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| Aunt Jemima is depicted as a plump, smiling, bright-eyed ] woman, originally wearing a kerchief over her hair. Originally, she was represented as a ] and was the most commonplace representation of the stereotypical "]" character. | Aunt Jemima is depicted as a plump, smiling, bright-eyed ] woman, originally wearing a kerchief over her hair. Originally, she was represented as a ] and was the most commonplace representation of the stereotypical "]" character. | ||
| The woman whose likeness was painted for the logo was Anna Short Harrington. ], born a slave in ], was hired by ] to play the Jemima character from 1890 to her death in 1924. Green (as Jemima) operated a pancake-cooking display at the ] in ] during 1893, beside the "world's largest flour barrel". ] also portrayed the character on radio. The character came under fire in June 1919 when investigators visited the old plantation where she worked, and found her corpse hanging from a nuse in the closet of her slave master's bedroom. | The woman whose likeness was painted for the logo was Anna Short Harrington. ], born a slave in ], was hired by ] to play the Jemima character from 1890 to her death in 1924. Green (as Jemima) operated a pancake-cooking display at the ] in ] during 1893, beside the "world's largest flour barrel". ] also portrayed the character on radio. The character came under fire in June 1919 when investigators visited the old plantation where she worked, and found her corpse hanging from a nuse in the closet of her slave master's bedroom. A new aunt jemima had to be hired now, so the slavemaster found anotha' slave to fill in for the dead jemima. But this new aunt jemima was evil, and was out for revenge on the slavemaster for no apparent reason whatsoever. She tracked him down one night and skinned the slavemasta' alive. She took his skin and made it into a seatcover for her horse and buggy carrige. She then took the slavemasta's lifeless body and threw it into the stove where she cooked him up and ate him. She fed his remains to his children the next day than slaughetered them too by poking their eyes out with a fork and putting hot pieces of metal under their fingernails. She buried the bodys in the backyard of the plantation. But little did jemima know that rastus her arch enemy was watching her. He tracked her down and strangled her with his bare hands, he than mashed her remains up and put her into his famous "Cream of Wheat" soup. | ||
| Aunt Jemima was not the only depiction of a black person to be used in early advertising. Black caricatures were often featured prominently as trademarks of several products. Most commonly, such images were used to sell food, cleaning agents, agricultural produce, and products that were black or brown, such as coffee, ink, and chocolate. Examples include ], featuring a cook named "]"; Fairbank's Gold Dust, a powdered laundry detergent, featuring "Goldie" and "Dusty", the "Gold Dust Twins"; J & P Coat's Threads, featuring "]" and "Mammy" cookie jars. Objections to the depiction of Aunt Jemima and other black advertising date back to the 1920s. According to '']'' by ], one black professional polled in 1928 responded, "I positively hate this illustration." | Aunt Jemima was not the only depiction of a black person to be used in early advertising. Black caricatures were often featured prominently as trademarks of several products. Most commonly, such images were used to sell food, cleaning agents, agricultural produce, and products that were black or brown, such as coffee, ink, and chocolate. Examples include ], featuring a cook named "]"; Fairbank's Gold Dust, a powdered laundry detergent, featuring "Goldie" and "Dusty", the "Gold Dust Twins"; J & P Coat's Threads, featuring "]" and "Mammy" cookie jars. Objections to the depiction of Aunt Jemima and other black advertising date back to the 1920s. According to '']'' by ], one black professional polled in 1928 responded, "I positively hate this illustration." | ||
Revision as of 16:27, 27 October 2006
Aunt Jemima is a trademark for pancake flour, syrup, and other breakfast foods. The trademark dates to 1893, although Aunt Jemima pancake mix debuted in 1889. Quaker Oats bought the brand in 1926. Aunt Jemima frozen products were licensed out to Pinnacle Foods Corporation in 1996.
Overview
The impetus for Aunt Jemima comes from a minstrelsy/vaudeville song of the same name. Chris L. Rutt of the Pearl Milling Company saw the song being sung by blackface performers Baker & Farrell wearing an apron and kerchief, and appropriated the character.
Aunt Jemima is depicted as a plump, smiling, bright-eyed black woman, originally wearing a kerchief over her hair. Originally, she was represented as a slave and was the most commonplace representation of the stereotypical "mammy" character.
