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Pride and Prejudice belongs to the romantic-comedy genre and is the most famous of Jane Austen's novels, and its opening is one of the most famous lines in English literature—"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Its manuscript was first written between 1796 and 1797, and was initially called First Impressions, but was never published under that title. Following revisions it was published on 28 January 1813 by the same Mr. Egerton of the Military Library, Whitehall, who had brought out Sense and Sensibility. Like both its predecessor and Northanger Abbey, it was written at Steventon Rectory.

Plot introduction

The story addresses courtship and marriage among the landed gentry in the early 19th century. The main character is Elizabeth Bennet, a beautiful 20-year-old woman possessed of a quick mind and a quick tongue. Elizabeth's beloved eldest sister, Jane, is gentler but equally if not more attractive. Mr. Bennet is an eccentric who spends much of his time hiding in his study, a refuge from his bothersome wife, and the rest of his time making humorously disparaging remarks about his family. Another sister, Mary, is a dowdy moraliser in love with books, while the others, Kitty and Lydia, are reckless teenage flirts attracted to men in uniform. Meanwhile, the querulous, gauche Mrs. Bennet is desperately determined to secure good matches for her five daughters, while trying to keep control of her "nerves". The Bennet family's modest estate in Hertfordshire is entailed in default of heirs male—which means a cousin, Mr. Collins, will inherit the estate on Mr. Bennet's death, leaving Mrs. Bennet and any unmarried daughters homeless and left to live on a very small and insufficient income.

Plot summary

Template:Spoiler The beginning of the novel describes Mrs. Bennet's excitement over the arrival of a single man "of considerable fortune" in the neighbourhood. Mr. Bingley has leased the estate of Netherfield to live in with his single sister Miss Bingley and his married sister, Mrs. Hurst, whose husband is more fashionable than wealthy. After a short period, Mr. Bingley goes on a short trip to London and returns with his friend, Mr. Fitzwilliam Darcy. Soon afterwards, Bingley and his party attend a public ball in the village of Meryton, which is thought to be based on the real life town of Hertford. At first, Darcy is admired for his fine figure and a rumoured income of £10,000 a year. Quickly, however, the neighbours come to perceive him as a most disagreeable sort, one who believes those present to be beneath him socially. This is brought home to the Bennet family when Darcy slights Elizabeth—when Bingley suggests that Darcy dance with Elizabeth, he notes that "she is not handsome enough to tempt me" within her hearing. Bingley, on the other hand, proves highly agreeable, dancing with many of the single ladies in attendance and showing his decided admiration for Jane Bennet.

Shortly after the ball, Mr. Bennet announces to the family that a visitor is expected. Mrs. Bennet and the girls amuse themselves guessing whom it could be, but are disappointed to find out it is only their cousin, Mr. Collins, a pompous buffoon of a clergyman whose idea of a pleasant evening is reading to his female cousins from Fordyce's Sermons. Collins delights in dropping the name of his great patroness, Lady Catherine de Bourgh, at every opportunity. Following Lady Catherine's imperious suggestion that he get married, Collins immediately looks to his "poor cousins" to find a wife and make amends for his role in the frequently anticipated impoverishment of the Bennets. Collins initially chooses the eldest and most comely daughter Jane, second only to Elizabeth in intelligence. Upon being informed that she is "practically engaged" to Mr. Bingley, Mr. Collins easily transfers his unwanted attentions to the lovely Elizabeth. Mrs. Bennet greatly approves of the match and tries to browbeat Elizabeth into marriage. However, Mr. Bennet supports his favourite daughter's repeated refusals in his own idiosyncratic, humorous way, telling her "Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do." Meanwhile, Elizabeth begins falling for a recently arrived militia officer, Mr. Wickham, who claims to have been robbed of his rightful inheritance by none other than Mr. Darcy, strengthening her disapprobation of the latter.

Finally accepting Elizabeth's rejection, Mr. Collins next turns to her best friend, Charlotte Lucas. She readily accepts and they are soon married—to Mrs. Bennet's and Elizabeth's profound dismay, though for entirely different reasons. Mrs. Bennet hates the idea that Charlotte will someday supplant her as mistress of Longbourn, the Bennet estate; Elizabeth, on the other hand, is mortified that her best friend would marry merely for economic security. Soon after this blow, Mrs. Bennet is further discouraged by the sudden departure of Bingley. Jane is heartbroken and Mrs. Bennet's disparaging remarks about Bingley serve only to heighten her sorrow.

