quotation|Carducci viaggiava con una valigia dove era un paio di enormi mutande di Annie Vivanti, con giri di merletti e svoli a insalata. Ogni tanto apriva la valigia, tirava fuori le mutande, le annusava e se ne inebriava. Questo è feticismo}}</ref> In 2004, the uncensored letters between her and Carducci were published.<ref name="Corriere2005"/><ref> (2004), published by Feltrinelli</ref>}}


While "Inno a Satana" had quite a revolutionary impact, Carducci's finest poetry came in later years. His collections ''Rime Nuove'' (''New Rhymes'') and ''Odi Barbare'' ('']'') contain his greatest works.<ref>One prominent English translation is ''The Barbarian Odes of Giosuè Carducci'', translated from the Italian by William Fletcher Smith, (Manasha, Wisconsin: George Banta Publishing Co., 1939). The translation is reviewed in {{cite journal While "Inno a Satana" had quite a revolutionary impact, Carducci's finest poetry came in later years. His collections ''Rime Nuove'' (''New Rhymes'') and ''Odi Barbare'' ('']'') contain his greatest works.<ref>One prominent English translation is ''The Barbarian Odes of Giosuè Carducci'', translated from the Italian by William Fletcher Smith, (Manasha, Wisconsin: George Banta Publishing Co., 1939). The translation is reviewed in {{cite journal
| last = Dismukes | last = Dismukes
| first = William Paul | first = William Paul
| title = ''The Barbarian Odes of Giosuè Carducci'' by William Fletcher Smith | title = ''The Barbarian Odes of Giosuè Carducci'' by William Fletcher Smith
| journal = Italica | journal = Italica
| volume = 17 | volume = 17
| issue = 1 | issue = 1
| pages = 29–30 | pages = 29–30
| date = March 1940 | date = March 1940
}} }}
</ref> </ref>
Line 54: Line 54:


==References== ==References==
* *


==External links== ==External links==
Line 62: Line 62:
* *
* Original Italian text * Original Italian text

{{Nobel Prize in Literature Laureates 1901-1925}} {{Nobel Prize in Literature Laureates 1901-1925}}

{{Authority control}} {{Authority control}}

{{Persondata <!-- Metadata: see ]. --> {{Persondata <!-- Metadata: see ]. -->
| NAME = Carducci, Giosuè | NAME = Carducci, Giosue
| ALTERNATIVE NAMES = | ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Italian poet | SHORT DESCRIPTION = Italian poet

Revision as of 15:43, 29 September 2015

Not to be confused with Guido Sarducci.
Giosuè Carducci
BornGiosuè Alessandro Giuseppe Carducci
(1835-07-27)27 July 1835
Valdicastello di Pietrasanta, Tuscany, Italy
Died16 February 1907(1907-02-16) (aged 71)
Bologna, Italy
OccupationPoet
NationalityItalian
Notable awardsNobel Prize in Literature
1906

Giosuè Alessandro Giuseppe Carducci (Italian: [dʒozuˈɛ karˈduttʃi]; 27 July 1835 – 16 February 1907) was an Italian poet and teacher. He was very influential and was regarded as the official national poet of modern Italy. In 1906 he became the first Italian to receive the Nobel Prize in Literature "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces".

Biography

He was born in Valdicastello (part of Pietrasanta), a small town in the Province of Lucca in the northwest corner of the region of Tuscany. His father, a doctor, was an advocate of the unification of Italy and was involved with the Carbonari. Because of his politics, the family was forced to move several times during Carducci's childhood, eventually settling for a few years in Florence.

From the time he was in college, he was fascinated with the restrained style of Greek and Roman antiquity, and his mature work reflects a restrained classical style, often using the classical meters of such Latin poets as Horace and Virgil. He translated Book 9 of Homer's Iliad into Italian.

He graduated in 1856 from the Scuola Normale Superiore di Pisa and began teaching school. The following year, he published his first collection of poems, Rime. These were difficult years for Carducci: his father died, and his brother committed suicide.

In 1859, he married Elvira Menicucci, and they had four children. He briefly taught Greek at a high school in Pistoia, and then was appointed Italian professor at the university in Bologna. Here, one of his students was Giovanni Pascoli, who became a poet himself and later succeeded him at the university.
Carducci was a popular lecturer and a fierce critic of literature and society. He was an atheist, whose political views were consistently opposed to Christianity generally and the secular power of the Catholic Church in particular.

I know neither truth of God nor peace with the Vatican or any priests. They are the real and unaltering enemies of Italy.

he said in his later years.