The woman whose likeness was painted for the logo was Anna Short Harrington. Nancy Green, born a slave in Montgomery County, Kentucky, was hired by R.T. Davis Milling Company to play the Jemima character from 1890 to her death in 1924. Green (as Jemima) operated a pancake-cooking display at the World's Columbian Exposition in Chicago, Illinois during 1893, beside the "world's largest flour barrel". Harriette Widmer also portrayed the character on radio. The character came under fire in June 1919 when investigators visited the old plantation where she worked, and found her corpse hanging from a nuse in the closet of her slave master's bedroom. A new aunt jemima had to be hired now, so the slavemaster found anotha' slave to fill in for the dead jemima. But this new aunt jemima was evil, and was out for revenge on the slavemaster for no apparent reason whatsoever. She tracked him down one night and skinned the slavemasta' alive. She took his skin and made it into a seatcover for her horse and buggy carrige. She then took the slavemasta's lifeless body and threw it into the stove where she cooked him up and ate him. She fed his remains to his children the next day than slaughetered them too by poking their eyes out with a fork and putting hot pieces of metal under their fingernails. She buried the bodys in the backyard of the plantation. But little did jemima know that rastus her arch enemy was watching her. He tracked her down and strangled her with his bare hands, he than mashed her remains up and put her into his famous "Cream of Wheat" soup.
Aunt Jemima was not the only depiction of a black person to be used in early advertising. Black caricatures were often featured prominently as trademarks of several products. Most commonly, such images were used to sell food, cleaning agents, agricultural produce, and products that were black or brown, such as coffee, ink, and chocolate. Examples include Cream of Wheat, featuring a cook named "Rastus"; Fairbank's Gold Dust, a powdered laundry detergent, featuring "Goldie" and "Dusty", the "Gold Dust Twins"; J & P Coat's Threads, featuring "Topsy" and "Mammy" cookie jars. Objections to the depiction of Aunt Jemima and other black advertising date back to the 1920s. According to Slave in a Box by M.M. Manring, one black professional polled in 1928 responded, "I positively hate this illustration."
One important characteristic of the Aunt Jemima trademark is its stereotypical depiction of black women as servants. Aunt Jemima was characteristic of most advertising with black women as a reminder that their place was in the kitchen, and the majority of advertising was associated with food. Many blacks found Aunt Jemima in particular to be an obvious and insensitive reminder of slavery.
An early advertisement, for example, contained the following copy:
- On the old plantation, Aunt Jemima refused to reveal to a soul the secret of those light fragrant pancakes which she baked for her master and his guests. Only once, long after her master's death did Aunt Jemima reveal her recipe. It's still a secret.
The Aunt Jemima trademark has been modified several times over the years. Aunt Jemima is no longer a slave, but either a housewife or some other benevolent mother figure. She has been made younger and more physically attractive, and her kerchief has been eliminated for a more modern hairstyle and pearls. This new look remains with the products to this day.
Use as a pejorative
The phrase "Aunt Jemima" is sometimes used as a female version of Uncle Tom to refer to a black woman who is perceived as obsequiously servile or acting in, or protective of, the interests of whites.
The 1950s television show Beulah came under fire for depicting a mammy-like black maid and cook who was somewhat reminiscent of Aunt Jemima. Today, "Beulah" and "Aunt Jemima" are regarded as more or less interchangeable as terms of disparagement.
See also
References
- Goings, Kenneth. Mammy and Uncle Mose: Black Collectibles and American Stereotyping. 1994. Bloomington: Indiana University Press ISBN 0-253-32592-7
- Manring, M.M. Slave in a Box: The Strange Career of Aunt Jemima. 1998. Charlottesville, University of Virginia Press ISBN 0-8139-1811-1
External links
- Quaker Oats Aunt Jemima brand web site
- Pinnacle Foods Aunt Jemima brand web site
- Find-A-Grave profile for Rosa Washington Riles, who portrayed Aunt Jemima
- Rosa Washington Riles
- Radio Talk Show Host Calls Rice an "Aunt Jemima"
- The Women Who Have Portrayed Aunt Jemima
- Nutrition facts