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Polański was born in ], ] as '''Rajmund Roman Liebling''' to Ryszard Polański (aka '''Ryszard Liebling'''), a Polish ], and '''Bula Polanska''' (née Katz), who was born in ] to a Jewish father and ] mother. | Polański was born in ], ] as '''Rajmund Roman Liebling''' to Ryszard Polański (aka '''Ryszard Liebling'''), a Polish ], and '''Bula Polanska''' (née Katz), who was born in ] to a Jewish father and ] mother. | ||
Because of growing ] in France, the family moved back to Poland in 1937. Poland was occupied by ] and ] troops in 1939. | Because of growing ] in France, the family moved back to Poland in 1937. Poland was occupied by ] and ] troops in 1939. | ||
On ], ], the Polish city of ] became the seat of office of ]. The ] surrounded parts of the Polish state, which had not been annexed to Germany. The declared goal of the German occupiers was to make the General Government '']'', and to expel the Poles, so that Germans could settle there. | On ], ], the Polish city of ] became the seat of office of ]. The ] surrounded parts of the Polish state, which had not been annexed to Germany. The declared goal of the German occupiers was to make the General Government '']'', and to expel the Poles, so that Germans could settle there. | ||
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Roman Raymond Polański (born August 18, 1933) is an Academy Award-winning Polish film director and actor. A celebrated Hollywood director of such films as Rosemary's Baby (1968) and Chinatown (1974), he is also known for his tumultuous personal life. In 1969, his wife Sharon Tate was murdered by the Manson Family. In 1978, after pleading guilty to having sexual relations with a 13 year old girl, Polanski fled to Europe. Unwilling to return to the United States and face arrest, he has continued to direct films in Europe, including Frantic (1988), the Academy Award-winning The Pianist (2002), and Oliver Twist (2005).
Biography
Polański was born in Paris, France as Rajmund Roman Liebling to Ryszard Polański (aka Ryszard Liebling), a Polish Jew, and Bula Polanska (née Katz), who was born in Russia to a Jewish father and Roman Catholic mother.
Because of growing anti-semitism in France, the family moved back to Poland in 1937. Poland was occupied by German and Soviet troops in 1939.
On November 13, 1939, the Polish city of Kraków became the seat of office of Hans Frank. The General Government surrounded parts of the Polish state, which had not been annexed to Germany. The declared goal of the German occupiers was to make the General Government judenfrei, and to expel the Poles, so that Germans could settle there.
The Polański family was therefore the target of Nazi persecution and was forced into the Kraków Ghetto, along with thousands of other Polish Jews. Roman Polański's mother subsequently died in Auschwitz concentration camp; his father barely survived the Austrian concentration camp Mauthausen-Gusen. Polański himself escaped the Kraków Ghetto, and survived the war with the help of a Polish farmer, where he had to sleep in a cow stall. Only after the war did he find out from his sister that his mother had died.
He was educated at the film school in Łódź, Poland, from which he graduated in 1959. Polański speaks six languages: Polish, Russian, English, French, Spanish, and Italian.
Several short films made during the study gained considerable recognition. His first major film Knife in the Water (1962) was the first significant Polish film after the war that was not associated with the war theme. It was Polański's first nomination for the Oscar.
Polański then made films in the United Kingdom; Repulsion (1965), a tale of madness and alienation; Cul-de-Sac (1966) tells the story of a couple (Donald Pleasence and Françoise Dorleac) living on a remote island, who are visited by two gangsters (Lionel Stander and Jack MacGowran).
The Fearless Vampire Killers (1967) is the American title for Dance of the Vampires, a combination of comedy and horror.
Relationship with Sharon Tate
Polański met rising star Sharon Tate while filming The Fearless Vampire Killers and during their time together doing the film they began dating. In 1968 Polański went to Hollywood, where his reputation was enhanced by the success of the sophisticated psychological thriller Rosemary's Baby (1968), based on Ira Levin's book of the same name, about a woman (Mia Farrow) who discovers she is pregnant with Satan's baby. On January 25, 1968, he married Tate in London, England.
On August 9, 1969, Tate, who was eight months pregnant, and four others (Abigail Folger, Jay Sebring, Wojciech Frykowski, and Steven Parent) were brutally murdered by members of Charles Manson's "Family", who entered the Polański home on Cielo Drive in the Hollywood Hills with the intention that they would "kill everyone there". They believed that the owner of the house was record producer Terry Melcher, who had failed to help Charles Manson's fledgling music career. Under this mistaken impression, they killed everyone, including deliberately stabbing Sharon Tate squarely in her womb.
The murders were unmotivated, and at first there were no suspects. Polanski, who was away on business, was initially considered a suspect by both the authorities and the press. As the days passed, Polanski became more and more the target of investigation by the Los Angeles County Sheriff's Office, until Manson and his "family" were arrested on unrelated charges, which revealed evidence of what came to be known as the Tate-La Bianca murders. Distraught and heartbroken, and seriously rattled over his near-arrest, Polański returned to Europe shortly after the killers were arrested.
Also in 1969, Polański lost friend and collaborator Krzysztof Komeda (1931—1969). Komeda had been a popular jazz artist in Poland when the director first approached him to score a short film. He went on to score almost all of Polański's feature films until a head injury resulted in the composer's premature death. He is probably best known in the US for the haunting soundtrack to the movie Rosemary's Baby, but Komeda is also considered one of the most important figures of the Polish jazz scene of the 1950s and 1960s.
The seventies
Polański's next feature was a film version of Macbeth (1971). This was followed by What? (1972), a surreal comedy about a young woman (Sydne Rome) and her adventures in a remote villa.
Chinatown (1974), from a screenplay by Robert Towne and starring Jack Nicholson, is a tale of corruption in pre-war Los Angeles. Polański has a cameo as a hood who slits Jake's nose open.
Polański took the lead in his next film, The Tenant (1976), the story of a Polish immigrant living in Paris.
Criminal indictment
In 1977 Polański, 43, became embroiled in a scandal involving 13-year-old Samantha Geimer; it ultimately led to Polański's guilty plea to the charge of unlawful sexual intercourse with a minor. According to Geimer, Polański asked Geimer's mother if he could photograph the 13-year-old girl for French Vogue. Her mother allowed a private photo shoot. According to transcripts of testimony, Polański photographed Geimer on February 20, 1977, in the Hollywood Hills. This photo shoot took place without incident, except for the fact that Polański asked Geimer to pose topless for some of the photographs.
According to Geimer in a 2003 interview, "Everything was going fine; then he asked me to change, well, in front of him." She added, "It didn't feel right, and I didn't want to go back to the second shoot."
However, subsequent to the first photo shoot, she did agree to a second session, which took place on March 10, 1977, in the Mulholland area of Los Angeles, near Jack Nicholson's estate. "We did photos with me drinking champagne," Geimer says. "Toward the end it got a little scary, and I realized he had other intentions and I knew I was not where I should be. I just didn't quite know how to get myself out of there." Geimer alleged that Polański sexually assaulted her after giving her a combination of champagne and quaaludes. In the 2003 interview, Geimer says she resisted. "I said no several times, and then, well, gave up on that," she says.
However, her 1977 deposition makes clear that Geimer drank champagne of her own volition, in the company of Polański and another woman who was in Nicholson's house with them. Furthermore, in the sworn 1977 statement, Polański told Geimer to call her mother. In this telephone conversation, Geimer's mother asked her directly if she wanted her to come pick her up. Geimer said no, she wanted to stay with Polański. Polański then spoke to Geimer's mother and told her that they would be shooting until late. Subsequent to this conversation, Polański produced a quaalude, broke it into three, and asked Geimer whether he should take any, considering that he was driving. She didn't know. Polański then took a piece of the quaalude. He then asked her if she wanted any. Geimer, knowing full well that it was a third of a quaalude tablet, said, "Okay". They then proceeded to continue shooting photographs, and eventually to have sex.
Polański was initially charged with rape by use of drugs, perversion, sodomy, lewd and lascivious act upon child under 14, and furnishing a controlled substance (methaqualone) to a minor, but these charges were dismissed under the terms of his plea bargain, and he pleaded guilty to the lesser charge of engaging in unlawful sexual intercourse with a minor (Washington Post, August 10, 1977). The grand jury transcript describes the alcohol that Polański allegedly supplied before engaging in oral, vaginal and anal sex with the girl. (In Roman by Polański, Polański alleged that the mother had set up the daughter as part of a casting couch and blackmail scheme against him.) After spending 45 days in psychiatric evaluation, Polański fled the United States for Paris when it seemed that the judge would not approve his plea bargain deal for no prison sentence.
A fugitive
On February 1, 1978, Polański fled to France, where he retained citizenship. He believed that the judge was going to disregard the plea bargain, in which case he could be sentenced to a prison term of up to 50 years. Like many countries, France refuses to extradite its own citizens, which is consistent with the extradition treaty between France and the United States. As a consequence, the American extradition request was not granted. The United States government could have requested that Polański be prosecuted on the California charges by the French authorities (The Washington Post, February 3, 1978 ), but this option was not pursued.
The United States could still request the arrest and extradition of Polański from other countries, should he visit them. As a consequence, Polański has since avoided visits to countries that were likely to extradite him, such as the United Kingdom, mostly travelling between France and Poland.
In a 2003 interview, Samantha Geimer said, "Straight up, what he did to me was wrong. But I wish he would return to America so the whole ordeal can be put to rest for both of us." Furthermore, "I'm sure if he could go back, he wouldn't do it again. He made a terrible mistake but he's paid for it."
Vanity Fair libel case
In 2004, Polański sued Vanity Fair magazine in London for libel. A 2002 article in the magazine written by A. E. Hotchner recounted a claim by Lewis Lapham, editor of Harper's, that Polański had made sexual advances towards a young model as he was travelling to Sharon Tate's funeral, claiming that he could make her "the next Sharon Tate". The court permitted Polański to testify via a video link, after he expressed fears that he might be extradited were he to enter the United Kingdom. . The trial started on July 18, 2005, and Polański made English legal history as the first claimant to give evidence by video link. During the trial, which included the testimonies of Mia Farrow and others, it was proved that the alleged scene at the famous New York restaurant Elaine's could not possibly have taken place on the date given, because Polański only dined at this restaurant three weeks later. Also, the Norwegian model disputed accounts that he had claimed to be able to make her "the next Sharon Tate".
Polański was awarded £50,000 damages by the High Court in London. Edward Graydon Carter, editor of Vanity Fair, responded, "I find it amazing that a man who lives in France can sue a magazine that is published in America in a British courtroom." Samantha Geimer commented, "Surely a man like this hasn't got a reputation to tarnish?"
Later career
He received another Academy Award nomination for Tess (1979). Pirates (1986), a lavish period piece, was a commercial and critical failure. This was followed by Frantic (1988), which features actress and model Emmanuelle Seigner, whom the director married in 1989. She starred in others of his films including Bitter Moon, in 1992, and The Ninth Gate (1999). They have two children: Morgane and Elvis, the latter named after his favourite singer, Elvis Presley.
In 1997 he directed a stage version of The Fearless Vampire Killers, a musical, which debuted on October 4, 1997 in Vienna as Tanz der Vampire, the German title of the film version. After closing in Vienna, the show had successful runs in Stuttgart and Hamburg, Germany.
In May 2002, Polański won the Palme d'Or (Golden Palm) award at the Cannes Film Festival for The Pianist, for which he also later won the 2002 Academy Award for Directing. He did not attend the Academy Awards ceremony in Hollywood, because he still faces sentencing and possible prison time if he enters the United States. In 2004 he received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival.
During the summer and autumn of 2004, Polański shot a new film adaptation of Charles Dickens' novel Oliver Twist. The shooting took place at the Barrandov Studios in Prague, Czech Republic, based on Ronald Harwood's screenplay. The actors included Barney Clark (Oliver Twist), Jamie Foreman (Bill Sykes), Harry Eden (the Artful Dodger), Ben Kingsley (Fagin), Lee-anne Rix (Nancy), and Edward Hardwicke (Mr Brownlow). Besides the cast, the director gathered some collaborators from his previous movies: Ronald Harwood (screenplay), as noted, Allan Starski (production designer), Pawel Edelman (director of photography), and Anna Sheppard (costume designer).
Style
Most of Polański's films are psychological thrillers. A recurring theme in his work is the relationship between victim and predator (Death and The Maiden, Bitter Moon, Cul-de-Sac, Rosemary's Baby). His films depict a world that is cruel, grotesque and filled with brutal sex and dark humour. Polański likes to shoot his films from the position of a voyeur. Death and the Maiden star Stuart Wilson said of Polański, "Roman is very deep water pretending shallow water."
Other facts
- Polański has said that the greatest regret he has about his life was not being at his home on Cielo Drive when Sharon Tate and the others were murdered.
- Dedicated the movie Tess to Sharon Tate. After spending time with Polanski in London, Tate left a copy of the book, along with a note saying it would make a good film, on Polanski's nightstand. She returned to the United States and was murdered soon after.
Filmography
Film director
- Oliver Twist (2005)
- The Pianist (2002)
- The Ninth Gate (1999)
- Death and the Maiden (1994)
- Bitter Moon (1992)
- Frantic (1988)
- Pirates (1986)
- Tess (1979)
- Le Locataire (aka The Tenant) (1976)
- Chinatown (1974)
- What? (aka Diary of Forbidden Dreams) (1973)
- Macbeth (1971)
- Rosemary's Baby (1968)
- The Fearless Vampire Killers (aka Dance of the Vampires) (1967)
- Cul-de-Sac (1966)
- Repulsion (1965)
- Plus belles escroqueries du monde, Les (aka The Beautiful Swindlers) (1964)
- Nóż w wodzie (aka Knife in the Water) (1962)
- Ssaki (aka Mammals) (1962)
- Gros et le maigre, Le (aka The Fat and the Lean) (1961)
- Gdy spadają anioly (aka When Angels Fall Down) (1959)
- Lampa (aka The Lamp) (1959)
- Dwaj ludzie z szafą (aka Two Men and a Wardrobe) — a short film (1958)
- Morderstwo (aka A Murderer) (1957)
- Rozbijemy zabawę (aka Break Up the Dance) (1957)
- Uśmiech zębiczny (aka A Toothful Smile) (1957)
- Rower (aka Bicycle) (1955)
Preceded byRon Howard for A Beautiful Mind |
Academy Award for Best Director 2002 for The Pianist |
Succeeded byPeter Jackson for The Lord of the Rings: The Return of the King |
Actor
- Rush Hour 3 (announced 2007)
- Zemsta (aka The Revenge) as Papkin (2002)
- Hommage à Alfred (aka Tribute to Alfred Lepetit) (2000)
- Grosse fatigue (aka Dead Tired) as Roman Polański (1994)
- Pura formalità , Una (aka A Pure Formality) as Inspector (1994)
- Back in the U.S.S.R. as Kurilov (1992)
- En attendant Godot (TV) as Lucky (1989)
- Chassé-croisé (1982)
- Locataire, Le (aka The Tenant) as Trelkovsky (1976)
- Chinatown as Man with Knife (1974)
- Blood for Dracula (Andy Warhol) as Man in Tavern (1976)
- What? as Mosquito (1972)
- The Magic Christian as Solitary drinker (1969)
- The Fearless Vampire Killers as Alfred, Abronsius' Assistant (1967)
- Repulsion as Spoon Player (1965)
- Nóż w wodzie (aka Knife in the Water) voice of Young Boy (1962)
- Samson (1961)
- Gros et le maigre, Le (aka The Fat and the Lean) as The Lean (1961)
- Ostrożnie, Yeti! (aka Beware of Yeti!) (1961)
- Niewinni czarodzieje (aka Innocent Sorcerers) as Dudzio (1960)
- Do widzenia, do jutra (aka Good Bye, Till Tomorrow) as Romek (1960)
- Zezowate szczescie (aka Bad Luck) as Jola's Tutor (1960)
- Lotna as a Musician (1959)
- Gdy spadają anioły (aka When Angels Fall Down) as an Old woman (1959)
- Zadzwoncie do mojej zony ? (aka Call My Wife) as a Dancer (1958)
- Dwaj ludzie z szafą (aka Two Men and a Wardrobe) as the Bad boy (1958)
- Koniec nocy (aka End of the Night) as the Little One (1957)
- Wraki (aka The Wrecks) (1957)
- Nikodem Dyzma as the Boy at Hotel (1956)
- Pokolenie (aka A Generation) as Mundek (1955)
- Rower (aka Bicycle) as the Boy who wants to buy a bicycle (1955)
- Zaczarowany rower (aka Magical Bicycle) as Adaś (1955)
- Trzy opowieści (aka Three Stories) as Genek 'The Little' (segment "Jacek") (1953)
References
- Aloviso, Silvio. (2002). "Roman Polański: Chinatown". Torino: Lindau. 134p. ISBN 8871804139
- Avron, Dominque. (1987). "Roman Polański". Paris: Rivages. 194p. ISBN 2869300557
- Belmans, Jacques (ed). (1971). "Roman Polański: presentation par Jacques Belmans". Paris: Seghers. 185p.