Elizabeth is invited to visit the newlyweds. While she is staying with them, Darcy visits his aunt, Lady Catherine de Bourgh, at her adjoining estate, Rosings. Elizabeth and Darcy are perforce thrown daily into each other's company. Elizabeth's charms eventually entrance Mr. Darcy, leading him to finally declare his love for her "against his own will" and his desire to marry her, in spite of her objectionable family. Elizabeth is appalled (especially since she has recently learned that Darcy dissuaded Bingley from proposing to Jane) and informs Darcy "he is the last man on earth would ever desire to marry."

The morning after, Darcy intercepts Elizabeth on her daily walk and hands her a letter before coldly taking his leave. In the letter, Darcy justifies his actions. He notes that, apart from her embarrassing relations, Darcy did not believe Jane a suitable match for Bingley because of her own seeming indifference to Bingley. (Elizabeth admits to herself that Jane's reserved character does indeed make it difficult for others to ascertain her true feelings.) Darcy also reveals Wickham's true character as a womanising cad and opportunist. This throws all of Darcy's past actions in a new light for Elizabeth and gradually her prejudices against him are broken down.

Later, while on holiday with her aunt and uncle, the Gardiners, she is persuaded to visit nearby Pemberley, Darcy's estate, though only agreeing after discreetly finding out that the owner is away and not expected back anytime soon. While on a tour of the grounds, she is therefore mortified when she bumps into him unexpectedly. However, his altered behaviour towards her, distinctly warmer from their last meeting, begins to persuade her that underneath his pride lies a true and generous nature.

Just as her relationship with Darcy starts to thaw, Elizabeth is horrified by news that her headstrong younger sister Lydia has run away with Wickham. In Elizabeth's absence, sixteen-year-old Lydia attracted Wickham's attentions and she ran away with him. When the family investigates, it is learned that Wickham resigned his commission to evade gambling debts. When told of this by Elizabeth, Darcy takes it upon himself to find Wickham and bribe him into marrying Lydia, but keeps this secret from Elizabeth and her family. Elizabeth accidentally learns of Darcy's involvement from Lydia's careless remarks, later confirmed by Mrs. Gardiner. This final act completes a reversal in Elizabeth's sentiments.

A complication arises when Lady Catherine discovers Darcy's feelings, threatening her long cherished ambition for him to marry her own daughter. She pays Elizabeth an unannounced visit and brusquely tries to bully her into giving him up, a fruitless undertaking. When Lady Catherine complains to Darcy about Elizabeth's obstinacy, he realizes her feelings have changed, giving him hope to try again. He confesses to Bingley that he was mistaken about Jane's indifference to him, and after an awkward reconciliation, Bingley and Jane become engaged. Then, when Darcy proposes a second time to Elizabeth, she opens her heart to him and both his pride and her prejudices are forgotten.

Characters in Pride and Prejudice

Mr. Bennet

An English gentleman with an estate in Hertfordshire. He is married and has five daughters, a circumstance injurious to his dependents. The property is entailed; it can only be inherited by a male heir. Because he has no son, that would be his closest male relative, Mr. Collins, a clergyman who provides him with much amusement. Mr. Bennet, a gentle if eccentric man, is very close to his two eldest daughters, Jane and particularly Elizabeth. However, he has a poor opinion of the intelligence and common sense of his wife and three youngest daughters, frequently declaring them "silly" and visiting them with insulting remarks as well as gentle teasing.

Mrs. Bennet

The querulous wife of Mr. Bennet. Her main concern in life is seeing her daughters married well. She angles for her new neighbour, Mr. Bingley, for one of them. She also hopes to match one of her girls with Mr. Collins.

Jane Bennet

22 years old at the start of the story. The eldest and most beautiful of the Bennet daughters. She has a reserved personality and tends to hide her feelings from outsiders. She is incapable of suspecting the worst of people, seeing only the good.

Elizabeth Bennet

The 20-year-old second sister, and the protagonist of the story. She is her father's favourite and inherits his intelligence and wit. She is generally regarded as one of the most endearing and popular female protagonists in English literature.

