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| Serebryakova's long years away from Russia and her family were full of nostalgia and brought her neither joy nor creative satisfaction. She struggled to obtain even a little money to send back to her children in Russia. | Serebryakova's long years away from Russia and her family were full of nostalgia and brought her neither joy nor creative satisfaction. She struggled to obtain even a little money to send back to her children in Russia. | ||
| Zinaida Serebryakova traveled a great deal. In ] and ] she travels to ], visiting ] |
Zinaida Serebryakova traveled a great deal. In ] and ] she travels to ], visiting ]. Landscapes of Africa's north astonished her, she paints ], ] women, ] in ethnic clothes. She also paints a cycle devoted to ]'s fishermen. The salient feature of her later landscapes and portraits is the artist's own personality—her love of beauty, whether in nature or in man. And yet, the most important thing was missing—the connection with what was near and dear to her. In 1947, she took French citizenship. | ||
| During ]'s ], the Soviet Government allowed contact with her. In ], after 36 years of forced separation she was visited by her daughter Tatiana (]), who became a artist painting decors for the Moscow Art Theatre. In ], a large exhibition of Zinaida Serebryakova's works was mounted in Moscow, Leningrad, and ]. She instantly became very popular in Russia, her albums were selling by the millions and she was compared to ] and ]. | During ]'s ], the Soviet Government allowed contact with her. In ], after 36 years of forced separation she was visited by her daughter Tatiana (]), who became a artist painting decors for the Moscow Art Theatre. In ], a large exhibition of Zinaida Serebryakova's works was mounted in Moscow, Leningrad, and ]. She instantly became very popular in Russia, her albums were selling by the millions and she was compared to ] and ]. | ||
Revision as of 21:34, 22 October 2006
Zinaida Yevgenyevna Serebryakova (Template:Lang-ru) (December 10, 1884–September 19, 1967) was the first female Russian painter of distinction.
Biography
Family
Zinaida Serebryakova was born on the estate of Neskuchnoye near Kharkov (now Ukraine) into one of the most refined and artistic families of Russia.
She belonged to the artistic family of Lansere (sometimes spelled Lanceray). Her grandfather Nikolay Leontyevich Lansere was a famous architect, chairman of architect's society and member of Russian Academy of Science. Her uncle Alexandre Benois was a famous painter, founder of the Mir iskusstva art group. Her father, Yevgeny Nikolayevich Lansere, was a well-known sculptor, and her mother, who was Alexandre Benois's sister, was good at drawing. One of Zinaida's brothers, Nikolay Yevgenyevich Lansere, was a talented architect, and her other brother, Yevgeny Yevgenyevich Lansere, had an important place in Russian and Soviet art as a master of monumental painting and graphic art. Russian-English actor and writer Peter Ustinov was also her relative.
Youth
In 1900 she graduated from women's gimnasium and entered the art school founded by princess Tenisheva. She learned from Repin (since 1901) and from portrait artist Braz (1903–1905). In 1902–1903 she traveled to Italy. In 1905–1906 she studied at Academie de la Grande Chaumiere in Paris.
In 1905, Zinaida Lansere married her first cousin, son of Evgenyi's sister, student (later railroad engineer) Boris Serebryakov and took his surname.
Happy years
Ever since her youth Zinaida Serebryakova strove to express her love of the world and to show its beauty. Her earliest works—Country Girl (1906, Russian Museum) and Orchard in Bloom (1908, private collection)—speak eloquently of this search, and of her acute awareness of the beauty of the Russian land and its people. These works are etudes done from nature, and though she was young at the time, her extraordinary talent, confidence and boldness were apparent.
Broad public recognition came with Serebryakova's self-portrait At the Dressing-Table (1909, Tretyakov Gallery); first shown at a large exhibition mounted by the Union of Russian Artists in 1910. The self-portrait was followed by Girl Bathing (1911, Russian Museum), a portrait of Ye.K. Lansere (1911, private collection), and a portrait of the artist's mother Yekaterina Lansere (1912, Russian Museum)—mature works, strict in composition.
She joined the Mir iskusstva movement in 1911, but stood out from the other members of the group because of her preference for popular themes and because of the harmony, plasticity and generalized nature of her paintings.
