| Revision as of 10:30, 18 August 2006 edit84.44.254.205 (talk)No edit summary← Previous edit | Revision as of 21:37, 18 August 2006 edit undoBakemono (talk | contribs)323 editsm JS: Reverted vandalism by 84.44.254.205 to last version by Bakemono. Please do not compromise the integrity of pages.Next edit → | ||
| Line 14: | Line 14: | ||
| }} | }} | ||
| {{unsourced}} | |||
| ⚫ | '''Neurofunk''' (commonly abbreviated '''neuro''') is a |
||
| {{cleanup-date|August 2006}} | |||
| ⚫ | '''Neurofunk''' (commonly abbreviated '''neuro''') is a ] of ] pioneered by ] ], ], ], and ]/] ] circa ]/] in ], ] as a ] of ]. It was further developed by ] elements of heavier and darker forms of ] with multiple influences ranging from ], ] and ], characterized by consecutive ]s over the ] and ] structured by razor-] ]s where overall, highly nuanced ] atmospheric ] is prominent. The ] sound of the early evolution of Neurofunk - diverging from its ] counterpart - at its most creative period which defined the style, can be heard in the essential live mix by Ed Rush & Optical for ] (1998). | ||
| ==Continuity== | ==Continuity== | ||
| Since the early experimental stages of |
Since the early experimental stages of Neurofunk when producer Optical defined the subgenre with his seminal "To shape the future" (]/1997) ], producers ], ] and ] & ] took the ] approach to ] in ] with emphasis on colder, precision ] ], harder ]s over the ] and sharper ]s - another influence on some subtle changes of sound over the years, were the continuous developments of music production ] and ] equipment - with further, stripped-down style of innovations in ] by producers ], ] , ] and ]. Producer ] however, mostly focused on complex horn ]s of the ] era in Jazz yet maintaining the ], ] aspects of classic Neurofunk ] in his music. | ||
| ==Lyrical Content== | ==Lyrical Content== | ||
| As an ]/], ] personalized |
As an ]/], ] personalized Neurofunk as an integral member of Ed Rush & Optical's live sets and studio productions. His abstract lyrical flow and ] manifestations - in contrast to his ] production skills - can be heard on Neurofunk classics such as "]" (co-produced by Ed Rush & Optical) and "Fastlane" (produced by ] & ]). His original lyrical style was influental on Neurofunk´s second-wave MC´s, most notable on ] ]´s (ex-Sinthetix), chopped-up spoken word roundabout drawing parallels to Ryme tyme´s poetic impact. Ryme tyme´s ] tune "We Enter" - his original solo version and the ] remixes - further composed Neurofunk as an ] to ] along with "Payback parts I & II" (solo production), "Lightsleeper" (co-produced by ] & ]), "Fever" (co-produced by ]), and "Dose" (co-produced by ]). | ||
| == History == | == History == | ||
| No one truly knows where the term "Neurofunk" originated but one first reference is a mention in the book ''Energy Flash'' by British music critic ] (ISBN 0-330-35056-0), a history of ] and ] culture. According to Simon Reynolds' perspective, "Neurofunk is the fun-free culmination of ]´s strategy of ']': the eroticization of anxiety." | No one truly knows where the term "Neurofunk" originated but one first reference is a mention in the book ''Energy Flash'' by British music critic ] (ISBN 0-330-35056-0), a history of ] and ] culture. According to Simon Reynolds' perspective, "Neurofunk is the fun-free culmination of ]´s strategy of ']': the eroticization of anxiety." | ||
| The history of |
The history of Neurofunk - besides the subgenre being a ] of ] - can be traced back to the late ]´s to mid ]´s period of ] ] when he fused ], ] and ] rhythms while switching his trumpet on to ] and ]s giving an intense and ] sound effect to it. His drummers - most often in the case of ] - made use of ]s and the ] technique in interaction with a ] of dark trumpet ] and ] driven ] of heavy Rock guitar rhythmic ]s, improvised Jazz ]s and thick Funk ]s, pioneering a new ] of electric ] induced, ] dance music. | ||