Mary Bennet

The third sister, bookish, plain, and ill at ease in company. She disdains her sisters' frivolous interests and seeks to impress others instead with her scholarly yet ill-timed aphorisms and limited musical abilities.

Catherine "Kitty" Bennet

The irritable fourth sister, 17 years old, who generally follows the lead of her younger sister, Lydia.

Lydia Bennet

The youngest sister, only 15 when the story begins, Lydia is extremely flirtatious, naive, headstrong and reckless.

William Collins

A clergyman and cousin of Mr. Bennet. Mr. Collins, the closest male relation, stands to inherit the Bennet estate. When not pompously full of himself, Collins is a narrow-minded sycophant, excessively devoted to his patroness, Lady Catherine de Bourgh. He is always overly keen to show his admiration and gratitude--trying to build himself up by basking in the glow of his patroness.

Charlotte Lucas

Elizabeth's close friend and daughter of a neighbouring landowner. She is willing to put up with Mr. Collins's flaws in return for a home and security.

Fitzwilliam Darcy

Mr. Bingley's close friend, an intelligent, wealthy and reserved man, who often appears haughty or proud to strangers. He is wary of his friend Bingley's romantic entanglements with unsuitable women.

Georgiana Darcy

Much younger sister of Mr. Darcy. The age difference is so great that he is more of a father figure than a brother. Since their parents' death, she has been under the joint guardianship of Darcy and their cousin Colonel Fitzwilliam. She became infatuated with George Wickham and was persuaded by him to elope. Fortunately, she felt it was her duty to inform her brother and he quickly put a stop to this ill-advised plan.

Charles Bingley

An outgoing, extremely good-natured, and wealthy young man who leases property near the Bennets' estate. He is attracted to Jane Bennett.

Louisa Hurst and Caroline Bingley

Mr. Bingley's sisters, who look down upon the Bennets and their society.

George Wickham

A dashing, handsome young soldier who attracts the attention of Elizabeth Bennet. His father was the manager of the Darcy estate, so he grew up with Mr. Darcy and his sister. Though a favourite of Darcy's now-deceased father, there is bitter enmity between him and Darcy, due to his attempt to elope with Georgiana Darcy for her substantial inheritance.

Lady Catherine de Bourgh

Aunt of Mr. Darcy and patroness of Mr. Collins. A proud and domineering woman, she had planned for the marriage of Mr. Darcy and her daughter since they were infants.

Anne de Bourgh

Daughter of Lady Catherine and intended betrothed of her cousin Mr. Darcy, suffers from some infirmity. A gently humorous running joke has the proud mother describing extraordinary talents her daughter would have possessed had she applied herself.

Colonel Fitzwilliam

Another nephew of Lady Catherine and friend and cousin of Mr. Darcy. He is attracted to Elizabeth Bennet, but is not wealthy enough to consider her seriously as a spouse.

Mrs. Philips

Sister of Mrs. Bennet.

Edward Gardiner

The intelligent, level-headed younger brother of Mrs. Bennet and Mrs. Philips. He is in trade in London.

Mrs. Gardiner

Wife of Mr. Gardiner and the favourite aunt of Jane and Elizabeth Bennet.

Major themes

As the original title First Impressions suggests, the text can be read as a conservative criticism of the Romantic movement and in particular its conceit of love at first sight. Early in the story Charlotte Lucas declares that happiness in marriage is a matter of chance and that a woman has equal odds of being happy with a man if she marries immediately after meeting him or if she studies his character for a year - yet she speaks from cynicism. Elizabeth Bennet's first suitor, Mr. Collins, mouths Romantic clichés without a trace of genuine feeling when he proposes marriage and claims to have experienced love at first sight for Elizabeth although the reader already knows that his first interest was in Elizabeth's more beautiful sister Jane. Immediately after Elizabeth's refusal he proposes to Charlotte, who tests her theory of marital happiness with dubious success. Elizabeth's two other romantic interests, Wickham and Darcy, amount to another test of Charlotte's theory. In the course of a year the former makes a wonderful first impression before proving to be a scoundrel and the other overcomes several early faux pas to demonstrate warmth, generosity, and goodness. A further warning about Romanticism's excesses is the subplot involving Lydia's elopement, which nearly ruins her own future as well as her entire family's social standing and finances.

Irony also permeates the novel. Immediately after the opening sentence, which sets forth matchmaking as a postulate of social mathematics, the text undercuts its premise. Superficial ironies delineate several minor characters such as Lady de Bourgh's pompousness in boasting her expertise about music despite not knowing how to play any instrument and Miss Bingley's insincerity in declaring how well she likes books while she yawns and sets one down. A deeper irony is that, despite Elizabeth's insistence to Mr. Collins that she would never want a man to propose to her twice, she spends much of the story regretting her refusal of Mr. Darcy.

Unlike most novels of its era, which describe fantastic or improbable events, Pride and Prejudice depicts ordinary provincial life with keen observation. It sidesteps flashy scenes: Lydia's elopement occurs "offstage" and she returns before the reader only after her marriage; the sole hint of the ongoing Napoleonic wars is a militia regiment that seems to exist for the amusement of teenage girls. The active mind of the protagonist and her sparring courtship provide most of the story's interest.

Marriage plays a huge role in Pride and Prejudice. Some characters marry for security, some marry for wealth, and some marry for love. The idea of marriage is very important throughout the novel, primarily because it was often the only way for a woman of the period to secure her freedom, social status, and living standard.

Social classes are also taken into account and play a major role as a theme in Pride and Prejudice. People of higher class are very proud of themselves and do not like to socialise with those of lower class. A good example is Darcy when we first meet him. Also, the Bingley sisters often talk together about the way people of lower classes act and look bitterly upon them. A notable exception is Colonel Fitzwilliam, the polite and intelligent younger son of an earl who exhibits embarrassment at his wealthier relatives' rudeness. It is also seen as bad for people of higher classes to mingle with lower classes, but Bingley puts this idea away and proves to be a very social character. Jane Austen ridicules almost all of her aristocratic characters, and her heroes tend to be the landed gentry or the upper-middle class. Lizzy Bennet insists that she is of the same class as Mr. Darcy, and snobbery is one of the characteristics of a villain in Jane Austen's novels.

Appearance versus reality is a recurring motif all throughout the novel. Near the beginning of the novel, Mr. Darcy points out that humility is the most deceitful appearance of all, and that it is often a careless remark, but can be a way to uplift one's view among others.

An important theme of all of Jane Austen's novels is how one correctly assesses the characters of the people one meets. Because Elizabeth Bennet and her sisters need to marry, and need to marry well, it is vital that they be able to "read" the men in their social circle—or they might end up married to unprincipled, immoral men like Wickham. The "pride" of the book's title refers not only to Mr. Darcy's pride, but also to Lizzy's pride in her ability to read characters, which turns out to be faulty.

Another major theme is that pride and prejudice both stand in the way of relationships, as embodied in the persons of Darcy and Elizabeth respectively. Pride narrows the vision of a person and causes one to underestimate other mortals. Prejudice blinds the vision and leads to false perceptions about others. Darcy’s pride and Elizabeth’s prejudice come in their way of understanding each other and keep them apart. Only when Darcy becomes more humble and Elizabeth becomes more accepting can they relate to one another and find happiness together.

Another major theme is family. Austen portrays the family as primarily responsible for the intellectual and moral education of children. Mr. and Mrs. Bennet's failure to provide this education for their daughters leads to the utter shamelessness, foolishness, frivolity, and immorality of Lydia. Elizabeth and Jane have managed to develop virtue and strong characters in spite of the negligence of their parents, perhaps through the help of their studies and the good influence of Mr. and Mrs. Gardiner, who are the only relatives in the novel that take a serious concern in the girls' well-being and provide sound guidance. Elizabeth and Jane are constantly forced to put up with the foolishness and poor judgment of their mother and the sarcasm and detachment of their father. Even when Elizabeth advises her father not to allow Lydia to go to Brighton, he ignores the advice because he thinks it would be too difficult to deal with Lydia's complaining. The result is the scandal of Lydia's elopement with Wickham. It is only when Lydia elopes with Wickham that Mr. Bennet is moved ineffectively to action. The conclusion indicates that Mr. Bennet has learned little from the crisis, as he indulges in sarcastic comments at his younger daughters' expense.