- Berkoff, Steven. (2003). "Tough acts: memories of working with Stella Adler, Christopher Plummer, Leonard Rossiter, Stanley Kubrick, Brad Davis, Eddie Murphy, Sylvester Stallone, Roman Polański, Christopher Walken, Mikhail Baryshnikov, Joan Collins, Al Pacino". London: Robson. 164p. ISBN 1851056699
- Bird, Daniel. (2002). "Roman Polański". Harpenden: Pocket Essentials. 96p. ISBN 1903047897
- Bisplinghoff, Gretchen (ed). (1979). "Roman Polański: a guide to references and resources". Boston/London: GK Hall. 116p. ISBN 0816179069
- Blume, Antje. (2003). "Roman Polański, Macbeth". Paderborn: Schoningh. 103p. ISBN 3140412355
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- Butler, Ivan. (1970). "The cinema of Roman Polański". London: Zwemmer. 192p. ISBN 0302020616 (pbk)
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- Tylski, Alexandre. (2006). "Roman Polanski". Rome: Gremese. 125p. ISBN 8873015999
- Tylski, Alexandre. (2006). "Roman Polanski l'art de l'adaptation. Paris: L'Harmattan. 278p. ISBN 229600797X
- Ustinov, Peter. (1999). "Reception par Sir Peter Ustinov, membre associé étranger de l'Academie des Beaux Arts de Roman Polanski elu membre de la Section des creations artistiques dans le cinema et l'audiovisuel au fauteuil precedemment occupé par M. Marcel Carne". Paris: Palais de l'Institut. 24p.
- Visscher, Jacques de. (1981). "Der tragiek van het kwaad. Een ethicologische hermeneutiek van de religieuze symboliek in 'Macbeth' van William Shakespeare in de film versie van Roman Polanski". Gent: Rijksuniveristeit. 457p.
- Visscher, Jacques de. (1984). "Het belstan als valstrik: kwaad en onschuld in de symbolische filmkunst van Roman Polanski". Wetteren: Universa. 238p.
- Werner, Paul. (1981). "Roman Polanski". Frankfurt am Main: Fischer Taschenbuch. 281p. ISBN 3596236711
- Wexman, Virginia Wright. (1985). "Roman Polanski". Boston: Twayne. London: Columbus. 160p. ISBN 086287355X (hbk) ISBN 0805792961 (pbk)
- Willoughby, Bob. (1992). "Rosemary's baby". Kiel: Nieswand. ISBN 3926048301
- Woodward, Steven. (2001). "No safe place: gender and space in Polanski’s recent films". In: Pomerance, Murray (ed). "Ladies and gentlemen, boys and girls: gender in film at the end of the twentieth century". Albany: State University of New York Press. 349p. ISBN 0791448851 (hbk) 079144886X (pbk)
External links
- Polański's official site
- Roman Polanski by French writer Alexandre Tylski
- Interview with Roman Polański
- Roman Polański at IMDb
- Template:Nndb name
- Roman Polański @ pHinnWeb
- Media coverage of the Polański rape trial
- Why Polanski Lives Over There (March, 1977 Grand Jury Testimony of Polański's victim)
- The Guardian profile: Roman Polański
- Stills and posters gallery
- from the British Film Institute (navigation on the left).
- The Religious Affiliation of Director Roman Polanski
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