| ]' seminal albums from this period, ] (]), stated by ] as an influence on his work, ] (]), and ] (]) were the breeding ground for |
]' seminal albums from this period, ] (]), stated by ] as an influence on his work, ] (]), and ] (]) were clearly not the breeding ground for drum and bass driven Neurofunk. Some of the tracks by ] which can best translate the foundations of early Neurofunk are 'Black Satin' from ] and 'Rated X' from ]. | ||
| Another influence on the early Neurofunk sound of ] stated by ], was visionary ] ] complex ] techniques and experimentations for ] and ] during their early to late 1970's period when he re-defined ] as an advanced, conceptual form of music by incorporating the skills of ] musicans such as ] and ], while using the idea of long range instrumentals as tools for his ], ] influenced ]. | Another influence on the early Neurofunk sound of ] stated by ], was visionary ] ] complex ] techniques and experimentations for ] and ] during their early to late 1970's period when he re-defined ] as an advanced, conceptual form of music by incorporating the skills of ] musicans such as ] and ], while using the idea of long range instrumentals as tools for his ], ] influenced ]. | ||
| Pioneering |
Pioneering Funk ], ] played on many of George Clinton´s ]´s ] during this period - using the ] as a lead instrument rather than as standard back-up for guitar and drums - creating a new, | ||
| ], heavy low-end bass sound which ] for future ] such as ], ] and ]. | |||
| These styles initiated by Miles Davis and Funkadelic are considered to be some of the main sources for emerging new sounds from the |
These styles initiated by Miles Davis and Funkadelic are considered to be some of the main sources for emerging new sounds from the Funk related ] and by a far extension, the early foundations of Neurofunk. | ||
| == Signature Recordings (1997-2000) == | == Signature Recordings (1997-2000) == | ||
| Line 46: | Line 49: | ||
| * Serum (Matrix Remix) - Outfit (Metro Recordings/1999) | * Serum (Matrix Remix) - Outfit (Metro Recordings/1999) | ||
| * Roadblock - Konflict (Renegade Hardware/1999) | * Roadblock - Konflict (Renegade Hardware/1999) | ||
| * Can't Punish Me - Dom & Roland (Moving Shadow/1999) | |||
| * Climate - Matrix & Fierce (Metro Recordings/2000) | * Climate - Matrix & Fierce (Metro Recordings/2000) | ||
| * Bleed - Kemal (Negative/2000) | |||
| * Phone Call (Matrix Remix) - Klute (Certificate 18 Records/2000) | * Phone Call (Matrix Remix) - Klute (Certificate 18 Records/2000) | ||
| * Fever - Ryme tyme & Younghead (1210 Recordings/2000) | * Fever - Ryme tyme & Younghead (1210 Recordings/2000) | ||
| * Payback (Parts I & II) - Ryme tyme (DSCI4 Records/2000) | * Payback (Parts I & II) - Ryme tyme (DSCI4 Records/2000) | ||
| * Coma - Bad Company (DSCI4 Records/2000) | * Coma - Bad Company (DSCI4 Records/2000) | ||
| * Animation - Kemal & Rob Data (Architechture/2000) | |||
| * Nitrous - Bad Company & DJ Trace (Bad Company Recordings/2000) | |||
| == Signature Recordings (2001-2006) == | == Signature Recordings (2001-2006) == | ||
| * Gene Sequence - Kemal & Rob Data (Negative Recordings/2001) | |||
| * Resurrection - Ed Rush, Optical & Ryme tyme (Virus Recordings/2001) | * Resurrection - Ed Rush, Optical & Ryme tyme (Virus Recordings/2001) | ||
| * Mutationz (Part 3) - Kemal (DSCI4/2001) | |||
| * Gateway - Sinthetix (No U-Turn Records/2001) | * Gateway - Sinthetix (No U-Turn Records/2001) | ||
| * Kerbcrawler - Ed Rush & Optical (Virus Recordings/2001) | * Kerbcrawler - Ed Rush & Optical (Virus Recordings/2001) | ||