In 1914–1917, Zinaida Serebryakova was in her prime. During these years she produced a series of pictures on the theme of Russian rural life, the work of the peasants and the Russian countryside which was so dear to her heart: Peasants (1914–1915, Russian Museum), Sleeping Peasant Girl (private collection).
The most important of these works was Bleaching Cloth (1917, Tretyakov Gallery) which revealed Zinaida Serebryakova's striking talent as a monumental artist. The figures of the peasant women, portrayed against the background of the sky, gain majesty and power by virtue of the low horizon.
When in 1916 Alexander Benois was commissioned to decorate the Kazan Railway Station (see) in Moscow, he invited Yevgeny Lansere, Boris Kustodiev, Mstislav Dobuzhinsky, and Zinaida Serebryakova to help him. Serebryakova took on the theme of the Orient: India, Japan, Turkey, and Siam are represented allegorically in the form of beautiful women. At the same time she began compositions on subjects from classical mythology, but these remained unfinished.
Revolution
Zinaida met the October Revolution at her family estate of Neskuchnoye. Suddenly her whole life changed. In 1919 her husband Boris died of typhus, contracted in Bolshevik jails. She was left with her four children and sick mother without any income. Hunger. All reserves of Neskuchnoye were marauded. She had to stop oil painting for the less expensive techniques of coal and pencil. This was the time of her most tragic painting House of Cards showing all her four orphaned children.
She did not want to switch to the futurist style popular in earlier Soviet art, nor paint portraits of commissars, but she found some work at the Kharkov Archeological Museum, where she made pencil drawings of exhibits. In December 1920 she moved to Petrograd to her grandfather’s apartment. After the October Revolution inhabitants of private apartments were forced to share them with new inhabitants sent for podseleniye. Her daughter Tatiana entered the academy of ballet. She made then a serie of pastel on the Mariinsky theater.
Paris
In the autumn of 1924, Serebryakova went to Paris, having received a commission for a large decorative mural. On finishing this work she intended to return to Russia, where her mother and the four children remained. The youngest boy Alexandre and the youngest daughter Catherine came in Paris respectively in 1926 and 1928.She wanted to have the other one but life turned out differently and she was not able to return to Russia and became separated from two of her beloved children : Evgenyi and Tatiana.
Serebryakova's long years away from Russia and her family were full of nostalgia and brought her neither joy nor creative satisfaction. She struggled to obtain even a little money to send back to her children in Russia.
Zinaida Serebryakova traveled a great deal. In 1928 and 1930 she travels to Africa, visiting Morocco. Landscapes of Africa's north astonished her, she paints Atlas mountains, Arab women, Africans in ethnic clothes. She also paints a cycle devoted to Britannia's fishermen. The salient feature of her later landscapes and portraits is the artist's own personality—her love of beauty, whether in nature or in man. And yet, the most important thing was missing—the connection with what was near and dear to her. In 1947, she took French citizenship.
During Khruschev's Thaw, the Soviet Government allowed contact with her. In 1960, after 36 years of forced separation she was visited by her daughter Tatiana (Tata), who became a artist painting decors for the Moscow Art Theatre. In 1966, a large exhibition of Zinaida Serebryakova's works was mounted in Moscow, Leningrad, and Kiev. She instantly became very popular in Russia, her albums were selling by the millions and she was compared to Boticelli and Renoir.
On September 19, 1967, at the age of eighty-two, Zinaida Serebryakova died in Paris. Most of her works are still in France, but she send about 200 in Russia for the exhibition.
Notes
- While in Paris she usually signed her work Z. Serebriakova, and before leaving Russia in 1924 she signed in Cyrillic script. On her French passport she was Zinaïde Sérébriakoff, born Lanceray.
External links
- Serebryakova's biography on the St. Petersburg State Academic Institute of Fine Arts, Sculpture, and Architecture
- Zinaida Serebryakova (example of work)
- Selected works of Zinaida Serebryakova
- Illustrated description of 2006 auction in Montreal at which four nudes by Serebryakova sold.
(Three show her signature in 1930s Paris. Two sold for over $500,000.) - Illustrated biographical essay based on a 2004 book by V. D. Berlina. Template:Ru icon
(The following portraits from the above site show her signature in Cyrillic script.)