Misplaced Pages

Detective fiction: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 10:20, 5 November 2004 editLectonar (talk | contribs)Autopatrolled, Administrators43,293 editsm →Famous fictional detectives← Previous edit Revision as of 10:20, 5 November 2004 edit undoLectonar (talk | contribs)Autopatrolled, Administrators43,293 editsm →Famous fictional detectivesNext edit →
Line 150: Line 150:
::Brother William of Baskerville in '']'' (1327) - ] ::Brother William of Baskerville in '']'' (1327) - ]
::] (18th century China) - ] ::] (18th century China) - ]
::] (7th century ireland)- ] ::] (7th century Ireland)- ]


:''Science fiction and fantasy'' :''Science fiction and fantasy''

Revision as of 10:20, 5 November 2004

Detective fiction is a branch of crime fiction that centres upon the investigation of a crime, usually murder, by a detective, either professional or amateur. It is closely related to mystery fiction but generally contains more of a puzzle element that must be solved, generally by a single protagonist, either male or female.

A common feature of detective fiction is an investigator who is unmarried, with some source of income other than a regular job, and who generally has some pleasing eccentricities or striking characteristics. He or she frequently has a less intelligent assistant, or foil, who is asked to make apparently irrelevant inquiries, and who acts as an audience surrogate for the explanation of the mystery at the end of the story.

Whodunnit?

The most widespread subgenre of the detective novel is the whodunnit (usually spelled whodunit in the U.S.), where great ingenuity may be exercised in narrating the events of the crime and of the subsequent investigation in such a manner as to conceal the identity of the criminal from the reader until the end of the book, when the method and culprit are revealed.

Early archetypes of these stories were the three Auguste Dupin tales by Edgar Allan Poe: The Murders in the Rue Morgue, The Mystery of Marie Rogêt, and The Purloined Letter. Poe's detective stories have been described as ratiocinative tales. In stories such as these, the primary concern of the plot is ascertaining truth, and the usual means of obtaining the truth is through a complex and mysterious process combining intuitive logic, astute observation, and perspicacious inference. As a consequence, the crime itself sometimes becomes secondary to the efforts taken to solve it. The Mystery of Marie Rogêt is particularly interesting, as it is a barely fictionalized analysis of the circumstances of the real-life discovery of the body of a young woman named Mary Rogers, in which Poe expounds his theory of what actually happened. The style of the analysis, with its attention to forensic detail, makes it a precursor of the stories about the most famous of all fictional detectives, Arthur Conan Doyle's Sherlock Holmes, who in turn set the style for many others in later years, including Holmesian pastiches such as August Derleth's Solar Pons.

Another early archetype of the whodunnit is found as a sub-plot in the vast novel Bleak House (1853) by Charles Dickens. The conniving lawyer Tulkinghorn is killed in his office late one night and the crime is investigated by Inspector Bucket of the Metropolitan force. Numerous characters appeared on the staircase leading to Tulkinghorn's office that night, some of them in disguise, and Inspector Bucket must penetrate these mysteries to identify the culprit.

Dickens' protégé, Wilkie Collins (1824-1889), is credited with the first great mystery novel The Woman in White. He is sometimes referred to as the "grandfather of English detective fiction." His novel The Moonstone (1868) was described by T. S. Eliot as "the first and greatest of English detective novels" and by Dorothy L. Sayers as "probably the very finest detective story ever written". Although technically preceded by Charles Felix's The Notting Hill Mystery (1865), The Moonstone can claim to have established the genre with several classic features of the twentieth-century detective story:

  • A country house robbery
  • An 'inside job'
  • A celebrated investigator
  • Bungling local constabulary
  • Detective enquiries
  • False suspects
  • The 'least likely suspect'
  • A rudimentary 'locked room' murder
  • A reconstruction of the crime
  • A final twist in the plot

Some readers have suggested even earlier prototypes for the whodunnit, most notably the Old Testament story of Susanna and the Elders (Daniel 13; in the Protestant Bible this story is found in the apocrypha) and the story of the dog and the horse related in the third chapter of Voltaire's Zadig (1747). However, popularity of this genre has only grown in time, and even has made it into the online community.

Police Procedural

Many detective stories have policemen as the main characters. Of course these stories may take many forms, but many authors try to go for a realistic depiction of a policeman's routine. A good deal are whodunnits, in others the criminal is well known and it is a case of getting enough evidence.