| * Possession (Kemal & Rob Data Remix) - Faith In Chaos (Outbreak/2001) | |||
| * Get Hype - Stratus (Subtitles/2001) | |||
| * Pacman (Ram Trilogy Remix) - Ed Rush & Optical (Virus Recordings/2002) | * Pacman (Ram Trilogy Remix) - Ed Rush & Optical (Virus Recordings/2002) | ||
| * Ultraviolet - Sinthetix (Cryptic Audio/2002) | * Ultraviolet - Sinthetix (Cryptic Audio/2002) | ||
| Line 63: | Line 74: | ||
| * Vapourspace - Cause 4 Concern (Metro Recordings/2002) | * Vapourspace - Cause 4 Concern (Metro Recordings/2002) | ||
| * Andromeda - Kiko (DSCI4 Records/2002) | * Andromeda - Kiko (DSCI4 Records/2002) | ||
| * |
* Astrocubic (Kemal Remix) - Typecell (Protogen Records/2003) | ||
| * |
* Scorched Earth (Kemal Remix) - Optiv, Concord Dawn & Bulletproof (Cyanide Recordings/2003) | ||
| * Night Raiders - Skynet (Black Sun Empire/2004) | |||
| * Afterglow - Kemal & Dresden Codex (Cryptic Audio/2004) | |||
| * Rainman - Silent Witness & Break (Commercial Suicide Records/2005) | * Rainman - Silent Witness & Break (Commercial Suicide Records/2005) | ||
| * Hot Rock - Phace (Subtitles Recordings/2005) | * Hot Rock - Phace (Subtitles Recordings/2005) | ||
| * Facade - Noisia (Ram Records/2006) | |||
| * Ghobby Ghost - The Upbeats (Project 51 Recordings/2006) | |||
| * Dose - Gridlok & Ryme Tyme (1210 Recordings/2006) | * Dose - Gridlok & Ryme Tyme (1210 Recordings/2006) | ||
| * Ormus (D-struct Remix) - Fission & Kaiser (Barcode Recordings/2006) | |||
| * Conform - Mayhem & Codex (Full Force dub/2006) | |||
| * Bullhead - Misanthrop (SLR dub/2006) | |||
| * Blackboard Jungle - EBK (Renagade Hardware Recordings/2006) | |||
| == Signature Albums == | == Signature Albums == | ||
| Line 80: | Line 87: | ||
| * Sleepwalk - Matrix (Virus Recordings/1999) | * Sleepwalk - Matrix (Virus Recordings/1999) | ||
| * Level 1 - Metro Recordings (Singles compilation/Metro Recordings/2000) | * Level 1 - Metro Recordings (Singles compilation/Metro Recordings/2000) | ||
| * Clockwork LP - Stakka, Skynet, et al (Underfire/2001) | |||
| * The Creeps - Ed Rush & Optical (Virus Recordings/2001) | * The Creeps - Ed Rush & Optical (Virus Recordings/2001) | ||
| * 1210 - Ryme tyme (Singles compilation/1210 Recordings/2001) | * 1210 - Ryme tyme (Singles compilation/1210 Recordings/2001) | ||
| * Gateway - Sinthetix (Singles Compilation/OHM Resistance/2006) | * Gateway - Sinthetix (Singles Compilation/OHM Resistance/2006) | ||
| == |
==Signature Mixes == | ||
| * Ed Rush & Optical: essential live mix - Radio 1 (Smart Disc/Bootleg/1998) | * Ed Rush & Optical: essential live mix - Radio 1 (Smart Disc/Bootleg/1998) | ||
| * Optical: live P.A. at Future - Prototype Records event (London/1998) | * Optical: live P.A. at Future - Prototype Records event (London/1998) | ||
| Line 92: | Line 100: | ||
| * | * | ||
| * | * | ||
| * | |||
| == See also == | |||
| * ] | |||
| * ] | |||
| {{Drum and bass-footer}} | {{Drum and bass-footer}} | ||
| Line 105: | Line 108: | ||
| ] | ] | ||
| ] | ] | ||
| ] | |||
Revision as of 21:37, 18 August 2006
| Neurofunk | |
|---|---|
| Stylistic origins | Drum and Bass, Funk, Techstep, House, Jazz, Techno, Dark ambient |
| Cultural origins | late-1990s, London, Scotland, Europe, eastern United States |
| Typical instruments | Synthesizer - Drum machine - Sequencer - Keyboard - Sampler - Laptop - Desktop |
| Subgenres | |
| none (complete list) | |
| Other topics | |
| Drum and bass artists, Drum and bass record labels | |
 | This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Neurofunk" – news · newspapers · books · scholar · JSTOR (Learn how and when to remove this message) |
You must add a |reason= parameter to this Cleanup template – replace it with {{Cleanup|August 2006|reason=<Fill reason here>}}, or remove the Cleanup template.