This anti-clerical revolutionary zeal is prominently showcased in one famous poem, the deliberately blasphemous and provocative "Inno a Satana" (or "Hymn to Satan".) The poem was composed in 1863 as a dinner party toast, published in 1865, then republished in 1869 by Bologna's radical newspaper, Il Popolo, as a provocation timed to coincide with the 20th Vatican Ecumenical Council, a time when revolutionary fervor directed against the papacy was running high as republicans pressed both politically and militarily for an end of the Vatican’s domination over the papal states.

In 1890 he met future writer and poet Annie Vivanti, with whom he started a love affair. Carlo Emilio Gadda reported that

Carducci used to travel with a suitcase in which he kept a huge pair of Annie Vivanti's panties... every once in a while, he opened the suitcase, took out the panties, sniffed them and got intoxicated from them. In 2004, the uncensored letters between her and Carducci were published.

While "Inno a Satana" had quite a revolutionary impact, Carducci's finest poetry came in later years. His collections Rime Nuove (New Rhymes) and Odi Barbare (Barbarian Odes) contain his greatest works.

He was the first Italian to receive the Nobel Prize in Literature, in 1906. He was also elected a Senator of Italy. Although his reputation rests primarily on his poetry, he also produced a large body of prose works. Indeed, his prose writings, including literary criticism, biographies, speeches and essays, fill some 20 volumes. Carducci was also an excellent translator and translated some of Goethe and Heine into Italian.

The Museum of the Risorgimento, Bologna is housed in the Casa Carducci, the house where he died at the age of 71, and contains an exhibits on the author.

See also

Notes

  1. Baldi, Giusso, Razetti, Zaccaria, Dal testo alla storia. Dalla storia al testo, Torino, 2001, vol. 3/1B, p. 778: "Partecipò intensamente alla vita culturale del tempo e ... sostenne infinite polemiche letterarie e politiche".
  2. Giulio Ferroni, Profilo storico della letteratura italiana, Torino, 1992, p. 780: "Si trasforma in poeta ufficiale dell'Italia umbertina".
  3. Chisholm, Hugh, ed. (1911). "Carducci, Giosuè" . Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge University Press.
  4. Biagini, Mario, Giosuè Carducci, Mursia, 1976, p. 208.
  5. Carelle, A., Naturalismo Italiano, Draghi, Padova 1911, cited at http://www.infidels.org/library/historical/joseph_mccabe/dictionary.html
  6. Carducci, Giosuè, Selected Verse/ Giosuè Carducci: edited with a translation, introduction and commentary by David H. Higgins, (Aris & Phillips; Warminster, England), 1994. See also: Bailey, John Cann, Carducci The Taylorian Lecture (Clarendon Press, Oxford) 1926.
  7. ^ Annie e l' Orco: storie d' amore e cinismo, Corriere.it, 2005 quotation:

    ...immagine ribadita e documentata l' anno scorso con l' uscita da Feltrinelli di Addio caro Orco : il carteggio integrale tra i due, senza tagli e censure moralistiche dell' edizione di Pietro Pancrazi ( 1951) che aveva acquistato lettere e diari dalla vedova del poeta.

  8. Cattaneo, Giulio (1991) Il gran lombardo p.40 quotation:

    Carducci viaggiava con una valigia dove era un paio di enormi mutande di Annie Vivanti, con giri di merletti e svoli a insalata. Ogni tanto apriva la valigia, tirava fuori le mutande, le annusava e se ne inebriava. Questo è feticismo

  9. Addio caro Orco (2004), published by Feltrinelli
  10. One prominent English translation is The Barbarian Odes of Giosuè Carducci, translated from the Italian by William Fletcher Smith, (Manasha, Wisconsin: George Banta Publishing Co., 1939). The translation is reviewed in Dismukes, William Paul (March 1940). "The Barbarian Odes of Giosuè Carducci by William Fletcher Smith". Italica. 17 (1): 29–30.
  11. Scalia, Samuel Eugene (1937). Carducci. New York: S.F. Vanni.
  12. Tomasin, Lorenzo (2007). "Classica e odierna". Studi sulla lingua di Carducci. Florence: Olschki.
  13. Selections from Carducci; Prose and Poetry with introduction, notes and vocabulary by A. Marinoni. New York: William R. Jenkins. 1913. vii–ix. {{cite book}}: Unknown parameter |nopp= ignored (|no-pp= suggested) (help)

References

External links

Laureates of the Nobel Prize in Literature
1901–1920
1921–1940
1941–1960
1961–1980
1981–2000
2001–2020
2021–present

Template:Persondata

Categories: