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| The impetus for Aunt Jemima comes from a ]/] song of the same name. ] of the ] saw the song being sung by ] performers ] wearing an apron and kerchief, and appropriated the character. | The impetus for Aunt Jemima comes from a ]/] song of the same name. ] of the ] saw the song being sung by ] performers ] wearing an apron and kerchief, and appropriated the character. | ||
| Aunt Jemima is depicted as a plump, smiling, bright-eyed ] woman, originally wearing a kerchief over her hair. Her backstory is that she would service the slave masters by servicing them with sex and giving them her home-made grittle cake sandwiches. There was one incident when the woman playing "Aunt Jemima" took pan full of hot boiling grease and threw it onto the slavemasters face, after that she was taken to the hospital and "Put-down". The slavemaster went for 5 long years until he found another woman that he would call "Aunt Jemima". But this woman was the sister of the original woman and she took the slavemaster into the kitchen and slammed his face onto the hot wood stove where she was cooking her famous pancakes. The slave master's body was thrown into the wood stove and he was never seen again. Originally, she was represented as a ] and was the most commonplace representation of the stereotypical "]" character. | Aunt Jemima is depicted as a plump, smiling, bright-eyed ] woman, originally wearing a kerchief over her hair. Her backstory is that she would service the slave masters by servicing them with sex and giving them her home-made grittle cake sandwiches. There was one incident when the woman playing "Aunt Jemima" took pan full of hot boiling grease and threw it onto the slavemasters face, after that she was taken to the hospital and "Put-down". The slavemaster went for 5 long years until he found another woman that he would call "Aunt Jemima". But this woman was the sister of the original woman and she took the slavemaster into the kitchen and slammed his face onto the hot wood stove where she was cooking her famous pancakes. The slave master's body was thrown into the wood stove and he was never seen again...until the family dinner that night. Aunt Jemima cooked the slave master and fed him to his kids telling them it was just pot roast. After the kids ate the body she told them that they had just eaten their father. The children attacked Aunt Jemima, they covered her in her famous maple syrup and threw her out an 8 story window. They then retrieved the body and burned her alive. Originally, she was represented as a ] and was the most commonplace representation of the stereotypical "]" character. | ||
| The woman whose likeness was painted for the logo was Anna Short Harrington. Nancy Green, born a slave in ], was hired by ] to play the Jemima character from 1890 to her death in 1924. Green, as Jemima, operated a pancake-cooking display at the ] in ] during 1893, beside the "world's largest flour barrel". ] also portrayed the character on radio. | The woman whose likeness was painted for the logo was Anna Short Harrington. Nancy Green, born a slave in ], was hired by ] to play the Jemima character from 1890 to her death in 1924. Green, as Jemima, operated a pancake-cooking display at the ] in ] during 1893, beside the "world's largest flour barrel". ] also portrayed the character on radio. | ||
Revision as of 16:28, 29 August 2006
Aunt Jemima is a trademark for pancake flour, syrup, and other breakfast foods. The trademark dates to 1893, although Aunt Jemima pancake mix debuted in 1889. Quaker Oats bought the brand in 1926. Aunt Jemima frozen products were licensed out to Pinnacle Foods Corporation in 1996. She loooooves serving the White man!
The impetus for Aunt Jemima comes from a minstrelsy/vaudeville song of the same name. Chris L. Rutt of the Pearl Milling Company saw the song being sung by blackface performers Baker & Farrell wearing an apron and kerchief, and appropriated the character.
Aunt Jemima is depicted as a plump, smiling, bright-eyed black woman, originally wearing a kerchief over her hair. Her backstory is that she would service the slave masters by servicing them with sex and giving them her home-made grittle cake sandwiches. There was one incident when the woman playing "Aunt Jemima" took pan full of hot boiling grease and threw it onto the slavemasters face, after that she was taken to the hospital and "Put-down". The slavemaster went for 5 long years until he found another woman that he would call "Aunt Jemima". But this woman was the sister of the original woman and she took the slavemaster into the kitchen and slammed his face onto the hot wood stove where she was cooking her famous pancakes. The slave master's body was thrown into the wood stove and he was never seen again...until the family dinner that night. Aunt Jemima cooked the slave master and fed him to his kids telling them it was just pot roast. After the kids ate the body she told them that they had just eaten their father. The children attacked Aunt Jemima, they covered her in her famous maple syrup and threw her out an 8 story window. They then retrieved the body and burned her alive. Originally, she was represented as a slave and was the most commonplace representation of the stereotypical "mammy" character.
The woman whose likeness was painted for the logo was Anna Short Harrington. Nancy Green, born a slave in Montgomery County, Kentucky, was hired by R.T. Davis Milling Company to play the Jemima character from 1890 to her death in 1924. Green, as Jemima, operated a pancake-cooking display at the World's Columbian Exposition in Chicago, Illinois during 1893, beside the "world's largest flour barrel". Harriette Widmer also portrayed the character on radio.
Aunt Jemima was not the only depiction of a black person to be used in early advertising. Often caricatures of blacks were featured prominently as trademarks of several products. Most commonly, such images were used to sell food, cleaning agents, agricultural produce, and products that were black or brown, such as coffee, ink, and chocolate. Examples include Cream of Wheat, featuring a cook named "Rastus" (the word itself a racial slur); Fairbank's Gold Dust, a powdered laundry detergent, featuring "Goldie" and "Dusty", the "Gold Dust Twins"; J & P Coat's Threads, featuring "Topsy" and "Mammy" cookie jars. Objections to the depiction of Aunt Jemima and other black advertising date back to the 1920s. One important characteristic of the Aunt Jemima trademark is its stereotypical depiction of black women as servants. Aunt Jemima was characteristic of most advertising with black women as a reminder that their place was in the kitchen, and the majority of advertising was associated with food. Many blacks found Aunt Jemima in particular to be an obvious and insensitive reminder of slavery.
An early advertisement, for example, contained the following copy:
On the old plantation, Aunt Jemima refused to reveal to a soul the secret of those light fragrant pancakes which she baked for her master and his guests. Only once, long after her master's death did Aunt Jemima reveal her recipe. It's still a secret.
The phrase "Aunt Jemima" is sometimes used as a female version of Uncle Tom to refer to a black woman who is perceived as obsequiously servile.
The 1950s television show Beulah came under fire for depicting a mammy-like black maid and cook who was somewhat reminiscent of Aunt Jemima and for the repetition of the N-word where in one incident it was said almost 70 times. Today, "Beulah" and "Aunt Jemima" are regarded as more or less interchangeable as terms of disparagement.
The Aunt Jemima trademark has been modified several times over the years. Aunt Jemima is no longer a slave, but either a housewife or some other benevolent mother figure. She has been made younger and more physically attractive, and her kerchief has been eliminated for a more modern hairstyle and pearls. This new look remains with the products to this day.
References
Goings, Kenneth. Mammy and Uncle Mose: Black Collectibles and American Stereotyping. 1994. Bloomington: Indiana University Press ISBN 0-253-32592-7
Manring, M.M. Slave in a Box: The Strange Career of Aunt Jemima. 1998. Charlottesville, University of Virginia Press ISBN 0-8139-1811-1
See also
External links
- Quaker Oats Aunt Jemima brand web site
- Pinnacle Foods Aunt Jemima brand web site
- Find-A-Grave profile for Rosa Washington Riles, who portrayed Aunt Jemima
- Rosa Washington Riles
- Radio Talk Show Host Calls Rice an "Aunt Jemima"
- The Women Who Have Portrayed Aunt Jemima