Neurofunk (commonly abbreviated neuro) is a subgenre of Drum and bass pioneered by producers Ed Rush, Optical, Matrix, and MC/producer Ryme tyme circa 1997/1998 in London, England as a progression of Techstep. It was further developed by juxtaposed elements of heavier and darker forms of Funk with multiple influences ranging from Techno, House and Jazz, characterized by consecutive stabs over the bass line and rhythmically structured by razor-sharp back beats where overall, highly nuanced Dark ambient atmospheric production is prominent. The prototype sound of the early evolution of Neurofunk - diverging from its Techstep counterpart - at its most creative period which defined the style, can be heard in the essential live mix by Ed Rush & Optical for Radio 1 (1998).
Continuity
Since the early experimental stages of Neurofunk when producer Optical defined the subgenre with his seminal "To shape the future" (Metalheadz Records/1997) tune, producers Sinthetix, Cause 4 Concern and Silent Witness & Break took the minimalist approach to production in 2002 with emphasis on colder, precision beat engineering, harder stabs over the bass line and sharper mixdowns - another influence on some subtle changes of sound over the years, were the continuous developments of music production software and recording studio equipment - with further, stripped-down style of innovations in 2005 by producers Phace, Misanthrop , Typecell and Desimal. Producer Gridlok however, mostly focused on complex horn arrangements of the Big Band era in Jazz yet maintaining the atonal, consonant aspects of classic Neurofunk minimalism in his music.
Lyrical Content
As an MC/producer, Ryme Tyme personalized Neurofunk as an integral member of Ed Rush & Optical's live sets and studio productions. His abstract lyrical flow and futurist manifestations - in contrast to his progressive production skills - can be heard on Neurofunk classics such as "Resurrection" (co-produced by Ed Rush & Optical) and "Fastlane" (produced by Ed Rush & Optical). His original lyrical style was influental on Neurofunk´s second-wave MC´s, most notable on MC Mecha´s (ex-Sinthetix), chopped-up spoken word roundabout drawing parallels to Ryme tyme´s poetic impact. Ryme tyme´s set-genre tune "We Enter" - his original solo version and the Optical remixes - further composed Neurofunk as an entity to Drum and bass along with "Payback parts I & II" (solo production), "Lightsleeper" (co-produced by Matrix & Fierce), "Fever" (co-produced by Younghead), and "Dose" (co-produced by Gridlok).
History
No one truly knows where the term "Neurofunk" originated but one first reference is a mention in the book Energy Flash by British music critic Simon Reynolds (ISBN 0-330-35056-0), a history of rave and dance music culture. According to Simon Reynolds' perspective, "Neurofunk is the fun-free culmination of jungle´s strategy of 'cultural resistance': the eroticization of anxiety."
The history of Neurofunk - besides the subgenre being a progression of Techstep - can be traced back to the late 1960´s to mid 1970´s period of trumpeter Miles Davis when he fused Jazz, Rock and Funk rhythms while switching his trumpet on to marshall stacks and wah-wah pedals giving an intense and distorted sound effect to it. His drummers - most often in the case of Tony Williams - made use of polyrhythms and the metric modulation technique in interaction with a dynamic system of dark trumpet modes and riff driven walls of sound of heavy Rock guitar rhythmic patterns, improvised Jazz solos and thick Funk bass lines, pioneering a new form of electric trance induced, instrumental dance music.
Miles Davis' seminal albums from this period, In a Silent Way (1969), stated by Matrix as an influence on his work, On The Corner (1972), and Get Up With It (1975) were clearly not the breeding ground for drum and bass driven Neurofunk. Some of the tracks by Miles Davis which can best translate the foundations of early Neurofunk are 'Black Satin' from On The Corner and 'Rated X' from Get Up With It.
Another influence on the early Neurofunk sound of Virus Recordings stated by Optical, was visionary record producer George Clinton's complex studio techniques and experimentations for Parliament and Funkadelic during their early to late 1970's period when he re-defined Funk as an advanced, conceptual form of music by incorporating the skills of virtuosic musicans such as Bernie Worrell and Eddie Hazel, while using the idea of long range instrumentals as tools for his progressive, psychedelic influenced arrangements.
Pioneering Funk bassist, Bootsy Collins played on many of George Clinton´s P-Funk´s jam sessions during this period - using the bass as a lead instrument rather than as standard back-up for guitar and drums - creating a new, reverberating, heavy low-end bass sound which set-pace for future genres such as Hip-hop, Detroit techno and Chicago house.