Some typical features of these are:

  • The detective is rarely the first on the crime scene - it will be milling with uniform, paramedics and possibly members of the public.
  • Forensic reports - and the wait for them.
  • Rules and regulations to follow - or not.
  • Suspects arrested and kept in custody - sometimes wrongly.
  • Pressure from senior officers to show progress.
  • A large investigating team - two, three or four main characters, plus other officers to order about.
  • Pubs - places to discuss or think about the case-especially in the Inspector Morse mysteries.
  • Informants - to lean on.
  • Political pressure when the suspects are prominent figures
  • Internal hostility from comrades when the suspects are fellow police officers
  • Pressure from the media (tv, newspapers) to come up with an answer
  • Interesting and unusual cars driven by the principal detective

Other subgenres

There is also a subgenre of historical detectives. See historical whodunnit for an overview.

Suspense - the core tenet of detective fiction

A beginner to detective fiction would generally be advised against reading anything about a piece of detective fiction (such as a blurb or an Introduction) before reading the text itself. Even if they do not mean to, advertisers, reviewers, scholars and aficionados usually have a habit of giving away details or parts of the plot, and sometimes -- for example in the case of Mickey Spillane's novel I, the Jury -- even the solution. (After the credits of Billy Wilder's film Witness for the Prosecution, the cinemagoers are asked not to talk to anyone about the plot so that future viewers will also be able to fully enjoy the unravelling of the mystery.)

The unresolved problem of plausibility and coincidence

Up to the present, some of the problems inherent in crime fiction have remained unsolved (and possibly also insoluble). Some of them can be dismissed with a shrug: Why bother at all, even if it is obvious to everyone that an ordinary person is not likely to keep stumbling across corpses? After all, this is just part of the game of crime fiction. Still the fact that an old spinster like Miss Marple meets with an estimated two bodies per year does raise a few doubts as to the plausibility of the Miss Marple mysteries. De Andrea has described the quiet little village of St Mary Mead as having "put on a pageant of human depravity rivaled only by that of Sodom and Gomorrah". Similarly, TV heroine Jessica Fletcher is confronted with bodies wherever she goes, but over the years people who have met violent deaths have also piled up in the streets of Cabot Cove, Maine, the cosy little village where she lives. Generally, therefore, it is much more convincing if a policeman, private eye, forensic expert or similar professional is made the hero or heroine of a series of crime novels. On the other hand, who cares for authenticity?

Also, the role and legitimacy of coincidence has frequently been the topic of heated arguments ever since Knox categorically stated that "no accident must ever help the detective" (Commandment No.6). Yet time and again authors resort to that deus ex machina-sort of device. Is it just because they have to meet their publisher's deadline and cannot think of any other ending to their latest novel? Or is it because they are mediocre writers in the first place? Or is one coincidence per novel acceptable now? A special case of illogical plotting seems to be the murderers' reluctance to kill off the hero or heroine of the story: Even serial killers, who normally do not hesitate for a second to kill an innocent bystander if they happen to be at the wrong place at the wrong time, show a lot of scruples when it comes to ridding themselves of their most dangerous -- and ultimate -- enemy, even if he or she is already in their power. Instead of killing him or her right on the spot -- in the manner in which they bumped off all their previous victims -- , they keep putting off the execution until it is too late and they are outsmarted by their rival. In many cases, instead of just pulling the trigger, they embark on a lengthy discussion of their criminal record, detailing all their crimes -- no doubt mainly for the reader's benefit, but shouldn't a good author be able to think of other narrative devices that help the reader catch up on what they have missed so far?

Technological progress has also rendered many of plots implausible and antiquated. For example, the use of mobile phones by practically everyone these days has significantly altered the dangerous situations that investigators traditionally find themselves in. A snowbound mansion somewhere in the country, with a murderer at large? A deserted street in a slum area in the middle of the night, with dark figures looming in the distance? Get out your mobile and phone for help. Some authors have not really succeeded in adapting to the changes brought about by modern technology; others, among them Carl Hiaasen (born 1953), have.

Famous fictional detectives

The full list of fictional detectives would be immense. The format is well suited to dramatic presentation, and so there are also many television and film detectives, besides those appearing in adaptations of novels in this genre. Fictional detectives generally fall within one of four domains:

  • the amateur or dilettante detective (Marple, Jessica Fletcher);
  • the private investigator (Holmes, Marlowe, Spade, Rockford);
  • the police detective (Ironside, Kojak, Morse);
  • more recently, the medical examiner, criminal psychologist, forensic evidence expert or other specialists (Scarpetta, Quincy, Cracker, CSI).