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Film and television adaptations

Pride and Prejudice has been the subject of many film and television adaptations:

Notable film versions

• 1940: Pride and Prejudice starring Greer Garson and Laurence Olivier.
• 2001: Bridget Jones's Diary shares some themes with Pride and Prejudice, and the character of Mark Darcy (again played by Colin Firth in the film version) is named in deliberate homage to the original character.
• 2003: Pride and Prejudice: A Latter-day Comedy.
• 2004: Bride and Prejudice, the Bollywood version, directed by Gurinder Chadha and starring Anupam Kher, Aishwarya Rai, and Naveen Andrews.
• 2005: Pride & Prejudice, starring Keira Knightley and Matthew Macfadyen.

Notable television versions

• 1952: Feb 2nd to March 8th. The BBC broadcast a five-episode mini-series live, starring Ann Baskett and Peter Cushing.
• 1980: Pride and Prejudice, television series starring Elizabeth Garvie and David Rintoul, adapted by Fay Weldon.
• 1995: Pride and Prejudice, television mini-series starring Jennifer Ehle and Colin Firth, adapted by Andrew Davies.
• There were three additional BBC television productions of Pride and Prejudice made in 1938, 1958, and 1967.

Theatrical adaptations

• "First Impressions", Broadway musical version of Pride and Prejudice

See also: Pride and Prejudice, the Musical for a more recent musical adaptation.

Awards and nominations

• In 2003 the BBC conducted the largest ever poll for the "UK's Best-Loved Book" in which Pride and Prejudice came second, behind The Lord of the Rings.

The Continuing Story

Various other authors have written continuations of the story, such as:

Pamela Aidan

• An Assembly Such As This
• Duty and Desire
• These Three Remain

Linda Berdoll

• Mr. Darcy Takes a Wife
• Darcy & Elizabeth: Nights and Days at Pemberley

Elizabeth Aston

• Mr. Darcy's Daughters
• The Exploits & Adventures of Miss Alethea Darcy
• The True Darcy Spirit

Emma Tennant

• Pemberley : Or Pride & Prejudice Continued

Julia Braun Kessler (also known as Julia Barrett) and Gabrielle Donnelly

• Presumption: An Entertainment, by Julia Barrett

Ted Bader and Marilyn Bader

• Desire and Duty: A Sequel to Jane Austen's Pride and Prejudice
• Virtue and Vanity

Norma Gatje-Smith

• Trust and Triumph: The Sequel To Jane Austen's Pride And Prejudice

Janet Aylmer

• Darcy's Story, by Janet Aylmer

Skylar Hamilton Burris

• Conviction: A Sequel To Jane Austen's Pride And Prejudice

Diana Birchall

• Mrs Darcy's Dilemma: A sequel to Jane Austen's Pride and Prejudice

Frances Morgan

• Darcy & Elizabeth

Philip José Farmer

• Tarzan Alive! which places Elizabeth Bennet, Fitzwilliam Darcy, and their descendants in the Wold Newton family.

External links

• Chronology/Calendar for Pride and Prejudice http://www.jimandellen.org/austen/p&p.calendar.html

• Pride and Prejudice at Project Gutenberg
• Pride and Prejudice, online at Ye Olde Library
• Free audiobook from LibriVox
• Filmography of Jane Austen Adaptations
• Pride & Prejudice timeline
• Pride and Prejudice Literary analysis of the novel
• Free typeset PDF ebook of Pride and Prejudice, optimized for printing at home

v t e Jane Austen
Timeline
Works	Major Sense and Sensibility (1811) Pride and Prejudice (1813) Mansfield Park (1814) Emma (1816) Northanger Abbey (1818) Persuasion (1818) Minor Lady Susan The Watsons (unfinished) Sanditon (unfinished) Plan of a Novel Juvenilia Love and Freindship The Beautifull Cassandra The History of England Catharine, or The Bower
Places	Jane Austen Centre House Museum Chawton House (Library)
Family and people	Rev. George Austen James Austen Edward Austen Knight Henry Thomas Austen Cassandra Austen Francis Austen Charles Austen Anna Austen Lefroy Thomas Langlois Lefroy Philadelphia Austen Hancock Eliza de Feuillide (née Hancock) Catherine Hubback Martha Lloyd
Analysis	Causes of death Janeite In popular culture Styles and themes Georgian society in Austen novels Reception history A Memoir of Jane Austen
Portrayals	Becoming Jane (2007 film) Miss Austen Regrets (2007 film)
Category

• 1813 novels
• British novels
• Jane Austen novels
• Romance novels