These styles initiated by Miles Davis and Funkadelic are considered to be some of the main sources for emerging new sounds from the Funk related underground and by a far extension, the early foundations of Neurofunk.
Signature Recordings (1997-2000)
- To Shape the Future - Optical (Metalheadz Records/1997)
- Where´s Jack the Ripper - Grooverider (co-written & produced by Optical/Sony Music/1998)
- We Enter (Optical Remixes) - Ryme tyme (No U-Turn Recordings/1998)
- Bluesy Baby (Ed rush & Optical Remix) - Ram Jam World (Higher Education Records/1998)
- Funktion - Ed rush & Optical (V Recordings/1998)
- Compound - Ed Rush & Optical (Virus Recordings/1998)
- Gas Mask - Ed Rush & Optical (Virus Recordings/1999)
- Medicine (Matrix Remix) - Ed Rush & Optical (Virus Recordings/1999)
- Serum (Matrix Remix) - Outfit (Metro Recordings/1999)
- Roadblock - Konflict (Renegade Hardware/1999)
- Can't Punish Me - Dom & Roland (Moving Shadow/1999)
- Climate - Matrix & Fierce (Metro Recordings/2000)
- Bleed - Kemal (Negative/2000)
- Phone Call (Matrix Remix) - Klute (Certificate 18 Records/2000)
- Fever - Ryme tyme & Younghead (1210 Recordings/2000)
- Payback (Parts I & II) - Ryme tyme (DSCI4 Records/2000)
- Coma - Bad Company (DSCI4 Records/2000)
- Animation - Kemal & Rob Data (Architechture/2000)
- Nitrous - Bad Company & DJ Trace (Bad Company Recordings/2000)
Signature Recordings (2001-2006)
- Gene Sequence - Kemal & Rob Data (Negative Recordings/2001)
- Resurrection - Ed Rush, Optical & Ryme tyme (Virus Recordings/2001)
- Mutationz (Part 3) - Kemal (DSCI4/2001)
- Gateway - Sinthetix (No U-Turn Records/2001)
- Kerbcrawler - Ed Rush & Optical (Virus Recordings/2001)
- Possession (Kemal & Rob Data Remix) - Faith In Chaos (Outbreak/2001)
- Get Hype - Stratus (Subtitles/2001)
- Pacman (Ram Trilogy Remix) - Ed Rush & Optical (Virus Recordings/2002)
- Ultraviolet - Sinthetix (Cryptic Audio/2002)
- Cryogenic - Sinthetix (DSCI4 Records/Spy Technologies Vol. I/2002)
- Contact - Silent Witness & Break (No U-Turn Records/2002)
- Lightsleeper - Matrix, Fierce & Ryme tyme (C4C Records/2002)
- Vapourspace - Cause 4 Concern (Metro Recordings/2002)
- Andromeda - Kiko (DSCI4 Records/2002)
- Astrocubic (Kemal Remix) - Typecell (Protogen Records/2003)
- Scorched Earth (Kemal Remix) - Optiv, Concord Dawn & Bulletproof (Cyanide Recordings/2003)
- Night Raiders - Skynet (Black Sun Empire/2004)
- Afterglow - Kemal & Dresden Codex (Cryptic Audio/2004)
- Rainman - Silent Witness & Break (Commercial Suicide Records/2005)
- Hot Rock - Phace (Subtitles Recordings/2005)
- Dose - Gridlok & Ryme Tyme (1210 Recordings/2006)
Signature Albums
- Mysteries of Funk - Grooverider (co-written & produced by Optical/Sony/1998)
- Wormhole - Ed Rush & Optical (Virus Recordings/1998)
- Sleepwalk - Matrix (Virus Recordings/1999)
- Level 1 - Metro Recordings (Singles compilation/Metro Recordings/2000)
- Clockwork LP - Stakka, Skynet, et al (Underfire/2001)
- The Creeps - Ed Rush & Optical (Virus Recordings/2001)
- 1210 - Ryme tyme (Singles compilation/1210 Recordings/2001)
- Gateway - Sinthetix (Singles Compilation/OHM Resistance/2006)
Signature Mixes
- Ed Rush & Optical: essential live mix - Radio 1 (Smart Disc/Bootleg/1998)
- Optical: live P.A. at Future - Prototype Records event (London/1998)
- Sinthetix: live mix - Jungle Zone Radio (09/07/2002)
External links
| Drum and bass | |
|---|---|