Notable fictional detectives and their creators include:

Amateurs:
Father Brown - G. K. Chesterton
Albert Campion - Margery Allingham
Shin'ichi Kudo (Jimmy Kudo) a.k.a. Conan Edogawa - Gōshō Aoyama
Kate Fansler - Amanda Cross
Dr. Gideon Fell - John Dickson Carr
Jessica Fletcher (Murder, She Wrote)
Kinky Friedman - Kinky Friedman
The Great Merlini - Clayton Rawson
Donald Lam - Erle Stanley Gardner
Drury Lane - Ellery Queen
Miss Marple - Agatha Christie
Sir Henry Merrivale - Carter Dickson
Special Agent Pendergast - Douglas Preston and Lincoln Child
Hercule Poirot - Agatha Christie
Ellery Queen - Ellery Queen
Jim Qwilleran - Lilian Jackson Braun
Simon Templar aka The Saint - Leslie Charteris
Easy Rawlins - Walter Mosley
Paul Temple - Francis Durbridge
Philip Trent - E.C. Bentley
Augustus S. F. X. Van Dusen - Jacques Futrelle
Lord Peter Wimsey - Dorothy L. Sayers
Private eyes:
Lew Archer - Ross Macdonald
Joe Caneili - Hayford Peirce
Rex Carver - Victor Canning
The Continental Op (he never reveals his name, but he's an operative for the Continental Detective Agency) - Dashiell Hammett
Mike Hammer - Mickey Spillane
Sherlock Holmes - Sir Arthur Conan Doyle
Philip Marlowe - Raymond Chandler
Travis McGee - John D. MacDonald
Kinsey Millhone - Sue Grafton
Laura Principal - Michelle Spring
Sam Spade - Dashiell Hammett
Spenser - Robert B. Parker
Nero Wolfe - Rex Stout
Police detectives:
Roderick Alleyn - Ngaio Marsh
Sir John Appleby - Michael Innes
J P Beaumont - J A Jance
Martin Beck - Maj Sjöwall and Per Wahlöö (Sjöwall and Wahlöö)
Henri Bencolin - John Dickson Carr
Harry Bosch - Michael Connelly
Charlie Chan - Earl Derr Biggers
Inspector Ghote - H. R. F. Keating
Grijpstra and de Gier, the Amsterdam Cops (note - later became private eyes) - Janwillem van de Wetering
Maigret - Georges Simenon
Colonel March - John Dickson Carr
Inspector Morse - Colin Dexter
Inspector Rebus - Ian Rankin
Charlie Resnick - John Harvey
Commissaire Tama - Hayford Peirce
Dick Tracy - Chester Gould
Inspector Wexford - Ruth Rendell
Commissario Guido Brunetti - Donna Leon
Wachtmeister Studer - Friedrich Glauser (some kind of Maigret in Switzerland)
Medical examiners, etc.:
Dr. Temperance Brennan - Kathy Reichs
Dr. Kay Scarpetta - Patricia Cornwell
'Fitz' - Cracker - Jimmy McGovern
Dr Jane Halifax
Quincy
Others:
Perry Mason (lawyer) - Erle Stanley Gardner
Matlock (lawyer)
And for younger readers:
Encyclopedia Brown - Donald J. Sobol
The Hardy Boys - Franklin W. Dixon
Nancy Drew - Carolyn Keene
The Famous Five and The Secret Seven - Enid Blyton
The Three Investigators - Robert Arthur
Historical:
Gordianus the Finder in the Roma sub Rosa series (the Roman Republic of the 1st century B.C.) - Steven Saylor
Senator Decius Caecilius Metellus the Younger in the SPQR series (the Roman Republic of the 1st century B.C.) - John Maddox Roberts
Marcus Didius Falco (the Roman Empire of the 1st century A.D.) - Lindsey Davis
Li Kao (7th century China) - Barry Hughart
Brother Cadfael (11th century England and Wales) - Ellis Peters
Brother William of Baskerville in The Name of the Rose (1327) - Umberto Eco
Judge Dee (18th century China) - Robert van Gulik
Sister Fidelma (7th century Ireland)- Peter Tremayne
Science fiction and fantasy
Detectives in science fiction and fantasy settings include:
Elijah Baley and R. Daneel Olivaw - Issac Asimov
Lord Darcy - Randall Garrett
Dirk Gently - Douglas Adams
Hawk and Fisher - Simon Green
Sam Space - William Nolan
Wendell Urth - Issac Asimov
Jonas, der letzte Detektiv - well done funny & hardboiled radio play in Germany
His Grace Commander Sir Samuel Vimes - Terry Pratchett's Discworld

Other notable authors in this genre include:

Detective debuts and swansongs

Many detectives appear in more than one novel or story. Here is a list of a few debut and swansong stories:

Books

  • Bloody Murder: From the Detective Story to the Crime Novel - A History by Julian Symons ISBN 0571094651

See also

External Resources

Category: